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Lot 3054
A collection of paintings and prints:1. A J Atkins, still life with flowers, o/c, framed2. Valerie Briggs, Red Squirrel, gouache, framed3. Edwardian prints - My Darling4. Badgers by Ann Blockley, print5. Edwardian print of a girl6. T Partner, Harbour view, w/c7. Miriam Foster, The Highlands, oil on board, framed8. Frances Well, coloured print, Lake view, titled in pencil9. Douglas Shapley, Cley Windmill, watercolour, framed10. Miriam Foster, Forest view, oil on board, gilt framed (10)
Lot 423
Barton S. Hays (American, 1826-1914). Two oil on board still life paintings. One depicting grapes, apples and plums on a table, and the other depicting a bouquet of red roses in a vase. The still life of flowers is initialed along the lower right.Although Hays initially gained popularity for his portraiture - such as his painting of then-governor of Indiana, William Henry Harrison - his focus shifted to still life paintings after his move to Minneapolis and it was these realistic paintings that were his most popular. He also created panorama paintings such as his painting depicting scenes from Harriet Beecher Stowe's iconic novel "Uncle Tom's Cabin."Fruits; height: 9 1/4 in x width:12 1/2 in.; Roses; height: 12 1/4 in x width: 18 1/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 408
Oil on canvas painting depicting a still life with an Asian porcelain vase with white calla lilies and pink lilies. Inscribed along the verso "Wm Hubacek."Sight; height: 21 1/2 in x width: 13 1/4 in. Framed; height: 25 1/2 in x width: 17 1/2 in.Condition: The colors are bold and bright. The surface is stable. There are several areas of inpainting throughout the artwork, visible under UV light. Most notable in the following areas: both of the white calla lilies and the right margin. There are numerous other areas of inpainting throughout. There are stretcher bar marks throughout all four side. Along the verso, there are six noticeable patches corresponding to areas of inpainting on the recto. There is wear to the extreme edges of the canvas along the verso. All but one stretcher key is missing. Wear to the frame.
Lot 421
Barton S. Hays (American, 1826-1914). Oil on canvas painting depicting a self-portrait of the artist painting the portrait of a young child.Although Hays initially gained popularity for his portraiture - such as his painting of then-governor of Indiana, William Henry Harrison - his focus shifted to still life paintings after his move to Minneapolis and it was these realistic paintings that were his most popular. He also created panorama paintings such as his painting depicting scenes from Harriet Beecher Stowe's iconic novel "Uncle Tom's Cabin."Height: 40 1/4 in x width: 30 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 422
Barton S. Hays (American, 1826-1914). Two oil on canvas portrait paintings. One depicting a girl in a white dress with a blue ribbon tied around her neck and the other depicting a young woman in a lacy white dress.Although Hays initially gained popularity for his portraiture - such as his painting of then-governor of Indiana, William Henry Harrison - his focus shifted to still life paintings after his move to Minneapolis and it was these realistic paintings that were his most popular. He also created panorama paintings such as his painting depicting scenes from Harriet Beecher Stowe's iconic novel "Uncle Tom's Cabin."Each, height: 30 in x width: 25 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 424
Barton S. Hays (American, 1826-1914). Oil on canvas painting depicting a peaceful nature scene with a family strolling through the woods. A large estate can be seen peeking through the towering trees.Although Hays initially gained popularity for his portraiture - such as his painting of then-governor of Indiana, William Henry Harrison - his focus shifted to still life paintings after his move to Minneapolis and it was these realistic paintings that were his most popular. He also created panorama paintings such as his painting depicting scenes from Harriet Beecher Stowe's iconic novel "Uncle Tom's Cabin."Sight; height: 19 3/4 in x width: 25 in. Framed; height: 23 in x width: 28 1/2 in.Condition: Wear throughout the recto and verso. There is minute cracking overall. There is a "U" shaped crack along the center lower edge, measuring 2 inches x 1 1/2 inches. There is inpainting throughout. Throughout the recto the varnish is discolored, most noticeably along the top along the sky, and throughout the bottom grass area. There is small dark accretion along the bottom center edge. Under UV light there are numerous spots throughout the foliage that show as florescence that have been restored. There are two small repairs along the tree branches; one in the left middle quadrant, one in the upper right quadrant. Along the extreme edges of the canvas there is wear and losses. Along the verso to the upper left corner there is a tide line and along the bottom left edge, indicating water exposure. There are three canvas patches indicating restoration. There are breaks and wear to frame. The canvas is not secured within frame.
Lot 448
Jean-Claude Picot (French, 1930-2022). Enhanced giclee on canvas depicting a still life with a sunset in the background. Signed along the lower right.Sight; height: 9 1/2 in x width: 7 1/4 in. Framed; height: 17 3/4 in x width: 15 1/2 in.Condition: No visible tears, creases, or losses. No visible signs of restoration under UV light. The surface is stable, and the color is bold and bright. To the mountain, there is an area that the underlying canvas is seen through; however, it appears to be original. There is a pen inscription along the verso. Not inspected out of frame. Light wear to the frame; there is a loss to the lower left corner and along the upper left; please see the listing image.
Lot 1013
James Hewlett(1789-1836)"Flowers in a Vase"; still life with garden blooms,signed,watercolour,56 x 45.5cms, in frame. Provenance: Paper label for John Harland, Printseller, Bradford.Receipt from William Sabin and Sons, dealers in Old English drawings, paintings, and engravings, dated January 16th 1940.Select items removed from Carrycoats Hall, Northumberland.
Lot 429
A framed and glazed Orientalist watercolour signed Zero to lower right corner depicting figures in a North African street scene 28.5cm x 18cm; L Fairhaven - two still life pictures of fruit and flowers displayed in baskets, one signed in pencil to lower right, mounted in glazed gilt frames; and a Victorian river landscape with cottages, oil on canvas, signed indistinctly to lower right in glazed gilt frame Location:LWM
Lot 123
Joseph Teal Cooper, English 1682-1743- A still life of melon, pears, plums and grapes on a stone ledge, a landscape beyond; oil on canvas, signed 'JTeal. Cooper.' (upper centre), 63.6 x 76.2 cm. Provenance: Private Collection, Sweden. Note: Cooper has been described as the first significant professional native painter of fruit and flower still lifes in England. The similarity of his work to that of Neapolitan painters Luca Forte (c.1615-c.1670), Paolo Porpora (1616-1673) and Abraham Brueghel (1631-1697) has fuelled suggestions that he received some training in Naples. His paintings, especially signed examples, are rare to come on to the market and only one attributed work (an unsigned still life at Plas Newydd, Anglesey) is in any public collection in the United Kingdom. The present work is a particularly charming example of his oeuvre, with fruit which is so ripe and verdant that it almost opalesces in the light.
Lot 171
Louise Ellen Perman, Scottish 1854-1921- Still life with white roses in a vase; oil on canvas, signed 'L.E. Perman' (lower right), bears two old inscribed labels on the reverse of the frame, one with the artist's name and address, the other inscribed '68 / Thos. H. Miller Esq. / [?] Bute Garden', 51.3 x 61.4 cm. Provenance: Private Collection, UK. Note: Perman worked principally as a flower-painter with floral still compositions typical of her oeuvre. Her paintings often feature bright flowers, generally roses, set against a dark background, with her loose application of paint effectively emphasising the geometric forms of the flowers and their foliage.
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