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Lot 733
Two oil paintings on board by Charmian Dunlop, one showing a woodland scene, signed bottom right, with label verso In Rainbow Woods, Before the Storm, with artist's Bath address label verso, 44 x 60 cm, the other showing a still life with fruit and glass vessel, signed bottom right and inscribed verso Still Life With Blue Glass, again with artist's address label, 25 x 30 cm together with a gouache painting, study of a red roofed house, with indistinct signature bottom left A E Bunt (?) and indistinctly dated, 35 x 25 cm, all framed
![Vincent Clare [1855-1930]-
Still life of cherries, strawberries and gooseberries on a mossy bank:-
signed bottom right
waterc](https://cdn.globalauctionplatform.com/d64f5331-cbfc-4fa0-986a-a4c100a83594/8140068c-4d80-4dea-a99f-0b79974124bc/468x382.jpg)
![John Atkinson Grimshaw [1836-1893]-
Still life with blossom and bird's nest on a mossy bank:-
signed bottom right
oil on boar](https://cdn.globalauctionplatform.com/d64f5331-cbfc-4fa0-986a-a4c100a83594/d7d92a01-be45-4311-9233-024d3fe20dd2/468x382.jpg)
![Ellen Ladell [fl.1886-1898]-
'Nature's Beauty', still life of flowers, a bird's nest and birds under a glass dome:-
signed bo](https://cdn.globalauctionplatform.com/d64f5331-cbfc-4fa0-986a-a4c100a83594/8d91c924-c469-4228-edae-bcc52a58c7f7/468x382.jpg)
Lot 370
Ellen Ladell [fl.1886-1898]- 'Nature's Beauty', still life of flowers, a bird's nest and birds under a glass dome:- signed bottom left oil on canvas 46 x 35.5cm * Biography. Ellen Ladell was the wife of, and worked closely with, the still life painter Edward Ladell [1821-1886]. They lived in Colchester, Essex, and exhibited at the Royal Academy from 1856.
Lot 539
Denys George Wells RBA, British 1881-1973- Still life with apples (recto)/ Young girl looking out of the window (verso); oil on canvas, signed and dated 06, 50x60cm (may be subject to Droit de Suite) CONDITION REPORT: In a moulded, two-tone, glazed frame Unexamined out of frame Surface dirt and dust throughout - could do with a good clean Paintings on both sides of the canvas - still life is the image framed and on the right side of the stretcher Other than dirt and some minor staining - overall condiition is reasonable.
Lot 307
Henry Zvi Zilberstein (1929-2009) portfolio with 8 signed lithographs, Judaica. The cover is designed as an English newspaper with the headline - Yiddishkite- Zvi Zilberstein. The portfolio includes the following lithographs: 1. The Kotel 2. Conversation 3. The Old Couple 4. The Letter 5. In The Ghetto 6. Bread and Water 7. Jewish Schooling 8. Torah Writing Each lithograph measures: 16in x 11.4in / 40.6cm. x 28.95cm. Each lithograph is signed and dated in the plate and hand signed and numbered by the artist. Henry Zilberstein. Born on 1929 in Paris. On 1943 he Joined the "Premiere armee francais" and participated in many battles. On 1947 he came to Israel and settled down in Kibbutz Chulata. He worked there as a fisherman, a truck driver and an architect but later (1995) abandoned all of those professions to commit to his painting. "Zvi (Henry) Zilberstein lived 70 years following the modernist's way of life, when one day he left the architect sketching desk for something he wasn't familiar with himself. He was guided more by vague intuition then by nostalgia, he was always too connected with his own culture and time. And still, there was one thing that inspired him: a black and white album entitled "Disappearing world". Its author, Roman Wishniak, a brilliant photographer, had spent the 20s and 30s in eastern Europe, capturing the humble and yet very rich lives of the Jewish communities on film. Today, Zilberstein is reliving the magic of those photos with delicate colors and a touch of humor, inspired by his admiration to the great American cartoonist, Norman Rockwell." Gabriel Roth.
Lot 2357
* WILLIAM SELBY RWS RSW ROI RBA NEAC (BRITISH b 1933 - ) A STILL LIFE acrylic, signed 55cm x 39cm (21.5 x 15 inches) Framed Provenance: Exhibited The Royal Academy Summer Exhibition (London) 1985. Exhibition label verso. Note: Selby has emerged as an important name in British Art. His contemporary paintings have created an impressive following and Selby has exhibited at the principal Academies, Institutes and Societies of Arts, where he has won many major art awards and fellowships. William Selby's work is exhibited at many of the UK's finest contemporary galleries including Thompson's Gallery (London), The Red Rag Gallery, Whitington Fine Art and Adam Gallery. Selby's paintings rarely appear at auction but notably on 20th June 2013, Bloomsbury Auctions London sold a 73cm x 89cm acrylic still life (lot 47) for £4200 (hammer).
Lot 58
- Desirable specification: 327ci (5.4 litre) V8 and 4-speed manual gearbox - Treated to an extensive 'chassis up' restoration with numerous powder-coated parts - Former show winner and said to be 'a dream to drive' Further Info: Now in its seventh generation, the 'Vette began life in 1953 with the C1 - a model that inspired a generation of American youngsters and presented Ford with a nine year headache. It was the work of the legendary Harley Earl and inspired by the great European road/race offerings of the day. It borrowed its name - of French origin - from centuries of small, fast warships. The newcomer was first seen in concept form at the New York Auto Show, and generated sufficient interest for General Motors to hand-build a batch of 300 Polo White Convertibles. Sales, slow at first, had built to no less than 14,000 per annum by the introduction of the C2 10 years later. The C1 received multiple cosmetic updates along the way, the most significant of which came in 1958 when the nose was lengthened and dual headlights introduced. The model was initially only available with a straight-six powerplant, but by 1962 it could be bought with a thumping great 327ci (5.3-litre) V8 under the bonnet, making this the fastest and arguably most desirable version of America's first true sports car. The very smart C1 on offer is a perfect example of that ultimate iteration. Reportedly to period specification apart from its gleaming Pearlescent White paintwork, the two-seater is further understood to have been completely stripped and restored in the USA. The chassis and ancillary parts were powder-coated and all the main components renewed - the labels for which are still available. The vendor informs us that this show-winning 'Vette 'is a real head turner and a dream to drive, with loads of long-legged power on tap. The steering is light and the brakes firm and efficient'. Evidently the Chevy's 327ci V8 and four-speed manual transmission are reliable, and the car has just completed a 160 mile rally around Avalon without a hitch. A truly rare opportunity.
Lot 317
Pair of framed paintings, to include one DYMOND signed, 20th Century, oil on board, still life with peaches and banana surrounding a tankard, and one unsigned, 20th Century, oil on slate, landscape of a cottage framed by two bare trees with an individual stood by a gate in the centre and another individual walking away to the right, 16.5cm x 60cm, 14.5cm x 22cm (2).
Lot 349
VAN EVERSEN. Framed, signed, oil on board, still life of flowers in an urn, together with MAYER. Framed, signed, oil on canvas, showing a young girl pushing a dog in a wheelbarrow, J. HAMILTON. Framed, signed, oil on canvas, young girl feeding ducks and two framed, prints of Dutch style still life compositions of flowers, average: 50cm x 39.5cm, (5).
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