We found 77111 price guide item(s) matching your search

Kathe Strenitz, British 1923-2017 - Still life with a blue and white bowl, a coffee pot, grapes and fruit on a table; oil on board, 50.5 x 80 cm (unframed) (ARR) 

Ronald Ossory Dunlop, Irish 1894–1973 - Still life of Cyclamen; oil on canvas, laid down on card, signed lower left 'Dunlop', 29.5 x 23.7 cm (ARR) 

Kathe Strenitz, British 1923-2017 - Still life with a glass jug, two glasses and lemon; oil on canvas, 76 x 51 cm (unframed) (ARR)

A carved wooden coffee table. The stained wood decorated with swirls and floral details, raised on cabriole supports, the top featuring a needlepoint still life under a glass panel, H45cm x W98cm x D60cm

A continental school oil on canvas still life. Depicting peaches, grapes and a copper kettle, signed indistinctly (lower left), 38cm x 46cm

Including oil on canvas, depicting floral still life, 40 x 50 cm.

A. Waterschoot, XX, A capital sporting still life with snipe and pheasant, signed (bottom right), oil on canvas.120 x 250 cm.

Barend Ferwerda (Amsterdam 1880 - 1958 Heelsum), Still life, signed, and dated "1916" (bottom right), and signed again, and annotated with title (verso ), oil on panel. Provenance: Collection Pim Kwak, Oosterbeek. 37 x 50 cm.

A. Waterschoot, XX, Still life of a French service with scenes after Millet, signed (bottom right), oil on canvas. NB: The crockery will be sold together with the painting. 50 x 70 cm.

Jurgen "George" Pletser (Rotterdam 1871 - 1942), Still life with grape vine, signed (bottom right), oil on canvas.Provenance: Collection Simonis & Buunk, Ede, inventory number: 15623; Collection Pim Kwak, Oosterbeek, 42,5 x 55,5 cm.

Barend Ferwerda (Amsterdam 1880 - 1958 Heelsum), Still life with gourds, signed (top right), oil on board. Provenance:Collection Pim Kwak, Oosterbeek. 36 x 45 cm.

Hendrikus Petrus Bullens (Stiphout 1909 - 1983 Helmond), Still life of flowers in a Cologne pot. signed (lower left), oil on canvas.74 x 65 cm.

Joop Kropff (The Hague 1892 - 1979 Delft), Still life of fruit on a white bowl and blue jug, signed (lower left),50 x 55 cm.

Gamiz Sanz, 20th century. A decorative painting depicting a still life of books, oil on panel.18 x 24 cm.

ROMAN PODOBEDOV (1920-2003) “STILL LIFE WITH LILAC” 1962 OIL ON CANVAS, 99CM X 69CM 

Oliver Clare (1853-1927). Pair of oils on board. “Still Life of Fruit”. Signed.  Measures 26cm x 34cm.Condition Report – Excellent condition.

Thomas Collins (d1893). Pair of oils on canvas. “Still Life of Pansies”. Signed and dated. Measures 25cm x 30cm.Condition Report – Very good original condition.

YAKOV KHAIMOV (1914-1991) “STILL LIFE WITH ROSES” 1950 OIL ON CANVAS  40CM X 50CM             

GERVASIA VARTANYAN (1927, ARMENIAN) “STILL LIFE IN A GLASS VASE” 1963 OIL ON CANVAS 40CM X 35.5CM            

ANNA HAMBARYAN (BORN IN 1958, ARMENIAN) “STILL LIFE WITH FLOWERS” 1979 OIL ON BOARD  70CM X 49CM              

Nadezhda Stupina (Born in 1967) “Still life with Irises and Peonies” (2008) Oil on canvas  99cm x 79cm           

Lyubov Valova (Born in 1949) “Still life with orchids” (1990) Oil on canvas 97cm x 89cm          

Mixed Lot: Study of a Highland scene, oil on board together with a still life study of flowers (2)

Mary Nuttall, two still life studies of flowers; another depicting a man painting and a Mary Nuttall print

Three framed advertising posters, two I Barnes still life watercolour studies etc.

Three unsigned oil on canvases, still life study, figures and a landscape scene

19th Century school, oil on canvas still life study, fruit and attendant bird in hedgerow

20th Century school, oil on canvas still life study

A Le Nid Du Duc dated May 1971 still life print

William Cruickshank (1848-1922), watercolour on ivory, Still life of game in a larder, signed, 15 x 11cm Ivory submission reference: NUUTHXCB

Continental School, oil on canvas, Still life of an orange, glass of water and teapot, signed, 33 x 40cm

Gerald Trice Martin (1893-1961), oil on canvas, Still life of primroses in a vase and a glass bowl, signed, 31 x 41cm

John Lipsham (b.1944), oil on board, Still life with green bottle number 2, signed and inscribed verso, 50 x 60cm

A QUANTITY OF PICTURES AND PRINTS, to include a Kevin Blackham 'Maison de Ville I' architectural detail print, approximate size 50cm x 34cm, a depiction of an Egyptian sculpted head, green gouache on papyrus, William Russell Flint open edition prints, Isobel Kann poster print, assorted floral still life prints, signed Kim Raymond limited edition print depicting a nude female figure, etc, largest size 103cm x 73cm including frame

FIVE LATE 20TH / EARLY 21ST CENTURY OIL PAINTINGS, comprising Gwyneth Ap Tomos (? -2016) a Welsh water landscape with hilly backdrop, signed bottom right, oil on canvas approximate size 30cm x 60cm together with a still life study of flowers by the same hand, Yram Allets (1915-2009) a harbour at low tide with figures and fishing boats, signed bottom right, oil on board, approximate size 45cm x 90cm, I A Nicolier a French village scene, oil on canvas and Evelyn Collier a study of wild flowers, oil on canvas

Reike three oils still life BRIGHTON ARTIST

An oil on canvas chair with still life (slightly a/f)

Norman Battershill oil open landscape and S.M. Parkinson still life

N. Black pair oils surreal and Jay Ward two oils still life

▴ Carolyn Hubbard-Ford (b.1947)Still life with bottle, grapes, cheese, and sheet musicsigned with monogram and dated '98' l.r., oil on canvas82 x 114cm, unframedCondition ReportSome light rubbing to the edges but in otherwise good condition. Unexamined under UV light, for a full report please contact the department.

▴ Carolyn Hubbard-Ford (b.1947)Cubist still life with manuscripts, clocks, and glassessigned with initials and dated '99' l.r., oil on canvas84 x 69.5cmCondition ReportFramed: 105 x 91cmIn good condition. Unexamined under UV light for a full report please contact the department.

▴ Duncan Grant (1885-1978)'Still Life' lithograph in colours, published 1947, part of a series of lithographs by leading British artists, commissioned by J Lyons & Co. at the end of the Second World War to decorate their tea shops sheet 70.5 x 96cm, unframed Condition ReportThere is 1cm x 2cm piece missing to the left edge, and a 5 x 4cm piece missing to the bottom edge, please see images. Further small rips and tears to the edges with light surface scuffs and abrasions.

▴ Morwenna Thistlethwaite (1912-1998)Still life by a windowoil on canvas56 x 61cm Exhibited: Royal Academy Summer Exhibition, 1985.Condition ReportAppears to be in good condition.

Andy Warhol (1928 - 1987) "Cantaloupes I, from Space Fruit: Still Lifes" - 1979 Screenprint. Marker signed and numbered 110/150 lower right. Image Size: 30 x 40 in. Overall Framed Size: in. Framed behind plexiglass. Andy Warhols Space Fruit: Cantaloupes 201 is part of his Space Fruit: Still Lifes series that he created in 1979. During this series, Warhol focuses on his use of colorful shadows, giving the fruit more of a 3D perspective. In Cantaloupes 201, Warhol contrasts a familiar image and color of fruit with an impossible periwinkle-blocked background and turquoise shadows, bringing life and movement to the piece. In 1977, Andy Warhol met printer Rupert Jasen Smith who worked with him to create the series Space Fruit. These prints demonstrate Warhols experimentation with a centuries-old genre in painting the still life.

Michael Wilkinson (b.1954) Acrylic Sculpture."Atlanteans III: Odyssey" 1991Numbered (164/300). Comes with COA. Dimensions: 17.5 x 17 x 10.25 in. Michael Wilkinson’s art portrays all that is magnificent and beautiful in the human spirit, using the ideal to show us the possibilities in life and the potentialities within ourselves. Born in California and trained as an architect, Michael Wilkinson started his artistic career in New York in 1979. In 1985, Wilkinson transitioned from working uniquely in bronze to working in the young medium of cast acrylic. A forerunner in the medium, Wilkinson uses acrylic to create dreamlike worlds, communicating complex themes while still incorporating realism in his art. Unlike the traditional, these acrylic sculptures have no beginning and no end; no back and no front. They are viewed in a new way; studied and observed in their entirety from the inside and the outside. Working for nearly a decade in acrylic, Wilkinson constantly expands his talents to sculpt light in original ways. His work is very much in the same school as Frederick Hart.

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Red Progression" Dated: '89 Oil on Canvas. Signed and titled verso. Overall Size: 60 x 48 in. (114 - 4266)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Crevice II" Dated: '87 Oil on Canvas. Signed and dated lower right. Overall Size: 48 x 66 in. (98 - 4268)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Something Feminine" Dated: '83 Collage/oil on Paper. Image Size: 16.5 x 11.5 in. Overall Size: 23 x 17.25 in. Framed behind glass. (4662)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Robert Larsen (American, 1923 - 2002) "Still Life on Table" Taught at Ringling School of Art in Sarasota, FL. Oil on Canvas. Signed lower center. Old 'St Armands Gallery' label verso. Sight Size: 31 x 13.75 in. Overall Framed Size: 38.75 x 21.25 in.

Shannon Stirnweis (Arizona, New York, New Hampshire Oregon, B. 1931) "Alaska Brown Bear" Signed lower right. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day of Issue Maximum Card of the 22c Alaska Brown Bear issued on June 13, 1987. Although several species of Brown Bears are native to a number of regions around the world, the largest of these - and indeed the world's largest living terrestrial carnivore - is the Alaska Brown Bear. Also known as the Kodiak Bear, these Bears may reach nine feet in length and weigh more than three-quarters of a ton. Preferring a solitary life, when spring arrives, these huge Bears shuffle along well-worn trails to salmon-rich streams where they feed after the winter's hibernation. Frequently, the Bears will quarrel over territorial fishing rights. After disputes are settled, they get down to the business of catching fish. Fishing techniques differ between individuals. Some Bears wade out among the fish and squat down so that the currenct boils over them, and when a fish passes by, an effortless head nod or paw swipe yields a meal. Others wait by the banks for fish darting close to shore so a powerful brown paw can pin it down. Still other Bears refuse to fish at all, preferring to sneak off with an unwary neighbor's catch.Image Size: 13.5 x 18.25 in. Overall Size: 17.5 x 22.5 in. Unframed. (B10955)

David Hockney (Bradford 1937 – lebt in Beuvron-en-Auge, Normandie). Konvolut aus: „Twenty Photographic Pictures“, 1970–1975. 16 C-Prints, 1976. Kodak-Papier. Je ca. 18 × 24 cm (20,8 × 27 cm) (7 ⅛ × 9 ½ in. (8 ¼ × 10 ⅝ in.)). Ein Photo im Blattrand unten links nummeriert (ligiert): „23". Beiliegend 16 Original-Passepartouts (34 x 40 cm), darauf je rückseitig Galerieetikett: „GALERIE SONNABEND 12, Rue Mazarine - Paris 6e [...]".Konvolut von 16 Abzügen außerhalb der Edition „Twenty Photographic Pictures by David Hockney“ der Galerie Sonnabend, New York, 1976. [2095]Provenienz: Ehemals Nachlass Peter WeiermairLiteratur und Abbildung: Ausst.-Kat.: David Hockney. Retrospektive Photoworks. Köln, Museum Ludwig, 1997/98, S. 123 (Motiv: Yves-Marie Asleep)Steps Into Water, May 1975 / My Parents, Bradford, July 1975 / Two Lemons and Four Limes, Santa Monica 1971 / Peter Showering, Paris, July 1975 / The Pacific Ocean at Malibu, April 1973 / Jean in the Luxembourg Gardens, June 1974 / Tennis Court, Berkeley, November 1971 / Hollywood Window, April 1973 / Sur Le Motif, May 1974 / Henry Avoiding The Sun, August 1975 / Pretty Tulips, February 1970 / Yves - Marie Asleep, May 1974 / Still Life with Hats, August 1973 / The Pines Fire Island, August 1975 / Herrenhausen, Hannover, May 1970 / Tidied Up Beach, Viareggio, August 1973Zustandsbericht: In sehr gutem Zustand. In den Farben außergewöhnlich gut erhalten. 11 Photos im Streiflicht minimal stockfleckig. Ecken im Blattrand je mit schwachem Abdruck ehemaliger Montierung.Wir berechnen auf den Hammerpreis 32% Aufgeld.

***Helen Bradley interest*** Thomas Bradley (British 1900-1993) oil on board, still life study depicting a bunch of flowers, signed lower centre, within a card mount and moulded gilt frame, under glass 36cm x 27cm & 66cm x 55cm sold along with a personal hand written letter from Helen Bradley to a Mrs Hudson, on personalised/headed paper, interestingly with footnote referencing a recent sale of one of her paintings and her reaction.

Unstretched Canvas. Artist signature lower left. Depicting a girl and still life of flowers and fruit on a table. Canvas size: 23"L x 18.875"H. Image size: 20.875"L x 17"H.#LisandroLopezBaylon #Painting Artist: Lisandro Lopez BaylonIssued: 20th c.Condition: Age related wear. Some creasing.

Unstretched Canvas. Artist signature lower right. Depicting still life of flowers, fruit, and pottery, overlooking the sea. Canvas size: 26"L x 34"H. Image size: 24.25"L x 30.75"H.#LisandroLopezBaylon #Painting Artist: Lisandro Lopez BaylonIssued: 20th c.Condition: Age related wear.

Unstretched Canvas. Artist signature lower right. Depicting still life of flowers, fruit, and pottery, overlooking a wooded oceanside. Canvas size: 32.75"L x 26.25"H. Image size: 30.5"L x 24.25"H.#LisandroLopezBaylon #Painting Artist: Lisandro Lopez BaylonIssued: 20th c.Condition: Age related wear.

Nach Theude GRÖNLAND (1817 - 1876). Früchtestilleben.24 cm x 31 cm. Gemälde. Öl auf Leinwand. Links unten und rechts unten bezeichnet. Siehe Fotos. Verso Stempel. Versand kann organisiert werden.After Theude GRÖNLAND (1817 - 1876). Still life of fruits. Painting. Oil on canvas. Inscribed lower left and lower right. See photos. Stamped verso. Shipping can be organized.

UNSIGNIERT (um 1900). Stillleben.54 cm x 46 cm. Gemälde. Öl auf Platte. Pokal, Kermaik Delft, Früchte. Keine Signatur gefunden. Verso Stempel und Schrift. Versand kann organisiert werden. UNSIGNED (circa 1900). Still life. Painting. Oil on panel. Goblet Delft, Fruits. No signature found. Stamp and writing verso. Shipping can be organized.

Giuseppe PESA (1928 - 1992). Gartenstilleben.18 cm x 24 cm. Gemälde. Öl auf Leinwand. Rechts unten signiert. Versand kann organisiert werden.Giuseppe PESA (1928 - 1992). Garden Still Life. Painting. Oil on canvas. Signed lower right. Shipping can be organised.

English School (20th century): Still Life with Lobster, oil on board indistinctly signed 79cm x 99cm

English School (20th century): Still Life of Flowers, watercolour and gouache unsigned 58cm x 41cm