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A group of assorted watercolours and prints, Including a pair of watercolours initialled F.MK depicting the River Ewe looking towards Loch Maree and Poolwe Bay and village, a further watercolour of a farm signed M S Kinlake, a print of a dutch canal, a still life of pansies and a print of a child. (6) Best Bid
Chinese school 18/19th century- Exotic birds by a river bank; black ink and colour on silk, with inscription and one seal, in a lacquered chinoiserie frame, 94x54cm: Chinese school 19/20th century-Still life of vases and jardinieres of chrysanthemums and blossom; black ink and colour on silk, with inscription and two seals, 85x39cm., (2)
J P Hemm 18/19th century- 'To the King's most excellent Majesty, George the Fourth King of Great Britain and Ireland', publ by Alexander & Co 1 York Street, Covent Garden, London; engraving with hand drawn calligraphy in black ink and gold, 56x43cm: British school 19th century- Still-life of blue and white porcelain on a table; watercolour, 31x44cm., (2)
Suzanne Valadon 1865-1938 FLEURS signed and dated 1933 oil on canvas 54 by 40.5cm.; 21.25 by 16in. Painted in 1933. Painted towards the end of her tumultuous life Valadon's Fleurs is an powerful example of her bold and vivid style. The work exudes a raw energy perhaps resulting from the fact that she was unschooled. Self-taught the artist's style evolved as confident and colourful as shown in the assured application of paint in the present work. Her brushstrokes are deft and thick covering the entire canvas. The painting is bold and unapologetic typical of her floral still lives: ÔThere is nothing fragile about her compositions they are sometimes almost stifling in their density. The vases containing the flowers are solid even the petals are heavy and the stems grow thicker as the years go by' (Jeanine Warnod Suzanne Valadon Switzerland 1981 p. 74. Valadon imbues a traditionally sedate subject with a sense of drama. The vase fills most of the composition pushed forwards to confront the viewer and the table is tilted up to the picture plane in a style reminiscent of Cezanne. The strong shadows and heavy black outlines of the composition balance the vibrant colours of the floral arrangement painted with complimentary lush greens and rich corals pinks and reds. The vertical thrust of foliage is likewise balanced by the horizontal lines of the shutters behind. Provenance Galerie Paul Petrides Paris Literature Paul Petrides L'Îuvre complet de Suzanne Valadon Paris 1971 no. P449 illustrated
A Royal Worcester plate painted by R Sebright, signed, with a still life of pears and black grapes before a woodland bank in a gilt lambrequin frame on a powder blue ground, in shaped gilt rim, 23.5cm diam, printed mark, date code for 1929, painted 2795 ++ One or two light scratches and a long glaze depth only crack at 4 o'clock. No damage as such, nor is there any restoration
ENGLISH SCHOOL, 1828 Still Life with Wild Flowers including Fritilleria, Catkins and an Apple in a Landscape indistinctly inscribed on the backboard Julia... 1828, pencil and watercolour with white heightening and gum arabic, 27 x 21.5cm ++ In fine condition, the colours fresh and well preserved, in modern frame, the original backboard with faint inscription preserved
COUNT MICHAEL TORBY (1898-1959) Still Life with Flowers and Chinese Porcelain signed and dated 1929, 49 x 40.5cm (see illustration) Exhibited: London, Walker's Galleries, 1929, No 38. ++ In fine condition undisturbed in the original frame beneath glass with Walker's Galleries label on the reverse. No damage or restoration
A Coalport plate, painted by F H Chivers, signed, with a still life of plums and berries on a woodland bank reserved on a cobalt ground, in raised gilt border and shaped gilt dentil rim, 23cm diam, impressed 22 for 1922, printed mark, 5351 in gilt, c1922 (see illustration) ++ In fine condition
Edward Ladell (1821-1886) A Still Life of a Roemer with a Bunch of Grapes Peaches and Raspberries on a Ledge signed lower left with monogram EL back to back oil on canvas 41 x 33cm Provenance: M Newman Ltd. 43 Duke Street St Jamess London SW1 whence acquired by the vendor some forty years ago Private collection Woburn Bedfordshire
Edward Ladell (1821-1886) A Still Life of a Bunch of Grapes Plums Pears and a Birds Nest with a Peacock Butterfly on a Ledge signed lower left with monogram EL back to back oil on canvas 41 x 33cm Provenance: M Newman Ltd 43 Duke Street St Jamess London SW1 whence acquired by the vendor forty years ago Private collection Woburn Bedfordshire
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