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Lot 1434

Paintings - S Leigh - Still Life of Flowers, oil on canvas, signed; others, Frank Lean; landscapes; etc (4)

Lot 102

White Plate Still Life, Mixed Media Painting by Sarah V Battle, 1991, 30cm x 32cm

Lot 477

Freda Ward (20thC British). A still life study of flowers in a jug and vases, watercolour, signed, 53cm x 35cm.

Lot 484

Roger Johnny. Still life study of mixed flowers in a vase on a ledge, oil on panel, signed, 60cm x 44cm.

Lot 481

Max Agostini (1914-1997) - Still life with pomegranates, grapes, a bowl of fruit and a teapot on a table Oil on canvas Signed lower left 54 x 65 cm. (21 1/4 x 25 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 482

Max Agostini (1914-1997) - Still life of flowers in a porcelain vase Oil on canvas Signed lower right 85 x 50 cm. (25 1/2 x 19 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 24

ARNIS MAZITIS, LARGE OIL ON CANVAS, STILL LIFE FLOWERS, SIGNED TOP R.H. CORNER APPROX. 101 X 81 cm

Lot 9

SMALL WATERCOLOUR, STILL LIFE FRUIT, SEABRIGHT (WORCESTER PORCELAIN ARTIST) APPROX. 19 X 14 cm

Lot 256

A 20th Century Oil on Board Still Life; along with a watercolour of a country landscape.

Lot 257

An Oval Oil on Board Still Life of Flowers.

Lot 26

An Early 20th Century Watercolour Still Life of Fruit.

Lot 360

A Good 19th Century Still Life Coloured Print.

Lot 496

A 20th Century Watercolour - Still Life of Fruit & Flowers

Lot 507

A 19th Century Oil on Board - Still Life of Daffodils & Violets.

Lot 595

A Lovely Pair of Early 20th Century Oil on Canvas Still Life of Roses; unframed.

Lot 781

An Oil Painting Depicting a Still Life of Flowers and Gardening Tools. 34 x 28cm.

Lot 836

A Watercolour by William Cruikshank (1848-1922); still life "Fruit in a Basket", 29x39 framed and glazed

Lot 863

An Edith Bromhall Oil on Canvas; Still life with flowers, signed and framed.

Lot 152

Six assorted pictures and prints to include oil on canvas still life, etc.

Lot 164

Kristan Baggaley (20th Century) acrylic colour still life complete with original bill of sale for the sum of £670.00.

Lot 165

A modern oil on canvas depicting still life, inset in ornate gilt frame.

Lot 166

Three 20th Century abstract oils on boards, depicting a crane, and two depicting still life.

Lot 168

Eight assorted pictures and prints to include figures in street scenes, still life etc.

Lot 251

A mixed lot of Losolware Pagoda pattern ceramics, unusual Venetian glass vase, circular watercolour depicting still life.

Lot 439

A decorative metal tray of oval form painted with a floral still life upon a dark ground to centre, within a mustard coloured border with pierced gallery sides and handles, with aged finish, 49 cm long x 39 cm wide approx

Lot 577

An oil painting on board, still life with vase of apricot coloured roses, fruit, green glass drinking glass, etc, signed bottom right D Thomson, with label verso Dora Thomson - The Green Glass, with Westbury-on-Trym address details, 33 x 36 cm approx in white and gilt frame

Lot 592

An oil painting on board of a colourful floral still life, signed bottom right John Codner, with label verso - Summer Flowers by John Codner RWA, 40 x 50 cm approx in distressed cream coloured moulded frame with linen slip together with an oil painting on canvas by the same hand showing a country house and garden, signed bottom left John Whitlock and dated 51, inscribed verso - Sark Meadow 51 (John Whitlock Codner used both names during his painting career), 41 x 50 cm approx in gilt frame

Lot 599

An oil painting on board of a donkey and cart accompanied by an elderly man and a small dog, inscribed verso - By Jess Harrington, 32 x 43 cm approx in moulded gilt frame together with a further oil painting on board of a landscape with trees, signed bottom right Sealey, a black and white print of a little girl picking flowers after Julia Young, a coloured advertising print with oil finish for Royal Tea, etc together with a collection of unframed pictures and prints on table adjacent including still lives, life drawings, floral subjects, etc

Lot 606

A quantity of pictures and prints including a watercolour of an 18th century style lady in a sedan chair, a watercolour of pink hellebores, signed bottom right David Birch, a watercolour of a Cotswold style house, signed John Lawson, a watercolour of a still life with vase of dog roses, ceramic plate, etc, various watercolour landscapes, three humorous prints after Simon Drew, etc

Lot 621

A quantity of pictures and prints including print of a drawing by Sir William Russell Flint of two ballet dancers, a large coloured print of a floral still life after Margaret Niven, a pair of coloured prints of harbour scenes after Vernon Ward, a coloured print of an 18th century sampler, a coloured print after Gaugin, a black and white photographic print of Saddam Hussain, two coloured prints after Paul Klee etc, all framed

Lot 82

A Royal Worcester two handled urn shaped vase with finely painted panel to the front showing a still life with jug, fruit, flowers, etc, signed bottom right W J Dugnall, the gilded handles of entwined form terminating in leaves, with further beaded decoration, raised on a square cut base with puce printed mark to base 1946

Lot 254

19th/20th Century Continental School - Oil painting - Young woman scrubbing a floor whilst a seated child looks on, board 17ins x 21.75ins, in gilt moulded frame Note : The verso of this painting has a finished still life of flowers in a blue vase

Lot 294

***Colin Campbell (born 1894) - Oil painting - Still life with flowers in a vase, board 29ins x 21ins, signed, in painted frame

Lot 295

Ian Lawson (20th Century British) - Oil painting - "Chrysanthemums" - Still life, canvas 36ins square, signed and dated '85, in gilt moulded frame

Lot 330

E. Gell (20th Century) - Watercolour - Still life with sweet peas in a vase, 12ins x 12ins, in gilt frame and glazed

Lot 331

***Phyllis I. Hibbert (1903-?) - Watercolour - Still life of flowers in a blue pottery bowl, 16ins x 20.5ins, signed in pencil, in limed oak frame and glazed

Lot 145

A Framed Print Still Life Flowers in Vase on Windowsill.

Lot 161

A Large Gilt Framed Oil on Canvas Depicting Mill House Signed Wilder Plus A Print Still Life by James Nobel.

Lot 228

Rita Monaco, Still Life with Apples and Pears, signed and inscribed verso, oil on canvas, 61cm x 61cm, unframed.

Lot 621

A pair of oils, still life, grapes and apples, unsigned, 6 x 9.5in., together with Newmarket equestrian prints, A. W. Henley - large oil on canvas, wooded view and two coloured portrait mezzotints

Lot 638

A Stanesby - still life, apples on a plate, signed and dated 1887, 8 x 12in.

Lot 299

Irving Penn (American, 1917-2009)GINGKO LEAVES (NEW YORK 1990) Dry transfer print, printed 1992, signed, inscribed with title, dated and numbered 16962, with copyright reproduction limitation stamp and stamped 'Signed prints of this photograph not exceeding 22', all verso image/sheet size 57.5 x 49.5cm Provenance: Pace/Macgill Gallery, New York; Hamilton Gallery, London; Collection: Pamela Hanson; Christie's New York, 17/18 October 2006, lot 202; Private collection, UK; Private collection, Hong Kong.Literature: Penn, 'Passage: A Work Record', Alfred A Knopf/Callway, 1991, cover; Penn, 'Still Life', Little, Brown and Co., 2001.

Lot 333

*Blair Hughes-Stanton (1902-1981)STILL LIFE OF A JUG AND A MANDOLIN;A COUPLE Two, wood engravings, one signed in pencil, the other signed and dated 1979 in ink60 x 90mm and 150 x 100mm (2)*Artist's Resale Right may apply to this lot.

Lot 376

*Mary Fedden RA (1915-2012)STILL LIFE OF A JUG, FRUIT AND A BUTTERFLY ON A TABLESigned and dated 1973 l.l., pencil56 x 76cm*Artist's Resale Right may apply to this lot.

Lot 260

Anna Simmonds, watercolour portrait, together with three oils, still life and landscape

Lot 191

PATRICK CAULFIELD (British, 1936-2005), 'Coloured Still Life', 1967, lithograph in colours, 41cm x 65cm, framed.

Lot 118

A still life with flowers, Dutch School, 19th C. Indistinctly signed lower right. Dim.: 51 x 42 cm, 66 x 57 cm framed.

Lot 121

Jules Alexandre Grün (1868-1934), A still life with flowers and chinoiserie wallpaper Oil on canvas. Dim.: 61 x 50 cm, 75 x 64 cm framed.

Lot 89

Robertine Devooght (1904-1979), A still life with flowers, a shell and grapes Oil on canvas, framed. Dim.: 80 x 70 cm, 94 x 84 cm framed.

Lot 185

English School - early 20th Century, pair of oils on canvas, Still life of fruit and grapes, one initialled MW and dated 1906, 92cm x 33cm

Lot 186

Continental School - 20th Century, oil on board, 'The Drinking Party', 55cm x 64cm with a pair of still life prints, a pair of French prints and a print after Neuville 'Our Wounded Friend', (6)

Lot 188

Vincent Clare (1855-1930) pair of oils on canvas Still life of a bird's nest with primrose's and dog roses and Still life of a bird's nest with blossom, each signed lower right, 19cm x 29cm Framed and glazed (2)

Lot 123

Still Life of Fruit, oil on board signed and dated G H Shaw 19/5/21; other pictures and engravings (7)

Lot 249

Still Life of Flowers, oil on canvas 60cm x 49cm in gilt frame

Lot 152

David Hockney, 'Still Life With Book' Andre Emmerich, may 1973, framed poster 60 x 80 cm

Lot 575

An Olga Lehmann watercolour still life dated 1991 - 60cm x 47cm - some fly under glass

Lot 1

A New Zealand International Rugby Union jersey from their 1905-1906 tour of British Isles, France and USA, match-worn by legendary tour captain and New Zealand war-hero, Dave Gallaher - widely regarded as ‘The Father of All Blacks Rugby’. The shirt has the embroidered New Zealand fern badge and the stitched canvas overlay to shoulders, upper chest and back area. It is complete with leather v-shape neck-line. Provenance: After the Wales v New Zealand test match in Cardiff in 1905, New Zealand captain Dave Gallaher and Wales captain Gwyn Nicholls were witnessed by a reporter of the South Wales Daily News to be exchanging compliments and handshakes. They also exchanged their jerseys. For many years, Gwyn Nicholls stored the jersey at his business premises, a laundry company based in Llandaff North, Cardiff. Thomas John Mahoney a keen sportsman and general sports fan was employed at the laundry company as a ‘van boy’ and because Gwyn Nicholls was aware of Thomas Mahoney’s enthusiasm for sports, the jersey was gifted to him. It remained within the family of Thomas Mahoney until now and is being offered at auction by his family. Value: The family of TJ Mahoney have decided that this is the right time for them to sell the jersey. Because of this the jersey has been entered with a nominal reserve. Our estimate is based on previous auction prices for All Blacks jerseys from the 1905 tour. History and background to Dave Gallaher and the 1905 tour: Dave Gallaher’s position was generally wing-forward but he also played as hooker. He started playing at his home-town Katikati, South of Auckland and then for Parnell rugby club from 1890. However, his rugby career started in earnest with Ponsonby District Rugby Football Club in 1895. In 1896, he was selected for Auckland province and his first New Zealand cap came on their tour of Australia in 1903, where he was selected for the touring-side’s first ever test match against Australia in Sydney. Gallaher played thirty-three times for his country, winning six test caps, he retired from playing in 1906 to become a coach at Ponsonby and become the sole selector for Auckland province, later becoming a New Zealand national selector for seven years in an extremely successful period. In conjunction with Billy Stead, Gallaher’s vice-captain of the 1905-1906 tour, the pair composed ‘The Complete Rugby Footballer’ (1906) a seminal text for the game of rugby union. Without player-vote, Dave Gallaher was controversially nominated as captain for the 1905-1906 legendary tour of British Isles, France and USA. The team was the first New Zealand Rugby Union to tour outside of Australasia, they played thirty-five matches, winning thirty-four of them, scoring 976 points and conceding only fifty-nine. The touring side became known as ‘The Originals’ and for the first time the nickname ‘The All Blacks’ was used by the British Press. The success of the tour helped cement Rugby Union as New Zealand’s national sport and commenced a ‘new order’ of world rugby which has rarely been threatened in 100 years. Wales versus The Originals, in Cardiff, is regarded as one of sport’s greatest matches with over 47,000 spectators at the Arms Park. Even before kick-off the match had become a landmark game when the Welsh supporters sang ‘Hen Wlad Fy Nhadau (Land of My Fathers)’ in response to the New Zealand player’s stirring performance of the haka. It was the first time a national anthem had been sung before a sporting fixture. There had already been a degree of controversy leading up to the test, particularly in relation to the choice of referee John Dallas, and with regards to the tactics New Zealand had brought with them to the Northern Hemisphere including the role of Gallaher as a roaming wing-forward which many remarked as unsporting with the intent of obstructing opposition players. The controversy continued as the game developed with decisions seeming to go against The Originals. As the referee struggled to keep up with play, there was a ‘try that never was’ and the half-time whistle was reported to have been blown early when Wales were under pressure. Wales were the victors 3-0. Dave Gallaher was born in Ramelton, Co Donegal in 1878. At the age of five he and his family migrated from Ireland to a planned Irish/Ulster settlement in Katikati, south of Auckland in the North Island of New Zealand. In the 1890s he took employment at the Auckland Farming Freezing Company as a labourer where he was to rise to the position of foreman. It is thought that the work helped him build upper body strength and kept him fit. In 1901 Gallaher’s rugby was interrupted as he joined the Sixth New Zealand Contingent of Mounted Rifles for service in the Anglo-Boer War with the objective of ‘…ridding the Northern Transvaal of Boer guerrillas…’ under the command of General Herbert Plumer. Gallaher was appointed as an advance guard, scouting ahead of the main force of men and in 1901, he was hospitalised in Charlestown, Natal with malaria. In a letter to his sister dated 18 October 1901, he wrote ‘….we have a fair share of the fighting all the time and I am still alive and kicking although I have had a couple of pretty close calls, one day I thought I would have to say good bye to old New Zealand but I had my usual luck and so came out all right’. Whilst in South Africa, Gallaher reached the rank of Squadron Sergeant Major and was awarded the Queen’s South Africa Medal and King’s South Africa Medal. He returned to New Zealand in August 1902. Fifteen years later, ten years after retiring from playing rugby and at the age of forty-two, Dave Gallaher returned to the battlefield. Exempt from conscription due to age, Gallaher enlisted voluntarily for action in the First World War. His younger brother Douglas had already been killed in the conflict. Gallaher left for Europe in February 1917 and on arrival was promoted to the rank of sergeant. His unit fought in the Battle of Messines, near La Basse Ville, later preparing for the imminent ‘Passchendale Offensive’. In the attack of Gravenstafel Spur on 4 October 1917, Gallaher was mortally wounded when a piece of shrapnel penetrated his helmet. Dave Gallaher was posthumously awarded the British War Medal and the Victory Medal. He is buried in grave No, 32513 at Nine Elms British Cemetery, west of Poperinge. In 1922 Auckland Rugby Football Club introduced the Gallaher Shield. Ponsonby, Gallaher’s old club, have won the title more than any other team. Internationally, France and New Zealand compete in the Dave Gallaher Trophy, first awarded on Armistice Day in 2000. In 2011 a bronze statue of Gallaher was unveiled outside Eden Park, the home of New Zealand rugby, Gallaher has been inducted into the International Rugby Hall of Fame, the World Rugby Hall of Fame and the New Zealand Sports Hall of Fame In 2005, at Gallaher’s Irish birthplace, the name of the ground of Letterkenny RFC was changed to the Dave Gallaher Memorial Park. In view of the life-story of Dave Gallaher, his profound influence on New Zealand rugby union and his general significance within New Zealand history and culture, while taking into account the impact of ‘The Originals Tour’ and the Wales test in particular, this jersey could rightly be regarded as a ‘Holy Grail’ of New Zealand rugby shirts.  

Lot 164

GUTA VARDY oil on board - still-life of flowers, signed verso, 40 x 19.5ins (102 x 50cms)

Lot 25

A STORIE: circa 1900, still-life of a bowl of roses wrapped in patterned damask beside a classically decorated wine pourer on a table, signed lower left, watercolour 18" x 14"

Lot 568

G.F. WHEAL: A Victorian oil on artist's board in a period frame, still life study of fruit, yew branch and walnuts beside a jug on a plain surface, signed lower left, 8¾" x 11¾"

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