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Lot 244

Edmund Crute. Sharp Tor Dartmoor, watercolour, signed, 25cm x 35cm, and a still life of fruit, signed D Wilson. (2)

Lot 24

PEMBERTON-LONGMAN, JOANNE (1918-1973), `Still Life Disturbed`, oils on canvas, signed, period gilt gallery frame, 60cm x 50cm

Lot 578

A Hillyard: Sailing ship watercolour dated 1940 together with a watercolour still life with hats and a watercolour of a mill

Lot 619

Russian School, Still life with Samovar, oil on canvas, indistinctly monogrammed

Lot 625

Russian School, monogrammed `KAA` still life with apples and an urn, oil on canvas

Lot 626

Russian School: Still life with fruit and squashes, oil on board

Lot 629

Russian School, monogrammed `HCB`, still life with flowers and fruit, oil on paper

Lot 630

V. I. Drigin: Still life with melon, oil on canvas

Lot 633

A Victorian oil on canvas rocky coastal scene, the painting of a man teaching a dog a trick and a still life of a vase of flowers

Lot 1113

Doreen China (circa 1916-1999?) - 'Still Life depicting a Vase of Flowers', oil on panel, signed, approx. 75x62cm, inset foliate moulded and pierced gilt frame

Lot 1124

Jon Barker (20th century) - 'Still Life depicting a Vase of Flowers', oil on canvas, signed, approx. 50x60cm, inset gilt painted swept frame

Lot 1216

G. H. Simpson - 'Still life, Table laden with fruits, carafe and goblet', oil on canvas, signed and dated 30/12/1911, approx 28x38cm, inset swept gilt frame

Lot 80

A Victorian papier mâché rectangular tray, having gilded decoration, length 41cm, stamped Clay of 18 King Street, Covent Garden together with a Victorian papier mâché rectangular tray, having mother of pearl inlaid and painted decoration of still life, surrounded by gilt scrolls, length 41cm (part af)

Lot 173

*Rowland Suddaby (1912-1972), STILL LIFE WITH FLOWERS IN A VASE Signed l.r., pastel 41.5 x 29cm *Artist's Resale Right may apply to this lot.

Lot 207

*Arnold Auerbach (1898-1978), A STILL LIFE OF A GLASS BOWL, JAR, VASE AND LEMON; A STILL LIFE OF A PLATE, FORK, APPLE, GLASS AND FUNNEL Two, signed 1971 and 1974, oil on canvas board 35.5 x 46cm, unframed (2) *Artist's Resale Right may apply to this lot. CONDITION REPORT: Board worn to the edges, compression dents to the corners, painted surfaces ok.

Lot 215

*Esme Lilian Wellings (née Keen), A VIEW FROM A CLIFF TOP WITH BEACH HUTS Signed with initials, oil on canvas 51 x 61cm; and another by the same artist, STILL LIFE OF FRUIT IN A BOWL Signed l.r., oil on canvas 37.5 x 46.5cm, both unframed (2) *Artist's Resale Right may apply to this lot. CONDITION REPORT: A few areas of paint loss. Both unframed. Additional images available (upon request).

Lot 598

Four paintings; landscape, still life at Frant, Hong Kong and Eleanor Roosevelt.

Lot 633

Richard Cartwright. (British b.1951) White carnations. Still life. Pastel. 11 x 14"

Lot 635

F. Mercer. (19th century British). Still life. Oil on canvas backed on board. Signed "Mercer, 1847". 16 x 22"

Lot 562

JANE MORDEN - oil on canvas, still life roses in a vase.

Lot 190

Twentieth century Continental school, still life study of a violin, fruit and book on a table, together with an unframed oil on canvas of a Spitfire flying over a poppy field, signed Melanie Aylett, a framed composition relief of children drawing on a pavement 'Electro-graffiti' by Tom Davison and a framed woolwork of a physician preparing medicine, indistinctly signed and dated 1881.

Lot 191

H G Cogle, still life study in the manner of Van Gogh of sun flowers in a stone vase, oil on canvas, signed, together with a gilt composite picture frame and an unsigned still life watercolour of red cabbage and lemon beside a woven basket.

Lot 193

A reproduction map of Bedfordshire, a gilt framed print after Robert Hammond, a pair of still life prints, an oil on board of a Bedfordshire cottage signed Holland and an oak framed print of a galleon on moderate seas etc.

Lot 18

Continental School, still life of a vase, oil on canvas, framed

Lot 28

* Lucas, still life of fruit, oil on canvas and a landscape watercolour

Lot 44

Two landscape paintings and a still life

Lot 50

An interior scene print and a still life print, both framed

Lot 64

Two landscape oils and a still life oil

Lot 76

Three still life paintings and a landscape

Lot 1713

An unsigned Impressionist still life of flowers.

Lot 1714

An early 20th c. unsigned Oil of still life

Lot 520

L Gagliardo - oil on canvas still life fruit and pewter goblet, signed 50 x 59cm

Lot 601

H Todd - oil still life flowers in a vase, 23 x 19.5"

Lot 628

A 19th century Dutch style oil on canvas still life flowers monogram M.V. - 74 x 55cm

Lot 635

An oil on board still life with violin - 22 x 27cm - unframed

Lot 920

T Wilson - pair of oil on canvas still life fruit and flowers - 19 x 29cm

Lot 40

Vivienne Fortt three watercolours, still life`s of flowers monogrammed bottom right

Lot 47

John Ivor Stewart PS & SBA watercolour/pastel, still life of flowers signed bottom right (provenance to verso) - 28 x 24cm

Lot 502

A gilt framed still life water colour 61 x 48cm

Lot 204

V Starling (20th Century) Still life of flowers in vase, signed, oils on canvas, 59cm x 45cm and another similar by the same hand in gilded wood carved frame (2)

Lot 624

John Mackie (b.1955) - still life with Wemyss pottery, oil on canvas, 74 x 59cm

Lot 314

Limited edition Jockey print `Dubai World Cup Races`, together with `Still Life Flowers`

Lot 387

ANNIE ROSENBERG - STILL LIFE WITH TAPESTRY, SIGNED OIL ON CANVAS

Lot 304

Four pictures including COLIN GEORGE, acrylic, PETER READING 1997 still life `Apples`, LEE JOHNSON watercolour `Leaves` and VAL MORSMAN `Mount Batten` (4)

Lot 154

Isandlwana interest. A most interesting, and at times poignant, 36 page letter written by Captain Percival Tatham Armitage to his mother. Written from Koppie Allein, Zululand and dated 2-8-1879 the letter begins “Dearest Mother, For many a long day I have been waiting anxiously to hear news from home, in reply to the long letter I wrote you from Cape Town, but, although by every mail, both officers & privates have been receiving letters from England, I have always had to turn away without one..” Armitage then goes on to tell of the journey over difficult terrain before joining up with Capt. Marshall’s Troop of the Frontier Light Horse. He later tried to rejoin his own company under Captain Williams at Rorkes Drift but instead was attached to Capt Harvey’s company and “we received orders the same evening to march next morning to Koppie Allein” “I stayed at Koppie Allein about three weeks and then received orders to join my own company at Rorke’s Drift. First, though, I must tell you, the second day after arriving at Koppie Allein we heard of the Princes death. ...”, “..we ... were, in fact, almost within sight of where the Prince was killed. His body was brought down in an ambulance wagon escorted by a few lancers & we had to furnish an escort half way to Landman’s Drift.....it was very sad.” it goes on “Major Black commanded at Rorke’s Drift...there were 3 companies there. Up to this time the bodies of the poor fellows who were killed at Isandlwhana (sic) were lying unburied but Major Black received permission to go in and bury them. Shortly after I arrived there a force composed of 2 companies 2/24th, 1 squadron of dragoons, half dismounted and about 500 native contingent commanded by Major Black marched in to fulfil the melancholy duty that had been so long delayed. I had command of a burying party, composed of some of our own men & some natives, with picks and shovels. We started at 3 o’clock in the morning & crossed the Buffalo into Zululand. It was bitterly cold & we marched the 11 miles to Isandlwhana getting there about day break. The scene was frightful. Bodies lying about in every direction... This is the dark side of war.”; the following pages give an account of the scene and burial work at Isandlwana, and notes poetically “And the Lion Mountain reared its head majestically over the field, an overlasting monument on the spot where 800 British soldiers died whilst fighting bravely against overwhelming odds. After burying for about 2 or 3 hours we marched back to Rorke’s Drift. It took about 4 days to bury the dead but altogether I have been in 9 times to Isandlwhana with Major Black, bringing out the wagons & other things. We brought out £6,000 worth of wagons and ought to get salvage for them but I am afraid there is no chance of doing so. I found 2 or 3 officers’ bodies, amongst them that of poor Anstey , instead of whom I came out. I found poor Cavaye’s diary on the field...” he then talks of trophies picked up on the battlefield, of regaining some kit, etc. “After I had been about a month at Rorke’s Drift, orders came one day that William’s Company was to proceed to Koppie Allein. Next morning we started & after 3 days marching arrived here, where we are still.” more talk of family life then he gives his address as “Percy T. Armitage 2/24th Regt, Natal, South Africa is the proper address. Of course you will have all heard about the glorious battle of Ulundi...” he then talks more about family life before signing off “your affectionate boy, Percy” Housed in an envelope inscribed “letter from Capt Percy Tatham Armitage 24th Regt on Active Service Zulu Campaign 1879”. Generally in good condition, the pages stitched at the top corner (some now unattached, one or two splits along creases, the last page with some wear and tears.) Plate 12 Note: Percival Tatham Armitage was born in Oldham Lancashire in September 1859, at the time of writing his letter he was 19. He was appointed Ensign in the 76th Regiment in 1878. He transferred to the 2nd Battalion 24th Foot on 26th March 1879 and served in South Africa from April 1879 until January 1880. Promoted to Captain in November 1885, and saw service in the Burma campaign of 1887-1889. He died near Brecon in September 1893, a week before his 34th birthday. Anstey referred to is Edgar Oliphant Anstey Lieutenant 24th Regiment (2nd Warwickshire) who was engaged under Captain Mostyn at Isandhlwana. Cavaye is Lieutenant Charles Walter Cavaye Lieutenant 24th Regiment (2nd Warwickshire).

Lot 145

Still Life of Vegetables and a Copper Pot, signed indistinctly, oil

Lot 147

20th century, Still Life of Flowers in a Vase, oil on canvas

Lot 480

Edward Noott (1965), Still life of flowers in a conservatory, oil on canvas, signed, 29.5" x 24.5", framed

Lot 481

Eleanor S Wood, Still life of melon, peaches and grapes, oil on canvas, signed, 15.5" x 21.5", framed and glazed

Lot 487

James Kirkwell Popham, Impressionistic still life of flowers in glass bowl, oil on canvas, signed 16" x 20", framed

Lot 496

20th Century, Still Life of grapes, strawberries and peaches, oil on board, signed indistinctly, 4.5" x 6.5", framed

Lot 507

E E Muir: oil on canvas, still life with fruit and a sparrow, signed and dated 1910, 19" x 23", gilt framed

Lot 134

An assortment of framed and mounted prints, to include a Victorian still life embroidery scene of flowers, all framed and mounted

Lot 152

K. Cotton, oil on canvas, `Still life of fruit`, framed, 29cm x 39cm

Lot 176

R Repton, oil on canvas, still life of flowers in vase, 52cm x 42cm, framed

Lot 325

Four various watercolours and oils to include an estuary scene with boats, a view of a street scene, a Betty Holiday batik panel, a still life and an embossed copper panel of marine interest.

Lot 384

Alice Michelet, contemporary still life watercolour of flowers, signed lower right, set in a gilt frame. 32 x 47 cm.

Lot 431

Mid 20th century Continental school, a still life of pink and purple sunflowers in a jug, signed lower right, oil on canvas within a carved and painted frame.

Lot 731

An oil painting on canvas, still life with oil lamp, book and glass, signed bottom right J Torfs (?), with label verso "La Lampe Coloniale", 65 x 50 cm in wooden frame with linen slip

Lot 827

A mid-20th century oil painting on canvas in the impasto technique showing a matador, signed bottom left Foldman and inscribed verso "Torero 1965, Stanley Feldman", with Dawson Gallery, Dublin label verso, 52 x 41 cm in silver coloured frame together with a gouache abstract study indistinctly signed bottom right Macaster (?). a pen and ink study of a bird of prey signed bottom right C F Tunnicliffe and also together with a coloured print of a still life with glass of water and rose after Tretchikoff

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