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Lot 435

1939 Rover P2 10Make: Rover Model: P2 10 Year: 1939Mileage: 0VIN: 902596Configuration: Right Hand DriveRegistration: CED511Transmission: manualThis lovely-looking 1939 Rover 10 P2 has come from a small private collection, where it had been since 2006. Known as Cedric, in reference to its CED 511 numberplate, little is known about the 1389cc car's earlier life except that it was sold new on Anglesey. Following discovery in a Cumbrian barn in 1967, it was fully restored and repainted brown and cream. In 2003, it was sold and subsequently refurbished again, this time being painted green. During 2008, it was repainted once again in maroon and black, the livery it wears today and which particularly suits it. The current mileage is showing as 65,820 on the odometer, with six previous registered keepers recorded. The history folder is huge, with the current V5C present along with some previous V5Cs. There are many photos of body work being undertaken over the years (including one set showing attention during 2012), assorted parts catalogues, Pearson workshop manual, and relevant magazines, and tax discs, MoTs invoices dating back over many decades. There are even some toll tickets - it seems that almost everything related to this Rover has been saved and preserved. An insurance assessment from 2011 cites the then 63,901-mile Rover as being 'one of the finest examples of this model still used regularly by a very caring owner'. Improvements listed include a galvanised floor, stainless steel exhaust and thorough underbody seal comprised of old engine oil and waxoyl done personally by the owner. Electric washers were fitted, the braking system overhauled and the original leather seats and West of England cloth headlining described as in remarkable condition for their age. The Rover also comes with some spare keys.

Lot 225

C. RandakOriginal oil painting on board depicting still life. [Gilt frame 33x37cm]

Lot 39

David Goodman (British, 20th century): 'Camellia', modernist still life depicting a bunch of flowers in a small waisted vase with large turquoise glazed vase behind, signed, titled, and dated '07' lower left, oil on artists board, 80 by 72cm, glazed and framed, 97 by 89cm.

Lot 12

Jean Shepeard (British, 1904-1989): a sketchbook, containing portraits purportedly of Ronald Ossory Dunlop and Charles Laughton, as well as still life and landscape studies, most signed with a monogram, a/f, all 22.5 by 17.5cm.Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.

Lot 32

Jean Shepeard (British, 1904-1989): a collection of over thirty sketches, including nudes and landscapes, including 'Railway View', charcoal and pastel, signed, 22.5 by 18cm, mounted and glazed, 40 by 30cm, a sketch of a female seated nude, 38.5 by 21cm, mounted on cardboard, 50 by 35.5cm, and a 'Still life' in charcoal, signed, 23 by 16.5cm, some a/f. (1 bag)Provenance- from Doreen Kern Collection (Artist and Sculptor 1931-2021) niece of Jean Shepeard.

Lot 308

Sheila Fairman RMS (1924-2013), 'Jaffas', miniature still life, oil on ivorine, initialled lower left,8cm x 10.5cmPossibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Lot 332

Sarah Lister (20th/21st Century British), two life studies, pastel on paper, initialed and dated '83 to lower right, each 46cm x 46cm, framed and glazed, purchased from an exhibition in Blackheath in 1978 and Rita Munns (20th/21st Century British), watercolour still life study and two acrylic still life studies, watercolour signed in pencil lower right, 23cm x 32cm, 35cm x 58cm and 30cm x 45cm, all framed and glazed, all purchased from her foundation show in 2002. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Lot 334

Robert Wilson (20th/21st Century British), 'Shattered', coloured etching, artist's proof, signed, dated '99 and titled to lower margin, 22cm x 29.5cm, framed and glazed, purchased from the Stables Gallery in 2004, and another monochrome etching by the same artist 'Still Life', signed numbered 10/25, dated 2002 and titled to lower margin, purchased from the Arts Forum Gallery auction in 2009. This lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen and generous patron. This is the last of four sales to include items from his extensive collection.Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to www.artistscollectingsociety.org CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Lot 1012

John Shead - still life with flowers in a jug, oil on board, signed lower right, 60x50cmCondition report: Very good condition. Some small areas of wear. Frame very good.

Lot 1013

Bertrum Walter Priestman (1868-1951) - Still Life Fruit Study, oil on canvas, signed lower right, 41 x 51cm

Lot 1024

Cuthbert Bell (b.1923) - still life with flowers in a bowl, watercolour wash, signed & dated lower right '86, 35x47cm

Lot 1045

Contemporary school - Still life with fruit, watercolour wash; Margot Oganesian - Galician trumpeter, lino-cut; and three other prints (5)

Lot 1060

Kathleen Hindle - Dandelions, wartercolour, 30x24cm; Denis Pannett - Sailing boats off the coast, watercolour heightened with white; still life watercolour and a pair of nautical photographic prints (5)

Lot 1089

A gilt composition framed circular convex wall mirror; J Ward - Still life, oil on canvas; and three other canvases (5)

Lot 1106

Molly Hodges - Pair; Still life with flowers in a glass bowl, oil on board, each signed lower right, 40 x 30cmCondition report: 51 x 41cm including frames

Lot 245

E Miéville, still life study roses and other flowers in an overlain glass vase, signed oil on canvas, 50cm x 36cm in decorative cream and gilt frame

Lot 246

E Miéville, still life study of flowers in a glass bowl, signed oil on canvas, 60cmx 49cm in decorative cream and gilt frame

Lot 249

E Miéville, still life study flowers in a vase, signed oil on canvas, 60cm x 49cm contained in decorative gilt frame

Lot 251

E Miéville, still life study flowers in a large pottery vase, signed oil on canvas, 60cm x 49cm in decorative cream and gilt frame

Lot 254

Lydia Miéville, still life study, unsigned oil on board, gallery label verso, 50cm x 59cm

Lot 267

Lydia Miéville, study of figures in a room, unsigned oil on board, Artists of Chelsea Gallery label verso, unframed; early 20th century over painted print of a lady in ball gown; unframed oil on canvas depicting still life scene; another of flowers etc.

Lot 147

PAUL PETER PIECH two colour lithograph - 'The Sun' with typography 'The Sun is the foundation of life. It is the symbol of light, of truth & of joy. It is the source of light & warmth, the source of all life. Man has busied mind & hand with the sun over the millennia. He has carved & incised it in wood, has drawn & painted it on rocks, on parchment, paper and canvas. He has made it a God, has worshipped it as an embodiment of natural & supernatural powers, has given it a place in every sphere of his earthy activity. At all times under all skies, the profound relationship of man to sun has persisted & is still giving birth to new images.', signed and dated 1988, 61 x 43cms Provenance: see Lot 141 Comments: unframed, overall excellent Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

Lot 224

CHARLES BURTON pastel - still-life of pears and apples, signed and dated 21 Jan, 1987, 27 x 36cms Provenance: private collection, Vale of Glamorgan Comments: later framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

Lot 235

WILL ROBERTS pastel - still life, entitled verso 'Roses in Tall Vase', signed and dated 1996, 36 x 28cms Provenance: private collection, Cardiff Comments: framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

Lot 238

VIVIENNE WILLIAMS acrylic on paper - entitled verso 'Still Life with Green Jug and Plums', signed, 45 x 48cms Provenance: with Fountain Fine Art, private collection Cardiff office Comments: framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

Lot 254

CHARLES BURTON pencil drawing - still life, entitled verso 'Three Pears', signed and dated March 1987, 20 x 26cms Provenance: private collection, Powys Comments: framed and glazed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

Lot 277

ANDREW DOUGLAS FORBES mixed media - still-life of three jugs, unsigned, 21.5 x 31cms Provenance: private collection Cardiff, purchased from artist in circa 2017 Comments: framed and glazed Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

Lot 392

GARETH THOMAS oil on card / board - entitled verso on Attic Gallery label 'Still Life Three Objects', signed, 19 x 24cms Provenance: private collection, Cardiff Comments: framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

Lot 404

IVOR DAVIES oil on canvas - still life, entitled verso on Martin Tinney Gallery label 'Llysiau'r Gwynt', signed and dated '96/'97/'98, 27 x 27cms Provenance: private collection, Powys Comments: framed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

Lot 557

STAR WARS: EPISODE 1 - THE PHANTOM MENACE - Life size DARTH MAUL promotional statue by Pepsi/Frito Lay. Circa 6'. Used as a promotional display item for Pepsi products from the Episode I film. Still with original shipping box in which it has been sotred since 1999 when it was made - very rare to find one of these in UK

Lot 411

A still life of fruit on a ledge, oil on board, in a decorative gilt frame.

Lot 440

A still life of fruit in a basket on a ledge, oil on board.

Lot 448

James Parfitt, a still life of flowers in a copper jug, oil on board.

Lot 454

A still life of flowers in a jug oil, framed and glazed.

Lot 459

Alix Jennings, a still life of flowers in a jug, oil on canvas, in a decorative frame.

Lot 327

Donald Wilkinson, artist proof print, an English School coastal landscape, watercolour and a still life of flowers, watercolour

Lot 335

J.E. Spendlove, still life of flowers, oil on canvas, and an English School landscape, oil on board, assorted watercolours, a silhouette and a photographic portrait

Lot 341A

S. Barton, still life, oil on canvas and three other still life oils, all framed

Lot 50

Roger Corfe oil on board of a riverside scene, an oil still life of flowers plus a watercolour of a Scottish mountain scene, signed Furness Wilson

Lot 55

E Townsend oil on canvas still life of flowers and vase, W Harrington oil on board still life of flowers plus a framed woolwork of flowers

Lot 1285

R. BERGER: Two oils on board depicting still-life of fruit, signed, framed, 10cm x 15cm approx.

Lot 1420

Two still-life oils of floral studies, J. Molina basket of flowers. G. Osborn vase of flowers. Ornately gilt framed (2)

Lot 1433

A floral still life print after V.Charlesworth, framed and glazed, 60cm x 46cm

Lot 194

A collection of seven early 20th century crested china models to include; Micklegate Bar York, a miniature grandfather clock, a hare and others, together with a selection of ceramics, modern dolls, a figural table lamp, a still life oil on board, two prints and other wares. (3)

Lot 1256

K Cotton - A vintage late 20th century oil on canvas still life painting of fruit. Signed K Cotton to the bottom right corner. Framed. 63cm x 73cm.

Lot 1026

Margaret Firth (1898-1991), "The Caravan", signed, oil on board, labels verso, 25cm by 33cm; together with J E Barker (20th century), still life of crysanthemums and daisies in a vase, signed, oil on board, 54cm by 36cm (2)

Lot 1038

C H Slater (19th/20th century), Still life of plums, watercolour, signed, 21.5cm by 31cm; together with two smaller works by the same artist depicting fruit, 15cm by 22cm (3)

Lot 1056

Katherine Helen Bourne (18998-1981), Still life of china, glass and a fan, signed oil on canvas, 49cm by 60cm

Lot 1288

An early Victorian mahogany pole screen, circa 1850, the rectangular screen enclosing a needlework still life, raised on a turned support with three cabriole legs,161cm

Lot 278

Two 19th century Continental Majolica dishes moulded with artichokes, and a Majolica still life study of lemons

Lot 296

A 19th century studio pottery charger painted with a still life study, signed to the reverse Harriet Chetwynd, 1878; together with two other similar chargers, one painted with a bullfinch and bluetit perched on thistles, monogrammed H C to the reverse, another with stylized flowers under a geometric border with overglaze enamels and a further terracotta pottery jug with coloured glazes and combed decoration

Lot 187

A fine cloisonné-enamel and musen ('wireless') rounded rectangular trayBy Namikawa Sosuke (1847-1910), Meiji era (1868-1912), late 19th centuryDecorated with an egret partially obscured among tall bearded irises growing in a pond, after a design by Watanabe Seitei, on a ground graduated in colour from yellow at the top to pale grey at the bottom, the egret worked with white musen ('wireless') enamel plumage, its beak, leg, and eye subtly highlighted in gold wire, the outlines of the blades of grass and the petals on the white iris also in gold wire, the reverse worked in gilt wire enamel with numerous densely patterned cherry blossoms in pale brown on a dark plum-coloured ground, applied with a shakudo rim, inscribed on the bottom right Seitei with a seal; signed on the reverse in silver wire with the Sakigake (seal of Namikawa Sosuke). 20cm x 14.5cm (7 7/8in x 5¾in).Footnotes:For a lobed tray by the artist depicting an egret perched on a willow branch, see Oliver Impey and Malcolm Fairley, The Nasser D. Khalili Collection of Japanese Art, vol.3, Enamel, London, Kibo Foundation, 1994, cat. no.91. A pair of yellow-ground vases by the artist also depicting egrets on willow branches is illustrated in ibid., cat. no.92.One of the greatest craft entrepreneurs of the later Meiji era, Namikawa Sosuke was until recently best known in Japan for a set of 32 decorative panels commissioned for Tokyo's Akasaka Rikyu Palace, completed in 1909. These date from the last years of his very productive life, nearly three decades after he began to experiment with the technique known as musen shippo ('wireless' enamelling), his most enduring contribution to an art form that developed at extraordinary speed in Japan between the mid nineteenth century and the early years of the twentieth century. In Chinese cloisonné enamelling, the wires separating the different areas of fused and polished enamels that made up a design also served to hold the enamels in place during the firing process, and the individual areas of colour were relatively small. Sosuke, followed shortly after by his rivals, managed to improve the chemistry of the enamels so that they adhered more securely to the metal bases of his wares, allowing him to introduce large areas of colour into his designs, although it is thought that wires between different colours still had to be painstakingly applied and removed at each stage of manufacture. Thanks to these and other technical breakthroughs, later Meiji-era enamellers were often able to emulate the effects of brush painting on paper or silk. In recognition of his achievements, in 1896 Sosuke was appointed to the order of Teishitsu Gigeiin (Artist-Craftsman to the Imperial Household).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 163

French School, mid 20th Century - oil on canvas - still life with flowers, 59cm x 50cm, framed

Lot 532

Six printed oval still lifes of convex, design together with a larger rectangular still life after Harold Layton, 55cm x 65cm

Lot 142

Carl Ferdinand Hurten, oil on canvas, still life of roses, 9ins x 35.5ins

Lot 134

Carl Ferdinand Hurten, oil on canvas, still life of chrysanthemums, 22ins x 15.5ins

Lot 130

After Joseph Nigg, a gilt framed coloured lithograph, still life study of flowers on a marble ledge, 20.5ins x 15ins

Lot 146

Marion Broom, watercolour, still life of roses in a bowl, 27ins x 21ins

Lot 143A

Paksi Gyula, Hungary 1904, oil on canvas, still life of jars and pans, 19.5ins x 23ins

Lot 129

Carl Ferdinand Hurten, oil on canvas, still life of roses in a vase on a ledge, 17.5ins x 13.5ins

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