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Lot 292

Nancy Whistler (1912-2011) British Collective works 5 Oils on board of Still life and Impressionist Landscape

Lot 114

Highly original, ready to be used and enjoyed.The IIA is considered by many to be the hardiest version of the Series Land RoversThis is an unusually well ­preserved and original example having had just six owners from newThe chassis is original and looks to have had some professional attention in recent yearsIt still wears the correct elephant hide vinyl upholstery to its three front and two rear bench seatsFitted with a hardtop, tow bar and electricsGently-patinated from years of family life, this well-proven Series IIA is ready for immediate useSpecificationMake: LAND ROVERModel: SERIES IIAYear: 1969Chassis Number: 24133172DRegistration Number: RBL 374GTransmission: ManualDrive Side: Right-hand DriveOdometer Reading: 6000 MilesMake: RHDClick here for more details, condition report and images

Lot 220

antique "Still Life with fruit, snails and insects in a niche" oil on canvas - signed "A. Mignon fec" on the frame there is a "W. Morrill Liner" mark, which refers to the picture lining and restauration of the painting by William Morrill (1838 - 1910) || MIGNON A. antiek olieverfschilderij op doek : "Stilleven met fruit, slakken en insecten in een nis" - 61 x 48,5 getekend "A. Mignon fec" op het frame vind je het merk "W. Morrill Liner" terug, wat verwijst naar de herdoeking en restauratie door William Morrill (1838 - 1910)

Lot 197

AN EMBROIDERED YELLOW SILK POUCH, LATE QING DYNASTY 晚清黃地五福壽紋刺綉荷包China, early 19th century. The sachet made from yellow silk and embroidered with a prominent shou medallion amongst numerous auspicious symbols such as bats, butterflies, chimes and lingzhi clouds. With a pleated drawstring top, the neck tied with a pair of strings.Provenance: From a private collection, Texas, USA.Condition: Some wear and loose threads, and some minor splits to the silk mostly at the pleated drawstring section. Overall good condition commensurate with age. The colors still fresh and crisp.Dimensions: Length 12.1 cm, Height 7.6 cmDrawstring purses affirm the nomadic origin of the Manchu, as they probably developed from carrying purses made of leather which often contained pieces of flint needed to strike a flame, fundamental to the Manchu way of life. Silk pouches formed an essential part of the outfit worn by the highest-ranking members of Qing society. These small containers were often suspended from court belts, chaodai, serving as receptacles containing daily necessities, such as aromatic items, tobacco, and other small objects.Auction result comparison: Compare a pair of related 'Dragon' purses, dated to the 19th century, of similar size (11.5 cm), at Bonhams in Fine Chinese Art - Including Imperial and Court Textiles Curated by Linda Wrigglesworth on 2 November 2021, lot 277, sold for GBP 5,355.晚清黃地五福壽紋刺綉荷包中國,十九世紀初。腰圓式荷包為黃色地,上面綉著蝙蝠、蝴蝶、鈴鐺和如意祥雲等眾多吉祥符號,中央有一個醒目的壽字。可以通過拉動通穿荷包的絲絛開啟。 來源:美國德克薩斯私人收藏 品相:絲絛有些磨損和鬆散,主要在褶襉抽繩部分有一些小裂縫。 總體狀況良好,與年齡相稱。 顏色依然清新明快。尺寸:長12.1 厘米,高7.6 厘米 拍賣結果比較: 比較一對十九世紀的龍紋錢包,11.5厘米,見邦翰思Fine Chinese Art - Including Imperial and Court Textiles Curated by Linda Wrigglesworth 2021年11月2日 lot 277, 售價GBP 5,355。

Lot 314

An early 20th century still life painting on a black silk ground depicting flowers in a vase. Mounted in white painted wooden frame, glazed, 54cm x 47cm

Lot 2483

Raymond Campbell (b.1956) - Still life with mushrooms, oil on panel, signed lower right, 10 x 16.5cm

Lot 2484

William John Wainwright (1855-1931) - Still life with rusty helmet, parrot and shawl, watercolour, signed lower right, 48 x 34cm

Lot 523

Still Life Oil Painting of Fruit in a Basket signed E Martin, 38cm x 27cm together with Picture after Paul Ranson titled Edge of the Forest

Lot 527

After Fantin-Latour, Oil on Panel Still Life Flowers in a Vase, 33cm x 43cm, gilt framed together with two Fantin-Latour Books by Michelle Verrier and Edward Lucie-Smith

Lot 1525

George Hedley, British 19thC , oil on canvas, still life of game with walnuts, fruit and jars on a table in an ornate gold frame. Signed lower right ‘G.H’. Tondo 61 x 61cm. Glazed.

Lot 306

British School, still life of flowers in a vase, oil on canvas, unframed

Lot 428

In a Chinese manner, still life of flowers, watercolour, signed.

Lot 455

Still life of flowers in a vase, oil on board.

Lot 458

A still life of a glass and fruit on a table, watercolour together with a small picture of a man reading a book.

Lot 462

Still life of flowers in a jug, oil on board.

Lot 6005

20th century Royal Worcester ginger jar and cover by John Smith, the body and cover hand painted with a still life of fruit, signed J. Smith, black printed marks beneath including shape number 2826, H18cm

Lot 6006

Pair of Royal Worcester tea cups and saucers by Edward Townsend, George Moseley and Harry Ayrton, each hand painted with a still life of fruit, signed H. Ayrton, H.G. Moseley and E. Townsend, with puce printed marks beneath and date codes for 1926 and 1928, saucer D12.5cm Condition Report:Ayrton cup (1926): Surface scratches and wear commensurate with age. Townsend cup (1926): handle and rim of cup repaired. Surface scratches, crazing and wear commensurate with age. Moseley saucer (1928): Five hairline cracks, visible from both sides. Surface scratches and wear commensurate with age, losses to central gilding. Moseley saucer (1928): Surface scratches and wear commensurate with age, losses to central gilding.

Lot 6007

Early 20th century Royal Worcester vase by William Ricketts, of slightly lobed ovoid form with twin acanthus and scroll mounted handles, hand painted with a still life of fruit against a mossy ground, signed Ricketts, upon a gilt circular moulded foot, with puce printed marks beneath including shape number H313, and indistinct date code, probably 1925, H29.5cmCondition Report:Neck, shoulder, handles and foot all restored. General light wear throughout.

Lot 6008

Royal Worcester framed oval dish by John Reed, hand painted with a still life of fruit upon a mossy ground, signed R. Reed, in rectangular gilt frame, 34cm x 27.5cm, excluding frame

Lot 6009

Mid 20th century Royal Worcester twin handled vase and cover by B. A. Schwarz, the body of ovoid form hand painted with a still life of fruit, signed B. A. Schwarz, upon a circular gilt foot, with black printed marks beneath including shape number 2701, H17cm Condition Report:Restoration to upper section of vase. Handles possibly re-gilded. Surface wear and some losses to the gilding.

Lot 6010

Royal Worcester vase by George Mosely, of bottle form with slender neck, hand painted with a still life of fruit, signed Mosley, with puce printed marks beneath including shape number G702 and date code for 1933, H13.5cm, together with a Royal Worcester pot pourri vase and cover and vase, each painted with a still life of fruit, signed Roberts, with black printed marks beneath including shape number 291A and 2491 (3)Condition Report:All three pieces have general surface wear. Pot pourri: Gilding darkened over time, giving the vase and cover a bronze finish in areas.The bottle vase has a rough pitted finish to the glaze, appears fine under UV light.

Lot 6011

Pair of Royal Worcester vases by Roberts, each of ovoid form hand painted with a still life of fruit upon a mossy ground, signed Roberts, with black printed marks beneath including shape number G461, H11cm together with a similar Royal Worcester hand painted spill vase, with black printed marks beneath, signed Roberts (3)Condition Report:Some surafce wear, otherwise good condition.

Lot 6023

Pair of early 20th century saucers in the style of Royal Worcester, each hand painted with a still life of fruit, set within gilt frame and mount, apertures 7.5cm

Lot 6080

William Cruikshank (British 1849-1922): Still Life of Dead Game Mallard and Rabbit, near pair watercolours on ivory signed max 8cm x 11cm (2) These items have been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: X1QWVT8C

Lot 168

Early 20thc School, Portrait of Man with Beard, oil on canvas, unsigned, in gilded moulded frame, (54cm x 44.5cm), Still Life with Flowers verso

Lot 126

Pictures & prints to include two Dutch design still life prints

Lot 171

H. Todd, 20th century oil on canvas still life of a jug of flowers, dimensions are 45cm x 35cm excluding frame

Lot 402

A collection of domestic pottery & glassware, to include a possibly Vienna bottle vase, together with an oil on canvas floral Still Life

Lot 15

BALVENIE 10 YEAR OLD FOUNDER'S RESERVE COGNAC BOTTLESingle malt.Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.40% ABV / 75cl

Lot 75

BALVENIE 10 YEAR OLD FOUNDER'S RESERVESingle malt.Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.40% ABV / 1L

Lot 12

H.W Beales ( British, 20th century), still life, oil on canvas, inscribed on verso: "Whitsun 1927" on verso, 21x17ins, framed.

Lot 262

R.King RA (British, 20th century), still life with flowers, acrylic, initialled to lower right, 5x5ins, mounted, framed and glazed.

Lot 5

In the manner of Mary E.Oddie (British, 20th century) still life of flowers, signed Lorraine to lower right, oil on board, 13x17.5ins, framed.

Lot 753

Two Large Framed E Moeller seascapes together with larger still life study, largest 68 x94cm(3)

Lot 804

A mixed collection of items to include Portrait, Landscape & still life prints, vintage woodens Dunlop tennis racket etc

Lot 806

Framed Still Life Study signed Frederick

Lot 824

J L Evans RA Still Life Oil on Board, unmounted 60.5 x 51.5cm together with framed Baxter Landscape print(2)

Lot 846

Six framed prints with still life, architectural & landscape themes(6)

Lot 2902

GLEN SCOULLAR RSW RGI (SCOTTISH b.1950) STILL LIFE, OWL, POPPIES AND SUNSET  Mixed media, signed lower right, 53 x 71cm (21 x 28") Title inscribed verso Condition Report:Available upon request

Lot 2910

ANNE DONALD (SCOTTISH b.1941) STILL LIFE ON BLUE CLOTH  Oil on canvas, signed upper right, 49 x 59cm (19.25 x 23.25") Condition Report:Available upon request

Lot 2976

JAMES STUART PARK (BRITISH 1862-1933) STILL LIFE WITH WHITE ROSES  Oil on canvas, signed lower right, 49 x 74cm (19.25 x 29") (oval)  Condition Report:Size including frame - 75 x 100cm

Lot 2988

HELEN STUART WEIR RBA ROI (BRITISH 1915-1969) STILL LIFE IN FLORAL JUG  Oil on canvas, signed lower left, 44 x 29cm (17.25 x 11.5") Condition Report:Available upon request

Lot 2991

GLEN SCOULLAR RSW RGI (SCOTTISH b.1950) STILL LIFE WITH LOBSTER  Mixed media, signed lower right, 21 x 26cm (8.25 x 10.25")  Title inscribed to artist's label verso Condition Report:Available upon request

Lot 3000

GLEN SCOULLAR RSW RGI (SCOTTISH b.1950) STILL LIFE OF FLOWERS IN A JUG  Watercolour, signed lower right, 65 x 47cm (25.5 x 18.5") Condition Report:Available upon request

Lot 3020

HAMISH MACDONALD (SCOTTISH 1935-2008) STILL LIFE  Mixed media/charcoal drawing, signed lower left, 24 x 36cm (9.5 x 14.25") Inscribed verso Condition Report:Available upon request

Lot 651

MARION BROOM (20th CENTURY ENGLISH SCHOOL) FLORAL STILL LIFE, SIGNED WATERCOLOUR. 77 x 56 cms

Lot 415

Charles Henry Slater (British, c.1820-1890), still life of a bird nest with eggs and yellow flowers on a mossy bank; still life of white flowers on a mossy bank, a pair, both signed l.l., watercolour, 16 by 22cm, framed (2)

Lot 419

European School, 19th Century, Saint Cecilia playing the pipe organ, watercolour, 35 by 30cm, framed, with E..A.. Gaunt (British, early 20th Century), still life of white flowers in a jar, signed and dated 1907 l.r., watercolour, 30 by 22cm, framed (2)

Lot 480

Elias van den Broeck (Dutch, c.1650-1708), still life of roses, tulips, convolvulus and other flowers in an urn on a stone ledge, signed l.l., oil on re-lined canvas, 48.5 by 40cm, in carved pine frame

Lot 485

Elizabeth Whitehead (British, act.c.1877-c.1930), still life of blue delphinium, signed l.l., oil on board, 45 by 30cm, framed

Lot 492

Follower of Luca Forte, still life of a watermelon, grapes, pears and apples, oil on re-lined canvas, 49 by 64cm, gilt frame

Lot 497

Edward Noott (British, 1963), still life of orange Chrysanthemum in a glass vase on a patterned tablecloth in front of a window, signed l.r., oil on canvas, 75 by 62cm, framed. Note: Artist Resale Rights apply

Lot 504

Zoltan Preiner (Hungarian, 1955), still life study of a lidded tankard, stoneware ewer, grapes, peach and other fruit on a veined marble ledge, signed l.l., oil on panel, 50 by 39cm, gilt frame

Lot 912

Christopher Dresser for Minton, an Aesthetic Movement plate, circa 1870, the central panel enamelled and gilded with cloisonne type Japonesque still life of flowers and bonsai, within a geometric chevron and honeysuckle border, printed marks for Cauldwell, Philadelphia, 24cm diameter

Lot 913

Christopher Dresser for Minton, an Aesthetic Movement plate, circa 1870, the central panel enamelled and gilded with cloisonne type Japonesque still life of elephant censer and bonsai, within a geometric chevron and honeysuckle border, printed marks for Cauldwell, Philadelphia, 24cm diameter

Lot 963

William Rayworth, Crown Derby, a group of three floral painted still life plaques, opaque, rectangular with bouquets of roses and other flowers, signed, 14cm x 9cm, framed (3)

Lot 966

John F Smith (British, b.1934) Still Life of Fruit, signed l.r., after his work for Royal Worcester, oil on board, 25 by 30cm, framed

Lot 967

Raymond Bevington (British, b.1934) A pair of Still Life of Fruit, signed l.l., after his work for Royal Worcester, oil on board, 17 by 22cm, framed (2)

Lot 1127

Jack Morrocco (Scottish, Contemporary) "Summer Bedroom, Provenance", oil on board, Thompson's gallery label verso, signed, in fabric covered slip and broad ogee moulded frame, 26 cm x 34 cm sight size [Morrocco studied at Duncan of Jordanstone College of Art, Dundee 1970-1974 and was awarded postgraduate year 1975, and achieved a highly commended post diploma - the highest award possible at that time. "In the studio I am attracted by the challenges of portraying light and shade, texture and colour to create a balance in which I hope to attract and captivate the viewer both in still life and figure work." https://www.jackmorrocco.com]

Lot 1129

Jack Morrocco (Scottish, Contemporary) "Nude with red drape", chiaroscuro oil on canvas, Thompson's gallery label verso, signed, in fabric covered slip and broad ogee moulded frame, 59 cm x 44 cm sight size [Morrocco studied at Duncan of Jordanstone College of Art, Dundee 1970-1974 and was awarded postgraduate year 1975, and achieved a highly commended post diploma - the highest award possible at that time. "In the studio I am attracted by the challenges of portraying light and shade, texture and colour to create a balance in which I hope to attract and captivate the viewer both in still life and figure work." https://www.jackmorrocco.com]

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