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Wilfred G. May, pastel sketch of a girl with blonde hair in suspenders, unsigned, circa 1940, and five others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 14 x w: 12 in.

Wilfred G. May, watercolour of a female nude paddling, signed, circa 1940, and six others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 10 x w: 7.50 in.

Wilfred G. May, reclining female nude with purple feather, unsigned, and five others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 8 x w: 6 in.

Wilfred G. May, watercolour of a female nude in surf, and six others unsigned W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 13 x w: 10 in.

Wilfred G. May, oil on board, female nude in black gloves, unsigned, and four others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 21 x w: 16 in.

Wilfred G. May, watercolour, female nude wading away from a boat, signed and dated ''87, and four others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. w: 14 x d: 10 in.

Wilfred G. May, watercolour, seated nude with blonde hair, signed, dated 1968, and another of a female nude with blonde hair, 12" x 9" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 13 x w: 9 in.

Wilfred G. May, watercolour, female nude with brown hair and wearing black suspenders, signed and dated 1970, and four others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 13 x w: 9 in.

Wilfred G. May, pair of watercolours, girl with blonde hair in leopard-skin bikini, signed and dated 1950 W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 8 x w: 6.50 in.

Wilfred G. May, pastel, seated female nude with brown hair, unsigned, and six others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 11 x w: 8 in.

Wilfred G. May, watercolour, female nude with a pink beach towel billowing in the wind, unsigned, and four others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 12 x w: 5 in.

Wilfred G. May, watercolour, portrait of the artist's wife, signed W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 8 x w: 7 in.

Wilfred G. May, watercolour, four ballerinas, signed, dated '88, and another of a dancer, 8" x 11" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 6 x w: 8 in.

Wilfred G. May, watercolour, three female portraits, signed and dated 1970 W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 9 x w: 15 in.

Wilfred G. May, watercolour, girl floating in water, signed and dated 1950, and a watercolour of a girl in suspenders wearing gold coloured gloves and stilettos, signed, 6" x 8" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 10 x w: 7 in.

Wilfred G. May, watercolour, blonde in pink trunks, signed and dated 1939, 10" x 8" and a watercolour of a female nude, brunette, waist-length portrait W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 7 x w: 6 in.

Wilfred G. May, watercolour, female nude seated by a pool, signed '85, 13" x 10", and six others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Wilfred G. May, oil, portrait of a ballerina in black tutu, 20" x 14", with a preliminary sketch, 12" x 9" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Wilfred G. May, pastel, female nude seated, signed, 11" x 12", and a watercolour of a nude woman gazing out of a window, signed and dated 1990, 10" x 13" W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in gall ries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Wilfred G. May, oil, reclining nude, unsigned, 12" x 14", and two others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of he Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Wilfred G. May, watercolour,still life of Anenemones signed, 6" x 9" and five others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as hairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Wilfred G. May, watercolour landscape, 14" x 9", and four others W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years.

Wilfred G. May, watercolour, monument to Victor Emanuel II in Rome, signed and dated 1991, 13" x 10" and a watercolour landscape of the Rhondda Bridge, Spain, signed and dated '82 W. G. MAY 1922 -. , (Wilfred Glyndon May BSc FICE) W. G. May is a self-taught watercolourist who also works sometimes in pastels, crayons or oils. His greatest influence is Sir W. Russell Flint, of whose technique he has made a lifelong study. Russell Flint's fluid watercolours and exotic nudes inspire many of May's nude figure paintings, but the artist also specializes in clothed figures - particularly female dancers - and portraits. The occasional flower study, landscape or still life also finds a place among his work. May attained his Civil Engineering degree at University College, London in 1943, after which he became an officer in the Royal Engineers for the remainder of the Second World War, stationed in North Africa. He then worked for the WS Atkins Group until 1981, when he retired in order to become a full-time artist. He has exhibited in galleries in the Epsom and Dorking area, and served for several years as Chairman of the Epsom Art Group, whose exhibitions are held at Bourne Hall, Ewell. In his home village of Tadworth he has been influential in the amateur art world, as an inspirational art tutor and leader of outdoor painting expeditions. W. G. May continues as an art tutor, but gave up his own painting career two years ago due to illness. Most of his earlier work has been sold. What remains is pieces of work never before offered for sale, and some from recent years. h: 13 x w: 10 in.

Patrick Fisher 1930-1987, English, still-life with model horse, violin and wine bottles, oil on canvas, signed verso, PROVENANCE: From the Derek Sorrell Collection. Purchased from Peter Hall, nephew and executor to Patrick Fisher. Patrick Fisher studied at Colchester School of Art and after returning from an Art Scholarship in Spain in the mid 1950's devoted himself to painting. His paintings are all local subjects to the Harwich area including Marinescapes and rural scenes. Examples of his work can be found in Private collections in New York, South Africa, France and Spain. h: 24 x w: 30 in.

Henry Silk 1883-1947, English, still-life with pipe and book, still-life of apples, and an outdoor scene depicting a hedge and building, (3), each approximately ProvENANCE: From the Derek Sorrell Collection. Purchased through a third party from Hawthorne's wife in the early 1990's. Henry Silk was a painter in oil and watercolour, noted for interiors and still-life. He showed at the Lefevre Gallery with the East London Group started by John Cooper. He had a solo exhibition of watercolours at Walter Bull & Sanders in 1931. h: 3 x w: 4.50 in.

Tapestry : Still life with daisy border

ROWLAND SUDDABY (1912-1972) 'Carting roots Cornard, Suffolk' and still life - a blue vase of flowers painted verso, both signed and dated 42 and ? 56 respectively, unframed and unstretched, 14 1/2" x 22" or 25" x 15 1/2", unframed, (see illustration).

ROWLAND SUDDABY (1912-1972) Still Life - a plate of apples upon a table, oils/gouache on paper, 15 1/2" x 20" and four further still lives, all unframed (5).

ATTRIBUTED TO ALEXANDER ADRIAENSSEN (1587-1661) Still Life - lobster and dead fish on a table surface, bears faint signature and the date ? 1636, oils on panel, 17" x 24" (see illustration).

ATTRIBUTED TO GUIDO BACH (1828-1905) Still life - a stoneware jar, vase, wine bottle, mug, eggs and primroses upon a table ledge, oils on canvas laid on to board, 18 1/2" x 14 1/2".

FOLLOWER OF CHARLES HENRY SLATER - Still Life - a nest of eggs, raspberries, gilt chalice and butterfly on a marble ledge, against an open window, oils on board, 16" x 12" , unframed.

MANNER OF CHARLES THOMAS BALE - Still life - apples, grapes, pewter dish and goblet on a cloth covered table ledge, oils on board, 7 1/2" x 9 1/2", oval; and companion, a pair (2).

MAURICE ASSELIN (1882-1947) Still life - a dead hare and pheasant and a woodcock on a partially covered table surface, signed, oils on canvas, 25" x 31".

Paul Harbutt, mid-late 20th century- Still life of bottles; oil on canvas, signed, 51x61.5cm: Trevor Halliday b.1939- "Black & White Drawing"; acrylic on paper, signed and dated 1970, 73x101cm. Provenance: with Nigel Greenwood Inc Ltd, according to label attached to the reverse of the frame: Kate Cooner, mid-late 20th century- "Tent Piece 1"; collage, signed, titled and dated October 1970 in pencil, 38x56cm: Hilary McWe, mid-late 20th century- "Drawing 1"; coloured pencil and gouache, bears label for Young Contemporaries attached to the reverse of the frame, 40.5x54cm., (4), (part unframed) (may be subject to Droit de Suite)

* Manner of Jean-Baptiste Monnoyer 1636-1699- Still life of flowers in a vase on a ledge; oil on canvas, 62.5x52cm

* Aurelio Zingoni, Italian 1853-1922- Still life with dead game mounted in a window; oil on canvas, signed, inscribed, inscribed 'Aurelio Zingoni, Via Degli Artisti N 8, Firenze' on the reverse, 132x91cm

* 20th Century School circa 1960- Floral still life; oil on board, signed with monogram, 59.7x49.2cm

Elaine Katherine Grimshaw (Elaine Ragland Phillips) 1876-1971- Still life of a chinese jar, pipe, book and spectacles; oil on canvas, signed and dated 23 III 97, 24.5x45cm

Attributed to Adrien Etienne Drian 1885-1961- Floral still life; watercolour and gouache on buff paper, signed,32x40cm: together with a reverse painting on glass by a related hand of a figure in a garden, signed, 17x12cm and a signed and dedicated copy of a sale catalogue Hommage a Valentine Hugo, Palais Galliera, 4 Juillet 1963, (3)

* Dorothy Mead 1928-1975- Still life; oil on canvas, signed and dated 68, 70.5x101cm

Peter Blake RA b.1932- "About Collage: Tourist Attraction"; lithograph printed in colours, signed and numbered 6/60 in pencil, full margins, with blind stamps, 51.3x42.2cm: Patrick Procktor RA 1936-2003- Still life; aquatint printed in colours, signed and numbered 26/100 in pencil, full margins, 65x50cm.,(2), (unframed) (may be subject to Droit de Suite)

* British School mid 20th century- Floral still life; oil on canvas board, 34x24cm: English School mid 20th century- Portrait of a man seated half-length turned to the left; oil on canvas board, 35x25.5cm: Katy Guttmann, late 20th century- Still life with lemons; oil on canvas, bears inscription on the stretcher, 42x37cm., (3), (part unframed) (may be subject to Droit de Suite)

Artist Unknown 9in. x 6 3/4in. (23 x 17cm) on panel Still-life studies of flowers and vases. (a pair)

M*** Ensor 7in. x 9in. (18 x 23cm) oval on board A still-life study of strawberries, cherries and a peach in a hedgerow setting Signed. See illustration

M*** Ensor 8 3/4in. x 11 3/4in. (22.3 x 30cm) on board A still-life study of a lemon and other fruits and nuts in a hedgerow setting Signed. See illustration

A nineteenth century English porcelain cabinet plate with a rich tooled gilt border, framing a still life painting of fruit and flowers, after Thomas Steele, 9.5" diameter.

Nineteenth century framed oil on canvas, still life study of summer flowers, 39" x 28".

Pegwell Bay, Still Life Game (35) chipped and The Shrimpers (63) hairline crack (2)

Pegwell Bay, Still Life Game (35) large, wide gold banded border, flange restored, framed

Joyce Pallot - four oils on board - industrial scenes, seaside and still life (4)

Joyce Pallot - fifteen gouaches - unmounted - still life, industrial and various - signed (15)

Joyce Pallot - gouache - unmounted - still life of Cyclamen in swan vase - signed and dated 1948, 57cm x 40cm and four others - all signed (5)

Colin Moss oil on board - Still Life Study with skull, signed bottom left, 50cm x 61cm

Henry Collins oil on canvas laid on board - Still life Sunflowers and Vegetables, inscribed on reverse 'Henry Collins/Lexden, August 1988/Repainted July 1994' signed 70.5cm x 97cm (illustrated)

W F Burton oil on board in gilt frame - still life entitled Iceberg, 44cm x 29cm

Kit Leese - gouache in glazed frame - still Life entitled 'Dahlias' - signed, 38cm x 32cm

Dione Page mixed media in glazed frame - still life entitled Red and White Blossom, signed, 26.5cm x 24cm

Dione Page mixed media in glazed frame - still life entitled Magnolia, 25cm x 23cm

A Royal Worcester miniature jug with 'C' handle, painted with still life of fruit, signed Roberts.

A small Royal Worcester beaker with painted still life of fruit, signed Roberts.