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Lot 85
Carl Vilhelm Holsøe (Danish, 1863-1935)Interior with a woman embroidering signed 'C Holsöe' (lower right)oil on canvas58.5 x 54cm (23 x 21 1/4in).Footnotes:ProvenanceWith Richard Green Fine Paintings, London, no. RH 1176.Carl Vilhelm Holsøe, a talented Danish painter of interiors, was born in western Denmark and began his formal training in Copenhagen in 1882. It was during this time that he became acquainted with Vilhelm Hammershøi, a contemporary fellow artist and countryman. Their life-long friendship and association is evident in their influence on each other's work. Holsøe painted landscapes and still lives, but became best known for his realistic interior scenes, mainly of his own household; quite often using his wife, Emile Heise, as the sitter.Holsøe developed a genre of painting faithful to the tranquillity and quiet beauty of the domestic home. The minimally furnished interior compositions often include a figure which is typically turned away from the viewer, with strategically placed objects that reflect Danish modernism of the time. These interior compositions evoked the sensibility of the Dutch masters of the 17th century which reveal a strong structural sense, precise vision and first-hand observation of the room and the light.For further information on this lot please visit Bonhams.com
Lot 20
Spanish school of the mid-16th century."Sepulchre of Saint Felix Valesius".Oil on panel.Measurements: 37,5 x 27,5 cm; 51,5 x 42 cm (frame).This is a typically Renaissance composition with a multitude of figures arranged around the tomb of Saint Felix Valesius, on which the inscription "The Sepulchre of Saint Felix will work miracles" is included. It is a panel of great compositional clarity, determined by the monumental architecture in which the scene is set, and is imbued with a restrained, solemn religious sentiment. The chromaticism is also typical of the 16th century, with large patches of perfectly studied and toned colour that are brought into relief by the careful use of light.Little is known with certainty about the life of Felix de Valois, as there are hardly any references to him in the Trinitarian chronicles, which are always shrouded in mystery. His existence has even been doubted. However, the pontifical documents addressed to Brother Felix, the Minister, are sufficiently illuminating to assure us of his existence. When John of Mata celebrated his First Mass on 28 January 1193 in the Cathedral of Paris, he received a divine vision which inspired him to begin a new religious Order in the Church. This vision was later reflected in the Mosaic of the Trinitarian Order, called Signum Ordinis Sanctae Trinitatis, which is still preserved on the façade of Saint Thomas in Formis in Rome. John of Mata withdraws to a desert of prayer near Paris, near Meaux, a place called Cerfroid, where he meets a group of hermits, led by Felix. In the tradition of the Order, Felix has always been considered as the first companion of John of Mata in the foundation of the Order.
Lot 67
A framed and glazed set of six coloured prints of military and coastal harbour scenes, a coloured print of a view of Mount Ararat, and a map of Surrey a group of mounted and unframed Robert Sulley watercolours and prints, along with various other unframed prints and watercolours, to include a Disney print of Mickey Mouse, and a wooden artist's palette together with pictures to include Stuart Webb, nude portraits, still life, Sandra Summers 'Strawberries', rural scenes, watercolours and othersLocation:
Lot 39
Silja Salmistu, "Sunflowers", soft (dry) pastel, 44 x 66cm, c. 2020. Soft pastel painting, painted from life on archival quality sanded pastel paper with finest quality soft pastels. Framed with white wooden frame with acrylic glazing (optional). Signed in front. UK shipping £50. Silja Salmistu (PSA, IAPS-MC) is Estonian artist living in Denmark. She works mostly in soft pastel, with still life as the main subject.
Lot 66
Nicola Currie, "Summer Fruits Tart", oil on gesso board, 25 x 20cm, c. 2018. Summer Fruits Tart is a celebration of summer. It is painted using classical oil painting methods and uses thin layers of transparent paint to create a luminous painting. It is framed in a double off white and muted yellow (to echo the custard) wooden frame. The tart is long eaten but I hope you enjoy the painting. UK shipping £15. Nicola Currie is a contemporary still life and botanical painter. Her oil paintings are inspired by the beauty of the natural world. She is currently Artist in Residence at Spetchley Park Gardens near Worcester. Her work has been widely exhibited nationally.
Lot 3117
COLIN RICHARDSON (BRITISH 20TH CENTURY); oil on board, still life, flowers in a vase on a pine table, signed lower left, 60 x 50cm, framed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 3268
FRED MCJANNET; two oils on canvas, still life studies of a bunch of flowers, the larger 39.5 x 29cm, and a oil on board study of flowers by the same artist, all framed (3). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 412
ELOISE HARRIET STANNARD (BRITISH, 1829-1915)Still Life with carnations in a glass a vase signed and dated 'E H Stannard 1879' (lower left)oil on canvas38 x 30.5cmCondition reportLined. Fine craquelure. Vertical light pale scratch or mark visible to centre near base of vase approximately 4cm long and another smaller diagonal mark to centre left below leaf. Neither of these are terribly obvious.Otherwise overall appearance generally good.Inspection under UV light reveals finely executed infilling, especially to lower half of picture.
Lot 184
A SMALL GROUP OF LATE 18TH AND EARLY 19TH CENTURY DERBY PORCELAIN, comprising a yellow ground and gilt coffee can and saucer, pattern number 501, puce marks, a yellow ground tea cup hand painted with a spray of flowers within a gilt oval, puce marks and a cylindrical mug, the white glaze with foliate gilt decoration and a hand painted still life of flowers in a basket on a shelf, iron red crowned batons and D mark, height 7.5cm, provenance: coffee can and saucer purchased from John Rogers, November 2001, tea cup purchased from M.F. Morris Antiques, Derbyshire, September 2003 and the mug from Corrinne Soffe, March 2005, receipts available (4) (Condition report: some wear to the gilding on the cup and saucer, the tea cup is cracked near the handle, the mug has possibly been restored to the base)
Lot 60
James Charles Ward (British, active 1830-1875)Still life of fruit on a silver platter with a gold gobletsigned and dated 'J C Ward/1844' (lower left) oil on canvas 51.5 x 61.3cm (20 1/4 x 24 1/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 35
PAUL MCCARTNEY - LP COLLECTION. Wicked instant collection of 25 x LPs featuring Paul McCartney/Wings albums. Titles include Unplugged (The Official Bootleg) (PCSD 116, 7964131, including 2 numbered copies with one still Mint and factory sealed...), Tripping The Live Fantastic (PCST 7346), Flowers In The Dirt (inc. limited edition World Tour Pack, PCSDX 106, number 08373, also to include a stock copy), McCartney (Capitol PCS 7102), RAM, Wild Life, Red Rose Speedway, Press Conferences Madrid & Los Angeles, Press Conferences Rome & London 1989, Band On The Run, Venus And Mars, Chobo B Cccp (red star), Wings Over America, Wings At The Speed Of Sound, Back To The Egg, London Town, Pipes Of Peace, II (PCTC 258), Tug Of War, Press To Play and All The Best. Condition is largely very neat Ex to Ex+/archive.
Lot 154R
Attributed to Patrick Heron - A framed oil on card, titled verso Still Life And Window on Wendy J Levy Contemporary Art LTD label, approximately 29 cm x 17 cm image size, purchased by the vendors father 2011 presumably from the Harry Ousey and the St Ives School exhibition at the Wendy J Levy gallery June 2011, vendor has a letter confirming authenticity from the Goldmark Gallery, Uppingham who originally purchased the picture from the estate of Francis Davison, a close personal friend of Patrick Heron.
Lot 199
SUE GRAY (SOUTH AFRICA, 1961) - YU YEE OIL Donated by Sue Gray Giclee Artist's Print of 'Bottle #9a' Yu Yee Oil Sue Gray’s interest in objects begun when she studied textile design and started her working career as a magazine stylist in Cape Town, South Africa. Her keenness to collect and arrange things gives her the unique eye to seek the beauty within the ordinary and beyond. Gray’s personal space transitions naturally onto the canvas as an ever-changing still life when she started her practice as a self-taught, realism oil painter in 2001. 50cm x 90cm Condition: *
Lot 431
1978 Austin Allegro Special, 1485cc. Registration number TKU 484S. Chassis number AF4SJN-3004121B. Engine number unknown. The Austin Allegro is a small family car that was manufactured by the Austin-Morris division of British Leyland from 1973 until 1982. In total, 642,350 Austin Allegros were produced during its ten year production life, most of which were sold on the home market. The Allegro used front-wheel drive and the familiar A-Series engine with a sump-mounted transmission. The two-box saloon bodyshell was suspended using the new Hydragas system. Stylistically, it went against the sharp edged styling cues that were becoming fashionable (largely led by Italian designer Giorgetto Giugiaro), and featured rounded panel work. The original styling proposal, by Harris Mann, had the same sleek, wedge-like shape of the Princess, but because British Leyland management, keen to control costs, wanted to install the existing E-Series engine and bulky heating system from the Marina. It became impossible to incorporate the low bonnet line as envisaged and the bodyshell began to look more and more bloated and tubby. This was acceptable to British Leyland, according to Jeff Daniels' book British Leyland, The Truth About The Cars, published in 1980, they wanted to follow the Citroën approach of combining advanced technology with styling that eschewed mainstream trends thus creating long-lasting 'timeless' models. Its unfashionable shape was therefore not a problem to them. The final car bore little resemblance to Mann's original concept that had originally been conceived as an 1100/1300 re-skin. This, as well as British Leyland's faith in it as a model would help turn the company around. TKU was last on the road in 1991 and only has 16,595 miles on the clock. It still wears its original tyres and has never been restored. Sold with the V5C, it will require recommissioning before taking to the road.
Lot 556
1958 BSA Gold Star DBD34, 500cc. Registration number TBC. Frame number CB32.???? (see text). Engine number DBD.34.GS.6236.Developed before WW2, the BSA ?Gold Star?, named, of course, after the great Wal Handley?s Brooklands award for his BSA 100mph lap, was produced in small numbers only. Post-war, 1949 saw the model?s return and the beginning of a tremendous period of both race and off road success for the model, while the road ?Gold Star? benefited, of course, from the race-shop development. To ride a ?Goldie? became every BSA owner?s dream and thanks to the quality and robustness of the model, many riders did so. The bike?s fame has continued past the end of model production in 1963 and past the end of BSA itself in 1971. Indeed, there is a thriving industry in the production of spare parts to keep them on the road and even, it seems, of ?replica? machines of varying accuracy.TBC is a typical story of many Goldies, how it started life and where it now is are a tad different. The RF 60, issued in 1967 records 621 KH with frame GD22 7634 and engine DBD34.GS.3692, the engine was replaced with a Triumph 6T 34266, officially becoming a TriBSA, then later the current engine was fitted DBD34.GS. 6236. At this time (1967) it was owned by Ian Cornwall of Hull, our vendors father bought it from him in the late 1970's (the frame number was still incorrectly listed). There are MOT's on file from 1984 at 19,236 miles, through to 2003, on most of them the frame is listed as CB32 7634. It was then laid up with engine issues and it has not had any work on it since. It should be noted that the V5C lists the frame as GD22 7634 not the CB32 ???? that it actually is. Buyers should satisfy themselves as to the frame and engine numbers on the bike and on the V5C and we advise that they rectify the issues with DVLA. Sold with the V5C, RF60, VE60, old MOT's and tax discs, this Goldie requires an engine rebuild
Lot 1066
Pair of mid/late 20th century Royal Worcester vases and covers decorated by Frank Roberts, each of slender ovoid form with twin key and husk handles, and gilt covers, hand painted with a still life of fruit upon a mossy ground, signed F Roberts, upon a gilt circular pedestal foot, with black printed marks beneath including shape number 2713, H20.5cmCondition Report:One finial to cover has been broken and reattached.Otherwise both examples appear to be in generally good overall condition with minor wear, predominantly in the form of some surface scratches and rubbing to gilding.
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