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Lot 185

185 HERBERT LIST 1903-1975 Still life 1956 Fotografia vintage a colori. Timbro dell’autore al verso. cm 28,5 x 19,8 Vintage color C print. Photographer’s credit stamp, verso. in. 11.2 x 7.8 € 1.000

Lot 49

49 LUIGI GHIRRI 1943-1992 Modena 1979 Stampa fotografica vintage a colori. Firmata, titolata, datata e numerata 30/30 recto. Provenienza collezione Margini. cm 24 x 36,3 (29,8 x 40,2) Vintage color C print. Signed, titled, dated and numbered 30/30 recto. Provenance Margini Collection. in. 9.4 x 14.3 (11.7 x 15.8) € 2.800 Bibliografia/Literature Serie: Topographie-Iconographie - M. Mussini, “Luigi Ghirri”, F. Motta Editore, 2005, pag. 168; “Luigi Ghirri. Still Life”, Baldini Gastoldi Dalai Editore Pag 77; G. Chiarmonte e P. Costantini, “Voyage dans les images”, En Vue, 1997, p.153

Lot 27

20th Century School Still life of flowers in a vase Oil on board Signed indistinctly lower right 39.5cm x 29.5cm

Lot 83

Contemporary Super-realist Oil painting on Board. "Still Life With Wine" Unsigned. Good Condition. Measures 24 Inches by 24 Inches. Frame Measures 29 inches by 29 inches. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.

Lot 219

WILLIAM CRUICKSHANK (1848-1922) Still life - a nest of bird's eggs with apple blossom, signed, watercolour, 20 x 28cm; and companion, a pair (2)

Lot 368

STUDIO OF MIGUEL CANALS (1925-1995) Still life of birds and cherries, stamped 'Studio M Canals' (to reverse), oils on canvas with painted frame, the canvas 119 x 198cm

Lot 137

PAIR OF FRAMED STILL LIFE OIL ON PANELS, SIGNED (INDISTINCT), APPROXIMATELY 17cm x 12cm

Lot 204

FRAMED STILL LIFE OIL ON BOARD, SIGNED ERIK W. GLEAVE

Lot 308

Pictures and prints - an oiliograph print, still life oil on canvas, The Grand Harbour, framed print, etc (6)

Lot 311

Beijing Art School, Still Life of Peonies, framed; another, Obud Art School, Bali (2)

Lot 177

In the manner of Simon Verelst, still life, glass bowl of flowers with insects, oil on canvas, cleaned and re-lined, mounted in a gilt frame, 24 x 20

Lot 533

Barbara Shaw (b.1924)A STILL LIFE OF FLOWERS IN A VASESigned and dated 1958, oil on board39.5 x 30.5cm

Lot 552A

Victor Emmanuel Gersollen (French, 1859-1897)A STILL LIFE OF SEAFOODSigned u.l., pastel35 x 53cm

Lot 558

In the style of Johan Laurentz Jensen STILL LIFE, FLOWERS IN A BOWLOil on canvas, in gilt frame

Lot 581

Continental School, 19th centuryA STILL LIFE OF FRUIT ON A TAZZA WITH A BIRD'S NESTOil on canvas60 x 44cm

Lot 151

JACK SHORE (1922-); oil on board, still life "Kitchen table and Blackout Curtain", 25 x 30cm, framed and glazed and two acrylic on board, abstract seascapes, 58 x 21, unframed (3).

Lot 222

JACK SHORE RCA (1922-2008); a portfolio containing artwork by Jack Shore to include still life, scenic, life drawings all in various mediums to include pen and ink, pastels, acrylics and four pine picture frames. Head of art at Cheadle Hulme School Cheshire, taught at Blackpool School of Art, an Associate of The Royal Cambrian Academy and also a contemporary and colleague of L.S. Lowry, Sir Kyffin William and Terry Frost. He has exhibited widely.

Lot 296

English school (20th century), still life, copper pot and fruit, indistinctly signed, 24cm by 34cm

Lot 352

Annis Anderson, Scottish 20th century, still life of flowers in a vase, oil on canvas, reverse with paper label and artist's name 'painted in London 1958', 39cm by 50cm

Lot 370

Ian Mastin (B.1949), contemporary still life, ceramic urn and strawberries, oil on board signed, 24cm by 29.5cm

Lot 371

Ian Mastin (b.1949), contemporary still life, schnapps and fruit, oil on board signed, 30cm by 24.5cm

Lot 372

Ian Mastin (b.1949), contemporary still life of pear with unguents, acrylic on board, signed, 29.5cm by 25cm,

Lot 374

English school (19th century), still life of bird's nest amongst flowers, oil on board, indistinctly signed, 29cm by 22cm

Lot 380

19th century school, still life of apples and grapes, oil on panel, 18cm by 27cm

Lot 527

A Royal Worcester cabinet plate, the central design a still life of fruit, signed by W Bee, surrounded by royal blue border, 26.5cm diameter

Lot 1079

Follower of Oliver Clare, Still life of blossom and birds nest, oil on canvas, bears a signature, 18cm x 22cm.

Lot 1100

Robert Forgas (b.1929), Still life of onions and pear, oil on board, indistinctly signed, 22.5cm x 32cm. DDS

Lot 1111

Paul Surtel (1895-1983), Still life of bottle and melon segment, oil on board, signed, 44cm x 36cm. DDS

Lot 1148

Albert Williams (1922-2010), Still life of carnations in a vase, oil on canvas, signed, 49cm x 39cm. DDS

Lot 1149

Albert Williams (1922-2010), Still life of flowers in a porcelain vase, oil on canvas, signed, 24cm x 19.5cm. DDS

Lot 2367

An early Victorian embroidered panel, still life flowers, framed and glazed, 45cm x 35cm.

Lot 1006

Jehan Emile Daly (1918-2001), Still life study with a watch, coloured chalk on buff paper, 14cm x 22cm.; together with a head study of a girl by the same hand Provenance: with The Maas Gallery 1985 DDS

Lot 1029

Paul Lucien Maze (1887-1979), Still life of pink roses in a vase, pastel, signed, 37cm x 34cm. DDS

Lot 1050

George Leslie Hunter (1877-1931), Still life, watercolour, signed, 32.5cm x 47cm.

Lot 115

E Charles Simpson. Two watercolours. Swaledale from above Thwaite. 36cm x 27cm. Wild wood anemones still life. 27cm x 18cm. Both signed.

Lot 124

19th Century School. Still life. Oil on canvas. 39cm x 29cm. Monogrammed ST.

Lot 337

A FOLIO of assorted watercolours by various hands, including still life and landscape subjects; and various prints including an etching by Gerald S.Davies titled 'The old order changeth giving place to new' (qty)

Lot 374

ELIZA J. WARD. A still Life of wild Flowers and bird's nest, signed and dated 1910, oil on canvas, 10 1/2 x 14 in

Lot 395

J.KENNEDY. A river landscape with cattle watering, signed, oil on board, 9 1/2 x 14 in; and an overpainted print after Jan van Dael depicting a still life of mixed flowers in a vase on a marble ledge; two (2)

Lot 1106

Anna Airy, watercolour of still life with labels verso for royal institute and authenticated by richard scott

Lot 579

A relief block print - "Siamese Musicians"; together with a colour print - Still-life, after Franco Betty. (2)

Lot 612

Colour prints - Portrait of a women; and still life, after Picasso; romantic meal on a beach, after Jack Vettriano; together with two others. (5)

Lot 423

20th century Continental school, still life study of flowers, oil on board. H.22cm W.27cm

Lot 510

Early 19th Century English School - Sillett "Still Life of Fruit & Vegetables on a Ledge in a Landscape," grapes, melons, apples, pineapple, marrow etc., O.O.C., 59cms x 133cms (23" x 52 1/2"), unframed. (1)

Lot 201

Attractive Still Life "Bowl of Roses on Table," O.O.B., ebonised frame. (1)

Lot 318

* Terence Loudon [1900-1949]- A still life of Summer flowers:- signed bottom right signed and inscribed on original artist's label attached to the reverse oil on canvas 76 x 63.5cm, within a carved wood and gilded frame. *Provenance. With James Connell & Sons, London.

Lot 320

Frances Mary Hodgkins [1869-1945]- Figures in Mediterranean landscape:- signed in pencil Frances Hodgkins bottom right watercolour heightened with white 48 x 36cm. * Provenance. With the Leferve Gallery. Charles Lambert Rutherston (1866-1927). Jeanette Powell nee Rutherston. Thence by family descent. Charles Rutherston [aka Rothenstein] was the older brother of the artist William Rothenstein (1872-1945) and Albert Rutherston (1881-1953). A successful businessman in the textile industry who had the eye and financial ability to collect and support the arts. He played a key role in the careers of Gwen and Augustus John, Paul Nash, Wyndham Lewis and Henry Moore. Throughout his life he donated selected works to national collections, including The Tate, before deciding in 1925 to leave the entirety of his collection to the City of Manchester Gallery. *Biography. Frances Mary Hodgkins [1869-1945], a painter in oils and watercolours of landscapes, figures and still life. Born in Dunedin, New Zealand, trained largely by her father William Matthew Hodgkins. Studied at Dunedin Art School under the Italian, Girolamo Nerli. In 1901 she travelled to Europe and Morocco. Settling in Paris in 1908 she taught art in her own school. She returned to New Zealand in 1904-1906 and 1912-1913. She settled in St. Ives from 1914. After the war she travelled again in Europe. She held her first one man show in London in 1928. Frances joined the Seven and Five Society in 1929, and worked alongside Barbara Hepworth, Ben Nicholson and Henry Moore. During the 1930s she exhibited regularly at the Leferve Galleries. From 1932 to 1947 she lived at Dorchester. Frances Hodgkins is most admired for the freely painted works of her later life. She is considered a lyrical colourist and an artistic descendant of Henry Matisse

Lot 335

Mary Elizabeth Duffield [1819-1914]- Still life with flowers, blossom and a bird's nest:- signed bottom left watercolour 25.5 x 37.5cm

Lot 282

J. Wyllie, oil on board, still life of flowers in a vase, signed to lower left, framed, approx. 60cm by 76cm

Lot 461

Large oil on canvas of a still life

Lot 371

Margery Mound (20th Century British) five oils on board, landscape, still life and portrait, largest 80 x 60cm

Lot 375

J Ball (20th Century British) three unframed oils, still life and landscape studies, 50 x 61cm

Lot 382

Anna Simmonds, watercolour portrait, together with three oils, still life and landscape

Lot 164

Circle of Diana Maxwell Armfield, R.A. (British, born 1920): Still life, oil on board, signed 'MW', 39 x 50 cm

Lot 487

G. MORTON, 'Still Life of Apples, Wine and Sabre', 1868, oil on board, 26cm x 33cm, signed lower left and framed.

Lot 495

CLAUDE VENARD (French, 1913-1987), 'Still Life', oil on canvas, 27cm x 20cm, signed and framed. (Please Note Clause 6 of Buyer's Conditions)

Lot 1881

A pair of still life prints, gilt mounted and framed, 10 3/4'' x 7''.

Lot 1913

A Sue Warburton signed mono type Still Life

Lot 894

RYLE MARTIN: (1918-1984) English Astronomer. He developed revolutionary radio telescope and was first to observe most distant galaxies in his time. Astronomer Royal, and Nobel Prize for Physics in 1974, being the first Nobel for astronomical research. A fine T.L.S., Martin Ryle, one page, folio, Cambridge, 12th May 1975, to Mr. Godward. Ryle responds to his correspondent´s question on the printed stationery of the Mullard Radio Astronomy Observatory, Canedish Laboratory, Cambridge, and states `…Yes. - I think it is very probable that there are planets of other stars which may have physical conditions suitable for the development of life, and on some of these life may well have developed. At the same time the chance of one being near enough to us for communication to be possible must be rather small.´ and continues `What I meant in the letter to the Times by “stellar distance” is an approximate figure for the distance of the pulsars - i.e. much greater than the dimensions of the Solar System, but still much less than the dimensions of the Galaxy. The nearest stars are a few light-years away, - corresponding to a distance of about 50 million million miles.´ A very interesting content letter. Accompanied by the Mullard Radio Astronomy Observatory leaflet describing the observatory. Together with an A.L.S., by Ryle´s wife, responding to Miss Walton that her husband is very occupied and cannot reply to her, adding `He would get no work done on Radio Astronomy, or Nuclear or Alternative Energy, if he spent his time replying….He does like simplicity..´. EX, 3 £100-150

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