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Lot 1

E. K. P. Oil on canvas Still life - flower in a vase Signed initials and dated '04 58cm x 39cm

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English School, 20th century Still life of anemones Oil on board Signed with initials 30cm x 40cm

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A group of assorted modern oils and watercolours including still life and landscape subjects (qty)

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A 20th century oil of a floral still life, together with a reproduction print after Sisley.(2)

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Pegwell Bay, Lobster Fishing (24) medium, chipped and Pegwell Bay, Still Life Fish (26) cracked (2)

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Pegwell Bay, Still Life Game (35)

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E. Chappel, Still Life, a bowl of flowers Oil on canvas Signed 40cm x 50cm

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English School, late 19th Century STILL LIFE (fruit on a marble ledge) oil on canvas, 30cm x 40cm (11.75"x 15.75").

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An oak table made from timber salvaged from Admiral NelsonÕs ship H.M.S. Foudroyant the rectangular top with a moulded edge above a frieze drawer with a copper handle and an undertier on square tapering legs and spade feet with a brass plaque from Goodall Lamb and Heighway Ltd Manchester ÔManufactured from the oak and copper salved from NelsonÕs FoudroyantÕ 70cm high 62cm wide 49cm deep (burn marks and patches) Ordered in 1788 laid down at Plymouth in 1791 and launched in May 1798 H.M.S. Foudroyant was an 80-gun two-decker of 2062 tons. Originally promised to Nelson but still unfinished when he was ordered to the Mediterranean in March 1798 she later served briefly as his flagship (June 1799-June 1800) before becoming flagship to Admiral Lord Keith. After an active rôle in the recapture of Malta she was refitted in 1802-03 and then returned to sea until 1812 when her active career came to an end. Thereafter stationed at Devonport on dockyard duties she was finally placed on the Sales List in 1891 and sold out of the service the following January for £2350. Bought by J. Read of Portsmouth he promptly resold her to German shipbreakers and thereby prompted a storm of protest amongst the general public. An appeal was launched to save her and thanks to the generosity of Mr. G.W. Cobb of Caldicot Castle Chepstow she was towed back to the Thames estuary and restored at Erith by Mr. Shuttleworth using her original plans loaned by the Admiralty. To offset the restoration cost of £20000 it was then decided to exhibit her at various seaside resorts and in June 1897 she was towed to Blackpool. On the 16th of the month during a violent storm she dragged her moorings and ran ashore on the pleasure beach near the North Pier. All aboard her were saved but Foudroyant was so badly damaged as to be beyond saving. Still essentially intact she continued to prove a major attraction to visitors but that NovemberÕs gales dashed her to pieces and ended her long life rather ignominiously. The public remained fascinated by her however to the extent that all her salvageable timber and metal was eventually recycled into a wide variety of maritime souvenirs including furniture such as this side table.

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J. Noorden oil on canvas, Still life of flowers in a vase,on a ledge, signed, 30 x 20 ins.

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Continental School oil on canvas, Still life of chrysanthemums in a vase, monogrammed, 24 x 20 ins.

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Phyllis Hibbert (1903-) watercolour, Still life of flowers in a vase, signed in pencil, 22.5 x 31 ins.

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Attributed to Peter de Wint watercolour, Still life of vessels of a table top, 13.25 x 11 ins.

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English School circa 1900. oil on canvas laid on board, Still life of chrysanthemums in a vase, 31 x 19 ins.

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Eva Savory (Exh. 1920-37) watercolour, Still life of nasturtiums in a vase, signed, 11.5 x 15 ins.

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A. Victor Coverley-Price (b.1901) unframed oil on card, Still life of flowers, signed, 14 x 16 ins.

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Lillian Brown oil on canvasboard, Still life of roses in a vase, signed and dated '29, 15 x 12.5 ins.

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Edith Alice Andrews (Exh. 1900-40) watercolour, Still life of flowers in a vase, signed, 5.75 x 7 ins.

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A Victorian gilt framed oil on canvas still life, unsigned, 45 x 60cm

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Victorian sampler, for George Cammack, 1851, in oak frame; modern Pears print; two floral watercolour still life; circular gilt mirror; and black and white photo of squadron (six)

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A quantity of large coloured modern prints, four with gilt frames (three Constable prints and one still life), includes two limited edition lithographs, signed by the artist, of estuary/river scenes (six)

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An oil on panel still-life, depicting flowers, unsigned, in gilt frame, 9'' x 13''.

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A modern watercolour still-life, depicting Chinese lanterns, flowers and apples, signed ''Fram Wesselman'', having label ''Cato'' to verso, framed and glazed, 15'' x 15''.

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A 19TH CENTURY BIEDERMEYER DRUM SHAPED WORK BOX the interior with pop up neo classical secret compartment with mirrored, ivory and ebony pillars and also fitted ivory and ebony reel holders in an arrangement of compartments enclosed by a hinged rising lid and inset mirror and still life panel, gilt mounts, pen work foliate decoration, pineapple undertier and ebonised basket, 29" high, 16" diameter. (see illustration).

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A group of eight assorted prints, including a pair of hand coloured prints of subjects in Hong Kong; a hand coloured engraving of a Mandarin and his wife; two further Oriental subjects; a still life,; a pair of W R Bigg and James Ward (8)

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*** Guiness, Continental street scenes, a pair, mixed media, both signed, each 49cm x 34cm. together with a watercolour still life signed C. Napier. (3)

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Alfred Priest DEAD GAME Watercolour, another watercolour and an unframed oil on canvas attributed to Edith Linel, another one by the same artist and an oil on canvas Still Life Vase of Flowers

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William Crosbie STILL LIFE LEMONS AND LIMES ON A TABLE Signed oil on panel 19.5cms x 24.5cms See illustration

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A Gilt Framed Watercolour CATHEDRAL INTERIOR; and another watercolour STILL LIFE VASE OF FLOWERS WITH FRUIT

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H TODD, SIGNED, OIL, still life study of mixed summer flowers in a green jug on a ledge, 21” x 19”

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INDISTINCTLY SIGNED, OIL, still life study of sea birds, ornaments and books, (see bill of purchase verso), 21” x 28”, unframed

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A VAN DUK, SIGNED OIL, a windmill at sunset, 21” x 19”, (A/F) and UNSIGNED, 20TH CENTURY OIL, still life study of dog alongside dead game and fruit, 23” x 29”, (2)

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HOLLAND, SIGNED, TWO OILS, still life study of Chrysanthemums in a green jug, 23” x 19” and still life study of a Bellamine bottle and fruit on a drape, 17” x 34”, (2)

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UNSIGNED, DUTCH SCHOOL, OIL, still life study of mixed flowers in a glass bowl, 29” x 22”

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PHOEBE DIGHTON, SIGNED WATERCOLOUR, Still life study of flowers and fruit in a glass vase and on a ledge, 16” x 19”

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PHOEBE DIGHTON, SIGNED WATERCOLOUR, Still life study of flowers in a glass vase on a ledge (In the Dutch manner), 19” x 16”

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D BAIN, SIGNED, OIL, still life study of pink roses in a blue vase on a ledge, 17” x 13”

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MICHAEL F LAUGHLIN, SIGNED, PAIR OF OILS, still life studies of roses in glass vases, 10” x 8”, unframed, (2)

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STUART SOMERVILLE, SIGNED, OIL, still life study of mixed spring and summer flowers in a vase on a ledge, 23” x 18”

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L DALE, SIGNED, PAIR OF OILS, still life studies of mixed fruit and flowers on a bank, 15” x 19”, within good quality gilt gesso frames

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JAMES FRY, INITIALLED, OIL, still life study of gladioli and grey stone jug on a ledge, 17” x 35”

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ATTRIBUTED TO EDWARD LADELL, BEARS MONOGRAM, OIL, still life study of mixed fruit and bird’s nest on a ledge, 11” x 15”

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GEORGE CLARE, SIGNED OIL, Still life study of wild flowers and birds nest on a bank, 6” x 9”

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WILLIAM SOMERVILLE SHANKS, SIGNED, OIL, still life study of Art Deco figure, Chinese bowl with flowers and oil painting, 21” x 17”

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DUTCH SCHOOL, OIL, still life study of mixed spring flowers in an urn, 30” x 20”

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W HUNT, SIGNED, OIL, still life study of primroses and bird’s nest on a bank, 11” x 17”

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LATE 19TH CENTURY ENGLISH SCHOOL, OIL, still life study of chrysanthemums, jug and vase against a fan, 17” x 19”

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M D, MONOGRAMMED, MODERN OIL, still life study of fruit, wine bottles and ginger jar on a cloth and table, 9” x 10”

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W T, INITIALLED, OIL ON PANEL, still life study of peaches, wine bottle and glass on ledge, 8” x 7” and UNSIGNED, OIL, inscribed verso ‘Mt Dowding’, 14” x 9”, unframed, (2)

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H G VALKWEIN, SIGNED, OIL, still life study of mixed roses in a glass bowl, 19” x 24”

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LATE VICTORIAN SCHOOL, PAIR OF UNSIGNED OILS, still life studies of flowers in vases, 17” x 14”, unframed, (2)

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JOHN WILLS, SIGNED, OIL, still life study of fruit and wine bottle against a drape, 13” x 17”

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STANLEY MILLER, SIGNED, FOUR OIL PAINTINGS, landscape and still life subjects, various sizes, (4)

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HENLEY G CURL, SIGNED, WATERCOLOUR, still life study of mixed flowers and china wares with curtain drape, 16” x 14”

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ALBERT HOLDEN, (ONE SIGNED) THREE OILS, still life studies of flowers, various sizes, unframed, (3)

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WILLIAM HENRY FORD, SIGNED, OIL, ‘Swanton Morley’ and E T, INITIALLED, PAIR OF OILS, still life studies of flowers, each approximately 9” x 12”, (3)

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19" X 19" FRAMED OIL PAINTING "STILL LIFE - FRUIT AND WINE" SCOTTISH SCHOOL

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E SHACKLETON, Still Life with Tulips, signed and dated 1907, 15 3/4" x 23 1/2", gilt frame.

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A 19th Century triple print, depicting a portrait of a young woman, a shipping scene when viewed from the left, and floral still life when viewed from the right, 53 by 42cm.

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Manner of Kenneth Webb, Still life, gouache together with another still life of a fish, oil on board (2).

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