We found 77111 price guide item(s) matching your search

Mixed lot comprising a pair of modern still life studies, oil on canvas, gilt frames together with one other (3)

After Thomas Gainsborough, contained in oval frame together with a still life oil signed James Allen

A still life study indistinctly signed

Morry, oil on board still life study

Lladro No 5.363 'Still Life' with box

A large framed oil on canvas of a mountain and river scene (signed ER) together with two framed thin still life studies of fruit and flowers, signed indistinct. Largest: 50cm x 38cm. Smallest: 18cm x 50cm. Repair to canvas of mountain scene.

Gordon Chell, two framed watercolours. One a still life, study of poppies along with a landscape scene with a windmill.

Joseph Bunker (British 19th century), a framed watercolour, still life of apples. Signed. 29.5cm x 44.5cm.

TWO LATE 19TH / EARLY 20TH CENTURY STILL LIFE FLOWER STUDIES, both feature a variety of flowers in an urn, no visible signature, one bears a partial label for 'The Lever Gallery' verso, oil on wood panel, oval in shape, approximate sizes 56cm x 45cm, Condition Report: both paintings appear to be in good condition, some losses to the frames

ATTRIBUTED TO FELICITY EVERSHED (20TH CENTURY) 'REEDS IN A VASE', a still life study of trees in a blue vase, attribution verso, oil on board, approximate size 71cm x 56cm, Condition Report: small area of craquelure to the right side

JACI HOGAN (AUSTRALIAN / BRITISH CONTEMPORARY) 'SIMPLISTIC DECORATIONS I', a still life depicting five vases of various sizes, signed and dated 2005 verso, oil on box canvas, approximate size 61cm x 41cm, Condition Report: good condition, lacks hanging fittings

VASILE LEONDAR (ROMANIA 1957) IRIS, a still life study of a single Iris, signed verso, oil on canvas, approximate size 60cm x 30cm unframed, Condition Report: this panel originally formed part of a triptych, some craquelure towards the top, scuffs to the corners, lacks hanging fittings

MIGUEL NUNEZ (URUGUAY 1966) 'RED WINE III', a realism still life study of a glass of red wine, signed bottom left, oil on board, approximate sizes - image 29cm x 19cm frame 50cm x 40cm, Condition Report: small dirty marks to the frame

A BOX AND LOOSE ASSORTED PRINTS ETC, to include a watercolour depicting a street market circa 1940's, indistinct signature, approximate size 27cm x 38cm, a pencil sketch of Kestrel signed M.W Coe, still life flower prints, Kevin Platt coastal village prints, print reproduction of Louise Rayner paintings, an art portfolio folder containing posters for the Ballet Rambert and reproduction posters and maps etc (1 box + loose)

A BOX AND LOOSE PAINTINGS AND PRINTS ETC, to include a 20th century pastoral landscape signed Gullen, oil on canvas, approximate size 50cm x 60cm, together with two oil on board landscapes signed I. Cafieri, approximate sizes 19cm x 24cm, assorted print reproductions of still life paintings, framed postcards and a cast metal framed mirror (Box and 5 loose)

Modern British, oil on board, Table top still life, 43 x 58cm

Mark Randall (1921-2011), oil on board, 'Across the bay at Laugharne', signed and dated '78, 21 x 42cm and an oil still life, initialled EB, 40 x 50cm

Bernard Ninnes (1899-1971), oil on canvas, Still life with Indonesian doll beside a vase of flowers, signed, 60 x 51cm, unframed

Giovanni Barbaro / AKA Arthur Dudley (1864-1915), watercolour, Still life of a duck and fruit, signed, 26 x 70cm

Middleton Holding, oil on canvas, Still life of flowers in a jug, signed and dated 1946, painted to the oval, 59 x 49cm

Jean Sardi (France, B. 1947) "Still Life" Oil on Canvas. Signed lower right. Sight Size: 30 x 24 in. Overall Framed Size: 31 x 25 in.

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Watcher" Dated: '95 Oil on Canvas. Signed lower right and verso. Size: 13 x 13 in. (199 - 4669) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Female Head" Dated: '71 Oil on Paper. Signed lower middle. Image Size: 12.25 x 9 in. Overall Size: 20.75 x 16.75 in. Framed behind glass. (83 - 4664) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Triple Beam" Dated: '90 Oil on Canvas. Signed and titled verso. Size: 61.5 x 49.25 in. (122 - 4340) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Jesse Corsaut (California, Kansas, B. 1929) Still life of fruit Oil on Board. Signed and dated ('53) lower left. Sight Size: 12.25 x 15.75 in. Overall Framed Size: 17 x 20.5 in.

American School, 20th C. Still Life Painting. Oil on Canvas. Signed illegibly lower left. Sight Size: 23.75 x 31.75 in. Overall Framed Size: 29 x 37 in.

American School, 19th century still life painting of oranges. Appears to be unsigned. Oil on Canvas. Size: 12 x 15 in. Unframed.

John Stuart Ingle (American, 1933 - 2010) Still life with strawberries, sugar bowl, potted plant and water pitcher. Watercolor. Signed and dated lower right. Comes with original Friends Gallery invoice from 1981 for $5,000. Provenance: Albin Polasek Museum & Sculpture Gardens Sheet Size: 23 x 30 in. Overall Framed Size: 30 x 37.25 in. Framed behind glass.

Don Balke (North Carolina, B. 1933) "American Woodcock and Mayflower" Signed lower left. Original Watercolor on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood commemorative cover for the Birds and Flowers of Canada - Nova Scotia, postmarked June 30, 1978. AMERICAN WOODCOCK Philohela minor The Woodcock's day is spent dozing in a well-concealed ground nest, but as the cloak of night falls over the woodland, he springs awake to hunt. In a single night the Woodcock may consume half his weight in earthworms. When full, he takes to the air for a daring performance designed to dazzle the female. If the moon is full, the Woodcock may stage an all-night show. Once the courting ritual is over, however, the male Woodcock has little to do with family life. The female lays three to four eggs with brown spots in a nest of leaves and twigs -- and she continues to watch over her fluffy chicks until they can fly. When the young are grown and summer is at an end, the Woodcocks head south to their winter home. MAYFLOWER Epigaea repens It seems likely that the Mayflower derives its name from the ship that brought the Pilgrims to America. After a hard winter, the Pilgrims, no doubt, came upon this delicate bloomer and named it after their ship. The Mayflower, or Trailing Arbutus, is a delightful woodland native of Canada and the northern United States. It bears trailing hairy stems, green leaves, and clusters of white or pink flowers of sweet fragrance. The plant spreads in thick mats and prefers a home beneath a pine tree. Here, fallen pine needles and leaves protect its evergreen foliage throughout the Canadian winter. One of the welcome heralds of spring, the Mayflower blossoms often appear while there is still snow on the ground. Image Size: 13.5 x 14 in. Overall Size: 14 x 17 in. Unframed. (B05207)

Signed Coleman, American School "Still Life with Fruit" painting. With nameplate in lower center portion of the frame. Oil on Canvas. Signed lower center. Stamp verso on canvas. Condition: minor areas of inpaint. Sight Size: 9.5 x 13.5 in. Overall Framed Size: 17.25 x 21.25 in.

A Wears  Oil on board Head and shoulders portrait of a woman, signed and dated 'A Wears 1978'  Robert Howard Oil on board River boating scene, signed and dated 'Robert Howard 1928' Oil on canvas  Still life of roses and lilies, signed 'M Ling'  Print Jane Powell in Seven Brides for Seven Brothers film  Oil on canvas  Still life of chrysanthemums and fruit  Artist's box containing few blank canvases and artists paper (6)  

After Archibald Thorburn Print  Cock and hen pheasant, set in oval mount in elaborate gilt frame  Oil on board Still life of roses, indistinctly signed lower right, in gilt frame and mount 

Weg(?) (20th century school) Large colour print Still life, vase of flowers and cello, circa 1990, framed and glazed, 130cm square overall 

H L Kent Oil on canvas Woodland lane, signed 'Ferrer' Oil on canvas Still life roses in a bowl Applique picture Roses in a bowl  Victorian watercolour 'Great Park', 1850 and two other watercolours (6) 

An antique campana urn bearing an early red Crown Derby style mark. Having hand painted panel of still life scene with cobalt blue and gilt decoration. 21cm tall.

A Chinese Tea-dust Glaze Vase Yuhuchunping H 17.5cm; W 9cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Doucai Glaze Dragon Bell Shaped Vase H 23cm; W 9.5cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Famille Rose Peaches Moon Flask H 35cm; W 26cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Famille Rose Lotus Scrolls Vase H 34cm; W 16.5cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Blue and White Dragon Zun Vase H 27cm; W 25cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Blue and White Figural Story Vase Meiping H 55cm; W 26cm Ming Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Famille Rose Immortals Vase H 75.5cm; W 42cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Famille Rose Lotus Scrolls Vase H 33cm; W 17.5cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Doucai Glaze Longevity Vase H 17cm; W 13.5cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Famille Rose Hundred Deers Zun Vase H 50cm; W 41cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Famille Rose Floral Saucer H 4.5cm; D 24cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Copper Red Bottle Vase H 20cm; W 13cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

Pair Chinese Blue and White Garnitures with Covers H 40cm; W 25cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Ru-ware Dish H 5cm; D 20.5cm Song Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Famille Rose and Gilt Ribbon Vase H 18.5cm; W 9cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Jun-ware Tripod Censer D 25cm; H 9.5cm Song Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Famille Rose and Gilt Chilong Jar H 8.5cm; W 10cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Famille Rose and Gilt Dragon Globular Vase H 60cm; W 44cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Copper Red Dragon Jar H 29cm; W 42cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Blue and White Fruits Vase Meiping H 15.5cm; W 9. We 5cm Qing Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

A Chinese Famille Verte Lotus Pond Teapot H 23.5cm; W 18cm Ming Dynasty The Na Yantu Palace Old Collection Na Yantu (1867-1938) was a minister in the late Qing Dynasty and the 27th generation descendant of Genghis Khan. In 1874 (Qing Tongzhi 13th year), he inherited the title of 7th generation Prince of Khalkha, also known as "Na Wang". Na Yantu lived a luxurious life and was keen on gambling in the casino, which resulted in huge expenses and increasingly difficult living conditions. In the 15th year of the Republic of China (1926), he borrowed 70,000 silver yuan from Father Jean-Marie Planchet, a priest of The North Church Catholic Church in Beiping (now Beijing). In 1927, Na Yantu entrusted the antiques in his royal residence to Minsheng Trading Company for auction to repay the debt, but the proceeds were still not enough to repay the debt. Later, Nayantu was sued by Father Jean-Marie Planchet. After Nayantu lost the lawsuit, the royal residence was mortgaged to Father Jean-Marie Planchet. A large number of artworks in that royal residence were purchased and transported back to France by Albert Armand Pouyanne (1873-1932), and after Pouyanne's death, his wealth and a large number of collections were inherited by his family.

Salvador Dali. Black ballpoint pen and pencil on sketchbook page. Signed in felt-tip pen lower right "Dali". On the back study for the painting "Living still life" (1956), pencil sketch. Dimensions: 19.7 x 17.2 cm. Inscribed by a third party on the back in blue ballpoint pen in a "24" circle. Accompanied by a confirmation issued by Captain Peter Moore (former secretary of Salvador Dali) dated July 1, 1995. We thank Monsieur Nicolas Descharnes for having kindly indicated to us that this drawing is registered in his archives under number 7075. PROVENANCE: - Private collection, Mr Peter Moore (Salvador Dali's secretary between 1956 and 1974). - Private collection, North Rhine-Westphalia, Germany. - Private collection of Monsieur M…, France. EXHIBITION: - Salvador Dali. Watercolor, Gouachen, Zeichnungen, Grafik, Stadtische Galerie im Fruchtkasten des Klosters Ochsenhausen, July 16 - October 3, 2000, no p. (with illustration). - Gallery B. "To meet", October-December 2022, Durbuy, Belgium. (Reproduced in the exhibition catalog p30-31) - Weight: 0 g - Shipping unavailable - Region: Spain - Sizes: 197 mm x 172 mm - At first glance: very good condition - Author / artist: Salvador Dali

RAOUL DUFY, Still life with cherries, signed in the plate lithograph 1969, Pierre Levy suite, vintage French frame, 50cm x 41.5cm.

Marion Broom (British 1878-1962): Still Life of Flowers, watercolour signed 28.5cm x 37.5cm

E Kyles (British late 19th century): Still Life of Fruit and Books, oil on canvas signed and titled 1898, 44cm x 64cm in heavy gilt frame