Feiner Stellschirm mit Malerei Kano Furonobu (1696-1731) attr. JAPAN, signiert: Furonobu, Topfsiegel Eisen, Edo-Periode 110 x 404 cm Provenienz: Aus einer norddeutschen Privatsammlung, erworben in den 1980er Jahren - Partiell berieben und Altersspuren, teils rest. AN EIGHT-FOLD PAPER SCREEN WITH PAINTINGS ATTRIBUTED TO KANO FURONOBU, Japan (1696-1731), signed Furunobu and red pot seal Eisen, Edo period, painted in ink and colour on a gold ground depicting a still life with fans, tanzaku, books, some of them open with text passages and floral motifs, scrolls and a bronze of a deer - Property from a North German private collection, acquired in the 1980s - Partly some wear, traces of age, rest.
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δ Howard Hodgkin (1932-2017)Still Life (Heenk see page 222)Screenprint in colours, 1980, initialled and dated in pencil, numbered from the edition of 100, printed by Douglas Corker at Kelpra Studio, published by Bernard Jacobson Gallery, London, on Arches paper, the full sheet printed to the edges, sheet 787 x 722mm (31 x 28 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Blumenstillleben, deutsch, Mitte 19. Jhdt. Öl auf Karton. Darstellung eines einfachen Wasserglases mit kleinem Strauß aus Garten- und Wiesenblumen. Auf der Rückseite Reste eines alten Wachssiegels. In zeitgenössischem Waschgoldrahmen. Maße 28 x 22,5 cm. Zustand: II Flower still life, German, mid-19th century Öl auf Karton. Darstellung eines einfachen Wasserglases mit kleinem Strauß aus Garten- und Wiesenblumen. Auf der Rückseite Reste eines alten Wachssiegels. In zeitgenössischem Waschgoldrahmen. Maße 28 x 22,5 cm. Condition: II
Alfred Buchta (1880 - 1952) - Blumenstillleben Öl auf Leinwand. Darstellung einer stehenden Glasvase mit großem Strauß aus Gartenblumen, darunter Rosen und Rittersporn. Rechts unten signiert " A. Buchta". Auf der Rückseite des Spannrahmens bezeichnet " A. Buchta Wien XIII Ed. Kleing. 27". Ohne Rahmen. Maße 72 x 54 cm. Alfred Buchta, Maler und Grafiker, tätig in Wien. Ausbildung in München und Wien. Künstlerhaus Jubiläums Preis 1925, Dumba Preis 1932, Ehrenpreis der Akademie der bildenden Künste 1936. Zustand: II - Alfred Buchta (1880 - 1952) - a flower still-life Öl auf Leinwand. Darstellung einer stehenden Glasvase mit großem Strauß aus Gartenblumen, darunter Rosen und Rittersporn. Rechts unten signiert " A. Buchta". Auf der Rückseite des Spannrahmens bezeichnet " A. Buchta Wien XIII Ed. Kleing. 27". Ohne Rahmen. Maße 72 x 54 cm. Alfred Buchta, Maler und Grafiker, tätig in Wien. Ausbildung in München und Wien. Künstlerhaus Jubiläums Preis 1925, Dumba Preis 1932, Ehrenpreis der Akademie der bildenden Künste 1936. Condition: II -
A LARGE CHINESE BLANC DE CHINE FIGURE OF GUANYIN 18TH CENTURY The bodhisattva depicted standing tall upon a large lotus leaf and flower, she holds a basket containing a fish in her right hand and clutches her skirt in her left, dressed in flowing robes adorned with long beaded chains, the jewellery embellished with floral and ruyi-head shaped pendants, with a tiara centred by a seated figure of Amitabha Buddha set in her chignon, her serene face framed by long plaits which trail over her shoulders, all above a pedestal formed as stylised crashing waves, the back with an impressed six character Wanli mark and a gourd-shaped mark reading Fujian Dehua zhizao, with a paper label for Hugh M Moss Ltd to the interior, 59.5cm. Provenance: from an English private collection, West Yorkshire, purchased from Hugh Moss at Grosvenor House in the 1970s. Depictions of Guanyin holding a basket containing fish present her as the patroness of fishermen. This imagery is also associated with an episode in the tale of Guanyin and the South China Sea. In this story, the Dragon King's third son went swimming in the sea in the form of a carp, but he was caught by a fisherman. As he was on land, the Dragon King's son was unable to change back into a dragon and he was taken to be sold and butchered at the market. Guanyin gave her attendant Shancai all her money to buy and rescue the fish. However, the Dragon King's son had attracted a large crowd at the market because he was the only fish still alive hours after being caught. Believing that the remarkable fish would grant the one who ate it immortality, everyone at the market bid to buy the fish. Shancai was outbid and begged the fish seller to spare the fish's life. Shancai's efforts were unsuccessful and angered the crowd, but Guanyin intervened, announcing loudly from afar that a life should belong to one who wishes to save it rather than one who wishes to take it. Ashamed by their desire, the people all dispersed and Shancai obtained the fish. He brought the fish to Guanyin and she returned him to the sea, allowing him to transform back into a dragon. As a token of thanks, the Dragon King sent his granddaughter Longnü to deliver the Pearl of Light to Guanyin. Longnü then asked to learn the Buddhist Dharma from Guanyin and became her disciple. Cf. Sotheby's New York, 16th September 2009, lot 226 for a very similar figure of Guanyin holding a basket; see also P J Donnelly, Blanc de Chine, pl.76B for another comparable 18th century figure of a similar size also with a Wanli reign mark.十八世紀 德化白釉博及漁人觀音《福建》、《德化製造》、《大明萬曆年製》款來源:英國西約克郡私人收藏,1970年代購於Hugh Moss(附標籤)。
AN EARLY 20TH CENTURY VENETIAN SCENE oil on canvas, 39cm x 48cm; H Tunstall, coastal scene with fishing creels, oil on board, 43cm x 54cm; a still life of poppies and daisies in a jug, oil on board, 37cm x 53cm; a woodland scene, oil on canvas, 40cm x 60cm; all framed Condition: the Venetian scene with three repaired holes as evident from the patches to the back; the still life of poppies board slightly warped
ANUK NAUMANN (BRITISH CONTEMPORARY) 'STORM APPROACHING' a colourful abstract landscape, signed bottom right, mixed media, framed, approximate size 22cm x 22cm, together with 'Red Sun' a mixed media landscape and a still life table study both by the same hand, framed, approximate size 19cm x 19cm and 17cm x 17cm (3) Condition Report Paintings are all in good condition, Storm approaching has dirty marks to the frame. Red Sun has scratches to the frame, still life has small chips to corner edges of the frame
PAINTINGS AND PRINTS ETC, comprising a still life study of flowers in a vase, signed M.A.Hemus, watercolour on paper, approximate size 70cm x 47cm, some foxing, unsigned early 20th century watercolour of a thatched cottage beside water, a pair of framed illustrations of wild flowers, Counties of England map of Derbyshire and two foil pictures of birds of prey (7)
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