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Lot 295
Attributed to Heinrich Schweickhardt (German, fl. late 18th century): A George III sand picture of a floral still life with fruit, a birds nest and a Bullfinchthe flowers arranged in an oval basket including lilies, roses, hollyhocks, scabious, lilac and sweet peas, together with a pineapple, plums and grapes, the basket set on a canted plinth beside a melon, peaches and cherries and the nest and standing on top of a elaborate pedestal, the bird seated on a bough before the arrangement, mounted within a Mallett's style glazed gilt wood and gesso frame with green washed inner slip, 74cm high x 58.5cm, the frame, 88.5cm x 73cm approximatelyFootnotes:Although the Bavarian artist Benjamin Zobel (1762-c.1800) is best known for originating and popularising sand art or 'marmotinto' as it was also known in England in the late 18th century, it was his colleague Heinrich Schweickhardt who most probably first introduced the technique to the royal household.Like Zobel, Schweickhart was apparently employed as a 'table decker' at Windsor Castle producing table centrepieces incorporating sand and crushed marble which at that time were the height of court fashion. When Schweickhart retired it was Zobel who took his place and in 1783 he created a particularly elaborate centrepiece running the length of the dinner table for King George III which subsequently collapsed soon after the dinner was over. Regretting the loss of his work, Zobel contrived experiments with various adhesives to bind the sand together and preserve it and in doing so found a glue that could be spread on board so that a permanent two dimensional design could be created. Zobels friendship with the artist George Morland (1763-1804) who was a prominent member of the 'Isle of Wight School' presumably not only influenced the style of Zobel's new two dimensional pictures but also resulted in the use of the islands famous coloured sands which together with patronage from the Duke of York and his previous court connections made Zobel a fashionable and successful artist in this specialist field.Although there are no definitive records of Schweichkharts life or his output, it is possible that he two took to producing two dimension works in sand in the manner of his successor Benjamin Zobel when they became fashionable, this lot possibly being one of them.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 36
Leon Abramowicz (Czechoslovakian, 1889-1978)Still life of flowers oil on paper laid to canvas 62.2 x 42.5cm (24 1/2 x 16 3/4in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 41
Rudolf Helmut Sauter (British, 1895-1977)Still life of fruit in silver bowlsigned and dated ' R.H.Sauter/1936' (lower left) oil panel 61 x 50.8cm (24 x 20in).Footnotes:ExhibitedParis, Salon, 1937. (according James Bourlet & Sons Ltd., label verso).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 91
TWO ROYAL WORCESTER MINIATURE STILL LIFE PAINTED CABINET CUPS AND SAUCERS, comprising T. Lockyer (1917), W. Hart saucer (1918) and cup F. Harper (1918) together with an unsigned pink rose cup and saucer,1924 (3) (Est. plus 21% premium inc. VAT)Lockyer no damage, gilt centres a little worn. Hart saucer centre worn. Harper cup good. Rose cup badly restored and crazed, saucer generally good
Lot 27
PABLO PICASSO (1881-1973)Nature morte sous la Lampe, 1962 signed in pencillinocut in colours, on Arches wove paper75 x 62cm (29 1/2 x 24 7/16in).This work is an artist's proof aside from the edition of 50. Printed by Arnéra, published by Galerie Louise Leiris, 1963Footnotes:ProvenancePrivate Collection, California, United States.Acquired from the above by the current owner.LiteratureGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.1102). Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume V, 1959-1965, Berne, 1989 (B.1313).''My lighting at night is wonderful. I even prefer it to daylight[...], You should come one day to see how the light picks out every object, how deep, black shadows play around the pictures and are thrown against the beams. You can find it in almost every still life. I painted most of them by night.''PABLO PICASSOThe genre of still life has a prominent position in Picasso's oeuvre, fromhis early Cubist still lifes to the memento mori created during the WarWorld II period and later in the Post War years.Nature morte sous la lampe (Still life under the Lamp) is consideredPicasso's masterpiece of colour linocut and is included in every surveyof 20th Century printmaking.The classic composition of this still life follows the tradition of his greatrole model Cézanne.Picasso uses common objects from anywhere: a glass, apples, alamp, a plain wood table - the object at its most ordinary. As the artistexpressed it: 'I make reference to objects that belong to everybody''.The composition is constructed in nine stages, beginning with a blankwhite background, Picasso cut and printed the single block in eachsuccessive colour, building the image with increasing complexity. Thisgroundbreaking technique was invented by Picasso and is known asthe 'reduction' method.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 436
Edith Hilder (1904-1992)/Still Life of Spring Flowers/watercolour, 17cm diameter/and three other watercolours CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 8002
Kyrill. sign. "Frischas", russischer Maler 2. H. 20. Jh., Stillleben mit Teeservice und Äpfeln, Öl auf Lwd., u. re. kyrill. sign., verso bez., 40 x 50 cm, ger. 48 x 58 cm Cyril. signed ''Frischas'', Russian painter 2nd half of the 20th century, still life with tea service and apples, oil on canvas, u. re. cyril. signed, on the reverse, 40 x 50 cm, fr. 48 x 58 cm
Lot 8111
Monogrammist A.L., russischer Maler um 1970, großes Baschkirisches Stillleben mit Holzgeschirr und Pflanze auf gestreifter Tischdecke, Öl auf Lwd., u. re. kyrill. monogr., verso kyrill. Etikett, 90 x 105 cm, ger. 102 x 117 cm Monogrammist A.L., Russian painter around 1970, large Bashkir still life with wooden dishes and plants on a striped tablecloth, oil on canvas, and the like. re. kyrill. monogr., verso cyrill. Label, 90 x 105 cm, framed 102 x 117 cm
Lot 8186
Russischer Maler Ende 20. Jh., sommerliches Stillleben mit Krabbe auf einem blauen Regal vor rustikaler Wand, Öl auf Lwd., verso kyrillisch sign. u. dat. 1989, 50 x 60 cm, 56 x 66 cm Russian painter from the end of the 20th century, summer still life with a crab on a blue shelf in front of a rustic wall, oil on canvas, signed in Cyrillic on the reverse. u. dat. 1989, 50 x 60 cm, 56 x 66 cm
Lot 8188
Unidentifizierter Maler 2. H. 20. Jh., Stillleben mit grünem Krug, Öl auf grobem Sackleinen, u. li. uneutlich monogr., 50 x 40 cm, ger. 61 x 51 cm Unidentified painter 2nd half of the 20th century, still life with a green jug, oil on coarse sackcloth, u. left indistinctly monographed, 50 x 40 cm, framed 61 x 51 cm
Lot 7200
K. Stein-Kirchen, Maler um 1920, Stillleben mit Vasen, Tasse und Pillendöschen vor geblümter Decke, Öl auf Lwd., u. li. sign. u. dat. 1923, Craquelé, 53 x 62 cm, ger. 66 x 76 cm K. Stein-Kirchen, painter around 1920, still life with vases, cup and pill box in front of a flowered ceiling, oil on canvas, u. left signed u. dated 1923, craquelure, 53 x 62 cm, framed. 66 x 76 cm
Lot 7206
Eugene Antony Renouard (1835-1921), Stillleben mit Büchern, Flaschen und Pistole, Öl auf Lwd., u. li. sign. u. dat. 1864, doubl., rest. u. retusch., 55 x 65 cm, ger. 80 x 90 cm Eugene Antony Renouard (1835-1921), still life with books, bottles and pistol, oil on canvas, u. li. sign. u. dat. 1864, doubl., rest. u. retouched, 55 x 65 cm, ger. 80 x 90 cm
Lot 7312
Stilllebenmaler Ende 19. Jh., opulentes Früchtestillleben mit Weinglas und Silbertablett, Öl auf Lwd., u. re. undeutlich sign. "P. Bor...", 59 x 100 cm, ger. 85 x 126 cm Still life painter from the end of the 19th century, opulent fruit still life with wine glass and silver platter, oil on canvas, u. re. indistinct sign. ''P. Bor ...'', 59 x 100 cm, framed. 85 x 126 cm
Lot 7313
Wilhelm Rudolf Hermann Howard (1879-1945), dt. Ansichten- und Stilllebenmaler, großes Panorama einer holländischen Stadt mit Brücke, zahlreichen Booten und reicher Staffage. Öl auf Lwd., u. re. sign. "Wil Howard", doubl., 77 x 128 cm, ger. 93 x 145 cm Wilhelm Rudolf Hermann Howard (1879-1945), German view and still life painter, large panorama of a Dutch city with a bridge, numerous boats and rich staffage. Oil on canvas, u. re. sign. ''Wil Howard'', doubl., 77 x 128 cm, framed. 93 x 145 cm
Lot 68
1964 Mercedes-Benz 220 SEb 'Fintail' SaloonRegistration no. 923 YNYChassis no. 111-041-200S8721Odometer reading: 21,693 milesMOT Expiry: Exempt*Rare UK RHD example*Low mileage*Manual *Sold for restorationMercedes-Benz unveiled the 220SEb at the Frankfurt Motor Show in 1959. The SEb featured an elegant design, offering a wider radiator shell, wrap around windscreen, wider rear window, vertically positioned headlamps and discrete tailfins. The high purchase price meant that relatively few were sold in the UK, most with the automatic transmission. This example is still wearing its original Havana Brown paintwork, and is not only right-hand drive, but also a manual. Inside the car retains many original features but will require work. The car is in need of a full restoration inside and out. The engine starts and holds good oil pressure, but will require work to get moving having been in storage for many years. The W111 Fintail is a desirable classic, and this example offers the opportunity to create a new lease of life for the car.Please click the link to view the walkaround video of this lot: click hereFootnotes:Vendor Score Total: 38/100Bidders should note that the automated 100-point Seller's Assessment is provided by each Seller at the point of consignment using the guidelines below, and is not provided, assessed or verified by Bonhams MPH. Accordingly, Customers (Bidders) are on notice that each vehicle is offered 'as is / as seen' subject to the Conditions of Sale for the auction, and Customers (Bidders) are strongly recommended to view the Lot(s) being offered, before bidding, in order to satisfy themselves as to their condition; Bonhams MPH will not entertain disputes over Sellers' Assessments. Key for sellers' assessments:1/5 POOR. A project vehicle | Requires urgent attention | Damaged | Parts missing2/5 AVERAGE. Useable condition | Requires some attention | Light damage3/5 GOOD. Drive away | Presents well | Good history file | Drives well4/5 VERY GOOD. Well restored | Running and driving with no noticeable faults | Sound throughout5/5 EXCELLENT. Concours condition | Beautifully presented | Driving very wellEXTERIOR TOTAL: 11/25Body Work: 2Paint: 2Glass: 3Chrome/Plastics/Trim: 2Wheels/Tyres: 2INTERIOR TOTAL: 11/20Seats: 2Dashboard/Door cards/Carpets: 3Headlining: 3Trim: 3ENGINE TOTAL: 6/20Starting: 2Running: 1Under Bonnet: 1Mechanical components: 2RUNNING GEAR TOTAL: 5/20Gearbox/Clutch: 1Axles: 1Suspension: 1Brakes: 2ELECTRICAL TOTAL: 4/10Main components: 2Ancillary components: 2Car History File: 1/5Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 280
Ten pictures and prints to include watercolours: 'Monet's Window' by Catherine Ogden and 'Almonry, Evesham' by Michael Westby; a limited edition 69/450 colour print of a cottage garden after Leslie Holmes; a pair of still-life studies of flowers (gilt-framed and glazed) and a pair of R. Ackermann hand-coloured engravings, 'Trout Fishing' and 'Flacker Shooting'; all ten framed and glazed (10)
Lot 299
WILLIAM THOMSON (American, 1855-1945); a pastel still-life study of an 18th century flintlock before a candlestick and tankard, printed W Cutler & Son label verso and another handwritten in ink, parcel-gilt frame, together with photocopied research relating to the Thomson family (42cm x 52cm)
Lot 309
E M BALL; a fine oval oil on panel still-life study of flowers in a vase upon a plinth base; signed lower right, walnut and sycamore-fronted frame, stamped E M Ball verso (full height 51.5cm x 37cm full width)Condition Report: Very good generally. The actual oval painting has very minor pin prick sized pieces of paint away on the left lower size - otherwise very good. The frame has a little piece of veneer away to the inside. The back is a little scuffed but overall the condition is very good.
Lot 439
Guillaume Berggren (1835-1920), Tancrède Dumas (1830-1905) et al; 27 leaves of a photograph album comprising 24 late 19th century albumen paper prints (one framed). Mostly about 21cm x 28cm, and of Turkey and Egypt. The three end-pages comprise original amateur studies - a polychrome study of flowers, and two sepia washes (two horses in harness and two dhows in full sail).The photographic subjects include the 1899 unveiling ceremony of the Ferdinand de Lisseps statue at Port Said; vessels on the Suez Canal itself (‘Le S.S. Dilwara passant le kil. 24’, ‘Bateau anglaise passant la courbe de Kirsche’ and ‘Vue du canal …. et de chemin de fer. abd ); 'Cimetieres Anglais a Scutari, No.34'; 'S’te Sophie No 11', the Küçüksu Pavilion (aka the Göksu Pavilion) and 'Cimetieres a Topkapue, No 27'. Recovered in 1969 by the vendor from the attic of the former Formby home of Capt. Albert J. Radcliffe of the Pacific Steam Navigation Company. The still life study is believed to be the work of the captain's daughter.
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