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Lot 1

ANITA SKJOLD (20TH CENTURY) A still life of flowers, 13" x 9", together with a watercolour and gouache street scene, 15" x 12" and an oil on board study of a boxer at rest, 23" x 16"

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A SIGNED PRINT of carts fording a stream, 15" x 18", a reverse glass still life painting of fruit, a naive painting of figures beside a house, 9 1/2" x 13 1/2" and a needlework woodland study, 7 1/2" x 6"

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Ethel Leander, Floral still life, signed, oil on canvas, 50x75cm.

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J Ousely, River scene, signed, watercolour, together with a still life of nuts (2).

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German School - Still life - Lobster and oysters on a plate, fruit and silver mounted nautilus shell cup, canvas 29.5ins x 39ins, indistinctly signed and inscribed “Munchen” (unframed)

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Mary Fedden (born 1915) - Artist’s proof coloured print - Still life with oil lamp, fruit and flowers, in blue, turquoise and yellow, 22ins x 16ins, No. 21/250, signed in pencil “Fedden”, in modern aluminium frame and glazed

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Marion Broom (fl. 1925-1939). Watercolour drawing. Still life - vase of spring flowers. Signed. 19cm x 15cm

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Gerald Cooper (1898-1975). Oil on board. Still life of mixed flowers in a glass vase on a ledge. Signed and dated 1957. 49cm x 39cm

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Andras Gombar 11 1/2in. x 15 1/4in. (29.5 x 39.5cm) on panel A still-life study of a flagon, red powder in a jar, a silver ladle and a dish Signed.

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Brian Davies 19 3/4in. x 29 1/2in. (50 x 75cm) A still-life group - a violin, pewter tankard, books, sheet music, etc. Signed.

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19th Century Continental School 12in. x 9 1/2in. (30.5 x 24cm) on panel A still-life study of a vase of flowers and a sample of crochet work.

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G*** Lance 8 3/4in. x 6 1/4in. (22 x 16cm) on boards Still-life studies of grapes, peaches, plums and other fruit Signed and dated 1864. (a pair)

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VICTOR. F. WEBB (BRITISH, EARLY 20TH CENTURY), Still life study, jug of flowers, signed and dated 1909. Oval on board. 28" x 23".

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Frances Tysoe Smith (19th/20th century), 'Wild Duck', a still life, watercolour, signed lower right and inscribed on artist's label verso, 17 x 25cm (6 1/2 x 10in)

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Oliver Clare (c. 1853-1927), Still life of flowers in a terracotta pot by a bird's nest, oil on canvas, 29 x 23cm (11 1/2 x 9in), gilt Florentine frame

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Julie Harris (20th century), Still life of flowers in a vase, oil on board, signed and dated 1997 lower right, 31 x 36cm (12 x 14in)

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C or G van den Kerckhof, (Belgian or Dutch, 20th century), Still life of flowers in a broken pot, oil on canvas, signed lower right, 44 x 31cm (17 x 12in), gilt frame

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A Victorian mahogany and pine folio cabinet from the Studio of Roy de Maistre (1894-1968), with moulded edge, fitted four slides and vertical racks, on bracket feet, 122cm (48in) wide, 79.5cm (3 1/1/4in) high. Roy de Maistre, Australian artist, moved to London in the 1920s. His work is represented in English and Australian galleries including the Tate in London. In the early 1930s he was close to and shared a studio with Francis Bacon. The photograph reproduced shows de Maistre sitting beside this cabinet in his Ecclestone Street studio, where he lived for many years. It also appears in a painting of 1946, 'Still life with Lamp.

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Two still life oil paintings in gilt frames, and a quantity of other pictures including hunting prints, Market Overton church, views of Whitby, view of Stamford (quantity).

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Unsigned 19th century oil on canvas still life of chrysanthemums, with monogrammed initials to the vase and date 1886. 50cm x 43cm.

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Alice Leisenring: a small oil on canvas still life of purple flowers (iris / flags) initialled AL, label verso, 25 cm by 22cm, framed.

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A 19th Century Oil on Canvas STILL LIFE -A VASE OF SUMMER FLOWERS upon a plinth, bearing signature Drusilla Wiseman 74.5cms x 61cms

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Attributed to Edward Ladell, 1821-1886, Still Life with Fruit, a Bird Nest and a Ladybird, bears a monogram, oil on canvas, 31x42cm.; 12.25x16.5in.

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Arthur Chaplin, French 1869-1935, Still life of an Urn of Flowers, signed and dated 1925, oil on panel, 59x48.5cm.; 23.25x19.25in.

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Attributed to Jacques Emile Blanche, French 1861-1942, still life of flowers, signed, oil on canvas, 40x28cm.; 15.75x11in.

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Rubens Santoro, Italian 1859-1942, Still Life of Poppies, signed, inscribed Napoli and dated 1890, oil on canvas, 53x33cm.; 21x13in.

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Unsigned watercolour, still life, vase of flowers, 34.5 x 24.5cm.

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Irene Klestova 20th century still life of flowers signed in Latin l.r and inscribed Paris oil on board 114 by 145.5cm. 44.75 by 57.25in. This work was probably exhibited in Paris Salon des Independants in 1938 under catalogue number 1588

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Irene Klestova 20th century still life of flowers in a porcelain bowl signed in Latin l.r oil on board 45.5 by 54.5cm. 18 by 21.5in.

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Irene Klestova 20th century still life of roses signed in Latin l.l. oil on board 24 by 19cm. 9.5 by 7.5in.

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Nikolai Petrovich Bogdanov-Belsky 1868-1945 still life of lilacs signed in Latin l.l. oil on canvas 78 by 66cm. 30.75 by 26in.

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DAVID BURLIUK-- A GROUP OF THREE BOOKS comprising David Burliuk: Manifesto Radio Style 1926 octavo 2 pages bound within paper folio; autograph dedication in Cyrillic on inside coverÊdated March 1926 and still life of flowers painted in gouache on frontispiece signed in Latin and dated 1926 the paper discoloured with some wear to the edges; M.N.Burliuk Entelekhism: TeoriyaÊ-Êkritika-stikhi-kartiny (1907-1930) New York: Atlantic Press 1929 octavoÊ12 pagesÊheld within a printed photographic supplement all bound inside a card folio and B.Livshits Gilea M.Burliuk: 1931 287 by 203mm. 11’ by 7ùin.; 252 by 330mm. 9ù by 12ùin.; 320 by 242mm. 12½ by 9½in. (3)

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"DAVID WOODFORD oil on board - still life, three fishes on a paper, signed, 8.75 x 12.25 "

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"E STEELE oils, a pair - still life, each signed, 6.25 x 14 "

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A.L. Holding unframed watercolour Still life of violets and primroses signed 6.25 x 8 ins.

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Leon Sprinck (Exh. 1893-1903) oil on canvas Still life of roses in a vase signed and dated 1938 24 x 20 ins.

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James C.Middleton (1894-1969) oil on board Still life of daisies signed 14 x 18 ins.

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Arthur Dudley (fl.1890-1907) watercolour Still life of fruit signed 11 x 30.5 ins.

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A.F.Burnop oil on canvas Still life of fruit signed and dated 1895 10 x 16 ins.

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Grace Cossington Smith (1892-1984) Australian oil on canvas Still life of flowers in a vase and a bowl of fruit initialled R.A Exhibition labels verso 32 x 18 ins.

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Edgar Barclay (1842-1913) oil on canvas Still life of fruit monogrammed and dated '84 10 x 8 ins and an unsigned companion 8 x 10 ins.

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Victorian School watercolour Still life of a basket of flowers 5 x 7 ins.

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ROMANOV PRINCE ANDREW B. 1923 Still Life with Fruits signed with monogram and dated 1949 oil on paper 26 by 24 cm. Provenance: Purchased by the present owner from the artist's family.

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POGEDAIEFF GEORGE 1894-1977 Still Life with Lemons signed and dated '63 oil on canvas 50 by 65 cm.

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VASMI RICHARD 1929-1998 Still Life with a Coffee Kettle signed with initials; dated 1966 on the reverse oil on panel 49 by 42 cm.

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BRAZ OSIP 1872-1936 Still Life with Oranges oil on canvas 46 by 55 cm. Provenance: Mark Brodsky Collection. Authenticity certificate of A. Schuvaloff.

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SEREBRIAKOVA ZINAIDA 1884-1967 Still Life with a Basket of Pears signed and dated 1932 oil on canvas 54 by 65 cm. Authenticity certificate from Catherine Boncenne niece of the artist and Head of the Serebriakova Trust.

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Pawlitschek (20th Century), still life of flowers in a vase, signed, 19 1/2" x 19 1/2", gilt frame.

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G. Hellzen (20th Century), still life of bright summer flowers in a vase on a ledge, fruit and a birds nest in the foreground, an oval, signed, 47" x 34 1/2", gilt frame. on page 53.

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Four Royal Worcester Fruit Painted Dessert Plates, F Roberts and T Lockyer, 1914-1926], each of waved circular outline with gadrooned rims picked out in gilt, each painted with a different still life of fruit including apples, grapes, strawberries and redcurrants against mossy banks, three signed "F Roberts", and one "T Lockyer", puce printed crown and wheel marks and date codes for 1914, 1915, 1918 and 1926 (Lockyer), 22-22.5cm diameter

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A French Majolica "Still Life" Study of Three Pike, Palissy type, possibly Renoleau, circa 1870], the three graduated specimens with detailed scales and naturalistic glazes, "hanging" on an oak oval plaque, the largest fish 60cm long, maximum length including plaque 67cm

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Frederick (Fred) Spencer (fl.1891-1924) Still Life of Apples and Cherries; Still Life of Apples and Nuts] Both signed, watercolours heightened with white, each 14cm by 19.5cm (5 1/2in by 7 1/2in) (a pair)

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William Cruickshank (fl.1866-1879) Still Life of Dead Game, an Earthenware Pot, and Bottle in a Larder] Signed, watercolour with scratching out on ivory, 22cm by 14.5cm (8 3/4in by 5 3/4in)

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William Cruickshank (fl.1866-1879) Still Life of Dead Game, Fruit and Other Objects] Signed, pencil and watercolour heightened with white, 44cm by 66cm (17 1/4in by 26in)

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Frederick (Fred) Lawson (1888-1968) Still Life of Pottery Jugs and Other Items] Signed, pencil and watercolour with wiping out, 21.5cm by 27.5cm (8 1/2in by 10 3/4in)

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Circle of Francesco Londonio (18th century) Still Life of Flowers in a Basket, a Bird Standing Beside a Tree Stump Nearby, Sheep Grazing Beyond and Mountains in the Distance] Oil on canvas, 63cm by 96.5cm (24 3/4in by 38in)

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Attributed to Horace Mann Livens (19th/20th century) Still Life of Grapes in a Basket with Plums, Apples, Strawberries and Flowers against a Mossy Bank; Still Life of a Bird's Nest with Eggs, also Apples, Strawberries and Plums with a Rose and Primrose Nearby] Both signed, oils on canvas, each 25.5cm by 30.5cm (10in by 14in) (a pair) *The artist studied at Croydon School of Art and later in Antwerp under Verlat, where he became friendly within Vincent Van Gogh who suggested he also studied in Paris. He specialised in still life pictures of flowers and fruit but also painted landscapes and figurative subjects as well as town scenes. He exhibited at the Royal Academy from 1890 and also at Suffolk Street, The New Watercolour Society and elsewhere.

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Vernon de Beauvoir Ward R.B.A., R.O.I. (1905-1985) Still Life of Roses and Other Flowers in an Ornately Carved Urn] Signed and indistinctly dated, possibly "1977", also inscribed on the stretcher verso "Dcor for Ceres", oil on canvas, 61cm by 91.5cm (24in by 36in)

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Philip Naviasky (1894-1983) Still Life of Fruit, including a Pineapple, Pears, Apples, Grapes and a Wine Bottle] Signed, oil on board, 55cm by 59cm (21 3/4in by 23 1/4in)

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Circle of Andrew Law (19th/20th century) Still Life of Summer Flowers in an Art Deco Vase] Oil on canvas, 51cm by 46cm (20in by 18in) *Provenance. With James Connell & Sons, Fine Art Dealers & Publishers, 121 West George Street, Glasgow, C.2., established 1862

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