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Lot 265

Signed, American School Modernist Still Life Painting. Signed lower right. Oil on board. Sight size: 11.5 x 8.5 in. Overall size: 20 x 17.5 in.

Lot 330

Charles Cerny (United States, France, Czech Republic, 1892 - 1965) Colored etching of a nautical themed still life. Signed lower right. Titled "The Voyage of Exploration" with original label verso. Image size: 9.25 x 12 in. Overall Size: 16 x 18.75 in. Framed behind glass.

Lot 308

(2) American School Still Life Paintings, Signed. 20th century. Oil on canvas. Sight Sizes: 17 x 21 / 20 x 16 in. Overall Sizes: 20.25 x 24.5 / 26 x 22 in.

Lot 126

Alexandre Fasini (Russia, 1892 - 1942) (born Saul Finesilber) He attended the School of Fine Arts and took classes taught by the Greek Impressionist painter Kiriak Kostandi. He became friends with painter Philippe Hosiasson and writer Isaac Babel, and did illustrations for some Odessa newspapers, including Bomba and Iablstchko. Still Life Painting. Oil on board. Signed lower right.Sight size: 12 x 16 in.Overall Size: 15 x 18.75 in.

Lot 40

Le Pho (France, United States, Viet Nam, 1907 - 2001) "La Cueillette Des Lotus" exhibited painting. Provenance: Galerie Romanet, Paris. Collection of Pierre Le Tan (Son of Le Pho), Paris. Gouache on silk laid on cardboard. Signed lower right. Gallery/exhibition labels verso. Le Pho first studied at the Ecole des Beaux-Arts de l'Indochine in Hanoi for five years from 1925 to 1930, and then at the Ecole des Beaux-Arts in Paris during the following two years. In 1933 on his return to Hanoi, he was appointed professor in the Hanoi Ecole des Beaux-Arts, a post that he held from 1933 to 1936. This is where he developed his signature style and subjects: delicate paintings of elegant Vietnamese women mixed with floral still-lives. Le Pho's professorship in Hanoi came to an end when he was sent back to Paris in 1937 as a delegate to the International Exposition in Paris and served also as a member of the jury of this Exposition. Since that time Le Pho stayed in France. He had his first one-man show in 1938. Also he served as artistic advisor to the Embassy of Viet Nam in Paris and was a prizewinner in the International Exhibition of Beaux-Arts of Saigon. Throughout his life, he had several exhibitions in Paris, New York, Chicago, San Francisco and Buenos-Aires. He participated in shows annually at the Salon d'Automne and the Salon des Independants in Paris. The Museum of Modern Art in Paris is one of the museums holding his work. Sight Size: 10.25 x 6 in. Overall Size: 17 x 13 in.

Lot 61

Keith Ingermann (Indiana, Florida, 1929 - 2012) Mid Century Still Life Painting of a Bouquet of Flowers and a Basket of Strawberries. Oil on masonite. Signed and dated '61 lower right. Sight Size: 22 x 28 in. Overall Size: 26 x 32 in.

Lot 116

Thomas Koether (New York, FL / Europe, Australia) Abstract Painting. Signed lower right. Oil on canvas. Dated 1990. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France. Sight size: 36 x 42 in.

Lot 245

European School, Still Life Painting of Fruit. Signed lower right. Oil on card. Provenance: Private Florida collection. Sight Size: 7 x 9 in. Overall Size: 11.5 x 13.5 in.

Lot 312

20th C. Still Life Painting. Oil on board. Appears to be unsigned, has not been examined out of frame. Sight Size: 11.5 x 15 in. Overall Size: in.

Lot 332

Early 20th C. Still Life Painting. Oil on board. Appears to be unsigned, has not been examined out of frame. Sight Size: 8.5 x 10.5 in. Overall Size: 10.5 x 12.25 in.

Lot 115

Thomas Koether (New York, FL / Europe, Australia) Abstract painting on paper. Titled "Wind River". Signed lower right. Dated 2004. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France. Sight size: 21 x 17 in. Overall Size: 28.75 x 24.5 in. Framed behind glass.

Lot 311

American School, 20th C. Still Life Painting. Appears to be unsigned. Oil on board. Sight size: 21 x 27.5 in. Overall Size: 26.75 x 33 in.

Lot 26

D. Russell - oil on canvas - Still life study of fruit, signed, 16" x 22" - a/f.

Lot 173

Pair of contemporary 'Still Life' acrylics on canvas, unsigned, in ornate giltwood frames, 34.5cm and 26cm, (2)

Lot 1365

P** Cottam - Still life with fruit and lobster on a stone ledge, oil on canvas, signed lower left, 48 x 68cm

Lot 800

Large 20th Century watercolour still life of fungi, indistinctly signed, William E R?, approx. 54cm x 65cm

Lot 630

Ladell contemporary oil on board still life of fruit in an ornate gilt frame

Lot 614

E. Chester (Evelyn (nee Davy) British 1875 - 1929), 19th century oil on board still life of fruit signed, approx. 25cm x 34cm

Lot 343

A still life, watercolour and four Cash's silks of birds and butterflies

Lot 4107

JOHN ALBERT COOPER (1894-1943): A framed oil on wooden panel, still life of a vase of flowers, Signed bottom right, 40.5cm x 30.5cm (Founding member of the East London Group)

Lot 4105

OLIVER CLARE (1853-1927): A gilt framed oil on board still life with grapes, peach and gooseberries. Signed bottom right, 22cm x 17cm

Lot 4106

OLIVER CLARE (1853-1927): A gilt framed oil on board still life with grapes, plums, gooseberries and strawberry. Signed bottom right. 21.5cm x 29.5cm

Lot 4104

A late 19th Century still life of fruit grapes, plums and applies, oil on canvas, gilt frame, 21cm x 31cm

Lot 4108

WILLIAM JAMES MORLEY CLAYTON (b.1934) (ARR) : A gilt framed oil on canvas still life with violin. Signed lower middle and dated '64, 75cm x 100cm, labels verso

Lot 4040

Attributed to Saliann Putnam (b.1937): A framed and glazed watercolour still life, flowers in glass vase. Dated in pencil May'72. Unsigned, 28.5cm x 29cm

Lot 319

Oval framed St Ives School oil and collage on board, titled Red, White and Black, 44.5cm x 38cm, together with an indistinctly signed late 20th Century British school acrylic on board, abstract still life titled Table Top, 40cm x 41cm,

Lot 325

Framed oil on canvas, still life with jug, goblet, plate, flowers and fruit, 25cm x 33cm.

Lot 196A

A collection of framed Artwork's to include: printed still life studies, Egyptian theme items & landscape scene(5)

Lot 3

A collection of framed prints: with still life study theme(6)

Lot 1109

Amy Reeve Fowkes (1886-1968) Anemones in a cherub vase Signed and dated 1930, watercolour, 70cm by 50cm, with plaque verso, together with a further signed still life watercolour by the same hand, 60cm by 44cm (2) Exhibited: The Royal Academy 1932 as ''Anemones in a cherub vase'' Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Lot 1147

Elizabeth Campbell Fisher Clay (1871-1959) Still life of flowers Signed, oil on canvas, 50cm by 60cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Lot 1174

H* Rimmer (20th century) Still life with pears and cherries Signed and dated 1903, oil on canvas, 60cm by 40cm

Lot 725

A box of assorted pictures, comprising oil paintings, watercolours, prints and etchings, including a pallet knife oil on canvas signed 'RU' depicting an impressionist woodland path scene, an original 'Evie Burlinson' watercolour depicting two geese in a garden setting, a pallet knife oil on board signed 'Agullo' depicting a still life scene of fruit and a flagon, a watercolour depicting a farm cottage on a country lane, signed 'J Hopcroft 2002' to lower right, a watercolour depicting a man fishing on an embankment, possibly 19th Century, a floral watercolour depicting a bouquet of flowers, signed 'GAY', an oil on canvas depicting the profile of a lady, unsigned, a 19th Century Cries of London etching by F Wheatley, together with various prints, maps, photo album, loose prints, etc (one box)

Lot 219

A japanned box with painting by Oliver Clare (British 1853-1927), the painting of still life with apples, grapes, gooseberries etc with leaves, merging into a Japanese inspired red on black natural pattern, painted scroll work faintly seen, the the inside is a handwritten note in pencil fixed to inside top, ‘ To Ada and Percy many thanks Oliver’, Length 30 cms, Height 8 cms, Depth 10.5 cms.

Lot 338

Marion Broom (1878-1962) - Still life study of bluebells in a jug, oil on canvas, signed lower right, 30.5 x 46cm

Lot 336

Mid-20th century European school - Still life flowers in a vase, oil on board, 69 x 49cm

Lot 334

Lydia Corbett (b.1934) - Still life jug of flowers, ink and watercolour wash, signed lower left, 26.5 x 33cm

Lot 335

After Raoul Dufy (1877-1953) - Still life flowers in a vase, lithograph, signed in facsimile within the print lower right, 48 x 63cm

Lot 71

Gregori (Lysechko) Lyssetchko (Russian 1939-): Still Life of Flowers and Strawberries in a Basket, oil on canvas signed and dated '09, 71.5cm x 59cmDDS - Artist's resale rights may apply to this lot

Lot 19B

Robert Nightingale (British 1815-1895): Still Life - The Day's Bag, oil on canvas signed and dated 1878, 50cm x 68cm Condition Report Re-lined, but shows no sign of restoration only minor over- painting under UV lamp.Excellent finished condition - Ready to hang Click here for further images, condition, auction times & delivery costs

Lot 79

A C Langhorne (British mid 20th century): Still Life of Apples and Vase of Flowers, oil on canvas board signed and dated 1932, 45cm x 61cm

Lot 77

Harry Freckleton (British 1890-1979): Still Life of Roses, oil on canvas signed 49cm x 39cmDDS - Artist's resale rights may apply to this lot

Lot 67

Gregori (Lysechko) Lyssetchko (Russian 1939-): Still Life of Cherries Lemon and Coffee Pot, oil on canvas signed and dated 2003, 59cm x 72cmDDS - Artist's resale rights may apply to this lot

Lot 68

Gregori (Lysechko) Lyssetchko (Russian 1939-): Still Life of Brass Samovar and Tea Set, oil on canvas signed and dated 2002, 50cm x 60cmDDS - Artist's resale rights may apply to this lot

Lot 82

Alexander Merrie Hardie (Scottish 1910-1989): Still Life with Anenomies, oil on board signed and dated '84, 44cm x 54cmProvenance: exh. Royal West of England Academy Bristol 1984DDS - Artist's resale rights may apply to this lot

Lot 72

Leonard Carr Cox (British 1879-1950): Still Life of Chrysanthemums in a Chinese Vase, oil on canvas signed 75cm x 63cm DDS - Artist's resale rights may apply to this lot

Lot 69

Javier Mulio (Spanish 1957-): Musical Still Life, oil on panel signed 18cm x 23cmDDS - Artist's resale rights may apply to this lot

Lot 74

Bela Balogh (Hungarian 1909-1980): Still life Bowl of Flowers, oil on canvas signed 60cm x 90cmDDS - Artist's resale rights may apply to this lot

Lot 73

J Barrow (Late 20th century): Still Life of Flowers, pair oils on board signed 24cm x 19cm (2)

Lot 75

Gregori (Lysechko) Lyssetchko (Russian 1939-): Still Life of Pewter Goblet Candlestick Coffee Pot and Fruit, oil on canvas signed and dated 2000, 63cm x 53cmDDS - Artist's resale rights may apply to this lot

Lot 66

Continental School (20th century): Still Life of Fruit, oil on panel indistinctly signed 75cm x 62cm

Lot 81

Catherine Tyler (British 1949-): 'Pears and Tureen' still life, oil on board signed and dated '92, 30cm x 40cm

Lot 83

Harold Whitaker (d.1988), a quantity of pencil nude drawings, c. 1940's, together with other still life, landscapes and advertising works, mostly unframed, with folder.

Lot 477

S. CALDWELLKellie flower border, acrylic on tissue, signed, label ot verso signed and dated 2013, 48.5cm x 38.5cm, together with Stejskal, still life of two vases of flowers, oil on canvas, 34.5cm x 44.5cm (2)

Lot 13

MARGARET THOMAS (British 1916-2016) oil on canvas - still-life flowers in a vase, entitled verso 'Buttercups and Daisies', signed, 25 x 19cms

Lot 1445

E Myers 'Robin Hoods Bay' pair of oils on board, signed 9 x 11.5cm, six larger oils on canvas featuring Notre Dame, hunting dog, ship at sea, still life etc. (8)

Lot 1453

M.Wright and three Christine Coleman still life watercolours, oval oil similar. (5)

Lot 1142

Lilliput Lane Cottage, pair of green glass candlestick, posies, Capodimonte posy, other posies, etc:- One Box together with a Still Life Print of Flowers and two other prints, of Bluebell Walk and of a thatched cottage.

Lot 1043

Collectors Plates; Six Davenport Nature's Glory oval plates, six Grande Kobenharn 'Still Life Masterpieces' plates and two Royal Creamware plates with certificates and two wooden display racks.

Lot 525

A Royal Worcester Porcelain Plate, painted by Thomas Lockyer, 1933, of lobed circular form, painted with a still life of fruit on a mossy bank within a gilt border, signed, printed mark in puce, 23cm diameter

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