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Lot 170
1964 MG B Roadster Transmission: manualMileage:1968The MGB is a staple of everyday life. After launch in 1962, it went on to become one of Britain's best-selling and most loved sports cars, bringing stylish design, an exciting drive and everyday usability to thousands of drivers who were glad to switch from sensible saloons. Due to their popularity and reliability, the club support is excellent with many are still on the road especially as their fixed head cousins still very affordable. 'Safety Fast' was the slogan which summed up this well-balanced sports car, especially with front disc brakes as standard.This clean example has been restored but, thankfully, still carries some patina both externally and internally, indeed the interior has been beautifully prepared with the red leather seating and contrasting green piping matching well with the exterior paintwork and black double-duck soft top. The painted wire-wheels are in good condition as are indeed the tyres that surround them including the two-eared spinners that keep everything on. In 2016, this car was sent to Surrey Sports & Classics Limited, MG specialists, where it underwent a thorough restoration costing in excess of £18,000 with invoices to show. (The bonnet seems to have been in a hailstorm although, I'm informed, mobile 'paint-less dent repair services' exist. This will be attempted to rectify prior to the sale). The engine looks great and is reported to run well and. With a new 12-month MoT test certificate, this is to be offered here without reserve.
Lot 222
1968 Aston Martin DBS (Six-cylinder) Transmission: manualMileage:84426Following on from the DB6, the DBS was initially conceived as a limited production, fast two-seater and prepared to accommodate the new Tadek Marek-designed V8 engine. The DBS evolved throughout its development cycle to include deeper spoilers and better ventilation. The 'four-headlight' DBS has become highly valued and a very early manual car, such as this, is one of the most sought-after versions, appreciated as both collectible and eminently useable on an everyday basis. It has certain important and unique features, lost in later models, such as the wood panel dash and the distinctive 'three flutes' behind the rear windows, both of which make the car more attractive than the later cars.The AML build sheet indicates that it was a factory demonstrator from October 1968 until December that year when documents detail transfer to the second owner, a Mr. Vickers of London. Little history exists of its early life until 1992 when it was discovered standing in a barn for 10 years, with the engine head off, awaiting attention. It was subsequently sent to a restorer in Hailsham, East Sussex where the car was dismantled but re-assembly never took place, although the engine appeared to be in one piece. It was a full eight years later that, at the owner's request, Aston Martin Specialists, Newlands Motors, collected the car from Hailsham in late 2000 and set about restoring the car. They fully expected to have to work on the engine, but running it up after re-assembly, the pressures and functions were 100%. There was a brief couple of years of intermittent usage before the car was returned to storage for another four years until the current owner who asked Newlands Motors to recommission the car resulting in an invoice of nearly £8,500.It was in 2010, that Aston Martin specialists Byron International, were asked to market the car on behalf of the owner and it quickly found a new home with an enthusiast in France. There it has remained for the past 10 years, enjoyed and used sparingly. Making the decision to part company with the car did not stop the owner in ensuring the mechanical elements were in tiptop condition, replacing gaskets and servicing the car as late as December last year.From 2000-2012, Newlands Motors have been servicing it regularly and comprehensively and from 2013, there were a number of different specialists until 2015 when it arrived at RS Williams albeit briefly. Aston Workshops in 2017, then various others, including RS Williams, for sundry servicing. Latterly AES, specialist Aston Martin engineers in Leiston but more importantly, since February 2021, it has been looked after by Vantage Engineering in West Sussex, a highly recommended firm, for its preparation for sale. With its predecessors, the DB4, DB5, and DB6, still commanding huge premiums on the current value of a DBS for cars of similar condition, this represents an excellent opportunity to acquire a six-cylinder Aston Martin from the hand built era of the marque.Whilst this lot is currently registered in France, it has now been imported to the UK and a NOVA certificate issued to register the car once again in the UK. It is now expected that the previous UK registration number will be reassigned.
Lot 1608
MONFORT, OCTAVIANUS (1646-1696), "Blumenbouquet in Kratervase", Frühlingsblumen als Stillleben auf einem Sims arrangiert, unsigniert, Tempera/Pergament doubliert und auf Leinwand aufgezogen, HxB. ca. 47,5x35 cm (63x50 cm mit Rahmen). Alters- und Beriebspuren, Farbabplatzer und kleine Einrisse an den Rändern, part. leichtes Craquelé, alt restauriert und retuschiert. Mit verglastem Rahmen (Holz, dunkelbraun gefasst; Kanten part. leicht beschädigt). VERSO an Rahmen und Keilrahmen Nr. 7613. PROVENIENZ: Süddeutsche Privatsammlung und vorher Sammlung S. Lodi, München. LITERATUR: Michel Fare, Grand Siecle de la Nature Morte en France, Paris 1974.| MONFORT, OCTAVIANUS (1646-1696), "bouquet of flowers in a crater vase", spring flowers arranged as a still life on a ledge, unsigned, tempera/parchment relined and mounted on canvas, HxW. approx. 47.5x35 cm (63x50 cm with frame). Signs of age and wear, chipped paint and small tears at the edges, part. slight craquelé, restored and retouched. With glazed frame (wood, painted dark brown; edges partially slightly damaged). VERSO on frame and stretcher No. 7613. PROVENANCE: South German private collection and before that collection S. Lodi, Munich. LITERATURE: Michel Fare, Grand Siecle de la Nature Morte en France, Paris 1974.
Lot 1607
MONFORT, OCTAVIANUS (1646-1696), "Früchte auf blau-weißer Keramikschale", als Stillleben auf einem Sims arrangiert, unsigniert, Tempera/Pergament auf Leinwand aufgezogen, HxB. ca. 36x51 cm (51x65 cm mit Rahmen). Alters- und Beriebspuren, part. minim. Craquelé, äußere Ränder beschnitten, alt restauriert und retuschiert. Mit verglastem Rahmen (Holz, dunkelbraun gefasst, mit Rankendekor; Kanten part. beschädigt). VERSO am Rahmen Nr. 7628. PROVENIENZ: Süddeutsche Privatsammlung und vorher Sammlung S. Lodi, München. LITERATUR: Michel Fare, Grand Siecle de la Nature Morte en France, Paris 1974, S. 148f, mit Abb.| MONFORT, OCTAVIANUS (1646-1696), "Fruit on a blue and white ceramic bowl", arranged as a still life on a ledge, unsigned, tempera/parchment mounted on canvas, HxW. approx. 36x51 cm (51x65 cm with frame). Signs of age and rubbing, part. minimum Craquelé, trimmed outer edges, old restored and retouched. With glazed frame (wood, painted dark brown, with tendril decoration; edges partially damaged). VERSO on frame no. 7628. PROVENANCE: South German private collection and previously the S. Lodi Collection, Munich. LITERATURE: Michel Fare, Grand Siecle de la Nature Morte en France, Paris 1974, p. 148f, with ill.
Lot 1606
MONFORT, OCTAVIANUS (1646-1696), "Blumen und Früchte auf brauner Keramikschale", als Stillleben auf einem Sims arrangiert, unsigniert, Tempera/Pergament doubliert und auf Leinwand aufgezogen, HxB. ca. 38x52,5 cm (53x67 cm mit Rahmen). Alters- und Beriebspuren, part. Craquelé, Einrisse und Farbabplatzer an den Rändern, alt restauriert und retuschiert. Mit verglastem Rahmen (Holz, dunkelbraun gefasst, mit Rankendekor; Kanten part. beschädigt). VERSO an Rahmen und Keilrahmen Nr. 7612. PROVENIENZ: Süddeutsche Privatsammlung und vorher Sammlung S. Lodi, München. LITERATUR: Michel Fare, Grand Siecle de la Nature Morte en France, Paris 1974, S. 146f, mit Abb.| MONFORT, OCTAVIANUS (1646-1696), "Flowers and fruits on a brown ceramic bowl", arranged as a still life on a ledge, unsigned, tempera/parchment doubled and mounted on canvas, HxW. approx. 38x52.5 cm (53x68 cm with frame). Signs of age and rubbing, part. Craquelé, tears and chipped paint at the edges, old restored and retouched. With glazed frame (wood, painted dark brown, with tendril decoration; edges partially damaged). VERSO on frame and strecher no. 7612. PROVENANCE: South German private collection and previously the S. Lodi Collection, Munich. LITERATURE: Michel Fare, Grand Siecle de la Nature Morte en France, Paris 1974, p. 146f, with ill.
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77111 item(s)/page