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Lot 283
EARLY 20TH CENTURY WATERCOLOUR BY E C JENNINGS a still life of a jug with book and peacock feathers, signed and dated 1915, framed and under glass; together with a Continental oil on board of a beachside town, influences of Raoul Dufy, signed indistinctly and dated 1919, larger 63cm long (2)
Lot 315
JAMES ALEXANDER WOOD (SCOTTISH b.1931), THE BEEKKEEPERS, OVER DALKEITH FARM oil on canvas, signed and dated 1996, titled and dated 1995 in pen verso 40.5cm x 55.5cm Framed and under glass Note: The artist was born in East Kilbride and lived in KIlmacolm from 1977. After a working life as a chartered accountant he discovered latent artistic talent later in life. Although largely self taught he attended Glasgow School of Art as a mature student and is a member of the Royal Glasgow Institute of Fine Arts. He was heavily influenced by the work of french folk artist Gerard Laplau in this series of work. Laplau is most famous for producing the very succesful series of designs for Villeroy and Boch porcelian which he began in 1979, known and still produced today as 'Design Naif'. The simple, nostalgic pastural scenes were painted with a childlike simplicity in its subject matter and technique. Instantly recognisable for its naïve style and foreshortening of perspectives.
Lot 328
A quantity of pictures including a watercolour of a mountain top town with snow topped mountains in the distance, signed with initials 'CG' and dated 1986, a small oval gouache of a lady in a grey dress holing a green parrot, an engraving after Ralph Peacock titled 'A wee Rhodesian: Daughter of A. E Maund esq.', an oil study of a still life with nectarines, and a watercolour study of a side elevation of a country house with lattice windows and an avenue of trees in the foreground, mounted a framed postcard titled 'Libra Striking the Balance'
Lot 316
Mavis Jean Freer,(British Contemporary), "Still life with sunflowers," watercolour on paper, 34x53cm, Royal Academy Summer Exhibition 1992 label and IBM verso, together with Fiona Robertson (Scottish Contemporary), "Tis a pity she is a Whore," study backstage at Lyceum Theatre during performance of Royal Shakespeare Company, 43x29cm, exhibition label and IBM label verso. (2)
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