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Lot 645
TWO BOXES OF PRINTS ETC, to include two Erik Drummond prints, signed and titled to the mounts, limited edition etching of Parrots in a cage, indistinctly signed, two etchings of figures in costume , indistinctly signed, four unsigned cartoon style paintings of a dentist, A 200, a beach scene and a surreal style still life, together with framed sheet music covers and topographical views etc
Lot 516
PAINTINGS AND PRINTS ETC, to include J.Wingate watercolour of barges on a continental river, framed, approximate size 34cm x 50cm, Erica Brooks mixed media study of houses, M.A.Muller pastel still life study of flowers in a vase, William Renison signed drypoint etching, indistinctly signed watercolours, limited edition prints by F.Prosperi, indistinctly signed etchings etc
Lot 771
* PETER HOWSON OBE (SCOTTISH b 1958), LAST MAN ON EARTH oil on canvas, signed 60cm x 90cm Framed. Label verso: Flowers East Gallery, 119/205 Richmond Road, London. Note: Painted in 1989, this work is from a very important period in the artist's life. In 1987 Howson painted “The Noble Dosser” (Tate Gallery Collection). This was the period when the artists career was to take off, his portraits of down-and-outs and dark urban characters were to capture the imagination of art collectors and equally importantly; ordinary Glasgow people who had never bought art before, invested in the artist’s work in large numbers. Howson's reputation grew rapidly and so began an International career which has earned him multiple sell out shows with Flowers Gallery in London and New York. The list of celebrity collectors is considerable and still growing. The theme of life’s struggles permeates throughout the many phases of the artist's career, none more so than the figure in this painting. A figure washed up on the shores of a desolate land, alone and in despair. Like many of Howson’s works there is a glimmer hope, his dog sits loyally waiting for his master to wake and go on with life.
Lot 129
YULIY KLEVER THE YOUNGER (RUSSIAN 1882-1942)Still Life with Fish, 1920 oil on canvas 71 x 50 cm (28 x 20 in.) signed and dated lower leftEXHIBITEDMoscow, Noviy Manezh, Russkoe iskusstvo: Nakhodki i otkrytiya, September 19 - October 8, 2017LITERATURELidya Iovleva, Russkoe iskusstvo: Nakhodki i otkrytiya, ex. cat., p. 26 (illustrated)CONDITIONObserved in frame. The work is in excellent conditon. Inspection under UV shows a thick layer of varnish and a stain is visible on the right center middle to the lower right corner. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 209
EMERIK FEJES (SERBIAN 1904-1969)Haam Hatapala, tempera on paper 59.5 x 42 cm (23 3/8 x 16 1/2 in.) signed lower right, titled upper left LOT NOTESEmerik Fejes was born in Austria-Hungary in 1904, moving to Serbia at the age of five. Between the two World Wars, Fejes worked in many trades throughout Yugoslavia before living in exile in Hungary during World War II. It was not until 1949, after suffering with chronic illnesses, that he would begin his first works. Fejes’s work was exhibited for the first time in 1955, and the artist’s first solo show was presented the following year. Fejes became prominent in the field of Serbian naive art, and while his subjects ranged from nudes to still life to genre scenes, he is perhaps most well-known for his urban landscapes depicting towns throughout Europe.Fejes’s city landscapes, often using tempera paint on paper, are known for their geometric forms, vibrant colors, and lack of dimension. The sprightly color palettes in Fejes’s works are representative of his wish to depict these bustling urban centers not in their more realistic muted neutral tones, but with a vibrancy that reflects those who inhabit such cities, and give a mosaic effect further emphasized by the two-dimensional painting style. Fejes often copied the outlines for his works from postcards of faraway towns, as his health troubles left him bedridden for much of his life. In 1957, Fejes befriended prominent Serbian art historian and critic Oto Bihalji-Merin, who brought Fejes to international acclaim. The largest collections of Fejes’s works are housed in the Museum of Naive and Marginal Art in Jagodina and the Croatian Museum of Naive Art in Zagreb. CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 200
NIKOLAI VASSILIEV (RUSSIAN 1901-1970S) Still life with Pitcher and Fruit, oil on canvas 49.5 x 59.7 cm (19 1/4 x 23 1/2 in)PROVENANCEBarry Friedman Ltd, New YorkCONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 152
ABRAHAM MANIEVICH (RUSSIAN 1883-1942)Still life with Flowers, 1930 oil on canvas laid on board77.5 x 55 cm (30 1/2 x 21 5/8 in.)signed and dated lower left PROVENANCEBroudo Family CollectionEXHIBITEDSpringfield, Rudur Gallery, 1935RELATED LITERATUREFor similar works, see Alan Pensler and Mimi Ginsberg, Abraham Manievich (New York: YIVO Institute for Jewish Research; Manchester: Hudson Hills Press, 2011), pp. 140-141, pl. 81 and pl. 82 (illustrated)CONDITIONObserved in frame, the work appears in very good original condition. Would benefit from a light cleaning. Fine and stable age-appropriate craquelure to impastoed areas. Inspection under UV light shows an uneven layer of varnish; no apparent signs of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 155
IVAN OLINSKY (RUSSIAN-AMERICAN 1878-1962)La Fete, San Marco, oil on canvas 57 x 74 cm (22 1/2 x 29 1/8 in.) signed lower left PROVENANCEThe artistMrs. Leonore Miller, New York (the artist's daughter)Arvest Galleries, Inc., BostonProperty from the Estate of Richard SmartChristie's, New York, May 23, 1996, lot 122 (sold by the above on behalf of the Parker Ranch Foundation Trust)Acquired at the above by the present ownerEXHIBITEDBoston, Arvest Galleries, Inc., Ivan G. Olinksy N.A. (1878-1962), October-November 1985, no. 8LOT NOTESIvan Grigorievich Olinsky, born in 1878 in Elizabegrad, Imperial Russia (present-day Ukraine), came with his family to New York City, aged thirteen, in 1890. Soon after, he enrolled at the National Academy of Design, where he studied under American Impressionists Julian Alden Weir and Robert Vonnoh, as well as muralist and illustrator George W. Maynard, who then hired Olinsky as an assistant. In the 1890s, he was also a student the Art Students League under Bryson Burroughs. In 1900, Olinsky moved on to Boston as an aide to John La Farge. Increasingly motivated to establish himself as a painter in his own right, Olinsky ended his eight-year assistantship to La Farge and embarked a tour of Italy and France with his wife and first child. The most notable pictures of the period are his stunning Venetian scenes, including La Fete, San Marco (lot 155 of this sale).Upon his return to New York in 1910, Olinsky took up a studio in Greenwich Village, where he began producing, to near-immediate acclaim, the sensitive, Impressionism-inflected society portraits with which he is still associated (this part of his oeuvre is represented by lots 150, 156 and 157).He exhibited frequently, largely in group shows, notably at Macbeth Gallery (which had recently introduced "The Eight") and the Lyme Art Association of Old Lyme, whose artist colony Olinsky discovered in 1917 and participated in until the end of his life. Hildegard Cummings, author of the influential catalogue accompanying Olinsky's posthumous 1995 retrospective at the William Benton Museum of Art, attributes the lack of individual lifetime exhibitions to commercial success so tremendous that the painter simply did not have enough pictures to present for a solo show.In addition to painting, Olinsky maintained a fifty-year career as a teacher at both of his alma maters (one of his students was Lee Krasner), was a member of the Association of Mural Painters and the Salmagundi Club, and recipient of numerous prizes: the Thomas B. Clarke Prize (1914) the Andrew Carnegie Prize (1929 and 1955) and the Clara Obrig Prize (1939 and 1940).CONDITIONObserved in frame, the work is in overall excellent condition. Miniscule scuffs to lower edge. Inspection under UV light shows a line of retouching to the top edge (15 cm (5 7/8 in.) from right margin), 11 cm (4 3/8 in.) long. Small 1 cm-long (3/8 in.) retouch to the back of the chair along bottom edge. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 55
MIKHAIL CHEMIAKIN (RUSSIAN B. 1943)Still Life with Bread, Vases and Pipe, 1982 gouache on paper 33 x 39 cm (13 x 15 3/8 in.) signed and dated lower left PROVENANCE Galerie Carpentier, Paris.Acquired by the present owner from the above in 1990 Accompanied by letter of authenticty photo certified on verso and letter of purchase by Patrick Carpentier. (Copy available upon request). CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 208
EMERIK FEJES (SERBIAN 1904-1969)Town Square, tempera on paper 42 x 59.5 cm (16 1/2 x 23 3/8 in.) signed lower center, titled upper left LOT NOTESEmerik Fejes was born in Austria-Hungary in 1904, moving to Serbia at the age of five. Between the two World Wars, Fejes worked in many trades throughout Yugoslavia before living in exile in Hungary during World War II. It was not until 1949, after suffering with chronic illnesses, that he would begin his first works. Fejes’s work was exhibited for the first time in 1955, and the artist’s first solo show was presented the following year. Fejes became prominent in the field of Serbian naive art, and while his subjects ranged from nudes to still life to genre scenes, he is perhaps most well-known for his urban landscapes depicting towns throughout Europe.Fejes’s city landscapes, often using tempera paint on paper, are known for their geometric forms, vibrant colors, and lack of dimension. The sprightly color palettes in Fejes’s works are representative of his wish to depict these bustling urban centers not in their more realistic muted neutral tones, but with a vibrancy that reflects those who inhabit such cities, and give a mosaic effect further emphasized by the two-dimensional painting style. Fejes often copied the outlines for his works from postcards of faraway towns, as his health troubles left him bedridden for much of his life. In 1957, Fejes befriended prominent Serbian art historian and critic Oto Bihalji-Merin, who brought Fejes to international acclaim. The largest collections of Fejes’s works are housed in the Museum of Naive and Marginal Art in Jagodina and the Croatian Museum of Naive Art in Zagreb. CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 336
EDELIA DIAZ (19TH CENTURY EUROPEAN SCHOOL)Still Life with Flowers, oil on canvas 76 x 46 (30 x 18 in.) signed lower left CONDITIONObserved in frame. The painting is in overall stable condition. Overall craquelure most noteably the left of the vase. Blooming along bottom edge. Inspection under UV shows no signs of restoration but an uneven layer of varnish. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 156
IVAN OLINSKY (RUSSIAN-AMERICAN 1878-1962)Portrait of Marie, oil on canvas 91.5 x 76.2 cm (36 x 30 in.) signed upper left PROVENANCENorton Gallery and School of Art, Inc., West Palm Beach, gift of R.H. Norton (label on backing board)Christie's, New York, November 28, 1995, lot 236 (sold by the above to benefit the Collections Endowment)Acquired at the above by the present ownerLOT NOTESIvan Grigorievich Olinsky, born in 1878 in Elizabegrad, Imperial Russia (present-day Ukraine), came with his family to New York City, aged thirteen, in 1890. Soon after, he enrolled at the National Academy of Design, where he studied under American Impressionists Julian Alden Weir and Robert Vonnoh, as well as muralist and illustrator George W. Maynard, who then hired Olinsky as an assistant. In the 1890s, he was also a student the Art Students League under Bryson Burroughs. In 1900, Olinsky moved on to Boston as an aide to John La Farge. Increasingly motivated to establish himself as a painter in his own right, Olinsky ended his eight-year assistantship to La Farge and embarked a tour of Italy and France with his wife and first child. The most notable pictures of the period are his stunning Venetian scenes, including La Fete, San Marco (lot 155 of this sale).Upon his return to New York in 1910, Olinsky took up a studio in Greenwich Village, where he began producing, to near-immediate acclaim, the sensitive, Impressionism-inflected society portraits with which he is still associated (this part of his oeuvre is represented by lots 150, 156 and 157).He exhibited frequently, largely in group shows, notably at Macbeth Gallery (which had recently introduced "The Eight") and the Lyme Art Association of Old Lyme, whose artist colony Olinsky discovered in 1917 and participated in until the end of his life. Hildegard Cummings, author of the influential catalogue accompanying Olinsky's posthumous 1995 retrospective at the William Benton Museum of Art, attributes the lack of individual lifetime exhibitions to commercial success so tremendous that the painter simply did not have enough pictures to present for a solo show.In addition to painting, Olinsky maintained a fifty-year career as a teacher at both of his alma maters (one of his students was Lee Krasner), was a member of the Association of Mural Painters and the Salmagundi Club, and recipient of numerous prizes: the Thomas B. Clarke Prize (1914) the Andrew Carnegie Prize (1929 and 1955) and the Clara Obrig Prize (1939 and 1940).CONDITIONObserved in frame without the backing board, the painting is in overall excellent original condition. Some limited areas of craquelure. Scuff to the lower right. Inspection under UV light shows an even layer of varnish; no apparent signs of restoration. N.B. The plaster and gilt on the frame is unstable and flaking, revealing the bole. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 105
PETROV (RUSSIAN CONTEMPORARY)Cosmic Still Life, acrylic on canvas 63 x 53 cm (25 x 21 in.) signed lower leftCONDITIONObserved in frame. The work is in overall excellent condition. Inspection under UV light shows no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 247
FOLLOWER OF GEORGIUS VAN OS (DUTCH 1762-1861)Still Life with Putti Urnoil on slate89 x 69 cm (35 x 27 in.)CONDITIONObserved in frame, the painting is in overall very good age appropriate condition. Light scratching to surface in places. Inspection under UV shows an overall even layer of varnish; two short and thin lines of retouching to the flower in the upper right and below the grapes, otherwise, only scattered touch-ups no more than 5 mm in size. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Lot 332
Giorgio Matteo Aicardi (1891-1984), 'Roms Notluruo', oil on canvas laid onto board, titled verso, 28cm x 25.5cm; together with a Still Life with flowers, oil on canvas laid onto board signed lower left, 20.5cm x 27.5cmArtists Studio and thence by descent, NB Artist's Re-sale rights may apply to this lot
Lot 335
Giorgio Matteo Aicardi (1891-1984), Still Life with a dead bird, oil on panel, signed lower right, 40cm x 47cm; and an Engrise Study of two figures, oil on panel, 37cm x 57cm, un-framed; together with a Fresco sketch, oil on canvas, 40cm x 45cm, un-framedArtists Studio and thence by descent, NB Artist's Re-sale rights may apply to this lot
Lot 494
George Leslie Hunter (Scottish 1877-1931) Gilt framed watercolour on paper, signed 'Still life with Apples' 32cm x 48cm Plus a figure study verso Painting is in excellent condition. Colours are bright. There is a faint line to the right hand edge which is a result of a previous framing/mounting position. Small pinpoint hole to bottom left hand corner. No noted creases or bumps and paper looks to be lying flatly.
Lot 208
Gerald Cooper (British 1898-1975): Still Life of Geraniums, oil on board signed and dated 1952, 49cm x 39cmProvenance: with The Fine Art Society Bond St. London; exh. The Ferens Art Gallery Hull 1970, No.43, labels versoDDS - Artist's resale rights may apply to this lot - Condition Report Three small areas of surface paint loss showing white, otherwise original untouched condition. In original heavy quality frame, in good condition
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