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A Victorian papier mâché rectangular tray, having gilded decoration, length 41cm, stamped Clay of 18 King Street, Covent Garden together with a Victorian papier mâché rectangular tray, having mother of pearl inlaid and painted decoration of still life, surrounded by gilt scrolls, length 41cm (part af)
*Arnold Auerbach (1898-1978), A STILL LIFE OF A GLASS BOWL, JAR, VASE AND LEMON; A STILL LIFE OF A PLATE, FORK, APPLE, GLASS AND FUNNEL Two, signed 1971 and 1974, oil on canvas board 35.5 x 46cm, unframed (2) *Artist's Resale Right may apply to this lot. CONDITION REPORT: Board worn to the edges, compression dents to the corners, painted surfaces ok.
*Esme Lilian Wellings (née Keen), A VIEW FROM A CLIFF TOP WITH BEACH HUTS Signed with initials, oil on canvas 51 x 61cm; and another by the same artist, STILL LIFE OF FRUIT IN A BOWL Signed l.r., oil on canvas 37.5 x 46.5cm, both unframed (2) *Artist's Resale Right may apply to this lot. CONDITION REPORT: A few areas of paint loss. Both unframed. Additional images available (upon request).
Twentieth century Continental school, still life study of a violin, fruit and book on a table, together with an unframed oil on canvas of a Spitfire flying over a poppy field, signed Melanie Aylett, a framed composition relief of children drawing on a pavement 'Electro-graffiti' by Tom Davison and a framed woolwork of a physician preparing medicine, indistinctly signed and dated 1881.
Isandlwana interest. A most interesting, and at times poignant, 36 page letter written by Captain Percival Tatham Armitage to his mother. Written from Koppie Allein, Zululand and dated 2-8-1879 the letter begins “Dearest Mother, For many a long day I have been waiting anxiously to hear news from home, in reply to the long letter I wrote you from Cape Town, but, although by every mail, both officers & privates have been receiving letters from England, I have always had to turn away without one..” Armitage then goes on to tell of the journey over difficult terrain before joining up with Capt. Marshall’s Troop of the Frontier Light Horse. He later tried to rejoin his own company under Captain Williams at Rorkes Drift but instead was attached to Capt Harvey’s company and “we received orders the same evening to march next morning to Koppie Allein” “I stayed at Koppie Allein about three weeks and then received orders to join my own company at Rorke’s Drift. First, though, I must tell you, the second day after arriving at Koppie Allein we heard of the Princes death. ...”, “..we ... were, in fact, almost within sight of where the Prince was killed. His body was brought down in an ambulance wagon escorted by a few lancers & we had to furnish an escort half way to Landman’s Drift.....it was very sad.” it goes on “Major Black commanded at Rorke’s Drift...there were 3 companies there. Up to this time the bodies of the poor fellows who were killed at Isandlwhana (sic) were lying unburied but Major Black received permission to go in and bury them. Shortly after I arrived there a force composed of 2 companies 2/24th, 1 squadron of dragoons, half dismounted and about 500 native contingent commanded by Major Black marched in to fulfil the melancholy duty that had been so long delayed. I had command of a burying party, composed of some of our own men & some natives, with picks and shovels. We started at 3 o’clock in the morning & crossed the Buffalo into Zululand. It was bitterly cold & we marched the 11 miles to Isandlwhana getting there about day break. The scene was frightful. Bodies lying about in every direction... This is the dark side of war.”; the following pages give an account of the scene and burial work at Isandlwana, and notes poetically “And the Lion Mountain reared its head majestically over the field, an overlasting monument on the spot where 800 British soldiers died whilst fighting bravely against overwhelming odds. After burying for about 2 or 3 hours we marched back to Rorke’s Drift. It took about 4 days to bury the dead but altogether I have been in 9 times to Isandlwhana with Major Black, bringing out the wagons & other things. We brought out £6,000 worth of wagons and ought to get salvage for them but I am afraid there is no chance of doing so. I found 2 or 3 officers’ bodies, amongst them that of poor Anstey , instead of whom I came out. I found poor Cavaye’s diary on the field...” he then talks of trophies picked up on the battlefield, of regaining some kit, etc. “After I had been about a month at Rorke’s Drift, orders came one day that William’s Company was to proceed to Koppie Allein. Next morning we started & after 3 days marching arrived here, where we are still.” more talk of family life then he gives his address as “Percy T. Armitage 2/24th Regt, Natal, South Africa is the proper address. Of course you will have all heard about the glorious battle of Ulundi...” he then talks more about family life before signing off “your affectionate boy, Percy” Housed in an envelope inscribed “letter from Capt Percy Tatham Armitage 24th Regt on Active Service Zulu Campaign 1879”. Generally in good condition, the pages stitched at the top corner (some now unattached, one or two splits along creases, the last page with some wear and tears.) Plate 12 Note: Percival Tatham Armitage was born in Oldham Lancashire in September 1859, at the time of writing his letter he was 19. He was appointed Ensign in the 76th Regiment in 1878. He transferred to the 2nd Battalion 24th Foot on 26th March 1879 and served in South Africa from April 1879 until January 1880. Promoted to Captain in November 1885, and saw service in the Burma campaign of 1887-1889. He died near Brecon in September 1893, a week before his 34th birthday. Anstey referred to is Edgar Oliphant Anstey Lieutenant 24th Regiment (2nd Warwickshire) who was engaged under Captain Mostyn at Isandhlwana. Cavaye is Lieutenant Charles Walter Cavaye Lieutenant 24th Regiment (2nd Warwickshire).
A mid-20th century oil painting on canvas in the impasto technique showing a matador, signed bottom left Foldman and inscribed verso "Torero 1965, Stanley Feldman", with Dawson Gallery, Dublin label verso, 52 x 41 cm in silver coloured frame together with a gouache abstract study indistinctly signed bottom right Macaster (?). a pen and ink study of a bird of prey signed bottom right C F Tunnicliffe and also together with a coloured print of a still life with glass of water and rose after Tretchikoff
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77111 item(s)/page