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Lot 1276

Robert Chailloux, artist signed Limited Edtion coloured print, still life vase of flowers, 17.5ins x 14.5ins, framed

Lot 1282

Mid 20th Century oil on canvas, still life, summer flowers in a vase on a table top together with a similar oil on canvas, landscape with cottages

Lot 1301

Mid 20th Century oil on canvas, still life, a pot plant and other items on a table top, 36ins x 24ins, unframed, inscribed verso B. Ridgewell Williams

Lot 1307

Lily Harriet Newman, 20th Century oil on board, still life, bowl of fruit and a wine bottle, signed, 14ins x 16ins, framed

Lot 1315

20th Century oil on canvas, vase of flowers and fruit, 19ins x 23ins, gilt framed, together with a 20th Century oil on board, still life, vegetables, signed L. Groves, gilt framed

Lot 1411

20th Century oil on board, still life of roses in a glass vase, signed McCarthy, oil on canvas board, landscape, indistinctly signed and a watercolour, lake scene, signed Meek

Lot 1413

Small oil on canvas, still life, signed Cabanes, 6ins x 8ins, together with a modern abstract oil on canvas

Lot 1422

J. Pennell, signed proof etching, ' Alcantara Bridge, Toledo, Spain ', 8ins x 10ins, together with a woodblock print, still life, holly in a vase, monogrammed E.L. & S., 15ins x 12ins

Lot 1432

M.E. Barnard, oil on card, still life, birds nest amongst foliage, in a swept gilt frame, signed, 4.5ins x 6.25ins

Lot 1445

Hans Eckhart, 20th Century oil on board, still life, vase of flowers, signed, 23ins x 19ins, framed

Lot 1473

Gilt framed oil, still life with red flowers in a blue jug, indistinctly signed (possibly Russina), 9.5ins x 11ins

Lot 1482

Cavendish Morton, oil on canvas, still life, flowers in a lustre jug, signed in a white painted swept frame, 14.5ins x 11.5ins

Lot 1490

Framed watercolour, puffins in flight, oil on board, still life of summer flowers, watercolour, coastal scene at low tide, signed G. Evans, together with two signed prints, seashore and bird studies

Lot 1500

Marrion Broom, large oil on canvas, still life of flowers in a vase, signed, 24ins x 29ins

Lot 1517

Large 20th Century oil on canvas, still life, vase of sunflowers, signed indistinctly, 23ins x 27ins, gilt framed

Lot 1535

Gilt framed watercolour, still life, vase of flowers, signed, Hogarth framed 20ins x 26ins

Lot 1549

Gerald Rowe, oil on canvas, still life, fruit and flowers on a stone ledge with a ladybird, signed and dated 1950 verso, 12ins x 26ins, in a swept gilt frame

Lot 819

Albert Williams (1922-2010)oil on canvas boardStill life of roses in a delft vasesigned17.5 x 13.5in.

Lot 839

§ Gerald A. Cooper (1898-1975)oil on canvasStill life of hollyhocks, lilies and other flowers in a vase upon a ledgesigned and dated 194629 x 24in.

Lot 856

§ Susan Ryder (b.1944)oil on canvasStill life with Wellingtonsigned16 x 24in.

Lot 113

Christian Hugues Caillard (French, 1899-1985), a still life study, watercolour, signed, 40cm x 33cm

Lot 412

BERNARD (TWENTIETH CENTURY) THREE WATERCOLOUR DRAWINGS Still life of fruit and flowers and two landscapes Signed and dated, circa 1940s 12" x 12" (30.5cm x 30.5cm)

Lot 343

Peggy Wickham, signed watercolour, Still Life study of mixed flowers in a jug, 43 x 36cms

Lot 1127

Gary Wragg (British 1946- ) Discarded Talisman 1982 and Discarded Talisman 1982, screenprints, both signed, 61cm x 83cm; two works by Richard Wardle (British 20th century) Winding Road 1979 and Indigenous I 1967; Dan Fern (British 1945- ) Stone, staff and eclipse 1982; Gordon House (British 1932-2004) Still Life Mill Ban, (6) Please note this lot is subject to VAT on the hammer DDS 

Lot 1143

Matthew Whippman (1901-1973), Still life, oil on canvas, signed and dated '59, 60cm x 50cm. DDS

Lot 1148

John Thomas Young Gilroy (1898-1985), Still life of daffodils in a copper jug, oil on canvas, signed, 74cm x 62cm. DDS

Lot 1166

Stuart Scott Somerville (1908-1983), Still life of a bowl of fruit, oil on board, signed, 25cm x 39cm. DDS

Lot 159

Two modern oils of an Elephant and a still life of fruit; an oleograph of a plant and a print of mice.(4)

Lot 192

Percy Frederick Horton (1897-1970), Downs with old Chalk pits, View of a cottage through trees, two, oil on canvas, both inscribed on reverse, unframed, the larger 56cm x 69cm.; together with an oil still life of fish signed Dechorain.(3)

Lot 34

English School (19th century), Still life of flowers in a vase, oil on canvas, bears a signature and date, 48cm x 54cm.

Lot 65

Frances E. Innes (early 20th century), Still life of pink roses, watercolour, signed, 39cm x 28.5cm.

Lot 98

Mark Clark (contemporary), Still life of a rose, oil on copper, 25cm x 16cm.

Lot 1432

British Kitchen Sink School, oil on board, still life of a kitchen sink, 34 x 44cm

Lot 1438

Edward Wesson, oil on board, Still life of flowers, signed and dated 50 40 x 32cm unframed.

Lot 1475

John Bowman, oil on board, still life of flowers in a vase, signed, 61 x 49cm

Lot 1499K

Continental School, still life of fruit and flowers, oil on canvas 99 x 68cm

Lot 1499L

Continental School, oil on canvas, still life, 89 x 69cm

Lot 115

A vintage oil on board by Doris Macdonald abstract still life

Lot 1063

c. 1962 Matchless G50, 498cc. Registration number not applicable. Frame number unknown..Engine number G50 87G6. Gearbox number N25367Big brother to the AJS 7R, with its roots right back to the 1928 "K7" single overhead camshaft roadster, the Matchless G50 was a machine introduced "too late" for real Grand Prix laurels or even - dare one say it - a World Championship title. The 496cc G50 nonetheless had a remarkable career in international-level road racing in its day, and is still hugely popular in Classic racing throughout the world. Graced with only a single camshaft as compared with its chief rival's two (the Norton Manx), the "flying M" was still a worthy successor and competitor of its equally historically-rooted rival.Introduced in 1958 and although clearly derived from the 7R, AMC were committed to the development of the G45 twin and did not wish to divert their attention from that project. As a result it was not until 1958 that a 500cc motorcycle appeared largely as result of the 7R's proponent at boardroom level, Jock West. The new machine shared the 7R's 78mm bore with a stroke of 90mm giving a capacity of 496cc. The prototype engine underwent a period of intensive development throughout 1958 to prepare it for production commencing in 1959.When the new model was released the engine, although visually the same as the 7R, it had its own dedicated magnesium castings that were coated with a distinctive protective gold paint. A power output of 51bhp at 7200rpm was claimed for the new model. The cycle parts followed the same pattern as those used by the 7R with only the difference in colour and badge to distinguish between them, a fact that has led to numerous arguments between enthusiasts ever since as to which is the most attractive, the 7R or G50!The G50 was immediately popular, and while slightly less sophisticated than its Norton rival, it was nonetheless 30lb lighter, at 320 lbs, and so more agile, more than equal in its steering and handling, and far simpler to maintain for the average club racer. The architect of the G50, and the man who would painstakingly wring more horsepower and there, during the five short years of the G50's life, was AMC's legendary development engineer, Jack Williams, whose son Peter would in turn to achieve some of the most remarkable Isle of Man TT performances ever wrought on a single-cylinder racer on the Arter-framed G50 in the early '70s. Yet it was not until 1984 that a Matchless finally won an Isle of Man TT; American Dave Roper won the first Historic TT on his Team Obsolete G50. A testament to the enduring popularity of the Matchless racer is its ongoing production, with replicas continuing to be built in order to pack Classic racing grids around the world. Indeed, after the demise of the AMC factory in 1966, the rights and tooling for the bike were purchased by Colin Seeley, who resumed production of the G50 engine to equip his own good-handling, lightweight frames. After which both Roger Titchmarsh and George Beale took over producing their own versions.Only around 180 original G50s were built in AMC's East London Plumstead factory during the five years of production, they were expensive in the at a cost of some £455,compared to a Triumph Bonneville T120 at £318.The example offered today was purchased by motor engineer Dave Storry of Newcastle upon Tyne in the early 1980's when he gave up grass track, scrambling and sand racing in his late 20's and took up road racing in his 40's; nothing is known of its earlier life. He and his engineering friends and engine man/racer John Goodall, have altered the unknown frame over the years and it bears no identifying numbers; the engine casing has been stamped with his name DAVE STORREY (sic) and is numbered G50 87G6. He rode this machine from 1985 until he replaced it with another Seely framed example in 1989, after which is was used as his "warm up" bike at events like the Southern 100, saving the Seeley for the Manx and he last rode it in 1993, the year he achieved his goal of a 100 mph Manx lap and promptly retired from racing.Racing under the Scottish Classic Racing Motorcycle Club banner his first event was at Mallory on the 6th July 1985 and on the 18th September at East Fortune, where the notoriously bad starter was left last on the first lap and finished third. The following year, amongst other races, he came 6th in the senior Classic Manx. In 1987, along with Robbie Allen and Brian Richards, he won the Gwen Crellin team prize and came 6th again. By 1988 he was 5th and in 1989 he retired. It was time for a "new" G50 so this example was retired to become his "warm up" bike at the Southern 100. In June 1987 he took it to the first Dutch Historic Speedweek in Assen where it retired on lap six; in 1988 he was back, with a new colour scheme of blue and after qualifying 8th, again he retired, and didn't go back! Also in 1987 he rode at the Carrowdore 100.In the Southern 100, on this machine, he came tenth in 1989, third in 1990, fifth in the 1991 event, 1st in 1992 and in his last race there, 1st in 1993.Interestingly he often rode on his AJS A7 against local racer, Ben Noble on his Manx Norton, that we the great pleasure of selling for him in our November 2017 auction at Sledmere House. Offered for sale as it is, the bodywork restored in 1995/6 but the engine condition is unknown and would benefit from being refreshed before once again hitting the Classic race scene. It comes with photocopies of the events listed above and copies of some period photographs.

Lot 595

Christopher Mackenzie (British, 20th century): a still life of mixed flowers in a decorative vase, with trompe l'oeil mounts, oil on board, signed lower right, and verso, 66 by 61cm, framed, 72 by 67cm.

Lot 597

A pair of early 20th century still life studies, one with forget-me-nots and dog roses in a basket, the other primroses and violets, both oil on canvas, with E.G. monogram lower right, and dated 1903, 34 by 44cm, framed, 47 by 58cm. (2)

Lot 267A

Collection of 19th and 20th watercolours including Still Life of Fruit signed B. Taylor, Man on a Boat, watercolour signed by C. H Hargreaves max 24cm x 33cm (9) Condition Report Click here for further images, condition, auction times & delivery costs

Lot 272A

Still Life of Red Berries and Still Life of Flowers, two 20th century watercolours signed by G W Dove, Girl Holding a Sheep, 19th/20th century colour print pub. Robinson's Bristol and one other print max 64.5cm x 44.5cm (4) Condition Report Click here for further images, condition, auction times & delivery costs

Lot 255

Lothan (20th century),a still life study of a vase of flowers,signed,oil on board,48 x 39 cm CONDITION REPORT: We use Mailboxes Etc for all our packing enquiries. You can contact them directly for a quote on 01234 305 544 or email info@mbebedford.co.uk >

Lot 284

Stein (20th century),a still life study of flowers in a vase,signed,oil on canvas,48 x 69 cm

Lot 292

C.. Edwards (20th century),a still life of a vase of flowers,signed,oil canvas,75 x 63 cm CONDITION REPORT: Dimensions for image only.

Lot 89

Machuca, Still Life Magnifying Glass with Books, signed and dated 2001, oil on canvas, 26 x 33 cms together with an oil on panel by George Deakins

Lot 72

Robert Cox framed oil on canvas still life of flowers, signed bottom left, 59.5 x 90cm

Lot 190

CREASEY JOHN: (1908-1973) English Crime and Science Fiction writer, creator of Gideon of Scotland Yard. A.L.S., John Creasey, two pages, 8vo, Ferndown, Dorset, 28th April 1941, to Miss [Eileen] Cond. Creasy informs his correspondent of the delays and difficulties the publishers are currently encountering, continuing, '”Salute the Toff” and “Sabotage”, (both by J.C.!) are now published. “I Am the Withered Man” is very uncertain… but “'Ware Danger” by Gordon Ashe - hush! - should I think entertain you... I have no definite knowledge of the 6th issue of “Dangerous Journey”… To demonstrate still further the uncertainties of the always precarious profession, I can't be sure in what series this will finally appear! It will probably be the “Jackdaw”… I think perhaps I should tell you that, because of a divorce a short while ago, and my settling in new and very happy domestic life, I am no longer in regular touch with my son. I found that to gain much, much had to be temporarily sacrificed…' With very minor age wear, otherwise VG

Lot 2333

25 British Quad film posters, Tomb Raider, Tomb Raider: Cradle of Life, Hellboy - teaser, style A & B, Hellboy II: The Golden Army, Resident Evil: Apocalypse, Daredevil, Elektra, The Phantom, Max Payne, Terminator 3: Rise of the Machines, Terminator Salvation, Independence Day style A & style B, Scanner Darkly, I, Robot, Contact, The Day the Earth Stood Still, War of the Worlds - teaser & main, The Time Machine, Universal Soldier & Doom, rolled, 30 x 40 inches.

Lot 13

A large 20th century oil painting by Dante after George Sheridan Knowles, "Feeding The Pigeons" together with another large still life painting in elaborate frame (2) Unfortunately we are unable to do condition reports and extra images for our Interiors Sale

Lot 27

Inga Kallagova- Goehner, Still life with ceramic tea pot, gouache on paper Unfortunately we are unable to do condition reports and extra images for our Interiors Sale

Lot 942

Sylvia Edwards American (b.1937) Samovar 63/225 Signed Limited Edition Screenprint Framed and mounted under glass, a bright still life in homage to Matisse, pencil signed by the artist to bottom left, numbered 63/225 to bottom right. Good condition, 36.5 x 25 inches.

Lot 975

A Pair Of Floral Still Life Studies Two Italian Oil on canvas decorative floral still life studies in ornate yellow gilt frame with convex glass. 9 x 6.5 inches

Lot 187

C...E...S...(20th Century) British. An Abstract Still Life, Oil on Board, Signed with Initials and Indistinctly Dated, 24" x 20".

Lot 197

19th Century Dutch School. Still Life with Flowers in an Urn, inside a Niche, Oil on Canvas, 27.5" x 20".

Lot 260

Mary Remington (1910-2004) British. Still Life of Flowers in a Bowl, Oil on Board, Signed and Indistinctly Dated, 18" x 14".

Lot 262

Jacques Emile Blot (1885-1960) French. Still Life of Flowers in a Vase, Oil on Panel, Signed, and Inscribed on a label on the reverse, 23" x 19".

Lot 292

Circle of Karl Weschke (1925-2005) German/British. Still Life with Fruit, a Glass and a Box of Matches, Oil on Canvas, Bears a Signature, Unframed, 10" x 16".

Lot 329

Charles Thomas Bale (act.1866-1895) British. Still Life of Fruit and a Flagon on a Ledge, Oil on Canvas, Signed, 18" x 14".

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