1939 Rover P2 10Make: Rover Model: P2 10 Year: 1939Mileage: 0VIN: 902596Configuration: Right Hand DriveRegistration: CED511Transmission: manualThis lovely-looking 1939 Rover 10 P2 has come from a small private collection, where it had been since 2006. Known as Cedric, in reference to its CED 511 numberplate, little is known about the 1389cc car's earlier life except that it was sold new on Anglesey. Following discovery in a Cumbrian barn in 1967, it was fully restored and repainted brown and cream. In 2003, it was sold and subsequently refurbished again, this time being painted green. During 2008, it was repainted once again in maroon and black, the livery it wears today and which particularly suits it. The current mileage is showing as 65,820 on the odometer, with six previous registered keepers recorded. The history folder is huge, with the current V5C present along with some previous V5Cs. There are many photos of body work being undertaken over the years (including one set showing attention during 2012), assorted parts catalogues, Pearson workshop manual, and relevant magazines, and tax discs, MoTs invoices dating back over many decades. There are even some toll tickets - it seems that almost everything related to this Rover has been saved and preserved. An insurance assessment from 2011 cites the then 63,901-mile Rover as being 'one of the finest examples of this model still used regularly by a very caring owner'. Improvements listed include a galvanised floor, stainless steel exhaust and thorough underbody seal comprised of old engine oil and waxoyl done personally by the owner. Electric washers were fitted, the braking system overhauled and the original leather seats and West of England cloth headlining described as in remarkable condition for their age. The Rover also comes with some spare keys.
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Jean Shepeard (British, 1904-1989): a sketchbook, containing portraits purportedly of Ronald Ossory Dunlop and Charles Laughton, as well as still life and landscape studies, most signed with a monogram, a/f, all 22.5 by 17.5cm.Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Jean Shepeard (British, 1904-1989): a collection of over thirty sketches, including nudes and landscapes, including 'Railway View', charcoal and pastel, signed, 22.5 by 18cm, mounted and glazed, 40 by 30cm, a sketch of a female seated nude, 38.5 by 21cm, mounted on cardboard, 50 by 35.5cm, and a 'Still life' in charcoal, signed, 23 by 16.5cm, some a/f. (1 bag)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.
Sheila Fairman RMS (1924-2013), 'Jaffas', miniature still life, oil on ivorine, initialled lower left,8cm x 10.5cmPossibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Sarah Lister (20th/21st Century British), two life studies, pastel on paper, initialed and dated '83 to lower right, each 46cm x 46cm, framed and glazed, purchased from an exhibition in Blackheath in 1978 and Rita Munns (20th/21st Century British), watercolour still life study and two acrylic still life studies, watercolour signed in pencil lower right, 23cm x 32cm, 35cm x 58cm and 30cm x 45cm, all framed and glazed, all purchased from her foundation show in 2002. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Robert Wilson (20th/21st Century British), 'Shattered', coloured etching, artist's proof, signed, dated '99 and titled to lower margin, 22cm x 29.5cm, framed and glazed, purchased from the Stables Gallery in 2004, and another monochrome etching by the same artist 'Still Life', signed numbered 10/25, dated 2002 and titled to lower margin, purchased from the Arts Forum Gallery auction in 2009. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
PAUL PETER PIECH two colour lithograph - 'The Sun' with typography 'The Sun is the foundation of life. It is the symbol of light, of truth & of joy. It is the source of light & warmth, the source of all life. Man has busied mind & hand with the sun over the millennia. He has carved & incised it in wood, has drawn & painted it on rocks, on parchment, paper and canvas. He has made it a God, has worshipped it as an embodiment of natural & supernatural powers, has given it a place in every sphere of his earthy activity. At all times under all skies, the profound relationship of man to sun has persisted & is still giving birth to new images.', signed and dated 1988, 61 x 43cms Provenance: see Lot 141 Comments: unframed, overall excellent Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)
CHARLES BURTON pastel - still-life of pears and apples, signed and dated 21 Jan, 1987, 27 x 36cms Provenance: private collection, Vale of Glamorgan Comments: later framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)
WILL ROBERTS pastel - still life, entitled verso 'Roses in Tall Vase', signed and dated 1996, 36 x 28cms Provenance: private collection, Cardiff Comments: framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)
VIVIENNE WILLIAMS acrylic on paper - entitled verso 'Still Life with Green Jug and Plums', signed, 45 x 48cms Provenance: with Fountain Fine Art, private collection Cardiff office Comments: framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)
CHARLES BURTON pencil drawing - still life, entitled verso 'Three Pears', signed and dated March 1987, 20 x 26cms Provenance: private collection, Powys Comments: framed and glazed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)
ANDREW DOUGLAS FORBES mixed media - still-life of three jugs, unsigned, 21.5 x 31cms Provenance: private collection Cardiff, purchased from artist in circa 2017 Comments: framed and glazed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)
GARETH THOMAS oil on card / board - entitled verso on Attic Gallery label 'Still Life Three Objects', signed, 19 x 24cms Provenance: private collection, Cardiff Comments: framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)
IVOR DAVIES oil on canvas - still life, entitled verso on Martin Tinney Gallery label 'Llysiau'r Gwynt', signed and dated '96/'97/'98, 27 x 27cms Provenance: private collection, Powys Comments: framed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)
STAR WARS: EPISODE 1 - THE PHANTOM MENACE - Life size DARTH MAUL promotional statue by Pepsi/Frito Lay. Circa 6'. Used as a promotional display item for Pepsi products from the Episode I film. Still with original shipping box in which it has been sotred since 1999 when it was made - very rare to find one of these in UK
A 19th century studio pottery charger painted with a still life study, signed to the reverse Harriet Chetwynd, 1878; together with two other similar chargers, one painted with a bullfinch and bluetit perched on thistles, monogrammed H C to the reverse, another with stylized flowers under a geometric border with overglaze enamels and a further terracotta pottery jug with coloured glazes and combed decoration
A fine cloisonné-enamel and musen ('wireless') rounded rectangular trayBy Namikawa Sosuke (1847-1910), Meiji era (1868-1912), late 19th centuryDecorated with an egret partially obscured among tall bearded irises growing in a pond, after a design by Watanabe Seitei, on a ground graduated in colour from yellow at the top to pale grey at the bottom, the egret worked with white musen ('wireless') enamel plumage, its beak, leg, and eye subtly highlighted in gold wire, the outlines of the blades of grass and the petals on the white iris also in gold wire, the reverse worked in gilt wire enamel with numerous densely patterned cherry blossoms in pale brown on a dark plum-coloured ground, applied with a shakudo rim, inscribed on the bottom right Seitei with a seal; signed on the reverse in silver wire with the Sakigake (seal of Namikawa Sosuke). 20cm x 14.5cm (7 7/8in x 5¾in).Footnotes:For a lobed tray by the artist depicting an egret perched on a willow branch, see Oliver Impey and Malcolm Fairley, The Nasser D. Khalili Collection of Japanese Art, vol.3, Enamel, London, Kibo Foundation, 1994, cat. no.91. A pair of yellow-ground vases by the artist also depicting egrets on willow branches is illustrated in ibid., cat. no.92.One of the greatest craft entrepreneurs of the later Meiji era, Namikawa Sosuke was until recently best known in Japan for a set of 32 decorative panels commissioned for Tokyo's Akasaka Rikyu Palace, completed in 1909. These date from the last years of his very productive life, nearly three decades after he began to experiment with the technique known as musen shippo ('wireless' enamelling), his most enduring contribution to an art form that developed at extraordinary speed in Japan between the mid nineteenth century and the early years of the twentieth century. In Chinese cloisonné enamelling, the wires separating the different areas of fused and polished enamels that made up a design also served to hold the enamels in place during the firing process, and the individual areas of colour were relatively small. Sosuke, followed shortly after by his rivals, managed to improve the chemistry of the enamels so that they adhered more securely to the metal bases of his wares, allowing him to introduce large areas of colour into his designs, although it is thought that wires between different colours still had to be painstakingly applied and removed at each stage of manufacture. Thanks to these and other technical breakthroughs, later Meiji-era enamellers were often able to emulate the effects of brush painting on paper or silk. In recognition of his achievements, in 1896 Sosuke was appointed to the order of Teishitsu Gigeiin (Artist-Craftsman to the Imperial Household).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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