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Lot 428

ARTHUR FIDLER: A floral still life, oil on canvas in a moulded and gilt frame, together with two smaller oil on board studies by the same artist

Lot 420

E VEITCH: An early 20th century oil on canvas still life of roses in a moulded and gilt frame

Lot 478

AN OIL ON CANVAS STILL LIFE with Verwood jug, inscribed to the back 'Jones'

Lot 439

Edwin Masters - A still life study with hydrangea flowers in a blue and white bowl, oil on canvas, signed lower left, 22 x 30 cm Condition Report Nicely presented - surface crackelure overall but paint intact. Various bits of damage to frame

Lot 752

An oil painting on board by Peter Bosanquet of an abstract subject, signed with initials to backing board PB, inscribed Entering, with label verso Quest, Oil Painting by Peter Bosanquet 1919-2005, 41 x 31 cm approx in wooden frame, a pastel study of a female seated nude, signed bottom right Barbara Fyrth, an Italian watercolour of a still life with bottles and cherries, signed bottom right Bertuzzi for Christine Bertuzzi, 17 x 25 cm approx in decorative frame, a pair of 19th century sepia photographic portraits of William Augustus Baldwin and Mrs Baldwin (from Toronto and with a connection to the Canadian Prime Minister's family), 32 x 27 cm approx overall in carved wooden frames, also together with an unframed signed limited edition coloured print after Sarah Aspinall - The Three Winter Kings showing race horses

Lot 725

A 19th century oil painting on canvas, still life with basket of flowers including honeysuckle, roses, harebells, etc, signed bottom right H Gill, with incomplete inscription verso reading No 10 Wild Flowers £5, with various address details, 30 x 40 cm approx in moulded gilt frame with gilt slip

Lot 1249

C.W. Winter, oil on panel, still life of fruit, 12ins x 6ins, gilt framed

Lot 1329

Jack Shore, group of seven watercolour studies of nude females, also including a still life of flowers

Lot 1330

Oil on board, still life, flowers in a vase, another modern oil study and three various other smaller watercolours

Lot 1355

Mary E. Oddie, 20th Century oil on canvas, still life, flowers in a copper lustre jug, signed, 17.5ins x 13.5ins, framed

Lot 1398

Gwen Taylor, 20th Century oil on canvas, still life, vase of roses on a table, signed and dated 1955, 15.5ins x 19ins, gilt framed

Lot 1407

Pair of oval oil on canvas, still life of fruit, gilt framed, indistinctly signed, together with another oval gilt framed oil painting

Lot 1408

Mary Calves, oil on board, still life of flowers in a vase, 10ins x 18ins, together with two smaller oils on board by the same artist, dogs in a winter landscape and horses with a haycart, 6ins x 8ins

Lot 1423

Zoe Callahan, oil and charcoal on paper, abstract still life, inscribed with exhibition label details verso, 27ins x 22ins

Lot 1153

A 20th century abstract still life goache on paper bearing artist signature to margins being framed and glazed

Lot 1468

A 19th century Anglo - Chinese colonial ceramic and ebonised wood tray top table. The inset ceramic bowl with stunning handpainted still life of flowers being signed by the artist. Set to a fret pierced frieze frame with squared legs

Lot 92

Patrick Redmond, Contemporary STILL LIFE - FRUIT AND VEG Oil on board, 18: x 24" (46cm x 61cm), signed

Lot 115

STILL LIFE PICTURE + WATERCOLOUR

Lot 430

A set of four oil on board still life studies and a large gilt framed oleograph

Lot 17

* WILLIAM DRUMMOND BONE ARSA RSW (SCOTTISH 1907 - 1979), STILL LIFE OF FLOWERS IN A JUG oil on board, signed and dated '58 60cm x 50cm Framed

Lot 2061

A pair of Oils on canvas of still life depicting jugs of flowers, 6 1/2" x 13 1/2".

Lot 2103

A framed Watercolour of a dormer bungalow, a framed Print of Steam Fair and two other Prints, still life of flowers, and country cottages.

Lot 2131

A still life Watercolour in gilt frame and mount, depicting ''Old Pale Ale'' beer bottle, playing cards, matches, etc.

Lot 2137

A Louise Vickers mid century Still Life, 1964, on board.

Lot 2162

A colourful Oil on card - Impasto still life with a pestle and mortar, vase and a book, in reeded frame.

Lot 2215

A large Henri Plisson Print of a British Garden together with a large framed and mounted Still Life of flowers, unsigned

Lot 2216

A quantity of Prints including wild flower meadow, Beech woods in May, The Haywain, Still life of fruit, etc.

Lot 100

JOPLIN JANIS: (1943-1970) American Singer. An extremely rare A.L.S., love you XXXXX Janis, nine pages on eight separate leaves, 4to, n.p. (Port Arthur, Texas), 10th October n.y. (1965) to her fiancé, Peter de Blanc. Joplin writes a long, social, and at times revealing letter, starting to state, “I´ve been busy. In fact, right now, I´m completely exhausted, really damn tired. I had a bitch of an afternoon…I´ve been up there about 9 fucking hours doing the damn thing & we only got 3 songs! And what a drag! Neil didn´t really know how to record on his recorder & it was really a hassle. Singing & singing & being nervous. Jesus Christ. I got all weak & shaky for a while, but we finally stopped to eat….Well anyway, the tape = two blues, Come Back, Baby & Once I lived the life of a Millionaire and one really pretty ballad, Once I Had a Sweetheart. I hope it´s alright & I hope I don´t scare people…´ further stating `So we decided to go to a bar & have a few beers. (I don´t know whether you´ve ever done that kind of socializing. Sitting in a real bar…It´s really kind of nice)… So we went to the Top Hat, sat down, had a round of Lone Star beer & watched the pool table….So what happened? I beat everybody in the house! Too much! I beat all of the local champions & two dykes. I really couldn´t believe it. I just played great! And people kept buying me beer & I kept drinking it. Wow, now I hope you aren´t mad at me. I didn´t do anything wrong, except get a little smashed and I didn´t stop thinking about you. I guess someone who is engaged doesn´t want to think that his fiancée is going out & playing pool in Texas pubs....´ and concludes on a postscript to the verso of the last leaf `In one of your letters, you asked about the flowers. Well, I told you about them in the letter (Don´t you read my damn letters?) They´re purple straw flowers…I´ll send a few more, keep them & you can have a small bouquet soon…´. Accompanied by the original envelope, addressed in Joplin´s hand, and postmarked in Port Arthur, Texas, 12th October 1965. The envelope still contains the remains of Joplin´s purple straw flowers. EX £2000-3000   Peter de Blanc was hospitalized for a drug problem at Beth Israel Hospital in New York at the time of the present letter. Only few weeks later he broke off his engagement.

Lot 392

BROWNING ROBERT: (1812-1889) English Poet. A.L.S., Robert Browning, two pages, 8vo, De Vere Gardens, London, 9th April 1889, to Mrs [Edith] Bronson. Browning announces ‘This will be presented to you by Mr. Alberto Ball, the gentleman whom I ventured to introduce to you…’ and continues to add that Ball has provided an ‘account of the very interesting occasion which now takes him, and the company over which he presides, to our beloved Venice’. Browning further writes ‘My recommendation is unnecessary enough - for you know Mr. Ball, his father = but too much cannot be said when so pleasant a truth is to tell as that the gentleman you will show kindness to is the son of one of the most agreeable men I was ever privileged to call my friend’. With integral address leaf in Browning’s hand to Bronson at her family home, Ca’ Alvisi, in Venice. Some slight traces of former mounting to the blank side of the integral leaf and with some extremely minor foxing, about VG £800-1200   Edith Bronson (b.1861) Countess Rucellai. A Friend of Robert Browning, Bronson and her family held a central position within Ventian Society. Ten years before the present letter was written Browning, in 1879-80, along with James McNeill Whistler, John Singer Sargent and Henry James, had enjoyed the hospitality of the Bronson family at their home in Venice. In another letter, published in The Brownings: Their Life and Art, Robert Browning wrote to Bronson ‘There is arranged to be a sort of expedition [to Venice] of young Toynbee Hall men, headed by Alberto Ball, the son of our common friend, for the purpose of studying, not merely amusing, themselves with, the beloved city. Well as the Balls are entitled to say that they know you, still, the young and clever Ball chooses to wish me to beg your kind notice…’

Lot 396

WOOLSON CONSTANCE FENIMORE: (1840-1894) American Novelist & Poet, friend of Henry James. A.L.S., C. F. Woolson, four pages, 8vo, Vienna, 26th April n.y., to Madame Stefani. Woolson writes a social letter to her friend, reporting that she has seen Mrs. Rose, who had been ill, and also writes ‘It made me homesick to see the name of your street at the head of your letter, it recalled so vividly beautiful Florence, so especially beautiful at this season, and the lovely light on the hills all about. I don’t quite see how I have existed all this time away from Italy! And now I hope I shall come back there in the autumn. I spent a year in England, since I last saw you, and have become very fond of the life there; but Italy still holds the first place in my heart’, and further reminiscing ‘I have often thought of your delightful house, and the delightful life you and Mr. Stefani lead there; many people have pleasant houses, but how few, how very few arrange their lives as charmingly as you have done. I remember so well that beautiful musical party I attended there, as well as the little rehearsal I interrupted another time.’ Woolson also responds to her correspondent’s enquiry about her cousins in Cooperstown, stating that her cousin Charlotte has passed away, ‘I received a letter from Cousin Charlotte, of sixteen pages, a number of days after I saw the telegraphic notice of her death; - the last letter she wrote’. A thin strip of heavy staining to the right edge of the first page, only very slightly affecting a few letters of text, and a few other minor stains to other parts of the letter, otherwise VG £600-900

Lot 210

Fournder of "The Nation" Gavan Duffy (Charles) [1816-1903] A fine A.L.s to his old friend and collaborator Rev. Charles Meehan, from Melbourne, March 1878, 4 pp (single folded sheet). 'After a whole generation you remain constant to the work we took up in 1846, and are in fact the only man left who has not flinched from his task. I dipped into the new edition of the Franciscans like one who was renewing his youth. That is the sort of labour to which I vowed my life long ago, if the 'higher powers' had not thought to offer me up as a victim on the shrine of Sadleir & Keogh. And though there are many thousand Irishmen happy and prosperous owners of the soil in their country, who to use the language of one of them 'would be still carrying their swag' if I had not come here, I lament the years diverted from the desk to the tribune and the platform ..' As a m/ss., w.a.f. (1) *Charles Gavan Duffy, from Monaghan, was a friend of Davis and one of the founders of 'The Nation'. Duffy became MP for New Ross in 1852, but his efforts at reform were blocked in the House of Lords, and in 1855 he emigrated to Australia, where he became Prime Minister of Victoria. He retired to the South of France in 1880, and published works including a history of the Young Ireland movement. Rev. Charles P. Meehan published verse in 'The Nation' as a young man, and later wrote a series of historical works, including the 'Rise and Fall of the Irish Franciscan Monasteries'.

Lot 1003

A Schouman - still life with fruit, watercolour, signed lower left, 44.5x37cm

Lot 1005

Late 20th century school - still life, watercolour, unsigned, 36.5x46.5cm

Lot 1013

Hopkyns - still life with flowers in a vase, oil on canvas, signed lower right, 60x50cm

Lot 1014

Hopkyns - still life, oil on canvas, signed lower left, 60x50cm

Lot 1022

A quantity of pictures and prints to include D Giles - still life, watercolour

Lot 1048

Early 20th century school - 18th century style still life oil on canvas, 22x27cm

Lot 299

Vincent Clare, 1855-1930, still life of a pot of flowers and a bird's nest, signed watercolour, 30 x 22cm

Lot 503

Manner of Fantin-Latour, 1836-1904, still life roses in a bowl, 26 x 36cm

Lot 543

William Bestoesmith of Sudbury, 19th century, still life of flowers, insects and a parakeet, signed and dated 1884, oil on canvas, 59 x 48cm. Bestoesmith exhibited at the Royal Academy in 1836 and 1837

Lot 244

Constance Pemberton (20th Century Australian). Still life study of spring flowers in a vase, oil on canvas board, signed and dated 1982, gilt framed. 39 x 49.5cm.

Lot 7154

Two Chinese interior painted glass snuff bottles, one painted with mountainous scene and bird and floral branches, the other painted with landscape and still-life of flowers in vase, 5.5cm and 6cm tall. Vendor purchased items in the 1970's (2)

Lot 7273

An 18th Century oil on canvas still-life in the Dutch manner, vase of flowers. Unsigned. 61cm x 47.5cm

Lot 445

Ornate Gilt Framed Floral Still Life Textured Print

Lot 821

Gilt Framed Still Life Oil on Canvas together with Three Oak Framed Prints

Lot 837

Gilt Framed Oil on Board of Floral Still Life and a similar Oil on Canvas

Lot 320

A small mixed lot of framed and glazed pictures and prints, including: an oil on canvas of a lake with ducks on the water, a still life of peaches and grapes, a print after Margaret Tarrant and other items.

Lot 332

Edward Stamp (20th century British), haymaking scene with figures loading a cart in an extensive rural landscape, beside wooden barns. Watercolour, signed and dated 1969 (37.5 x 55cm) in contemporary wood glazed frame, together with a still life watercolour study of daisies in a stone vase.

Lot 1605

2 original floral still life paintings by Susan Page

Lot 1602

2 still life paintings by J Harvey and a watercolour of an estuary scene by W.L.Woods '95

Lot 1635

A well framed and glazed Scandinavian still life print signed by the artist

Lot 377

J FABRINI Still life with glasses and decanter, mixed media print, signed, 68cm x 55cm

Lot 346

JANE LAMPARD "Resting gondolas", a study of Venice with gondolas and figures, oil on board, signed lower left, and "Still life study of a garden with roses", watercolour and pastel, by the same hand (ARR)

Lot 347

JANE LAMPARD "Still life study of tulips, fruit and jug", pastel, signed lower right, together with "Anemones in a vase", pastel, by the same hand (ARR) CONDITION REPORTS Jug and flower and fruit - condition generally good but some small light scratches and marks, frame generally good but with some small chips and impressed marks, scratches and general wear and tear. Other picture - generally good, some dark marks to the mount, frame with some impressed marks, scratches, chips etc throughout. Both with general wear and tear.

Lot 380

SINIA DE BENEDICTUS "Head and shoulder study of a young boy", oil, a folio containing a collection of various still life studies, etc, and various framed prints to include one of Great Yarmouth, a map of Norfolk, etc

Lot 409

BELLA "Still life study of red and green chillies", watercolour, signed lower right and dated 96

Lot 406

A 19th Century long stitch needlework depicting a religious scene, A gilt decorated rectangular wall mirror with floral motif, two Chinese silk works, ENGLISH SCHOOL "Landscape study with children fishing", oil on board, two further still life studies of flowers, oils on board, unsigned, etc

Lot 345

AUDREY HAMMOND "Still life study of flowers", watercolour, signed lower right, together with "Daffodils in a vase" by the same hand (ARR)

Lot 154

Pictures: to include M Lewis - a still life study, roses on stems watercolour bears a signature 12'' x 16'' in a gilt frame CB

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