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Highly original, ready to be used and enjoyed.The IIA is considered by many to be the hardiest version of the Series Land RoversThis is an unusually well preserved and original example having had just six owners from newThe chassis is original and looks to have had some professional attention in recent yearsIt still wears the correct elephant hide vinyl upholstery to its three front and two rear bench seatsFitted with a hardtop, tow bar and electricsGently-patinated from years of family life, this well-proven Series IIA is ready for immediate useSpecificationMake: LAND ROVERModel: SERIES IIAYear: 1969Chassis Number: 24133172DRegistration Number: RBL 374GTransmission: ManualDrive Side: Right-hand DriveOdometer Reading: 6000 MilesMake: RHDClick here for more details, condition report and images
antique "Still Life with fruit, snails and insects in a niche" oil on canvas - signed "A. Mignon fec" on the frame there is a "W. Morrill Liner" mark, which refers to the picture lining and restauration of the painting by William Morrill (1838 - 1910) || MIGNON A. antiek olieverfschilderij op doek : "Stilleven met fruit, slakken en insecten in een nis" - 61 x 48,5 getekend "A. Mignon fec" op het frame vind je het merk "W. Morrill Liner" terug, wat verwijst naar de herdoeking en restauratie door William Morrill (1838 - 1910)
AN EMBROIDERED YELLOW SILK POUCH, LATE QING DYNASTY 晚清黃地五福壽紋刺綉荷包China, early 19th century. The sachet made from yellow silk and embroidered with a prominent shou medallion amongst numerous auspicious symbols such as bats, butterflies, chimes and lingzhi clouds. With a pleated drawstring top, the neck tied with a pair of strings.Provenance: From a private collection, Texas, USA.Condition: Some wear and loose threads, and some minor splits to the silk mostly at the pleated drawstring section. Overall good condition commensurate with age. The colors still fresh and crisp.Dimensions: Length 12.1 cm, Height 7.6 cmDrawstring purses affirm the nomadic origin of the Manchu, as they probably developed from carrying purses made of leather which often contained pieces of flint needed to strike a flame, fundamental to the Manchu way of life. Silk pouches formed an essential part of the outfit worn by the highest-ranking members of Qing society. These small containers were often suspended from court belts, chaodai, serving as receptacles containing daily necessities, such as aromatic items, tobacco, and other small objects.Auction result comparison: Compare a pair of related 'Dragon' purses, dated to the 19th century, of similar size (11.5 cm), at Bonhams in Fine Chinese Art - Including Imperial and Court Textiles Curated by Linda Wrigglesworth on 2 November 2021, lot 277, sold for GBP 5,355.晚清黃地五福壽紋刺綉荷包中國,十九世紀初。腰圓式荷包為黃色地,上面綉著蝙蝠、蝴蝶、鈴鐺和如意祥雲等眾多吉祥符號,中央有一個醒目的壽字。可以通過拉動通穿荷包的絲絛開啟。 來源:美國德克薩斯私人收藏 品相:絲絛有些磨損和鬆散,主要在褶襉抽繩部分有一些小裂縫。 總體狀況良好,與年齡相稱。 顏色依然清新明快。尺寸:長12.1 厘米,高7.6 厘米 拍賣結果比較: 比較一對十九世紀的龍紋錢包,11.5厘米,見邦翰思Fine Chinese Art - Including Imperial and Court Textiles Curated by Linda Wrigglesworth 2021年11月2日 lot 277, 售價GBP 5,355。
Pair of Royal Worcester tea cups and saucers by Edward Townsend, George Moseley and Harry Ayrton, each hand painted with a still life of fruit, signed H. Ayrton, H.G. Moseley and E. Townsend, with puce printed marks beneath and date codes for 1926 and 1928, saucer D12.5cm Condition Report:Ayrton cup (1926): Surface scratches and wear commensurate with age. Townsend cup (1926): handle and rim of cup repaired. Surface scratches, crazing and wear commensurate with age. Moseley saucer (1928): Five hairline cracks, visible from both sides. Surface scratches and wear commensurate with age, losses to central gilding. Moseley saucer (1928): Surface scratches and wear commensurate with age, losses to central gilding.
Early 20th century Royal Worcester vase by William Ricketts, of slightly lobed ovoid form with twin acanthus and scroll mounted handles, hand painted with a still life of fruit against a mossy ground, signed Ricketts, upon a gilt circular moulded foot, with puce printed marks beneath including shape number H313, and indistinct date code, probably 1925, H29.5cmCondition Report:Neck, shoulder, handles and foot all restored. General light wear throughout.
Mid 20th century Royal Worcester twin handled vase and cover by B. A. Schwarz, the body of ovoid form hand painted with a still life of fruit, signed B. A. Schwarz, upon a circular gilt foot, with black printed marks beneath including shape number 2701, H17cm Condition Report:Restoration to upper section of vase. Handles possibly re-gilded. Surface wear and some losses to the gilding.
Royal Worcester vase by George Mosely, of bottle form with slender neck, hand painted with a still life of fruit, signed Mosley, with puce printed marks beneath including shape number G702 and date code for 1933, H13.5cm, together with a Royal Worcester pot pourri vase and cover and vase, each painted with a still life of fruit, signed Roberts, with black printed marks beneath including shape number 291A and 2491 (3)Condition Report:All three pieces have general surface wear. Pot pourri: Gilding darkened over time, giving the vase and cover a bronze finish in areas.The bottle vase has a rough pitted finish to the glaze, appears fine under UV light.
Pair of Royal Worcester vases by Roberts, each of ovoid form hand painted with a still life of fruit upon a mossy ground, signed Roberts, with black printed marks beneath including shape number G461, H11cm together with a similar Royal Worcester hand painted spill vase, with black printed marks beneath, signed Roberts (3)Condition Report:Some surafce wear, otherwise good condition.
BALVENIE 10 YEAR OLD FOUNDER'S RESERVE COGNAC BOTTLESingle malt.Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.40% ABV / 75cl
BALVENIE 10 YEAR OLD FOUNDER'S RESERVESingle malt.Balvenie is part of the Grant’s family and sits beside its sister distilleries, Glenfiddich and Kininvie, in the Speyside burgh of Dufftown. Established in 1892, just a few years after Glenfiddich, Balvenie has spent its life supplying the heart of the Grant’s blend. In fact, it wasn’t until nearly 100 years later, when Kininvie was built, that it was able to seriously market its own single malt.One of very few distilleries to retain its own malting floor, Balvenie is slightly unusual for a modern Speyside whisky in that it still uses a small percentage of peated malt to make its spirit. While the new make it produces is far from smoky, this small amount of peat gives it a distinctive character that has helped it become one of the best-selling malt whiskies in the world.40% ABV / 1L
Christopher Dresser for Minton, an Aesthetic Movement plate, circa 1870, the central panel enamelled and gilded with cloisonne type Japonesque still life of elephant censer and bonsai, within a geometric chevron and honeysuckle border, printed marks for Cauldwell, Philadelphia, 24cm diameter
Jack Morrocco (Scottish, Contemporary) "Summer Bedroom, Provenance", oil on board, Thompson's gallery label verso, signed, in fabric covered slip and broad ogee moulded frame, 26 cm x 34 cm sight size [Morrocco studied at Duncan of Jordanstone College of Art, Dundee 1970-1974 and was awarded postgraduate year 1975, and achieved a highly commended post diploma - the highest award possible at that time. "In the studio I am attracted by the challenges of portraying light and shade, texture and colour to create a balance in which I hope to attract and captivate the viewer both in still life and figure work." https://www.jackmorrocco.com]
Jack Morrocco (Scottish, Contemporary) "Nude with red drape", chiaroscuro oil on canvas, Thompson's gallery label verso, signed, in fabric covered slip and broad ogee moulded frame, 59 cm x 44 cm sight size [Morrocco studied at Duncan of Jordanstone College of Art, Dundee 1970-1974 and was awarded postgraduate year 1975, and achieved a highly commended post diploma - the highest award possible at that time. "In the studio I am attracted by the challenges of portraying light and shade, texture and colour to create a balance in which I hope to attract and captivate the viewer both in still life and figure work." https://www.jackmorrocco.com]
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77111 item(s)/page