We found 77111 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 77111 item(s)
    /page

Lot 860B

A large collection of Framed Oil Prints with landscape & still life studies(17)

Lot 2003

G*** W***Still life with pears and grapesoil on canvas20.5 x 25.5cm

Lot 2220

J*** ROCKINGHAM (20TH CENTURY) (5)Still life of flowerssigned 'J Rockingham' (lower right)oil on canvas45 x 60cmtogether with a 19th century watercolour of a woman and cattle in a landscape by Albert Bowers, signed, 42 x 32cm; and three oil on boards of rural scenes(5)

Lot 2228

M*** HARVEY (20TH CENTURY)Still life of flowerssigned 'M. HARVEY' (lower left)oil on board61 x 45cm

Lot 1484

John Porter Wale (1860-190), Still Life of Flowers, watercolour, signed lower right, 22.5 x 42cm. After Miles Birket Foster 'Fishing' coloured print. (2).Lot 1484 - slight foxing to top right corner, mount and frame in poor condition

Lot 150

MUGHAL STYLE PALE CELADON JADE HANDLED BOWL QING DYNASTY, 19TH CENTURY 清 青白玉雕痕都斯坦式花葉紋雙柄碗 the delicate body intricately carved in low relief on the exterior with a band of acanthus leaf, the tip rising from the rim and curling to form a pair of bud-form handles, the deep round body supported on an intricate rosette foot, further encircled by a band of acanthus leaves, the stone of even and translucent pale celadon colour with light occasional cloud inclusions(16cm wide)Provenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018) Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996. The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain. Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents. Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army. When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax. The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at our saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022.

Lot 151

MUGHAL-STYLE WHITE JADE 'CHRYSANTHEMUM' BOWL QING DYNASTY, 19TH CENTURY 清 白玉雕痕都斯坦式菊紋碗 elegantly carved with steep and gently flaring plain sides, supported on a medallion of a blossoming chrysanthemum, the thin polished stone of even and translucent white colour with light occasional cloud inclusions(12cm diameter)Provenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018) Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996. The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain. Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents. Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army. When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax. The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at our saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022.

Lot 152

OX-BLOOD-GLAZED LANGYAO MEIPING VASE QING DYNASTY, 18TH-19TH CENTURY 清 紅釉郎窯小梅瓶 the high shouldered baluster body rising from a spreading foot to a waisted neck and terminating to a flared rim, covered overall with a rich red glaze thinning on the mouth, the foot suffused with hints of blue and lavender colours, a network of fine crackle throughout, the base with an ivory white glaze with a fine network of crackle, with a carved wooden lid(13cm high)Provenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018) Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996. The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain. Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents. Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army. When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax. The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at our saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022.Note: a slightly larger (17.8 cm high) red-glazed vase similar in the Meiping shape and ox-blood colour, dated to the Kangxi period, is in the collection of the Metropolitan Museum of Art, New York, accession number: 14.40.70

Lot 153

TURQUOISE-GLAZED HANDLED VASE QING DYNASTY, 19TH CENTURY 清 孔雀綠釉獸耳瓶 rising from a short foot to globular body, waisted neck and wide flared mouth, two makara heads with water emerging from mouth flanking the neck forming a pair of loop handles, covered overall and save for the base with a translucent bright turquoise crackled glaze, the base covered in a thin layer of transparent glaze and revealing the greyish-white body(28cm high)Provenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018) Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996. The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain. Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents. Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army. When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax. The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at our saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022.Note: a comparable handled vase, dated to the Kangxi period, was sold at Christie's South Kensington, 5 May 2014, lot 615

Lot 154

SANG-DE-BOEUF BOTTLE VASE QING DYNASTY, 18TH-19TH CENTURY 清 紅釉天球瓶 sturdily potted from a recessed foot rising to a bulbous body and straight long neck, applied overall with a thick red glaze thinning on the mouth rim revealing the creamy body, the base covered in an ivory white glaze with a network of fine crackle(39cm high)Provenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018) Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996. The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain. Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents. Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army. When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax. The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at our saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022.

Lot 155

BLUE AND WHITE AND UNDERGLAZED-RED BOTTLE VASE 20TH CENTURY 二十世紀 青花釉裏紅三多紋膽瓶 the globular body supported on a slightly flared foot, rising to a long straight neck, painted with fruits borne on foliage underneath bands of ruyi, key-fret, and plantain leaves on the neck(37cm high)Provenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018) Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996. The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain. Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents. Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army. When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax. The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at our saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022.

Lot 156

PAIR OF FAMILLE ROSE 'COVERT EIGHT IMMORTALS' PLATES QING DYNASTY, 18TH CENTURY 清 粉彩暗八仙紋盤(一對) each painted to the central medallion with attributes of Eight Daoist Immortals, including a double-gourd, sword, plantain fan, fish drum, flute, castanets, basket of flowers, and lotus, all borne on ribbons, resting on a large leaf issuing out luscious peonies, all beneath floral and auspicious emblem panels against a pink diaper and swirling ground band(32cm diameter each)Provenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018) Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996. The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain. Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents. Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army. When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax. The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at our saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022.

Lot 157

TWO FAMILLE VERTE GINGER JARS AND COVERS QING DYNASTY, 19TH CENTURY 清 綠彩荷塘清趣圖蓋罐(兩件) each similarly painted with a continuous lotus pond scene, with wooden stands(heights: 17.5cm and 19.5cm)Provenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018) Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996. The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain. Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents. Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army. When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax. The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at our saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022.

Lot 158

FAMILLE ROSE 'LOTUS POND AND MANDARIN DUCKS' GINGER JAR QING DYNASTY, 19TH CENTURY 清 粉彩荷塘鴛鴦紋罐帶木蓋 of ovoid form, painted to one side with a pair of Mandarin ducks in a lotus pond with large foliage and florals, the reverse with a butterfly, with a carved wooden lid(22cm high)Provenance: Kimmerghame, Duns, the Estate of the Late Major General Sir John Swinton K.C.V.O., O.B.E., D.L. (1925-2018) Major General Sir John Swinton began his military career in 1944 with the Scots Guards, rising in rank to Major General in 1976. He was also Brigadier of the Queen’s Body Guard for Scotland (Royal Company of Archers) in 1977, and retired from Army life in 1979. With his strong military background, he was appointed Deputy Lieutenant for Berwickshire in 1980 and Lord Lieutenant from 1989 to 2000. A high point of his tenure was escorting the Stone of Scone back to Scotland in 1996. The Swinton family history and ownership of land in Berwickshire can be traced to the early part of the 12th century, when Ernulf de Swinton received one of the first private charters recorded in Scotland which confirmed his property from David I of Scotland (1084-1153). This is one of two original charters of David I kept in the cartulary of Durham; both are to Ernulf and also refer to Ernulf’s father (Udard), grandfather (Liulf) and great-grandfather (Eadulf) as holding the land before him. This would make Eadulf the first landowner of Scotland whose ownership could be proved, and means that the Swinton family would by this hypothesis be one of only three (the two others being the Arden and Berkeley families) that could trace its unbroken land ownership and lineage to before the Norman Conquest, making it one of the oldest landed families in Britain. Kimmerghame itself was the site of an earlier house, the home of Sir Andrew Home in the 1730s. The lands and estate of Kimmerghame came into the ownership of the family of Swinton in 1776 when Archibald Swinton of Manderston married Henrietta Campbell of Blythswood in Glasgow. This older house was demolished and rebuilt in the early 1850s, the architect being the celebrated David Bryce, who employed some materials from the older house. Bryce’s Scots Baronial house was substantially damaged by fire in 1938 and only partially rebuilt. The family still retains Kimmerghame and its contents. Captain Archibald Swinton (1731-1804) went to India in the service of the East India Company as a surgeon. He reached Madras in 1752 and took part in the campaigns being waged between the French and English Companies for supremacy in the south. He also took part in an expedition 1756-57 to Negrais in Burma. He reached eastern India for the first time in 1759 when he arrived at Ganjam in Orissa and from there went on to Calcutta. He also transferred from being a surgeon to an ensignship in the Company’s Bengal army. When Archibald Swinton left the Company’s service at the end of 1765, he took with him a letter from the Emperor to King George III asking for help to reseat him on the throne of his ancestors, since Clive would not do so unilaterally; Swinton took a munshi with him in case the answer should be written in Persian. So ‘Captain Swinton, bringing with him the Munshy (sic) (and including in his baggage the large Indian jars, the Indian pictures, Chinese pictures painted on glass, numberless ivory, silver and crystal handled arms, jewels, Persian books, etc. etc.), sailed from India …’ The important group of Indian paintings and other works of art are now in the care of the National Museum of Scotland having been accepted by the nation in lieu of inheritance tax. The Swinton family have had strong connections with the Army and the legal profession. Part of their impressive collection was sold at our saleroom in Five Centuries: Furniture, Paintings and Works of Art sale on 23 Feb 2022.

Lot 308

A Late Victorian still life in felt of flowers in a basket, enclosed beneath a period circular glass dome (af), upon an original circular ebonised base, diameter 22cm, overall height 27cmvery small hole and crack to top outer curve 3cm in length

Lot 1033

Giancarlo Garzelli (1939-1967) Italian Musical still life with violin, mandolin and sheet music Signed,Oil on canvas, 39.5cm by 59cm

Lot 1034

Three coal mining parints, two limited edition prints titled "How Now Brown Cow?" 56/125 "Love and War" 76/195, and a pair of oil on canvas still life pictures signed A.Biczewski ' (7)

Lot 148

Oil on canvas, with motifs of gargoyles, angels over a fountain and the bust of a lady adorned with Spring flowers, including chrysanthemums, roses and daffodils. In the central plane, a parrot facing the stone bust of a lady. Framed measurements: 213 x 260, canvas measurements: 145 x 204. Reference literature: Museo del Prado (1995). The beauty of the real. Vases and still lifes in the Prado Museum 1600-1800. Exhibition catalogue. Madrid: Publyco S.A. ISBN 84-87317-43-X; Pérez Sánchez, Alfonso E., Italian painting of the 17th century in Spain, Madrid, Fundación Valdecilla, 1965, pp. 313-318. Related Works: "Still Life" (Man with Monkey and Fruit), oil on canvas, 102 x 132 cm, 17th century [Museo del Prado, inventory number P005273]; "Mirror with three Cupids", oil on canvas,

Lot 188

Oil on canvas, framed measurements: 120 x 105 cm. Canvas measures: 106 x 81 cm. Son of a Flemish military engineer established in Seville, in 1653 he married a sister-in-law of the sculptor José de Arce, who acted as his guarantor in the painter examination letter approved on January 8, 1654 by Sebastián de Llanos y Valdés and Francisco Terrón . Only a year later he received the first of a long list of apprentices who, to a large extent, were to be directed towards the gilding and polychrome of baroque altarpieces, a task that he himself must have carried out in the service of his brother-in-law. Already in the year 1660 he was counted among the founders of the Academy established by Sevillian painters in the Lonja house, holding the position of prosecutor. In 1666 he was elected consul of the institution and in 1670 president, re-elected four years later, Being, according to Ceán Bermúdez, one of those who most generously contributed to its support, paying the model's salary out of his pocket on many occasions and offering prizes to apprentices. On September 18, 1685, after a long illness, he dictated his will, declaring himself solemnly poor. Cornelis Shut III addressed various genres, including still life, and whose main recipients were private clients and in some cases merchants, which explains the dispersion of his work, with copies preserved in Elorrio (Vizcaya) and Álava (Inmaculada de la Iglesia Antoñana parish). This would also explain why, according to Ceán Bermúdez, there were many in his time the works preserved in Seville in private hands, while only one public one was known, which was an Immaculate Conception, already cited by Palomino, placed in an altarpiece in the Puerta de Carmona. Like so many other Spanish painters, Schut must have addressed this issue on numerous occasions, attributing to him, among others, the copies of the church of San Isidoro in Seville and of Jesús Nazareno in Chiclana de la Frontera, as well as a version in the Museum of Fine Arts in Seville. with a strong Zurbaran accent. Reference bibliography: Alonso de la Sierra, Lorenzo y Quiles, Fernando, «New works by Cornelio Schut el Joven», Norba-Arte, XVIII-XIX (1998-199), pp. 83-105; Valdivieso, E. and Serrera, JM, The time of Murillo. Background and consequences of his painting, exhibition catalogue, Palacio de Aranjuez, 1982, Legal Deposit SE 225-1982. Attributing to him, among others, the copies of the church of San Isidoro in Seville and Jesús Nazareno in Chiclana de la Frontera, as well as a version in the Museum of Fine Arts in Seville with a strong Zurbaraneque accent. Reference bibliography: Alonso de la Sierra, Lorenzo y Quiles, Fernando, «New works by Cornelio Schut el Joven», Norba-Arte, XVIII-XIX (1998-199), pp. 83-105; Valdivieso, E. and Serrera, JM, The time of Murillo. Background and consequences of his painting, exhibition catalogue, Palacio de Aranjuez, 1982, Legal Deposit SE 225-1982. Attributing to him, among others, the copies of the church of San Isidoro in Seville and Jesús Nazareno in Chiclana de la Frontera, as well as a version in the Museum of Fine Arts in Seville with a strong Zurbaraneque accent. Reference bibliography: Alonso de la Sierra, Lorenzo y Quiles, Fernando, «New works by Cornelio Schut el Joven», Norba-Arte, XVIII-XIX (1998-199), pp. 83-105; Valdivieso, E. and Serrera, JM, The time of Murillo. Background and consequences of his painting, exhibition catalogue, Palacio de Aranjuez, 1982, Legal Deposit SE 225-1982. «New works by Cornelio Schut the Younger», Norba-Arte, XVIII-XIX (1998-199), pp. 83-105; Valdivieso, E. and Serrera, JM, The time of Murillo. Background and consequences of his painting, exhibition catalogue, Palacio de Aranjuez, 1982, Legal Deposit SE 225-1982. «New works by Cornelio Schut the Younger», Norba-Arte, XVIII-XIX (1998-199), pp. 83-105; Valdivieso, E. and Serrera, JM, The time of Murillo. Background and consequences of his painting, exhibition catalogue, Palacio de Aranjuez, 1982, Legal Deposit SE 225-1982.

Lot 417

Very important pair of large oil paintings on canvas, together with 18th C italian giltwood period frames. Framed measurements: 165 x 243, canvas measurements: 143 x 219 cm (each). Where we see, a carpet covering a table in the left corner where rest, respectively, a globe, an oval portrait, a sculpture, various books, a planetarium, a table clock and a world map, and another in which the viewer You can see the armor of a complete knight resting on the same table covered with a carpet, and, next to it, a jug, both inside separate Caprices. Work typically associated with the artistic canons of the Italian Baroque that directly connects with similar models of the famous painter of the Roman school Francesco Noletti, called il Maltese and born in Valletta, Malta (Valletta? c. 1611-Rome, 1654) Noletti was an Italian Baroque painter, born as his nickname indicates, in Malta and specialized in still life painting. Noletti's still lifes have been attributed to the so-called Francesco Fieravino or Fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the Foundation for International Studies of La Valletta, in the building of the old university. His biography shows that around 1640 or something before he settled in Rome, where he married and collaborated with Andrea Sacchi, and died there on December 4, 1654. The death certificate he called him a "famous painter". Although his last name was soon forgotten, he was praised, always by his nickname, by Cornelis de Bie and Joachim von Sandrart and later also by Joshua Reynolds, among several others. In the absence of signed works, two engravings published in 1703 by Jacobus Coelemans on paintings by the Maltese, entitled Omnis salus in ferro est and Quaedam sensum instrumenta, have served as the basis for establishing his style, in which some elements are repeated.5 His Rich still lifes are always characterized by the presence of Turkish rugs, tapestries and curtains covering the tables and shelves on which rest pieces of crockery, flowers and fruit arranged next to some precious object, musical instruments and framed paintings or mirrors. Three still lifes by the Maltese master are preserved in the Bilbao Fine Arts Museum, where they entered in the 1920s with attributions to Antonio de Pereda and Pieter Boel. Origin:

Lot 326

20th century oil on canvas, two still life, including a still life in fruit, cheese and wine and the companion a still life in fruit with violin, approx 49 w x 39 cms. (af)

Lot 327

20th century oil on canvas, still life in candlelight and fruit, and an oil lamp and books, both signed Payton, approx 49 w x 39, framed. 

Lot 329

20th century oil on canvas, still life with violin and fruit, signed Payton dated 1978, approx 50w x 70 h cms, framed. 

Lot 111

A RARE REVERSE GLASS PAINTINGLate 18th century Gouache on glass, depicting various fish on a table, glazed and framed. The frame, 49cm (19 1/4in) wide x 43cm (17in) high.Footnotes:十八世紀晚期 外銷玻璃畫The present lot evokes the influence of 18th century French painter of still-life Jean Simeon Chardin (1699-1779), who is perhaps most well known for his painting 'The Ray', with various fish on a table. The present lot however, includes unusually a classical Chinese-style table, encapsulating the meeting between East and West. Compare with a related reverse glass painting of pheasants on a table, circa 1790, illustrated by T.Audric, Chinese Reverse Glass Painting 1720-1820: An Artistic Meeting Between China and the West, Bern, 2020, p.225, no.424.For further information on this lot please visit Bonhams.com

Lot 391

A large still life of white, pink and red roses on a table watercolour 34 x 110cmgilt frame 143 x 63cm

Lot 397

William Dexter (Australian, 1818-1860), still life of grouse, signed 'W Dexter' (lower right), 34 x 50cm

Lot 404

E. Dali, still life with flowers and fruit, signed, oil on panel, 24 x 19cm

Lot 456

Helen Saunders, Still life of flowers, signed lower left, watercolourDated 1923

Lot 462

Charles Thomas BaleStill life of pigeons and chillis on a ledgesigned lower leftoil on canvas44 x 34cmSigned lower left 'C T Bale'

Lot 464

English School, 19th centuryStill life of oranges oil on canvas, in a gilt frame49.5 x 40cm

Lot 477

Continental School, 18th centuryStill life of flowers in an urn on a stone ledgeoil on canvas75 x 62.5cm

Lot 403A

Caverswall Excellent Collection of Hand Painted Miniature Pieces 16 in total Fallen Fruits Still life all in 1st quality condition and signed by M Bates 1. Jug x 2 2. Pair of miniature candle sticks 3. Pair of Barrel Shaped Vases 4 ring tray 5 tea strainer 6 trinket box x 2 7 lidded ginger jar 8 cheese stand 9 vases 10 napkin holders plus more

Lot 405A

Hammersley and Co Early Trio of Fine Quality Handpainted Cabinet Plates each decorated with fallen fruits still life apples plums berries raspberries to centre panes surround by wonderful green colour borders. Each plate 9 inches 22.5 cms in diameter all 1st quality.

Lot 421

Coalport - Quality Pair of Fine Hand Painted Cabinet Plates ' Floral ' Still Life on White Ground to Central Panels, The Surrounding Green Borders Highlighted In Gold with Gold Edge. Diameter 8.75 Inches - 21.90 cms.

Lot 209

Gilt framed still life oil painting and two interior prints

Lot 499

A Gerald Cook watercolour of horse head, limited edition print of elephants and still life watercolour

Lot 1885

Large 19th century oil on canvas, still life game, unsigned, framed, overall 77cm x 91cm

Lot 1164

Full title: Andries Daniels (c. 1580-1640), attributed to: 'The wedding of Mary and Joseph' in an oval medallion with a floral garland, oil on canvasDescription:Dim.: 129 x 110 cm (the frame)Dim.: 107,5 x 89,5 cm (the work)Ê Andries Daniels (c. 1580 - after 1640) was a Flemish painter who was active in Antwerp during the first half of the 17th century. He is known for his flower still lifes and garland paintings, a genre of still life paintings that he helped develop in Antwerp.Ê Little is known about his life. No records of the date and place of his birth or the names of his parents have been found to date.Ê He is first mentioned in 1599 when he is registered under the name Andries Daniels at the Antwerp Guild of Saint Luke. He was recorded as a pupil studying painting with Pieter Brueghel the Younger. Pieter Brueghel the Younger was the son of the prominent landscape and genre painter Pieter Brueghel the Elder and brother of Jan Brueghel the Elder, a prolific painter in many genres and a major contributor in the development of floral painting in Northern Europe. Daniels may have participated in copying works of Pieter Brueghel the Elder during his period of apprenticeship. In 1602 he was registered as a master of the Guild.Ê He executed a joint will with his wife Jozijnke van der Hoerst on 25 July 1640, which is the last record of his life. The date and place of his death are unknown.Ê Daniels played a role in the development of the genre of garland paintings. Garland paintings are a special type of still life developed in Antwerp by artists such as Jan Brueghel the Elder, Hendrick van Balen, Frans Francken the Younger, Peter Paul Rubens and Daniel Seghers. They typically show a flower garland around a devotional image or portrait. This genre was inspired by the cult of veneration and devotion to Mary prevalent at the Habsburg court (then the rulers over the Southern Netherlands) and in Antwerp generally.Ê Daniels is known as a painter of still lifes, in particular still lifes of flowers in flamboyant vases, and flower garlands. Not many of his works are known as he was only rediscovered in the 1950s-1960s.Ê Only one signed painting, the Garland of Flowers around an image of the Holy Family and Angels (current location unknown, at Galleria Lorenzelli, Bergamo in 1967) bearing the signature 'ANDRIES.DANIELS.F.' has been found so far. This work has been the basis for attributing additional works to the artist, in particular works previously attributed to Jan Brueghel the Elder. However, art historians do not agree on various attributions and earlier attributions have been contested subsequently. An example is the Garland of Flowers with Virgin and Child in the Hermitage Museum, the flower part of which was attributed to Daniels by Ingvar Bergström before 1966. This attribution has been challenged by Fred G. Meijer who found that the Hermitage painting's execution of the flowers is different from the handling of flowers in the signed painting. The attribution to Daniels of a Virgin and Child in a Garland of Flowers, (c. 1608, Biblioteca Ambrosiana, Milan) traditionally attributed to Jan Brueghel the Elder has also failed to find unanimous support among experts.Ê The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com

Lot 334

Gertrude Halsband (1917-1981), a framed oil on canvas, still life study, signed. H.46 W.39 cm

Lot 31

GONZALO BILBAO MARTÍNEZ (Seville, 1860 – Madrid, 1938). "Still life".Oil on canvas.Attached certificate issued by Don Gerardo Pérez Calero.Signed and dedicated in the upper right area.

Lot 48

HORACIO LENGO MARTÍNEZ (Torremolinos, Málaga, 1840 - Madrid, 1890)."Still life with fish and Nasrid tiles". Oil on panel. Signed in the lower right corner.

Lot 69

Andalusian school; XIX century.“Fruit still life with white vase”.Oil on canvas.

Lot 76

DANIEL GUARDIOLA (Spain, 20th century)."Still life with fruit and ceramics", 1914.Oil on panel.Signed and dated in the lower left corner.

Lot 222

Francois Badenhorst (SA 1934-2013), oil coastal scene 60cm x 43cm, framed, signed, together with a still life oil on canvas, by the son of Francois Badenhorst, 61cm x 92cmLocation:

Lot 224

Pila Diego - Spanish, oil on canvas still life, 80cm x 64cm framedLocation:

Lot 299

A group of framed and glazed watercolours, and an oil painting to include three Ray Styles bird studies, a Marjorie Martyn still life oil on board flower painting, Desmond Winsett watercolour, and others (7) Location: LWM

Lot 44

Lillian Lancaster - six oil on canvas still life studies and a portrait. Location:RWM

Lot 465

Watts: a watercolour miniature still life of summer roses, 3" x 2 1/2", in decorated frame

Lot 470

An oil on canvas, still life with orange, apple and dried fruits, 7 3/4" x 8 1/2", in carved gilt strip frame

Lot 195

Manner of Cezanne, a pair of watercolours of still life scenes, watercolours, each 17" x 21", along with a scene of a path through woodland, indistinctly signed and dated 1948, watercolour, 15" x 20", (3).

Lot 240

Filippa Whitford (20th Century) British, A still life of mixed flowers in a cup, watercolour, signed, 8" x 10".

Lot 275

Arthur Dudley (Giovanni Barbaro) (1864-1915) Italian, A still life of grapes and oranges with a copper pot, watercolour, signed and dated '94, 10.5" x 29".

Lot 279

William Hough (fl.1857-1980) A still life with a stem of blossom, a birds egg and heather, watercolour, 6" x 6".

Lot 399

Joanna Bryan (b.1956) British, 'Algernon bear with Quimper jug and still life', oil on board, label verso, signed, 15" x 13".

Lot 407

20th Century School, a still life of field flowers and foliage, oil on canvas, 30" x 25".

Lot 408

Eustace Liscard (20th Century), A still life of flowers in a glass vase, oil on board, 20" x 16".

Lot 409

20th Century Continental School, a still life of flowers and fruit in an outdoor setting, oil on canvas, signed 'Been', 24" x 18".

Lot 410

19th Century School, a still life of fruit and trailing vines, oil on canvas, 18.5" x 24.25".

Lot 411

19th Century School, a still life of roses and grapes with trailing foliage, oil on panel, 10.5" x 10.5".

Lot 412

J. Howard (20/21st Century) A pair of still life paintings of fruit, grapes, apples and plums on a table, oils on panel, both signed and 8" x 10", (2).

Loading...Loading...
  • 77111 item(s)
    /page

Recently Viewed Lots