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G F RIDE, woman carrying child over bridge in countryside, watercolour, signed lower right, approximately 17.5cm x 27.5cm, together with Anne Cotterill pencil signed Limited Edition 9/100 still life flowers print, approximately 25cm x 31cm, 'Snowdrops' pencil signed No.122/850, approximately 23cm x 28cm and E Walbourn, Natures Garden print, approximately 20cm x 29.5cm (4)
A Victorian reverse glass print of Peterborough Cathedral, titled in a papier-mache frame, together with a reverse glass print of a still life of flowers and fruit and a small reverse glass print titled 'Little black and white Duck', 49.4 x 39.3cm (max), all framed. (3) Provenance: From the collection of John Newall Esq.
A Royal Worcester bone china dessert dish of lobed oval outline, circa 1924, painted by R. Sebright, signed, with a still life study of two apples and grapes, within an apricot border with gilt enriched anthemion and scroll decoration, puce printed factory mark and painted 'W8346' to base, length approx 27.5cm. Note: Richard (Dick) Sebright was born in 1868 and is regarded as probably the finest fruit painter in the factory's history. He worked at the factory for fifty-six years.
A Royal Worcester bone china potpourri vase with inner lid and pierced crown cover, shape No. 2048, the ovoid body painted by Freeman, signed, with a still life study of apples, blackberries and grapes against a mossy ground, the reverse with three cherries, printed factory mark and painted shape number '2048' to base, height approx 24.5cm. Note: John H. Freeman was born in 1911. A native of Worcester, he joined the Royal Worcester Company in 1925 specialising in the painting of fruit, floral groups and individual roses. He remained at Royal Worcester throughout his working life and became the senior fruit painter, where he was known amongst his colleagues as 'The Fruit Machine'.
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