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Lot 51
A ROYAL WORCESTER CHINA CABINET PLATE, 1953, of lobed circular form, centrally painted in polychrome enamels by Price with a shaped panel enclosing a still life of fruit on a mossy banking within a wide raised and burnished gilt border, signed, gilt mark, 10 3/4" diameter, together with a similar plate painted by Creed with flowers on a lemon ground, signed, undated gilt mark, 10 3/4" diameter (2) (Est. plus 24% premium inc. VAT)Condition Report: No chips, cracks or restoration
Lot 53
A PAIR OF COALPORT CHINA VASES AND COVERS, c.1900, of slender ovoid form with ram's mask handles, painted in polychrome enamels by F.H. Chivers with still life of fruits on a mossy banking within raised gilded scroll panels on a gilt highlighted cobalt blue ground within ecru rim, signed, printed mark in green, retailed by Townsend of Newcastle, inscribed 7540/2nd 171, 9 1/2" high, together with a 1972 Art & Antiques magazine with a full page colour advert by Traub and invoice dated 1972 for £460 (Pr. & 1) (Est. plus 24% premium inc. VAT)Condition Report: Both vases good, one knop fully restored, one knop glued
Lot 368
IVAN LILLEY (BRITISH, 20TH CENTURY) (3)November Mists, River Nar signed and dated 'Ivan Lilley 1982' (lower right) oil on board 19.5 x 24cm together with; Charlotte Ardizzone, Still life of a tea cup and saucer, signed, watercolour, 17 x 21.5cm; and Follower of John Yardley, Figures walking under trees, watercolour, 24 x 33.5cm (3)
Lot 438
A*** VERLATStill life with flowers, grapes and goldfish in a bowl signed 'A Verlat' (lower right) oil on canvas 110 x 80cmCondition ReportRelined canvas. Traces of craquelure and light surface dirt. Stretcher marks to the left and right borders. Ultraviolet reveals a few patches of retouching to the goldfish bowl, fruit and table top. We estimate the work to have been executed in the early 20th century.
Lot 520
Oliver Clare (1853-1927)Still life with plums, grapes, greengages and strawberries on a forest floor; Still life with damsons, plums and a peach on a forest floorTwo, both signed OLIVER CLARE (lower right)The former oil on board, the latter oil on canvas19 x 24.2cm; 7½ x 9½in; 25.6 x 20.5cm; 10 x 8inTogether with Vincent Clare (1855-1925); Still life with grapes on a forest floor; Signed Vincent Clare (lower right); Oil on canvas; 22.8 x 17.8cm; 9 x 7in (3)
Lot 6001
(Private Press, Typography, Printing), a large folder containing Whittington Press posters/broadsides, various prospectuses, specimen pages, original C19th glazed marbled paper, original calligraphy etc, including 'Monotype' Ornament Broadsheets, set of five, comprising No.1 The Arabesque, No.2 The Fleuron, No.3 The Border, No.4 The Nineteenth Century Ornament, No.5 Type Flowers., each 573 x 445mm; Whittington Press broadside/poster, 1993, limited edition (1,000), of a letter about Caslon type faces written by Eric Gill to his younger brother 'Max' MacDonald Gill and published in the Hawkesyard Review, 1918, on Zerkall Ingres paper, 64 x 48cm, (3 copies), 10 Whittington Press FIne Press Book Fair posters 1994-2003, each with wood engraved illustration by Miriam MacGregor or Hellmuth Weissenborn, approx 40 x 31cm to 61 x 42cm (several duplicates), Whittington Summer Show poster 2016, wood engraving by Miriam Macgregor, pencil signed by her, other Whittington Press specimen pages incl. Guido Morris at St Ives, After The Funeral ill. Sally Scott, The Whittington Press A Bibliography 1971-1981, etc; Gill, Eric--Saint Dominic's Press: 'Lectiones ad Matutinum Officii Defunctorum...', Ditchling: S. Dominic's Press, 1925, printed in red and black, unbound booklet of leaves, [14]pp in total, appears incomplete, some leaves repeated, 15 wood engraved illustrations by Eric Gill (some of which duplicates on repeated leaves) + one other, no limitation page, 220 copies stated as being produced, but actual number of copies likely to be less as Pepler may have destroyed some copies as he was not happy with book, incomplete, but very scarce; other private press ephemera etc including Clinker Press, Fleece Press, Old School Press, Johnny Hannah poster and Ephemera etc; six large sheets of original C19th glazed marbled paper; a pochoir colour illustration 'Ode: Still Life with Vase of Flowers' by Walter Bachinksi, Shanty Bay Press, 2000, limited edition (23/50), signed, numbered and titled in pencil by the artist and signed in pencil by Crispin Elsted, the poet of the text alongside; original calligraphy by Peter Halliday, gilt illuminated on vellum, pencil signed and dated Feb. 1984, mounted, and another by Meic Morgan Finch; Gott typography print, pencil limitation (56/95), two Fijian Tapa cloths, etc
Lot 6150
Patrick Leigh Fermor: 'The Violins of Saint-Jacques', London, John Murray and Derek Verschoyle Ltd, 1953, 1st edition, 1st printing, signed & inscribed by the author to Oonah Guinness (1910-1995), Anglo-Irish socialite, society hostess and art collector, second wife of Dominick Browne, 4th Baron Oranmore and Browne "To Oonagh, with love from Paddy, Luggala, Christmas 1953" on blank leaf following FFEP, small sketch of birds by author above inscription, "Oonagh Oranmore Luggala" pictorial bookplate facing inscription on verso of FFEP, original cloth gilt, dust wrapper (price clipped inside front flap, and stated "4th Printing" inside rear flap). Oonagh Guinness was a prominent hostess, particularly after her second divorce in 1950, when the Luggala Estate became a centre of Irish social life. "Oonagh somehow imbued Luggala with enchantment. Nobody could keep away: Dublin intelligentsia, literati, painters, actors, scholars, hangers-on, toffs, punters, poets, social hang-gliders were attracted to Luggala as to nowhere else in Ireland — perhaps even in Europe, from where many would come. And the still centre of this exultant, exuberant chaos was Oonagh. Patrick Leigh Fermor regularly came to stay during this period, as well as Brendan Behan, Lucien Freud, John Huston and others.
Lot 6223
(Crime Fiction), a folder containing a large quantity of correspondence to Iwan Hedman-Morelius (1931-2012), founder of the long-running DAST Magazine dedicated to his life-long passion for crime fiction, and enthusiastic expert on the international crime-writing scene, including letters from authors and members of the book trade etc., hundreds of letters/items c.1980's-1990's, including Colin Forbes (1923-2006) Typed Letter Signed "Dear Iwan! Here is a £10.00 note for my subscription to DAST-Magazine. It was good of you to write. I am glad to hear that you are so happily settled. The Farm sounds really so peaceful. Like Paradise! I have been incredibly busy working. And still I am working. The book gets bigger - it seems to be a natural development. I will write you as soon as I can a piece for DAST on my next book. Probably you are now losing count of my books! Warmest regards. Keep well! Most sincerely, Colin Forbes [signed Colin in blue ink]", 10.6.87, together with another Colin Forbes TLS, and 3 page typed interview between Colin Forbes and Iwan Hedman on his novel "The Janus Man", October 1987; Otto Penzler, proprietor of the Mysterious Bookshop, TLS, Carolyn Penzler ALS; Margaret Yorke (1924-2012), seven Typed Letters Signed 1987-1999, plus a short ALS/greetings card signed 1989, with handwritten envelope; Walter Wager (1924-2004), 30+ TLS's c.1996-2000; Jacques Baudou (b.1946), 4 ALS's; Angus Ross, 2 ALS's 1996, plus numerous other correspondence from various publishers, booksellers, Crime Writers Association and other literary associations and societies, etc
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77111 item(s)/page