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BONE CHINA COFFEE CAN & SAUCER BY STEFAN NOWACKI, painted still life of flowers on a marble plinth, reserved on yellow ground with raised gilt acanthus scrolls, artist's SDN monogram (2)Dimensions: saucer 13.6cms diam., can 6cms hProvenance:private collection Powys, consigned via our Cardiff officeCondition Report:excellent
2011 Porsche 911 / 997.2 Carrera 4S Convertible Transmission: automaticMileage:55972The Porsche 911 shape and engineering methodology has not changed much since the very first model, the 1939 Series 64. It has proved reliable and, with the finest designers available, has grown in reputation according to developing trends around it. It has proved itself in motorsport just as it has on the French Riviera. In recent years, Porsche breathed life into a new generation of 911, the 996. 2004 saw the launch of the 997 with improved styling, larger 18€ wheels and an increase in power. The 997 Carrera 4S was, and still is, widely regarded as the greatest non-turbo version of the 911 with the four-wheel drive system providing the grip that ensured stable handling and predictable cornering. Originally registered on 6th December 2011, this Porsche Carrera 4S presents in beautiful condition and has clearly been exceptionally well cared for throughout its life on British roads. The service history is comprehensive with services carried out in December 2013, December 2015, December 2017, July 2020 and May 2022. These have been carried out by Porsche main dealers and recognised marque specialists. The service books and receipts confirm the work carried out. In August 2021 the paintwork was ceramic coated, and the wheels refurbished in October 2021. More importantly a new Porsche roof was fitted in August 2021, with the PCM maps upgraded just a few weeks earlier. Supplied with a V5 registration document and a current MoT test certificate valid until 4th May 2023; the terrific performance on offer combined with reliability and build quality, narrow down the choice of sports cars on offer to the Porsche 997 and this represents a superb example.
1994 TVR 3000S V8 Transmission: manualMileage:69360Small scale car producers TVR played the 'Lotus alternative' roll throughout the 1960s and '70s with a range of pretty, curvaceous fiberglass coupé bodies sitting on a steel tube backbone chassis. Into the early 1980s and TVR caught up with the Origami trend for more angular bodies and though still dynamically excellent machines, the uncompromising styling of the Tasmin and its brethren proved to have a relatively short shelf life. For the V8 S they tweaked the engine up to 3.9 litres with a 10.5:1 compression ratio, popped on gas flowed heads with free breathing manifolds and inserted a high lift cam. The resultant 240 bhp and 270 lb/ft of torque propelled the roadster, via a Rover five-speed gearbox and a limited slip differential, to 60 in five seconds and on to 150mph while giving it real world 50 to 70 in top gear performance that was superior to an Aston Martin Virage or Ferrari Testarossa. 'Boom', as they say these days. This nice British classic is presented in Cooper Green with cream interior and has only had four owners from new which is rare for these sports cars. It was originally owned by BP International and is supplied with a comprehensive service history with many stamps in the book and its servicing has mainly been carried out by TVR dealerships until 2000 when it was followed by many TVR and sports car specialists. More recently it has been looked after by Automark (specialist tuning company). It has the desirable targa top which provides open top motoring and its four litre V8 is mated to a five-speed gearbox. The car drives well according to the owner, with its manual gearbox a joy to use and looking good on its original wheels and it also comes with a spare key and a fresh MoT test certificate. Super British sports car with traditional brutish V8 - great!
‡ EVAN WALTERS oil on canvas - entitled verso 'Still Life, Blaencwm'Dimensions: 60 x 50cmsProvenance:private collection Cardiff, consigned via our Cardiff office, purchased at Sotheby's Welsh sale, Margam Park, October 1999 (details verso)Condition Report:framed, in good condition, edges unfinished possibly
Six large decorative pictures and prints:Richard Beer, 'Hotel de la Gare', 41 of 70 (38 x 46cm);Richard Beer, 'Boulangerie', 11 of 70 (54 x 40cm);Richard Beer, 'Trying Out Watercolour - Ribola July 5' (56 x 37cm);Continental landscape (35 x 44cm);acrylic on card still life (57 x 76cm);a laminated Ordnance Survey map centred on Weybridge (60 cm square);
A small quantity of limited edition Halcyon Days enamel Boxes, to include 'Sunflowers' after Monet, 71/250, 'Whistlejacket' after Stubbs, lid broken, 86/250, 'Still Life with Roses and Blue Drapery' after Augustus John, 63/100, one commemorating Da Vinci for the Halcyon Days Collectors Circle, 13/200, together with 'Lulu and Honesty' after Fedden, all boxed (5)
A small quantity of limited edition Halcyon Days enamel Boxes, to include 'Vase of Flowers' after Chardin, 56/250, 'Still Life of Flowers' after Vlaminck, 31/100, together with other Halcyon Days examples, 'A Basket of Roses' after Latour, David Hockney, 'Mallows' after Churchill, etc. all boxed (8)
Sonia B. Naviasky (20th/21st Century) daughter of Philip Naviasky (Northern British, 1894-1983), Still life, watercolour, 50cm x 70cm, framed, and another, still life figurine and bowl of fruit, 40cm x 50cm, framed, together with a quantity of unframed works by the artist, including religious/figurative, floral, still life, etc (appx.25)
A Royal Worcester Porcelain Plate, by Albert Shuck, 1925, painted with a still life of fruit on a mossy bank within a gilt line border, signed, printed mark in puce23cm diameterA Similar Plate, by Peter Platt, signed, printed mark in black27cm diameter (2)Albert Shuck, no chips, cracks or restoration, one large scratch to the right-hand boarder, and some very minimal enamel scratches, very light scratches and wear to the gilding, Platt, no chips, cracks or restoration, some vert minimal scratches to the enamels and light wear to the gilding
A Royal Worcester Porcelain Pot Pourri Vase and Cover, by George Moseley, 1930, of lobed ovoid form, painted with a still life of fruit on a mossy bank within moulded, painted and gilt strapwork borders, signed, painted mark in puce11cm highA Similar Baluster Vase, indistinctly signed, printed mark in black11cm high (2)Typical very minor surface wear. Second vase with scratching through signature under the glaze.
Salad Daze by Wayne Hussey - Signed limited Edition hardback boxset. Hand Signed by Wayne HusseyHardback Boxset Limited EditionNew & UnreadBest known as the divisive but iconic frontman of The Mission and a poster boy for the-then fledgling gothic scene of the 80s, Wayne Hussey has been making music since he was inspired to pick up a guitar by his childhood hero, Marc Bolan. As he began making his name in music with The Invisible Girls, Dead Or Alive and The Sisters Of Mercy, Salad Daze is an unflinchingly honest portrayal of the peaks and pitfalls of a life in the music industry, told with plenty of Wayne s wit and charm qualities that helped him survive his own unrestrained ambitions to still be making music today.DELUXE EDITION BOX SET FEATURES: Designed box housing a limited edition signed hard-back copy of the book 7 inch vinyl single featuring two demos from 1980 Exclusive branded memory stick with an additional 9 songs from the same two demo sessions with spoken word intros by Wayne Archive of a whole load of photographs that didn't make it into the book proper personally curated and captioned by Wayne A certificate of authenticity
Italian school of the 18th century. Circle of BALDASSARRE DI CARO (Naples, 1689-1750)."Still life", 18th century.Oil on canvas.Original frame of the prestigious category called Salvator Rosa.19th century restoration in which the work was re-coloured and the frame changed.The piece will be available after a period of up to 60 days.Size: 34 x 23 cm; 42 x 33 cm (frame).The work presented here takes us to witness a still life in the style of the sixteenth century, even reminiscent of Spanish still lifes. In it, a group of inanimate beings in the foreground captures all the attention of the canvas, standing out against a vague background. Despite being from the 18th century, the scenography and the choice of lighting accentuate the moralistic message about the expiration of life or "vanitas" typical of the Catholic church of the 16th century.Although little is known about Baldassarre's life, it is known that he was very well received by the Neapolitan aristocracy and the Bourbon court, who appreciated his mimetic skill in the elaboration of the animals and the suggestive dimension of the chiaroscuro.Some of Caro's works are to be found in the Neapolitan museums of Capodimonte and San Martino, the Museo Correale di Sorrento, the Cavestany collection in Madrid and various private collections.
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77111 item(s)/page