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Lot 114
AGUSTÍN SEGURA IGLESIA (Tarifa, 1900- Madrid, 1988)."Portrait of a lady", 1945.Oil on canvas.Signed and dated in the lower right corner.Measurements: 81 x 65 cm; 93 x 77 cm (frame).Trained at the Royal Academy of Fine Arts in Seville, Agustín Segura won several medals at the Fine Arts Exhibitions. His favourite genre is portraiture, although he cultivates other genres "and not without fortune" as Juan Antonio Gaya Nuño says, such as landscape and still life. His work can currently be found in collections in London, Brussels, Lisbon, Milan and Paris, among many others. The Municipal Museum of Chiclana de la Frontera has a permanent room with a select collection of paintings by Agustín Segura. Portraits of the mayors of Madrid from the time of the 2nd Republic can be found in the Casa de Cisneros in Madrid. The Valeriano Salas Museum in Béjar has a painting on display that the painter gave to the Béjar Town Council. The Museo del Ejército, the Museo Centro de Arte Reina Sofía and the Museo de Historia de Madrid have paintings by Agustín Segura in storage.
Lot 53
JAIME COLSON (Dominican Republic, Puerto Plata, 1901-Santo Domingo, 1975)"Still life", 1943.Oil on canvas.Signed and dated in the lower left corner.It presents a patch of restoration on the back.Measurements: 30,5 x 61 cm; 43,5 x 74 cm (frame).Jaime Colson is considered one of the founders of the modernist school of Dominican painting, together with Yoryi Morel and Darío Suro. In this still life, the interest that predominated in his plastic work is made explicit: the search for an expressive and formal synthesis of Cezannian heritage. The vegetables, together with the glass jars, make up an ensemble in which an allegorical message possibly underlies, in keeping with the legacy of European Baroque mystical painting. Critics classify his work as part of post-Picasso neo-humanism. This can be summed up in the formal economy combined with the mystical tendency. In 1918, at the age of 17, he moved to Spain, where he studied at the Llotja in Barcelona. He exhibited at the Salón de Otoño in Madrid (1923). In 1934 he moved to Mexico. He exhibits at the Sala de Arte de la Secretaría de Educación, and together with Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros and Rufino Tamayo at the inauguration of the Galería de Arte (1935). In 1937, Colson was awarded the Prize of Honour at the Estampas de América exhibition held in Mexico. In 1938, he exhibited for the first time in his country, at the Ateneo Dominicano. In 1945, Colson wins the First Prize at the International Exhibition in Bilbao, Spain. In 1949, he exhibited at the Galerie de la Rue Campagne Première in Paris. In 1952, he was appointed Director General of Fine Arts. He won the First Prize for Drawing at the VIII Biennial of Santo Domingo. In 1962, he was appointed director of the School of Mural Painting at the National School of Fine Arts. His last exhibition was held in 1973 at the Sala de Arte María Rosa, an anthology of his work.
Lot 81
RAMON MARTÍ ALSINA (Barcelona, 1826 - 1894)."Landscape with figures".Oil on canvas.Signed in the lower left corner.Very slight damage to the frame.Size: 24 x 34 cm; 52 x 62 cm (frame).As usual in his work, Martí Alsina achieves in this landscape an impression of a calm and moving horizon. Nature is imbued with a romantic mood, the sublimity of which dwarfs the figures, resolved with a few intuitively applied brushstrokes. Considered one of the most important figures of Spanish realism, Martí Alsina was part of the European avant-garde of the time. He revolutionised the Spanish artistic panorama of the 19th century, was a pioneer of the study of life and the creator of the modern Catalan school, as well as the master of a whole generation, with disciples of the importance of Vayreda, Urgell and Torrescassana. He began his studies in philosophy and literature, alternating them with evening classes at the Barcelona School of Fine Arts until 1848. After completing this first apprenticeship and deciding to take up painting, he took his first steps in the Maresme region, where he began to earn his living by painting portraits in a naturalistic style and landscapes "à plen air". In 1852 he became a teacher of line drawing at the Escuela de la Lonja in Barcelona, and two years later he began to teach figure drawing, a post he held until the accession of Amadeo of Savoy to the throne. In 1853 he travelled to Paris, where he visited the Louvre and became familiar with the work of Horace Vernet, Eugène Delacroix and French Romanticism. Later he became acquainted with the work of Gustave Courbet, the greatest exponent of realism. In 1859 he was appointed a corresponding member of the Sant Jordi Academy of Fine Arts in Barcelona. His first important exhibition was the General Exhibition of Fine Arts in Barcelona in 1851. From then on he exhibited regularly in Barcelona, Madrid and Paris, and was invited to the Universal Exhibition in the French capital in 1889. His prizes included medals at the National Exhibitions in Madrid, third in 1858 for his work Last Day of Numancia and second in 1860 for his landscape. In his last years he lived in seclusion, focusing his efforts on the search for new forms of expression, with an undone brushstroke close to Impressionism. His subjects include numerous landscapes and seascapes, urban views (especially of Barcelona), portraits and human figures, genre scenes, temperamental female nudes, history painting and biblical scenes. He rarely devoted himself to still lifes, although he also painted some still lifes. Works by Martí Alsina are kept in the Prado Museum, the Thyssen-Bornemisza Museum, the National Art Museum of Catalonia, the Barcelona Museum of Contemporary Art, the Museum of the Abbey of Montserrat and the Museum of l'Empordà in Figueras.
Lot 86
JOSÉ MARÍA MALLOL SUAZO (Barcelona, 1910 - 1986)."Female portrait.Oil on canvas.Signed in the lower right corner.Measurements: 72 x 53 cm; 90 x 71 cm (frame).Born into a very religious family, Mallol Suazo trained at the La Lonja School in Barcelona, where he was a disciple of Félix Mestres and Ramón Calsina between 1929 and 1935. He was a draughtsman as well as a painter, and published humorous illustrations in "En Patufet", "Virolet" and "L'Esquitx", magazines with which he had been collaborating since his student years. A congenital deformity in his feet, which made it difficult for him to walk, prevented him from developing his landscape themes, as he was unable to move around to copy from life. He therefore turned to other themes, such as still life and portraiture. The first exhibition of his work was held at the Barcelona Contemporary Art Salon in 1936, months before the outbreak of the Civil War. That same year he was awarded a prize at the Barcelona Spring Exhibition. The war forced his family to disperse, but Mallol remained in Barcelona, where he devoted himself entirely to painting and in 1938 won the Nonell Prize for Painting, awarded by the Tardor gallery. In 1945 he became a member of the group of artists at the Sala Parés, a gallery where he met the collector Josep Omar Gelpi, who became his art dealer from then on. Considered one of the most promising young Catalan painters, in 1953 he took part in the National Exhibition of Fine Arts in Barcelona with a nude. Mallol Suazo is represented in the National Art Museum of Catalonia, the Museum of Valls, the Deu Font Museum in El Vendrell, the Historical Archive of the City of Barcelona and the Abbey of Montserrat, as well as in important collections such as those of Caixa Terrassa, Caixa de Catalunya, Marta María Millet and Modest Rodríguez Cruells.
Lot 14
Jan WeenixJagdstillleben mit Federwild1690er JahreÖl auf Leinwand80 x 72 cmSigniert und tls. undeutlich datiert links oben: I: WEENIX 16...Dorotheum Wien, 23. Juni 1947, Lot 135;Dorotheum Wien, 10. Juni 1980, Lot 155;Sammlung Erna Weidinger (1923–2021)Anke van Wagenberg-Ter Hoeven, Jan Weenix. The Paintings. Master of the Dutch Hunting Still Life, Zwolle 2018, S. 325, Nr. 207 (SW-Abb.)Die Verbindung von erlegten und lebendigen Tieren im vorliegenden Stillleben schreibt dem "natura morte" anschaulich momenthafte Elemente ein. In zart-weicher Pinselführung ist das Gefieder dargestellt, vor allem die Vögel und Details des Vordergrunds erscheinen in glänzenden, tiefen Farben.Jan Weenix wurde 1642 in Amsterdam in eine Malerfamilie hineingeboren. Gemeinsam mit seinem Vetter Melchior de Hondecoeter wurde er von seinem Vater Jan Baptist Weenix unterrichtet. Er widmete sich später intensiv der Darstellung von Stillleben mit totem Wild und Tieren, welche er so meisterhaft beherrschte, dass vor allem in der jüngeren Forschung bemerkt wurde, dass einige früher dem Vater zugeschriebenen Gemälde von seiner Hand stammen müssen. Weenix wurde, schon zu Lebzeiten wie heute, für seine satten, leuchtenden Farben, seinen gewandten Pinselstrich und seine Fähigkeit, Materialien und Texturen wiederzugeben, gelobt. Mit seinen Jagdstillleben schafft Weenix ein Genre, in welchem er nicht nur den Reichtum und die Fülle der Natur wiedergibt, sondern das auch vieles über die Gesellschaft und die Rolle der Jagd in der Zeit verrät. Sein besonderer Sinn für Farbigkeit und dekorative Effekte findet sich auch in den besonderen Lichtreflexen im weißen Gefieder des zentralen Hahns und im changierend-bunten Federkleid des Kiebitzes.
Lot 1175
Eleanore Koch (1926-2018) watercolour, still life on a table, signed and dated September 75, 22.5cm x 17.5cm, in glazed frame Provenance: Given to the present owner by Helen Dewinter who either bought or was given the picture. Helen Dewinter who lived at 22 Priory Terrace, NW6, was a friend and frequent visitor of Koch who also lived in Priory TerracePlease see images of the work now removed from the frame, it has been attached to the mount with tape which has discoloured the paper as seen. Otherwise the colours are good and there don't appear to be any signs of foxing.
Lot 1218
*Ruskin Spear (1911-1990) oil on canvas - Still Life Sunflowers, signed, further signed verso, 64cm x 76cm, framedWould probably benefit from a clean, some slight paint shrinkage on the red flowers, see images. It as not been lined. The frame has four holes to it where presumably it was once screwed to the wall.
Lot 1359
Dorothy Mead (1928-1975) oil on canvas - Still Life with Jug, signed and dated '59, 75cm x 66cm, framedProvenance: by family descent. Please see artists details uploaded within the images. Areas of paint loss as seen in the images, also some areas of paint cracking. It has not been re-lined. Otherwise generally good original condition.
Lot 140
FACTORY RECORDS - LP/12" COLLECTION. Mega collection of 13 x LPs/12" on Factory/related artists. Titles are Joy Division (x4) - Still (FACT 40, stock UK copy with TOWN HOUSE machine stamped all four sides - Ex+ and Ex great condition records/with og grey inners/VG+ sleeve with some minor discolouration), Closer (FACT 25 A1 OLD BLUE?/B1, stock black vinyl - glossy VG+ a few light surface scuffs/clean printed inner 'square' corners/VG some creasing and sticker removal marks), Transmission (FAC 12 X 12 - Ex+ very clean record/VG+ embossed sleeve) and Atmosphere (FACUS 2), New Order (x5) - Substance (FACT 200 UK og embossed lettering - Ex records/printed inners/Ex a few minor scuffs), Low-Life (FACT 100, original sleeve), Power Corruption & Lies (FACT 75, printed inner), Blue Monday, The Perfect Kiss and Everything's Gone Green (FBNL 8), Section Twenty Five - Girls Don't Count (Fac Eighteen/Twelve, 'blonde' hair sleeve), The Durutti Column - Lips That Would Kiss and Crawling Chaos - The Gas Chair (FAC BN 6). Condition is often clean VG+ to Ex+.
Lot 455
A SMALL COLLECTION OF PAINTINGS AND PRINTS, to include five still life flower study oils on canvas, one signed Robert Cox, one signed Cox, one signed S. Leigh, two are unsigned, largest approximately 29cm x 39cm, together with limited edition prints by Matthew C. Alexander, Glyn Martin, and E.W. Haslehurst, watercolour depicting St Mary's Church, Crown Street, Bury St Edmunds by Dominique Audurier together with topographical prints etc
Lot 469
A COLLECTION OF PAINTINGS AND PRINTS ETC, to include Frederick T. W. Cook study of two green woodpeckers on branches, gouache on board, approximate size 43cm x 74cm, a study of two jays? by the same hand - some losses to the jays painting, two landscape oils on canvas signed I. Costello, approximate sizes 60cm x 39cm, large still life flower study signed Lamont, limited edition print of spitfires by John Young, modern Maw & Co majolica tiles, etching print in colours depicting Staffordshire Watermill Brocton 1949, other assorted prints and a box of photo frames etc
Lot 132
Karl SCHMIDT-ROTTLUFF (1884 - 1976). Stillleben mit Krokustopf.Circa 44 cm x 56 cm. Circa 54 cm x 76 cm mit Rahmen. Lithographie. Um 1953/1954. Rechts unten signiert. Rahmen etwas beschädigt. Zustand siehe Fotos.– Kein Versand durch das Auktionshaus möglich –Karl SCHMIDT-ROTTLUFF (1884 - 1976). Still Life with Crocus Pot.Approx. 44 cm x 56 cm. Approx. 54 cm x 76 cm with frame. Lithograph. Around 1953/1954. Signed lower right. Frame somewhat damaged. For condition see photos.- No shipping possible by the auction house -
Lot 119
Gabor Miklossy (Romanian, 1912-1988): a group of assorted artworks, comprising an oil on canvas landscape, with artist's stamp verso, unframed, 41.5 by 71.5cm, together with two oil on board still life paintings and a charcoal study of a figure, all unframed, a/f. (4)Provenance: from the family of Gabor Miklossy, a highly regarded artist, trained musician and collector.
Lot 125
Gabor Miklossy (Romanian, 1912-1988): Two oil board female nude studies, a standing nude with still life painting verso, 49.5 by 34cm, together with a standing female nude with her hands behind her head, 35 by 20.5cm, all unsigned and unframed. (2)Provenance: from the family of Gabor Miklossy, a highly regarded artist, trained musician and collector.
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77111 item(s)/page