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Lot 612

TEN LATER 20TH CENTURY FRAMED PAINTINGS, comprising two abstract studies signed A. Williams, largest size approximately 39cm x 29cm, unsigned study of a bird in a tree, watercolour on paper, attribution to Handel Evans verso, two unsigned Canadian? landscape watercolours, two still life studies of fruit by P Jabali, Steve Slimm watercolour 'Beached boats below cliff' coastal landscape, Peter Robinson watercolour landscape and a Ken Harland watercolour landscape

Lot 1681

Manner William Beulow Gould (1803-1853), oil on canvas, Still life with a hare, 60 x 50cm

Lot 128

20th century oil on board - still life study of fruit, 28 x 40cm, framed

Lot 218

After Vincent Clare, pair of watercolours, still life fruit on a mossy bank, 21cm x 30.5cm, in glazed gilt frames

Lot 22

Carl Holger Fischer (1885 - 1955) oil on canvas - A still life of roses in a bowl, signed, 28cm x 35cm, framed (49cm x 43cm overall)

Lot 38

After Edward Ladell oil on board - still life with fruit, signed A. Jemin?, 29cm x 39cm, framed (39cm x 49cm overall)Some slight surface marks but nothing serious. The frame has been re-glued to opposite corners.

Lot 56

Annelise Firth (b.1961) oil on board - still life with blue bowl, signed verso and dated 2018, framed, 39cm x 49cm

Lot 2189

JOHN SQUIRE (CONTEMPORARY) FOUR OIL PAINTINGS TO INCLUDE STILL LIFE, LANDSCAPES AND CLASSICAL RUINS Y Signed Oil on board and paperLargest 59cm x 49cmQty: 4

Lot 14

BRYN RICHARDS (b.1922) oil on canvas - still-life of flowers, jugs and fruit, 57 x 64cms Provenance: consigned by the family of the artistCondition Report:framed

Lot 26

‡ CYRIL MANN (British, 1911-1980) oil on canvas - still life of fruit, vegetables and flagons, signed and dated '60, framed, 34.5 x 55cms Provenance: private collection London

Lot 50

‡ JOHN LAWRENCE (b.1933) mixed media - still life of shells, wine glass and plant, signed and dated 1948, framed and glazed, 36 x 46cms

Lot 58

‡ JOHN MICHAEL MADDISON (Scottish b.1952) oil on board - 'Still life with green jug', Royal Academy Summer Exhibition 1993 label verso, signed, framed, 23 x 30cms Provenance: private collection London

Lot 66

‡ NICOLA MOSLEY (contemporary) oil on board - still life Vase and Lemon, artists label verso, 22 x 16cms Provenance: private collection Cardiff

Lot 443

Hamilton, (20th century), a watercolour, still life, signed bottom right, and dated 1942, 35 x 45cm, framed, 47 x 57cm, and three decorative prints

Lot 465

(20th century), an oil painting still life, indistinctly signed, 49 x 59cm, framed, 65 x 75cm

Lot 484

(20th century), an oil painting, still life, indistinctly signed, 25 x 17cm, mounted framed and glazed, 38 x 31cm

Lot 105

* ETHEL WALKER (SCOTTISH b. 1941),WINTER SUNoil on board, signed, titled label versoimage size 54cm x 46cm, overall size 70cm x 63cm Framed and under glass.Label verso: The Stenton Gallery, Stenton.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. Ethel Walker's work has been exhibited widely over many years in Scotland, London and around the UK. In The Scottish Contemporary Art Auction of 5th December 2021 "The Lace Cloth" (lot 594) by Ethel Walker sold for £3000 (hammer).

Lot 131

* GILLIAN GOODHEIR DA (SCOTTISH 1945 - 2022),BLUE DELPHINIUMSgouache on paper, signed and dated '06, titled label versoimage size 67cm x 57cm, overall size 99cm x 88cm Mounted, framed and under glass.Note 1: a large and very fine example of Gillian Goodheir's work.Comment: It was with sadness that we learnt of the sudden passing of Gillian Goodheir in January 2022.Note: Gillian Goodheir was one of Scotland's best-loved artists and a regular exhibitor at good galleries around Scotland and the North of England. She was born in Glasgow and studied at Glasgow School of Art, specialising in Drawing and Painting. She graduated in 1967 then took a Post Diploma. She then taught art in Glasgow but in 1975 she and her husband moved to mid-Argyll where she lived and worked. Gillian Goodheir's paintings reflect her surroundings, the ever-changing weather and light in the west of Scotland but also the south of France where she spent a lot of time, when she could. As well as landscape she excelled in Still Life, combining flowers, textiles and decorative objects. Her preferred medium was gouache which she handled in a fluid spontaneous style, capturing light and colour. Her work is in collections throughout the U.K. (including six works in the Permanent Collection of the Palace of Westminster, London) as well as in the U.S.A., Canada, Hong-Kong, Holland, France and New Zealand.

Lot 194

* CHRISTINE L. MCARTHUR RGI RSW (SCOTTISH b 1953),STILL LIFE WITH TULIPSwatercolour on paper, signedimage size 53cm x 70cm, overall size 81cm x 98cm Mounted, framed and under glass. Label verso: The Sue Rankin Gallery, London; Rees Martin Art Service, London.

Lot 203

* DAVID WINFIELD,LANDSCAPE STILL - LIFE NO. 9, HARVEST 1994oil on canvas, signed and dated '94, titled verso overall size 121.5cm x 121.5cm Unframed.

Lot 255

* JOHN G BOYD RP RGI (SCOTTISH 1940 - 2001),STILL LIFE WITH CANDLE oil on canvasimage size 40cm x 40cm, overall size 51cm x 51cm Framed.

Lot 256

* ROBERT KELSEY DA MUniv PAI FRSA (SCOTTISH b. 1949),STILL LIFE WITH PANSIESoil on canvas, signed, titled labels versoimage size 31cm x 31cm, overall size 54cm x 54cmFramed.Label verso: The City Gallery, London.

Lot 288

* JACK MORROCCO (SCOTTISH b. 1953),STILL LIFE TURKISH VASElimited edition print on paper, signed and numbered 80/350image size 25cm x 25.5cm, overall size 42cm x 42cm Mounted, framed and under glass.

Lot 330

* KIM REDPATH (SCOTTISH 1925 - 2018),STILL LIFE WITH LILAC BLOOMSoil on board, signedimage size 50cm x 60cm, overall size 62cm x 73cm Framed

Lot 43

* CLAIRE HARKESS RSW (SCOTTISH b. 1970),COASTAL FLIGHTwatercolour on paper, signed; titled label versoimage size 60cm x 90cm, overall size 89cm x 117cm Mounted, framed and under glass. Handwritten label verso.Artist's label verso.Note: Claire Harkess was born in Ayr, Scotland, graduating from Glasgow School of Art in the early 1990s. In recent years her painting has taken her to fragile lands to study and interpret life on the edge. Antarctica, Outback Australia and St Kilda are all places where, in such extreme environments, survival is difficult and the balance of life is delicate. Harkess has also worked on the Galápagos Islands, made famous by Charles Darwin’s ‘The Origin of the Species’. This isolated volcanic outpost remained relatively untouched by man, evolving to become one of the World’s unique ecosystems. The balance present in nature is clearly communicated through Claire's paintings. Painting in watercolour or gouache offers a unique directness; the essential qualities of light and energy present in the natural world are the very essence of the medium itself. The delicacy of her palette and oriental economy of her mark-making creates a subtle tension representing a world that is ‘holding still’, giving a sense of freedom, spirit, time and place. Claire's work is exhibited at The Scottish Gallery, where her most recent highly successful solo show was in July 2020, and at other prestigious galleries around the UK.Condition is good overall, with no visible signs of restoration, damage, or known issues.

Lot 8

* NOEL SLANEY RSW (SCOTTISH 1915 - 2000),STILL LIFE WITH CHAMPAGNEoil on boardimage size 45cm x 55cm, overall size 55cm x 65cm Framed.

Lot 84

* PETER GRAHAM ROI (SCOTTISH b. 1959),EVENING LIGHTSoil on paper, signedimage size 24cm x 37cm, overall size 37cm x 51cm Framed and under glass.Note: Peter Graham was born in Glasgow in 1959. He attended the Glasgow School of Art, graduating in 1980. In 2000 Peter was elected to Full Membership of The Royal Institute of Oil Painters, R.O.I. Peter has earned a reputation as one of Britain’s most gifted and distinctive Modern Colourists. His work is often related to the Modern Scottish School but Peter has a flamboyant style which is unique, – detailed brushwork combined with loose fluid strokes creating vibrant contrasts of pure colour, line and tone. In the winter months within his studio, he delves deeply into the still life genre, creating some of his most stunning compositions, always with colour as the dominant theme but reflecting the heightened sense of atmosphere and passion that comes directly from painting in the beauty of the Mediterranean. Recently, hugely successful exhibitions in London have allowed Peter to take on extra studio space and his work is being enthusiastically exhibited by many of the UK's most prestigious galleries. Peter Graham's paintings do not appear at auction frequently but Impressive recent auction prices include (a slightly larger example) "Decorations with Flowers" which was sold at McTear's in The Scottish Contemporary Art Auction for £2800 (lot 580, 26th May 2019).

Lot 98

Original Still Life with Fruit, Oil on Canvas. By the renowned Hertfordshire artist Kathleen M Downing. Painted in 1995. Measures 61cm by 51cm.

Lot 149

S. Gaze, British, 20th century, Still life of Onions, Garlic and a Mushroom, oil on canvas, signed and dated 88; together with another still life of fruit, a town view and two other works (5)

Lot 150

A large selection of modern decorative prints, including a still life of tulips, study of a greyhound, two large colourful prints of parrots etc (19)

Lot 1284

Paul Wilson (b. 1945) oil on board still life of fruit, signed L.R. 24 x 39cm.Condition ReportGood condition.

Lot 1287

M. Moore oil painting, floral still life, signed L.L. 87 x 68cm.Condition ReportGood condition.

Lot 1308

Oil on canvas. Still life of fruit, signed lower left T. Sayer 1893 in gilt frame. 29 x 24cm.Condition ReportFrame a/f.

Lot 251

Oil on canvas - Still life - Approx image size: 44cm x 39cm

Lot 1001

B Heycock - Still life with flowers in a vase, oil on canvas, signed and dated 1980 lower right, 45 x 34cm

Lot 1002

L Newman - Still life with fruit, gouache, signed and dated '77 lower right, 45 x 60cm

Lot 1004

Contemporary school - Still life with flowers in a stone jug and bowl of fruit, oil on canvas, indistinctly signed lower right, 90 x 60cm

Lot 302

Helen Rushworth, still life of flowers in a vase, oil on board, framed

Lot 324

J.M Alexander, still life, oil on glass, framed and one other

Lot 523

A still life of flowers in a jug, oil on canvas.

Lot 524

A still life of flowers in a vase, oil on canvas.

Lot 548

Two still life pictures of flowers in a vase together with a still life of fruit and flowers (3).

Lot 556

A still life of fruit, oil on board.

Lot 1041

Continental School (20th century)Still life of roses in a blue vaseInscribed Bella Londre, 1955, pastel, 49cm by 35cm

Lot 1061

After Edward Ladell (1821-1886)Still life of assorted fruit and a glass of wine Bears monogram, oil on panel, 29cm by 21.5cm

Lot 66

BALVENIE 10 YEAR OLD FOUNDER'S RESERVESingle malt.Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.The Founder's Reserve has now been discontinued in favour of the 12 Year Old DoubleWood.40% ABV / 70cl Fill level in mid neck.

Lot 75

BALVENIE 12 YEAR OLD SIGNATURE BATCH #5Single malt.Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.The Signature is matured in a combination of Oloroso Butts, first fill, and refill Bourbon barrels.40% ABV / 70clFill level in low neck.

Lot 131

BALVENIE 1966 VINTAGE CASK #4288Single malt.Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.This an extrememly rare single cask from Balvenie, aged for 32 years.Distilled: 09/04/1966Bottled: 02/06/1998Matured in cask #428844.6% ABV / 70clFill level in high shoulder / low neck. Minor marking to tube.

Lot 133

BALVENIE 12 YEAR OLD DOUBLEWOODSingle malt.Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.40% ABV / 70clFamous for their unique stills, each as tall as an adult giraffe, and their passion for innovation, Glenmorangie remains one of the best-selling single malts in the world. They were one of the first distilleries to experiment with cask finishing; the process of transferring spirit from one cask type to another in order to impart additional characteristics and flavours.To further this agenda of innovation, in September of 2021 Glenmorangie began production at their new “Lighthouse” facility, a futuristic R&D department protruding from the heart of their traditional distillery complex like a monolith from 2001: A Space Odyssey. Off limits to the public, it is home to a “sensory lab” as well as two of Glenmorangie’s signature stills, each of which plays host to several classified modifications. Only time will tell what exciting innovations will filter down to the rest of the industry.40% ABV / 70clGLENMORANGIE 10 YEAR OLD

Lot 16

BALVENIE 12 YEAR OLD DOUBLEWOODSingle malt.Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.40% ABV / 70clCRAGGANMORE 12 YEAR OLDSingle malt.40% ABV / 70clMinor damage to Balvenie label.

Lot 1462

H, Knight, Still Life Study of Flowers and Fruit, oil on glass panel, signed and dated 1908, 60.5 x 30.5cm; a pair of still life studies of roses, oils on panel. (3).

Lot 1465

J.F Smith, (Worcester Porcelain Artist), Still Life Studies of Fruit, pair, oils on board, signed lower right, details verso, 18.5 x 29cm.

Lot 318

Frederick Victor Bailey, 1919-1997, still life of flowers, signed, oil on board, 60 x 49cm

Lot 345

Attributed to Emilio Greco, 20th century, still life flowers, unsigned, oil on board, 50 x 39cm

Lot 583

English school, still life with strawberries and cherries, oil on canvas, 33 x 44cm, together with two others (3)

Lot 612

After John Piper, landscape with a church, oil on board, 45 x 57cm, together with English school, 19th century, portrait of a lady, oval, and Gwen Dymond, still life of flowers (3)

Lot 78

A 19th French century ormolu mantel clock, inset with Sevres style porcelain panels, finely painted with 18th century style figures, still life subjects and cherubs, within a jewelled surround, the eight day drum movement stamped, J Marti & Co., Medaille de Bronze, Tiffany & Co., New York, and numbered 5558, striking on a bell, 35cm high35cm high

Lot 86

Continental school, 20th century, still life flowers, together with the companion, a pair, each 49 x 38cm (2)

Lot 430

HELEN F. CLYDEPot of pansies, still life, oil on canvas, label to verso, 44.5cm x 60cm

Lot 209

A 19th century continental silk work embroidered panel, of still life subjects, mounted with a pair of 19th century Chinese embroidered cuffs, with lotus decoration, 44 x 54, framed

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