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Lot 74
Peter Monamy, English 1681-1749- A British two-decker man-o'-war in four positions in a stiff breeze; oil on canvas, signed and indistinctly dated 'P: Monamy; 17...' (lower left, on the flotsam), 76.3 x 125.7 cm. Provenance: Vice Commodore G. Coats, by whom gifted in 1894 to; The Royal Northern and Clyde Yacht Club. Anon. sale, Christie's, London,13 February 1981, lot 129. Private Collection, UK. Note: The youngest son of a Guernsey man, Monamy was born in London in 1681. Throughout his career he was heavily influenced by the works of Willem van de Velde the Younger (1633-1707) and other North European, Dutch and French masters. Indeed, Monamy was a collector of van de Velde's drawings and these clearly influenced his development as a maritime painter, resulting in numerous commissions from mercantile and naval patrons, including the famous Channel Islands' naval families, the Durrells and the Saumarezs. In 1726, he was elected a Liveryman of the 'Company of Painter-Stainers', to which he presented a very large painting of the 'Royal Sovereign at anchor' which still remains in their collection today. Although his paintings usually depict actual ships, they rarely record specific events as, up until 1739, his career coincided with a long period of peace. From the 1730s until his death, Monamy was at the centre of London's artistic life and was a friend of William Hogarth (1697-1754), sometimes collaborating with the celebrated younger artist. Monamy's eldest daughter, Mary, married the marine painter Francis Swaine (1725-1782) and their son, Monamy Swaine (c.1750-c.1800), following the family tradition, also became a marine artist.
Lot 124
Studio of Miguel Canals, Spanish 1925-1995- Still life of birds, foliage, lemons and other fruit; oil on canvas, signed with the artist's monogram 'MC' (lower left), with the artist’s studio stamp ‘STUDIO M. CANALS’ on the reverse, mounted within a matching painted and gilt gesso wood and composition artist's frame, 143 x 163.5 cm. including the frame. Provenance:Anon. sale, Bonhams, Chelsea, 7 December 1999; where purchased by the present owner.
Lot 191
Valentine Bartholomew, British 1799-1879- Two floral still lifes: Summer Flowers; and Floral still life with roses and delphinium in a vase, a bird's nest behind;the first pencil and watercolour heightened with white, the second pencil and watercolour heightened with white and scratching out on paper, each signed and dated 'V Bartholomew / 1855' (lower right), the first 43.7 x 32.9 cm., the second 41.4 x 27.9 cm., two (2). Provenance: Private Collection, UK. Note: Largely self-taught, Bartholomew worked for the lithographer Charles Hullmandel (1789-1850) from 1821 to 1827. He was a member of the New Watercolour Society in 1834 and 1835, and was elected A.O.W.S. in 1835. He was appointed Flower Painter to the Duchess of Kent in 1836, and Flower Painter in Ordinary to The Queen in 1837. An almost identical work to the second (Floral still life with roses and delphiniums) sold at Christie's, London, 15 March 1988, lot 98 (£1,200).
Lot 245
Yoshijiro Urushibara (1889-1953) Two colour wood block print, 'Still life of Pink and White Chrysanthemums in a vase' and 'Still life of pink cyclamen in vase', both signed lower left margin in pencil and bearing red seal marks, framed (2)Each within mount 32.5 x 22cm. Condition: Good condition
Lot 246
Yoshijiro Urushibara (1889-1953) A Colour Woodblock prints'Still life of fruit in a bowl and a ginger jar', a woodblock print, numbered in No71 lower right and signed lower left in pencil, bears red seal mark, framed within margin 28.5 x 38.5 cm., overall 46 x 54 cm.Condition: Good condition
Lot 1147
Mid 20th Century oil on canvas, still life, flowers in a glass vase on a table top, indistinctly signed, 60cm x 81cm, gilt framedThere are various problem areas with this picture, in particular, it appears to have been splattered with white paint (perhaps during a decorating project) - see photos
Lot 534
Three contemporary paintings and a print. Comprising a Jim Whitelock watercolour depicting a street scene, 19.5cm x 29.5cm, a Liz Blakeman watercolour depicting a harbour, 30cm x 40cm, an oil on canvas still life signed 'Constance Cooper', 39cm x 49cm and a print of 'The Arrival of a Dutch East India Fleet' by Willem Van de Velde, 38cm x 46.5cm, all framed, some glazed
![William Cruikshank (Scottish, 1848/9-1922). Winter's Blessings, still life of game [mallard & lapwing], stamped 'E.S.K.'](https://cdn.globalauctionplatform.com/56e1baad-a3a0-4af7-96d8-b03b00b842f6/7926c3ad-138c-410b-a7e6-b03d01322ae0/468x382.jpg)
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77111 item(s)/page