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Lot 254

A fruit-decorated cabinet plate late 20th century, painted with a still life of apples, cherries and berries by D. Bowkett (ex. Royal Worcester artist), signed, unmarked, 26.5cm diameter

Lot 74

A PAIR OF GILT FRAMED AND GLAZED OIL ON CANVAS PAINTINGS DEPICTING STILL LIFE ON A MOSSY BANK SIGNED H ALLEN (2)

Lot 111

A large gilt framed oil on canvas of a cottage by a river, gilt framed still life signed C. Carrol

Lot 386

A early 20th Century oil on canvas, still life with flowers beside a basket, unsigned, framed, internal dimensions 39cm x 59.5cm

Lot 162

A Framed Pastel Still Life, Pot Plant, 57cm high

Lot 216

A Framed Pastel Still Life, Twigs and Blossom, 48cm high

Lot 743

Continental School : Still life with bread board, oil on canvas, signed.

Lot 744

Continental School : Still life with flowers, oil on canvas, framed.

Lot 264

K Cotton, Still life of fruit, bears signature, oil on panel, 25cm x 19cm; another reproduction picture; framed arrangement of Cornish postcards; other prints, frames and framed objects (a collection)

Lot 278

Vincent Clare, Still life, basket and flowers on a mossy bank, oil on canvas, signed.

Lot 282

R Rosini, still life of flowers in a vase, oil on canvas, signed, 60x50cm.

Lot 283

Edna Bull, still life of flowers in a vase, oil on board, signed, 58x58cm.

Lot 373

Mary Milner Dickens, a portfolio of original drawings, sketches, and artworks, dating from the artist's student period and early career (1940s-1950s), includes art school entry submissions, textile and wallpaper designs, still life and life studies, etc.Read more on Mary Milner Dickens, Prix de Rome, M.F.A., A.R.C.A. (1932-2019) at https://www.gildings.co.uk/news-item/mary-milner-dickens/?pc=63 

Lot 180

A WATERCOLOUR STILL LIFE OF CUT FLOWERS WITH FAINT DATE LOWER RIGHT

Lot 219

WATERCOLOUR STILL LIFE SIGNED H CRAWFORD

Lot 379

LIMITED EDTION STILL LIFE PRINT NUMBERED AND SIGNED

Lot 35

A FRAMED AND GLAZED STILL LIFE OIL PAINTING DEPICTING FLOWERS IN A JUG SIGNED ECCLESTONE LOWER LEFT

Lot 42

LEONARD GRAY (b.1925). Still life study of two apples, signed and dated 1991 lower right, watercolour, framed and glazed, 19 x 22 cm

Lot 191

An oil on canvas 'still life', signed

Lot 176

A framed oil on canvas 'still life' signed

Lot 684

OIL ON BOARD STILL LIFE, FRAME WIDTH APPROX 83CM

Lot 350

A collection of paintings and prints to include oil on canvas landscapes and still life etc.

Lot 855

A frame and glazed still life study

Lot 858

A quantity of mostly watercolours; including a still life study Geoff Pleasance 1975

Lot 560

Lewis Baumer (1870-1963), watercolour, Still life of magnolia blossoms in a jug, signed, 40 x 27cm

Lot 589

Continental School, mixed media on parchment paper, Still life, indistinctly signed, 28 x 37cm

Lot 638

Ferdinand Stammhammer (Austrian 1901-1973), still life of sunflowers in a jug, signed top left, oil on board, 49cm x 38cm

Lot 482

MARY WILKINSON (BRITISH 19TH/20TH CENTURY) a still life study of flowers in stoneware flagon, signed mid left, oil on board, framed, size approximately 62cm x 42cm, together with a mirror in a gilt frame, Egyptian Papyrus in an oak frame and a picture frame (4)

Lot 575

*Rowland Suddaby (1912-1972) A still life of flowers signed and dated '43 l.r., gouache 30 x 38cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper a little clockled. Fold mark visible in lower right corner. Some light scratches to paint.

Lot 589

*Uriel Eekhoff (1923-2014) Still life with fruits signed verso, oil on canvas 54 x 71cm Exhibited: The Portal Gallery, London. *Artist's Resale Right may apply to this lot.

Lot 614

Valentin Livri (Russian, b.1930) Still life of flowers in a vase and a watering can signed and dated '56 l.l., oil on board 26 x 21cm

Lot 627

*Mary Fedden RA (1915-2012) Still life with melon lithograph, signed and numbered 214/550 in pencil image 44 x 36cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. No obvious condition issues.

Lot 774

*Pamela Chard (1926-2003) Still Life oil on board 53 x 48cm, unframed *Artist's Resale Right may apply to this lot.Condition report: All works from the Chard Studio are subject to condition issues. As they have been stored in a studio or attic for many years they are dirty. Many have scratches, paint loss, damage to stretchers and frames. Some works also have dents, holes and tears.

Lot 804

*Pamela Chard (1923-2003) A Still Life of fruit on a table oil on canvas 64 x 52cm, unframed; four further works, largest 52 x 54cm, three unframed (5) *Artist's Resale Right may apply to this lot.Condition report: All works from the Chard Studio are subject to condition issues. As they have been stored in a studio or attic for many years they are dirty. Many have scratches, paint loss, damage to stretchers and frames. Some works also have dents, holes and tears.

Lot 811

Marie Parmeter (20th century) six works to include a Coastal Scene, Street Scene, Still Life, oil on canvas largest 39 x 48cm, four unframed (6)Condition report: All works from the Chard Studio are subject to condition issues. As they have been stored in a studio or attic for many years they are dirty. Many have scratches, paint loss, damage to stretchers and frames. Some works also have dents, holes and tears.

Lot 821

*Pamela Chard (1926-2003) Portrait of a woman in a blue dress oil on canvas 61 x 31cm; and three further works; A woman and a still life with a ceramic lion; A ceramic lion; Dancers, unframed (4) *Artist's Resale Right may apply to this lot.Condition report: All works from the Chard Studio are subject to condition issues. As they have been stored in a studio or attic for many years they are dirty. Many have scratches, paint loss, damage to stretchers and frames. Some works also have dents, holes and tears.

Lot 150

ANNA SOURBUTTS 'Still Life with Pansies', a pair of oil on canvas, signed, 24cm x 30cm, framed. (2)

Lot 258

Indistinctly signed, Collis (?), STILL LIFE OF FLOWERS, oil on board, signed and dated bottom right, in ornate gilt frame, 39 x 29 cm

Lot 138

Early 20th Century School, The Dance, in the Fauve manner, oil on board, unsigned, the obverse with a still life of fruit, indistinctly inscribed lower right, unframed. 25cm by 31.5cm

Lot 415

An interesting 1930s Oil on canvas still life study circle of William Scott, apparently unsigned 60 by 54cm canvas Provenance property of a gentleman

Lot 301

A SIGNED WATERCOLOUR BY W.W.HUME 1978, AND A FURTHER WATERCOLOUR, AN OIL PAINTING, A SIGNED LIMITED EDITION PRINT, AN OIL PAINTING STILL LIFE, AND TWO FLORAL PRINTS. (7).

Lot 316

FOUR WATERCOLOUR STILL LIFE STUDIES OF FLOWERS, SIGNED MARY BROWN.

Lot 322

OIL PAINTING PORTRAIT OF A LADY, A STILL LIFE STUDY OF FLOWERS, AND AN ORIENTAL PRINT.

Lot 309

Oil on board - Still life - Daffodils

Lot 180

Modernist Oil Painting on Board of a Still Life Scene in Muted Tones, 50cms x 40cms, framed

Lot 429

Oil Painting on Board ' A Cornish Farm ' by F H Young, 40cms x 62cms together with Framed Oil on Canvas of a Bridge signed Engel, 40cms x 29cms and 20th century oil on canvas still life of fruit indistinctly signed 23 x 31.

Lot 430

Ada Hanbury 19th century watercolour still life of flowers 46 x 28 cm signed and dated 1869.

Lot 435

Francis Edward James 1849 - 1920 watercolour still life of flowers gallery label verso 30 x 40 cm.

Lot 579

Oil Painting on Canvas of Still Life Floral Display signed Robert Cox together with Signed Landscape Oil Painting, both Gilt Framed, largest 50cms x 60cms

Lot 653

Still Life Watercolour of a Table Setting, signed lower left Claire Durival 1989, 27cms x 32cms, framed and glazed

Lot 671

Studio Framed Oil Painting Still Life, Table setting with Vase of Flowers, signed A Roland

Lot 706

Large Framed and Glazed Plan of London, 50cms x 66cms together with Two Large Framed Landscape Oil Paintings, Print of Winter Scene with a couple in a Two Horse drawn Sleigh and a Still Life Watercolour signed Anton

Lot 576

Kho Kiem Bing (Vietnam, 1917-), ink and oil on canvas: A still life of flowers in a Westerwald jug, dated 1944Dim.: 70 x 59,5 cm

Lot 218

Property of a deceased's estate1939 Lagonda V12 Sports SaloonCoachwork by LagondaRegistration no. FYE 999Chassis no. 16061*One of only 189 Lagonda V12s built*Formerly part of the Ellard Collection*Registered just before outbreak of the Second World War*Much money spent during the 1990sFootnotes:'In making an evaluation of the better British cars, the Lagonda V12 certainly must be considered an excellent design and one that contributed to raising the state of the art - not forgetting, of course, that it probably should be considered W O Bentley's masterpiece.' - Road & Track, October 1978.A quite remarkable piece of automotive engineering, the W O Bentley-designed Lagonda V12 was one of the outstanding British models of its day and one of the exclusive handful of 1930s road cars that could exceed 100mph in standard tune. Not only that, but the magnificent, 4½-litre, V12 engine produced sufficient torque to endow the car with a walking-pace-to-maximum capability in top gear. Approximately 185 V12s of all types were built before the coming of WW2 prematurely ended production.For Lagonda, the year 1935 had brought with it bankruptcy and rescue, its benefactor being a young solicitor named Alan Good. Good reorganised the company and recruited W O Bentley, by then disillusioned with life at Rolls-Royce, which had acquired Bentley in 1931. Bentley succeeded in refining the muscular, Meadows-engined Lagondas while working on a vastly more-advanced design that many consider the great man's finest. First seen in 1936, the Lagonda V12 did not commence deliveries until 1938 and only 189 had been built before the coming of WW2 ended production. The advanced chassis employed double-wishbone independent front suspension and was available with a varied choice of coachwork, including limousine. Frank Feeley, stylist of Aston Martin's post-war 'DB' cars, was responsible for the elegant factory bodywork. As usual, the short-chassis Rapide roadster provided even more performance.The V12's announcement demonstrated that the revitalised company was very much back in business, an impression Lagonda's decision to enter the 1939 Le Mans 24-Hour Race can only have enhanced. The marque already possessed a creditable Le Mans record, a short-chassis 4½-Litre driven by John Hindmarsh and Luis Fontes having won the endurance classic outright in 1935. In October 1938, Earl Howe had set a new national record by covering 101.5 miles at Brooklands in a single hour, despite having to stop to change a burst tyre.This magnificent achievement, together with other high-speed tests during which the Lagonda V12 had shown complete reliability, indicated that it would be a highly suitable candidate for reviving British prestige at Le Mans. Accordingly, it was decided to enter a two-car team in 1939 with the aim of securing valuable data, and then to mount a full-strength challenge the following year. In the race the two streamlined two-seater Lagondas fared better than expected, Messrs Brackenbury and Dobson finishing in third place with Lords Selsdon and Waleran fourth. Had a less conservative race strategy been employed, then either might have won. By the time the outbreak of war halted production, only 189 of the fabulous cars had been produced; sadly, the V12 was not revived when peace returned. Offering owner-driver enjoyment enhanced by the effortless torque of its magnificent twelve-cylinder power plant, this Lagonda sports saloon was delivered a month before WW2 broke out. By 1953 the car was in the renowned Ellard Collection where it remained unused until the 1980s, after which it went to Jersey for a short time. When the Lagonda was offered for sale at Brooks' auction at the National Motor Museum, Beaulieu in September 1999 (Lot 433) its paint, chrome, leather and woodwork were said to be original and in very good order. The catalogue also noted that in 1990 £14,000 had been spent on an engine rebuild by Brunts of Silverdale as well as a chassis and brake overhaul, while in 1999 £12,000 had been spent on re-commissioning. Only some 500-or-so miles had been covered during the then vendor's ten years of ownership. The current vendor purchased the Lagonda at the aforementioned Brooks sale. Today this car remains an imposing sight: the black coachwork (lined in red) still looking deep and reflective, and the chrome lustrous. Trimmed in red leather with matching carpets, the interior is patinated (but not untidy) and the woodwork still presents well. Engine starting is said to be average, running and presentation good, and the running gear is reported to be good condition also. W O Bentley's Lagonda V12 is one of the most sophisticated, attractive, and exclusive cars of the pre-war era and this fine example, coming from an important UK private collection and offered with a good history file, is an opportunity not to be missed.For further information on this lot please visit Bonhams.com

Lot 301

Tom Crowell (20th Century): Still Life of Flowers, oil on panel signed 40cm x 60cm - Condition Report

Lot 304

Owen Bowen (Staithes Group 1873-1967) Still life oil on canvas of a vase of flowers, the reverse painted with a river bridge 76cm x 64cm (unframed) ARR may apply to this lotProvenance : From the studio sale at Philips Leeds. Artist Resale Rights may apply to this lot. - Condition Report

Lot 319

Indistinctly signed Continental still life, oil on board of a vase of flowers, 28cm x 22cm - Condition Report

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