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Lot 359

COSTA NEVES, SIGNED AND DATED 80, oil on canvas, Still life study, 21" x 29"

Lot 363

MARIA FERNANDA AMADO, SIGNED, oil on board, Still Life, 20" x 24"

Lot 368

A WOOD, SIGNED, modern oil on canvas, Still Life Study of mixed fruit, bottle, glass etc, 20" x 24"

Lot 260

Clarence Crawford (20th century): Still life of fruit, oil on canvas, signed

Lot 237

English School (19th/20th century): Table top still life, oil on canvas

Lot 216

Continental School (20th century): A large still life oil on canvas, signed Vanberg; together with a large framed print (2)

Lot 228

Continental School (20th century): Impressionist still life, oil on canvas, indistinctly signed

Lot 236

Edwin Steele (1837-1898): Still life of fruit, oil on canvas, signed. Note: Steele painted porcelain by Royal Derby

Lot 566

*The Unique and Important Great War Anglo-American Group of 15 to Colonel Harold Fowler, Commanding Officer of the 17th ‘Aero’ Squadron, USAAS, late Royal Flying Corps and Royal Artillery, who was one of the founding figures of the USAAS and US Liaison Officer with British Forces; wounded four times and shot down seven times as a pilot during WWI, he went on to receive no fewer than 11 separate Orders and decorations for gallantry or distinguished service comprising: U.S.A., Distinguished Service Medal, officially numbered (1680), roll confirms; U.S.A., Purple Heart, in gilt metal and enamels (123917); The Most Distinguished Order of St Michael and St George, Companion’s breast badge, in silver-gilt and enamels; Distinguished Service Order, GVR, in silver-gilt and enamels; Military Cross, GVR, unnamed as issued; 1914-15 Star (2. Lieut. H. Fowler. R.F.A.); British War Medal, this erased and unnamed; Victory Medal (Capt. H. Fowler.); Belgium, Order of the Crown, Knight’s breast badge in gilt metal and enamels; France, Médaille Militaire, in silver and enamels, in original case of issue; France, Croix de Guerre, 1914-1918, with bronze star, in original case of issue; France, War Medal, 1914-1918; Italy, Al Valore Militare, in bronze, believed to be of French manufacture; Romania, Virtute Militara, in silver; Russia, Order of St Anne, Military Division, Third Class breast badge, French-made, in silver, gilt and enamels, several medals with brooch-pins removed having previously been displayed in a frame, generally good very fine (17). M.C.: London Gazette, 18.07.1917: ‘For conspicuous gallantry and devotion to duty. He has done invaluable service in co-operating with the artillery. On one occasion he descended to 200 feet, and turned our guns on to parties of hostile troops. During the advance he was able to furnish much valuable information.’ U.S.A. Distinguished Service Medal, 09.07.1918: ‘for exceptionally meritorious and distinguished services to the Government of the United States, in a duty of great responsibility during World War I. Colonel Fowler rendered notable aid in planning the movements of the night bombing squads of the American Air Service. Later, appointed Air Service Commander of the 3rd Army, he assisted largely in the joint training of air and ground troops, at all times handling his troops well and establishing liaison between the air and ground forces.’ Colonel Harold Fowler (1886-1957) was born in Liverpool in 1886 to Anderson and Emily Fowler, of Ireland and England respectively, however he and his parents returned to New York during his early childhood. He was educated at Columbia University, where he was a popular student, and of the Varsity Football team. After working for a time on the New York Stock Exchange he was invited by Walter Hines Page, the US Ambassador to Great Britain, to become his personal Secretary. This appears to coincide with his recruitment into the U.S. Secret service, reputedly at the request of President Theodore Roosevelt in 1906. Upon the arrival of war in late 1914, he applied and was approved for special dispensation to join the British Army. In ‘The Life and Letters of Walter Hines Page’, his former colleague reported that he had been working as a sniper ‘in command of a three-inch sniping gun just back of the trenches’. In this vein, and as recorded in the book ‘Harold Fowler 1886-1957: A Remembrance’ by his wife Thyrza Fowler, he was later awarded the D.S.O. for singlehandedly creeping out into No Man’s Land to silence a troublesome German battery. Promoted to Lieutenant on 1 January 1916, he was seconded to the Royal Flying Corps for training as an Observer, being confirmed as a Flying Officer (Observer) on 19 April 1916. He served with 26 Squadron until November that year, before qualifying as a full Pilot, gaining his ‘Wings’ on 28 July 1917. He was promoted to Temporary Captain whilst with 2 Squadron, and was transferred as Flight Commander to 12 Squadron, equipped with BE2c’s. During this time Fowler, with his Observer Lt F E Brown, was credited with sending a Halberstadt Scout down in flames on 25 February 1917, and soon after engaged a German Albatros in aerial combat, but this ended in a stalemate. Soon after, he was awarded his M.C., along with his D.S.O. and C.M.G., all on one occasion, by King George V, whom he had met once prior to the war with Ambassador Page. Once the U.S.A. had joined the war on 6 April 1917, Fowler was granted permission to resign, with the rank of Honorary Lieutenant, and his experience was in much demand in the USAAS. He was wounded in action several times, at least twice severely, and was awarded the Distinguished Service Medal. According to a report in Time Magazine, he reputedly flew an aircraft under the Arc de Triomphe in Paris as the result of a bet made in the Café Montmartre on Armistice Night amongst French and American aces. In total, for his official and unofficial work as USAAS Liaison Officer to the RFC, he was awarded what is believed to be a unique combination of British, American, and other international awards and decorations. Judging by the style of manufacture of both his Russian Order of St Anne and Italian Al Valore Militare, it appears these awards were made during this same period. After the war, he alternated between banking work with the firm White, Weld & Co. and his secret work. In his personal life, he was a keen sportsman, big-game hunter and skilled equestrian, and he twice rode as Gentleman Rider in the Grand National at Aintree, each time on his own horse. In 1927, on Pop Ahead, and again in 1928 on Scotch Eagle, the assessments of contemporaneous pundits were sadly correct as, despite bold attempts, his horses failed to complete this most difficult of Steeple Chase courses. In the Second World War Fowler volunteered to interview commercial pilots in New York being considered for the Royal Canadian Air Force, and in 1941, he was granted an official role, being sent to Montreal and then to London. He reputedly was on board a bomber on the first raid on Berlin, presumably for intelligence reasons, and in 1942 he was given the honorary rank of Group Captain in his role as part of the Staff of the Commander of the RCAF. Later that year he was made a Colonel in the USAAF, was made Air Attaché to the US Embassy in London in 1942, and also gave intelligence advice regarding the North Africa and D-Day landings. He was involved in a plane crash in North Africa, and severely wounded with a broken right fibula, chipped ankle, dislocated shoulder and various severe cuts, but he still managed to drag both himself and the unconscious pilot from the burning wreckage. He returned home soon after D-Day, but had one final clandestine mission of two weeks’ duration. After the War he returned to ‘business’ and no doubt other clandestine work in New York before retiring with his wife to Palm Beach, Florida, where he died on 17 January, 1957. Fowler was a life-long friend of the celebrated author (and Great War spy) W. Somerset Maugham, who wrote that he was ‘a character out of our times… ...like one of those great adventurers of the reign of Elizabeth I. If he had been alive then he would have been a buddy of Drake and Raleigh… ...he had, of course, the courage of the devil.” Offered with a silver-framed and glazed portrait, c. 1942-4, a framed and glazed ‘Society of the Four Arts’ certificate and an original hardback copy of ‘Harold Fowler 1886-1957 : A Remembrance’, by Thyrza Fowler, signed by the author. See also following lot.

Lot 99

Four gilt framed still life pictures and a framed bubbles print.

Lot 92

Four Still Life watercolours and a limited edition print by Penny Settle (5) Condition Report Click here for further images, condition, auction times & delivery costs

Lot 1030

Assorted modern amateur oils and watercolours to include; Alexander Wilson still life oil (5)

Lot 1039

Assorted pictures and prints to include early 20th century watercolours, still life oil on canvas etc

Lot 370

20th century watercolour still life by Jo Finham ? 56 cms x 51 cms F&G

Lot 803

Oil on Canvas of Still Life Roses, signed bottom right

Lot 737

Oil on canvas 'Still Life' signed Whittle 1915

Lot 754

19th C Still life oil painting signed J. Penny

Lot 603

Two Oak Framed Victorian Oil on Canvas Paintings Still Life Fruit, another Oil on Board Still Life and a Floral Print

Lot 831

Oil on Canvas Still Life Flowers in a Vase with a Parrot signed Tealdi

Lot 171

An Impasto still life, poss Canadian.

Lot 178

Nora Macchi, still life of flowers. Together with a twentieth century still life, cottage loaf, bottle and spoon. Signed in pen lower right, Young.

Lot 1472

A circa 1960s oil on paper on board still life signed A Copieux (named Albert Copieux on reverse)

Lot 1491

A gilt framed oil on canvas still life Roses bearing signature R G Green 1901 54cm x 45cm

Lot 1494

An unframed Floral still life signed H Zeegers

Lot 1506

Still life watercolour framed and glazed signed A.E. Dobdinson

Lot 363

A still life of oil on board signed Robert Klotz

Lot 364

An oil on board still life signed Jeanne Davies '95

Lot 308

CADMAN, STILL LIFE WITH FRUIT AND KETTLE oil on board, signed 40cm x 55cm Framed

Lot 338

F. ALEXANDER "Still life, fruits on a mossy bank", Oil on board, signed, 19cm x 27cm in an ornate gilt glazed frame

Lot 190

T W Knight, a still life with a jug and gorse, oil on canvas, signed and dated 1895, 45 x 32 cm, and English school, a still life of a buddha and a vase with blossom, oil on canvas, 61 x 41 cm (unframed)

Lot 192

Ian Carter, a still life of flowers in a bowl, oil on canvas, signed and dated 1919, 71.5 x 62.5 cm, and a coloured print, The Yew Druids Walk Norbury (2)

Lot 217

Rima, a still life of flowers, oil on canvas, signed, 75 x 62 cm Condition report Report by NG Canvas loose on stretcher, dents in canvas and paint losses. It appears to have another picture showing through under canvas. Edges lifting. Re-lined. Backing canvas without holes or dents. Front canvas damaged but no large holes.

Lot 222

C F Rymp, a still life of flowers, fruit, berries and foliage, oil, signed, 13.5 x 21.5 cm, and its pair (2)

Lot 224

Joan Jameson, a still life with carnations in a vase, oil on canvas, signed, 63.5 x 50.8 cm

Lot 1604

G Armuß, still life of spring flowers in a vase, signed and dated 1942, oil on canvas, 79 x 59.5cm.

Lot 1250

H Bechari, still life of flowers in a glass vase, indistinctly signed, oil on board, 52 x 43cm.

Lot 1307

Manner of Duncan Grant, still life of a bronze figure and fruit, bears signature, oil on board, 38.5 x 48.5cm.

Lot 1251

James North, still life of flowers in a vase, signed, oil on canvas, 50 x 40cm.

Lot 155

ENGLISH SCHOOL - STILL LIFE - OIL PAINTING - 16 X 14 INCHES - SIGNED

Lot 261

H.. (?) Chadbury (contemporary), an abstract still life, signed and dated 2005, mixed media, 34 x 24 cm

Lot 87

Oswald Perrelle (1897-1992), signed and dated 53, still life of flowers, oil on paper laid on canvas, 31.5cm x 22.5cm.

Lot 94

Late 19th/early 20th century still life oil on board of blue flowers, French. Indistinctly signed. 38 x 29 cm (frame 48 x 38 cm

Lot 100

French School mid 20th century, still life of flowers in a blue pot - bright reds/oranges/yellows 34 x 50 cm, unframed

Lot 376

John Lancaster (British 20th C) a gilt framed oil on board Still Life of Flowers in a glass vase, in excellent condition and signed and dated 1962 to lower right (35 x 45 cm)

Lot 2696

Two still life oils on board, depicting fruit, signed A Wilson (2)

Lot 2748

A collection of five prints, portraits, still life etc, all gilt frames

Lot 2712

Pair of paintings, oil on canvas in gilt frames, one of fishing boats at a quayside with a still life of roses, both signed by the artists.

Lot 140

George Israel (1914-2004) Oil on board still life, apples & pot, signed with monogram, 29" x 24" framed

Lot 185

Edward Morss Oil on board still life, signed with Mall Galleries exhibition label verso, 30" x 36" framed

Lot 193

R Gumery Oil on canvas still life flowers, signed, 20" x 16" framed

Lot 304

Oil on canvas, Modernist still life, indistinctly signed, 24" x 20" framed

Lot 333

Binny Mathews (born 1960) oil on canvas, still life items on a table, signed & dated 1991, 24" x 30" framed

Lot 389

After Juan Gris (1887 - 1927) Gouache/stencil pochoir c. 1950, Cubist still life, Atelier Renson Paris, 8" x 11.5" framed

Lot 80

Patrick Cullen (born 1949) Oil on canvas, Still life study - pots on a shelf, signed, 30" x 33" framed

Lot 95

Mid 20th century oil on canvas, still life, flowers, signed withi initials K H, 24" x 20" framed

Lot 1168

Josi Sylvester (20th/21st century) - still life of flowers in a jug, grapes and mug on a table overlooking a balcony, signed, work in acrylic, 23" x 19"

Lot 658

R Berger (20th Century) Still life with apples, signed, oils on board, Omell Galleries verso, 14cm x 10cm

Lot 646

Rory Morrell (Contemporary) Figures looking out over the water at sunset, signed and dated 2005, oils on canvas, 23cm x 28cm together with three more works by Morrell and a still life of apples and pears by Butler (5)

Lot 657

Raymond Campbell (British, b.1956) Still life with fruit and vase, signed, oils on canvas, with the Bourne Gallery label verso, 39cm x 49cm

Lot 656

J Fermor (20th Century) Still life of fruit and wine, signed, oils on canvas, 49cm x 60cm, together with another still life by the same hand, oils on board, 39cm x 29cm

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