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Lot 250
A late 19th century German rectangular porcelain plaque, together with a similar period circular porcelain plaque (2)the first plaque, probably KPMdepicting a classical maiden holding a ewer, mounted in a later rectangular frame, the latter depicting a still life of fruit, unframed, the former, 39.6cm high, the later, 36cm diameter (2)For further information on this lot please visit Bonhams.com
Lot 27
J.H. Coster, 19th centuryStill life of a raven signed and dated 'J.H.Coster/April 75.' (lower right)oil on canvas laid down48.5 x 42.5cm (19 1/8 x 16 3/4in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 54
Basil Ivan Rákóczi (British/Hungarian, 1908-1979)Still life with a classical bust signed 'Rákóczi' (lower left)watercolour and gouache 54.3 x 44.4cm (21 3/8 x 17 1/2in).Footnotes:Basil Ivan Rákóczi along with Kenneth Hall was one of the leading members of The White Stag group. The group was founded in London by Rákóczi and Hall in 1935 and gained several new members in 1939 when they moved to Ireland. The aim of The White Stag group was to encourage the exploration of psychology in painting and modernist ideas.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 233
DUNCAN GRANT (1885-1978) "Vase of flowers", a still life study, ink and wash, unsigned, inscribed on "Anthony D'Offay" label verso, 21.5 cm x 16.5 cm (ARR) CONDITION REPORTS Has some foxing and discolouration to the paper, particularly on the edges. There are some yellowing marks towards the centre of the picture - unsure if this is previous marks by the artist subsequently erased or faded. Otherwise glass in need of a clean, mount has fading and thunderbugs/insect remnants throughout, frame has some small knocks etc. General wear and tear conducive with age and use. Not been taken out of the frame - see images for more details
Lot 269
CECIL HOWARD LAY "Carnival at Great Yarmouth", study of a couple, the man wearing top hat, pen, ink and watercolour, signed lower right, bears "Fry Gallery" label verso, 17.5 cm x 12.5 cm, together with SUSAN KIRKMAN "Still life study of flowers in vases", oil on board, intialled "SK" lower right, bears labels verso, 67 cm x 50.5 cm. together with another by the same hand "The blue shed", 56 cm x 37 cm and "Beach during a storm", unsigned, 41.5 cm x 59 cm
Lot 745
SOUL; records to include William Bell, 'Coming Back For More' on UK Mercury 1977, Valerie Simpson, 'Keep It Comin'' on Motown US pressing 1977, B.B. King, 'Midnight Believer' on ABC UK pressing 1978, two by Millie Jackson, 'Still Caught Up', and 'Get It Outcha System' both on UK Spring, three by the Whispers, 'Love Story' on Janus US pressing, 'Life and Breath' on Janus US pressing 1972, and 'The Whispers' on Contempo-raries 1974, etc.
Lot 452
A pair of Royal Worcester Connoisseur Collection oval trinket pots and covers, the first painted with a still life study of fruit by J. Bowman, artist signed, a limited edition numbered 103 of 250; the second painted by D. Fuller, a limited edition numbered 104 of 250, with original boxes and certificates, 7cm wide(2)
Lot 10
George Lance - Still Life of Fruit, Vegetables, Fish and Ducks, oil on canvas, signed and dated 1846, 71cm x 89.5cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2
Ruth Klausner - Still Life Study of Spring Flowers in a Glass Vase, oil on canvas, signed, 59cm x 49.5cm, within a composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 14
Charles Thomas Bale - Still Life with Fruit, Basket, Pot and Dead Game on a Table, late 19th/early 20th century oil on canvas, signed, 49cm x 74cm, within a swept gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 34
Alan Furneaux - Waiting for Dinner (Nocturne Still Life with Cat and Fish at an Open Window), 21st century oil on canvas, signed, 51cm x 61cm, within a painted wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 31
Raymond Campbell - Still Life with Wine Bottles, Corkscrew, Fruit, Candle, Letter and Matches on a Ledge, late 20th/early 21st century oil on board, signed, 49.5cm x 39cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 356
W*** METASCH (EUROPEAN, 20TH CENTURY) (3)Still life with a bird, a jug and vegetablessigned 'W Metasch' (lower right)oil on board46 x 53cmtogether with an oil on canvas by the same hand of Still life with lobster and other items, signed, 30.5 x 45.5cm; and an oil on canvas-board by the same hand of Still life with a bird, jug and other items, signed with initials, 29 x 35.5cm(3)
Lot 129
A VICTORIAN MAHOGANY FUSEE DIAL TRAIN STATION WALL TIMEPIECE THWAITES AND REED, LONDON, FOR THE NORTH LONDON RAILWAY, CIRCA 1879The rectangular four columnar pillar single chain fusee movement with anchor escapement regulated by lenticular bob pendulum and stamped T R for Thwaites and Reed over serial number 14427 to front plate, the 12 inch cream painted Roman numeral dial signed THWAITES & REED, CLERKENWELL beneath inscription N.L.R'Y. to centre and with steel spade hands (the rear also inscribed in pencil L.M.S.R., 13689), set behind hinged bevel-glazed caddy-moulded cast brass bezel incorporating canted insert to interior, with caddy-turned dial surround secured with pegs to the rear box case incorporating doors to both sides, the lower left hand side panel stamped N.L.R'Y and the backboard 13689, the curved underside incorporating pendulum access flap.37cm (14.5ins) diameter, 15cm (6ins) deep. John Thwaites was the son of Ainsworth Thwaites who was apprenticed in 1735 and worked from Rosoman Row, Clerkenwell, London 1751-80. He was an accomplished maker who supplied the clock for the tower at the Horse Guards Parade. John Thwaites was born in 1757 and took over the business presumably on the death of his father in 1780 before moving to Bowling Green Lane. In 1808 John Thwaites entered into partnership with George Jeremiah Reed which continued under John Thwaite's leadership from several addresses in London until his death in 1842. The business subsequently passed through a series of successors and is still trading today from Rottingdean near Brighton. John Thwaites, both whilst working alone or in partnership with George Reed, became well known for supplying all forms of clocks and movements either wholesale for others to retail, or signed by him/themselves. Approximate dates of manufacture for clocks by Thwaites can be obtained from a list published in Rose, Ronald E. ENGLISH DIAL CLOCKS, (as Appendix III, page 239). From this list a date of around 1879 is suggested for the current lot. The North London Railway was established around 1850 with lines connecting the northern suburbs of London with the East and West India Docks using the route now utilised for much of the overground stretch of the London Overground's North London Line; other disused N.L.R. lines have also been revived as part of the Docklands Light Railway. In 1909 management of the line was merged with that of the London and North Western Railway with both subsequently becoming part of the L.M.S. network in 1923.Condition Report: Movement is in relatively clean working condition with no visible evidence of alteration or notable replacements. The dial retains what appears to be old surface with some rubbing and wear to the black of the numerals and light ring marks where the dial feet are attached. The cast bezel in in good condition although the hinge appears to have been re-attached with solder and the pivoted securing latch (applied to the rear of the surround) is a replacement. The wooden surround has historic cracks and repairs including some filling around the clasp area however is structurally sound. The box case is in sound condition however the curved underside appears to have been re-veneered; this veneer is now lifting hence has cracks and losses. Faults are otherwise limited to shrinkage, bumps and scuffs commensurate with a fairly hard life as a station timepiece. The right hand side door is applied with a label for Ian Lyman from whom the vendor acquired the timepiece.Timepiece has pendulum, winder and case key (all non-original). Condition Report Disclaimer
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