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Lot 794

Hermann Hugo Berten (1894-1959)Still life, Country Flowers in a Terracotta Bowlsigned, oil on board, 13.5cm x 19cm, numbered 864 to verso

Lot 852

Victor Dolphyn (Bn.1953)Still Life, Fish, Shell and Claret Jugsigned with initials, dated 84, 48.5cm x 58cm

Lot 691

Charles Archer (1855-1931)Still life, Ripe Apples, Plums, Blackberries and Hellebores Before a Rolling Landscapesigned, dated 1885, watercolour, 28cm x 39cm

Lot 757

Edwin Steele (early 20th century)Still Life, Flowers and Fruit signed, dated 1868, oil on canvas, 64cm x 76cm

Lot 743

David Paton (early 20th century) Still life, Roses, Carnations and Tulips in a Marble Campagna Urn, Macaw Parrot at the Side signed, dated 1927, oil on canvas, 102cm x 76cm

Lot 445

A group of mixed prints and paintings to include a still life, watering can, jug, trug and plants in plant pots, unsigned, London Council Major County Awards label verso, 17 x 31, framed (7)

Lot 193

ALEXANDRE BORISOVICH SEREBRIAKOFF (RUSSIAN 1907-1995) PROJECT FOR THE DECORATION OF LA MAISON A LA VIELLE RUSSIE signed, inscribed and dated '18 Mai 1953,' pen and ink and gouache 49.5cm x 67cm (19.5in x 26.25in) and five further projects for the decoration of La Vielle Russie (6) Provenance: Russian Works of Art from the Collection of The Late Jan Bethge Esq. Note: Alexandre Serebriakoff was a celebrated Russian-French illustrator, particularly known for his paintings of interiors. Serebriakoff was born in 1907 in Neskuchnoe, in the Kurskiy region (modern Ukraine). His mother, Zinaida Serebriakova was herself a prominent artist, who originated from a famous family of architects, sculptors and painters from Benois-Lancere. In 1905 she had married the engineer Boris Serebriakoff. Having trained in Saint Petersburg, Italy and Paris, she became one of the most prominent "World of Art" [Mir Iskusstva] painters of pre-revolutionary Russia. The family's situation changed drastically with the 1917 Revolution. In 1919 Boris Serbriakoff was imprisoned by the Bolshevik government and died in captivity, leaving Zinaida with four children and a sick mother in the war-torn and starving Ukraine. In 1924 however, Zinaida was commissioned to undertake a large project in Paris. She initially planned to return to Russia after the completion of her work, but it was unwise to do so due to the country's continuing political instability. Only two of her four children Alexandre and Ekaterina, managed to escape to France and the family would not be reunited for decades, when in 1960 Zinaida met her two other children after 36 years of separation. Alexandre Serebriakoff remained in Paris for the rest of his life. A largely self-trained artist, he adopted the tradition of the "World of Art" movement and predominantly worked in watercolour and gouache, producing highly realistic interiors in a traditional style. He also worked as a book illustrator with French and British publishers, and collaborated with the renowned grocers Maison Fauchon, along with French cinema and fashion magazines. Serebriakoff became well-known as a specialist interior painter, specifically for his paintings of Paris' hôtels particuliers, painting Daisy Fellowes' rooms at the Paris Ritz in 1948 and the Parisian apartment of the Duke and Duchess of Windsor, Le Château de Groussay. During his lifetime the artist showed his work in numerous group exhibitions in France and Belgium. It is known that Alexandre's sister Catherine, who also worked as an interior painter, collaborated with her brother on many projects, however, her signature often does not appear on the artworks, as she preferred Alexandre to sign the paintings himself. This series of drawings and watercolours were created as part of a collaboration between Alexandre Serebriakoff and the Paris-based Russian antique dealers, A La Vielle Russie and are records of the decorative scheme Serebriakoff created for their shop windows and first-floor library. A La Vieille Russie, was founded in Kiev in 1851 but left the turmoil of the Revolution to be re-established in Paris in the 1920's by the descendants of the original owner. In its original incarnation, Carl Faberge, who held a premises nearby, was a client. The business continued to flourish in Paris, with many high-profile clients including the Duke and Duchess of Windsor. It ultimately became a focal point for socialising among European high-society. At the start of the Second World War, the gallery relocated again, to New York City, taking over premises in the Rockefeller Centre. In America it became the market leader for Fabergé and Russian Imperial treasures, assisting in the formation of some major museum-quality collection. Still a family business, A La Vieille Russie continues to deal in fine art and antiques from Fifth Avenue, New York.

Lot 192

ALEXANDRE BORISOVICH SEREBRIAKOFF (RUSSIAN 1907-1995) STUDY A - PROJECT FOR THE DECORATION OF THE WINDOW OF MAISON A LA VIEL LE RUSSIE, signed, inscribed and dated '10 Mars 1954,' pen and ink and gouache 45cm x 59.5cm (17.75in x 23.5in) and 'Study B' (2) Provenance: Russian Works of Art from the Collection of The Late Jan Bethge Esq. Note: Alexandre Serebriakoff was a celebrated Russian-French illustrator, particularly known for his paintings of interiors. Serebriakoff was born in 1907 in Neskuchnoe, in the Kurskiy region (modern Ukraine). His mother, Zinaida Serebriakova was herself a prominent artist, who originated from a famous family of architects, sculptors and painters from Benois-Lancere. In 1905 she had married the engineer Boris Serebriakoff. Having trained in Saint Petersburg, Italy and Paris, she became one of the most prominent "World of Art" [Mir Iskusstva] painters of pre-revolutionary Russia. The family's situation changed drastically with the 1917 Revolution. In 1919 Boris Serbriakoff was imprisoned by the Bolshevik government and died in captivity, leaving Zinaida with four children and a sick mother in the war-torn and starving Ukraine. In 1924 however, Zinaida was commissioned to undertake a large project in Paris. She initially planned to return to Russia after the completion of her work, but it was unwise to do so due to the country's continuing political instability. Only two of her four children Alexandre and Ekaterina, managed to escape to France and the family would not be reunited for decades, when in 1960 Zinaida met her two other children after 36 years of separation. Alexandre Serebriakoff remained in Paris for the rest of his life. A largely self-trained artist, he adopted the tradition of the "World of Art" movement and predominantly worked in watercolour and gouache, producing highly realistic interiors in a traditional style. He also worked as a book illustrator with French and British publishers, and collaborated with the renowned grocers Maison Fauchon, along with French cinema and fashion magazines. Serebriakoff became well-known as a specialist interior painter, specifically for his paintings of Paris' hôtels particuliers, painting Daisy Fellowes' rooms at the Paris Ritz in 1948 and the Parisian apartment of the Duke and Duchess of Windsor, Le Château de Groussay. During his lifetime the artist showed his work in numerous group exhibitions in France and Belgium. It is known that Alexandre's sister Catherine, who also worked as an interior painter, collaborated with her brother on many projects, however, her signature often does not appear on the artworks, as she preferred Alexandre to sign the paintings himself. This series of drawings and watercolours were created as part of a collaboration between Alexandre Serebriakoff and the Paris-based Russian antique dealers, A La Vielle Russie and are records of the decorative scheme Serebriakoff created for their shop windows and first-floor library. A La Vieille Russie, was founded in Kiev in 1851 but left the turmoil of the Revolution to be re-established in Paris in the 1920's by the descendants of the original owner. In its original incarnation, Carl Faberge, who held a premises nearby, was a client. The business continued to flourish in Paris, with many high-profile clients including the Duke and Duchess of Windsor. It ultimately became a focal point for socialising among European high-society. At the start of the Second World War, the gallery relocated again, to New York City, taking over premises in the Rockefeller Centre. In America it became the market leader for Fabergé and Russian Imperial treasures, assisting in the formation of some major museum-quality collection. Still a family business, A La Vieille Russie continues to deal in fine art and antiques from Fifth Avenue, New York.

Lot 949

Henry Woods (1846-1921) - Still life of roses in a green bowl, signed and dated 1878, oil on canvas, 12" x 18" *Exhibited at the Royal Academy Winter exhibition 1922, and bearing the remains of the old label

Lot 906

Edward Millington - Drake (1932-1994) Pair of watercolour and charcoal sketches of botanical still life subjects - pelargonium and spider orchid, signed and dated 1980.

Lot 330

Oil on canvas still life and a watercolour of a shoreland scene signed Gilbert

Lot 23

A QUANTITY OF ASSORTED PICTURES AND PRINTS TO INCLUDE STILL LIFE EXAMPLES, ETC

Lot 39

A SMALL FRAMED AND GLAZED STILL LIFE TOGETHER WITH A BOTANICAL PRINT

Lot 760

J A BINROD, signed oil on canvas, "Still Life Buddha and glass vase with Flowers", 32" x 21.5"

Lot 782

STEWART LOWDON, signed watercolour, "Still life of four Apples", 10"x 11"

Lot 788

ATHANASIUS NIKOLSKY, signed oil on canvas dated 1959, "Still Life - Bowl of Roses", 35" x 47"

Lot 143

Walter Mafli, Swiss/French (b. 1915) Oil on Canvas Still Life Flowers Signed and Dated 1979 Lower Right. Good condition. Canvas measures 39-3/4 x 32" W, frame measures 44" H x 36-1/2" W. Shipping: Third party. (estimate $1000-$1500)

Lot 211

William Cruikshank (1836-1917) Still life study with dead pigeon, apples and vase watercolour, signed 23 x 35.5cm, together with another by the same hand

Lot 484

An early 20th century 5ft 2in bed frame, the later close studded and hide upholstered serpentine head board painted with a still life study of flowers in an urn, parrot and fruit, with a plain foot board, side rails and sprung horsehair base

Lot 442

Anuk Naumann (1951- ) Still life of flowers in a vase, watercolour, signed

Lot 464

Paul Stangroom : Still life with feathers, watercolour and body colour, signed in pencil, 29 cm x 23 cm, framed.

Lot 1265

*Glyn Morgan (1926 - 2015), watercolour - still life studies of basket of flowers with insects, a pair, both signed and dated '91, 34cm square, unframed (2)

Lot 1053

*Glyn Morgan (1926 - 2015), oil on canvas - still life of skull tankard and oyster shells, signed and dated '62, 51cm x 65cm

Lot 1052

*Glyn Morgan (1926 - 2015), oil on canvas - Still life of apples in a bowl, signed and dated 1950, 51cm x 61cm

Lot 1063

*Glyn Morgan (1926 - 2015), oil on board - Soldier and child, signed and dated '55, 93cm x 71cm, still life of fish and vessels to the reverse.Gallery label for Archer Gallery, London W11

Lot 1115

*Glyn Morgan (1926 - 2015), mixed media and collage - Birds, signed and dated '69, 46cm x 30cm, framed, together with two oil still life studies of skull and vase by the same hand

Lot 1228

*Glyn Morgan (1926 - 2015), watercolour - still life of flowers in a jug, signed and dated '83, 48cm x 36cm, framed, together with an unframed still life by the same hand (2)

Lot 1106

*Glyn Morgan (1926 - 2015), oil on canvas - still life of flowers in a vase, 61cm x 46cm, together with two further still life studies by the same hand (3)

Lot 1206

*Glyn Morgan (1926 - 2015), oil on canvas, Greek theme - still life in a landscape, signed and dated '69, 91cm x 60cm

Lot 1222

*Lucy Harwood (1893 - 1972), pastel - still life of vase of flowers and Gordon's Gin, 47cm x 38cm

Lot 1031

*Glyn Morgan (1926 - 2015), oil on board - still life with skull, decanter and apple, signed and dated '57, 64cm x 77cm

Lot 1217

*Glyn Morgan (1926 - 2015), oil on board - still life of flowers, 23cm x 28cm, framed

Lot 1073

*Glyn Morgan (1926 - 2015), oil on board - still life with nude and jug of flowers, 80cm x 78cm

Lot 1120

*Glyn Morgan (1926 - 2015), oil on board - still life of a teapot and fruit, 38cm x 58cm

Lot 1094

*Glyn Morgan (1926 - 2015), oil on board - still life of flowers in a vase, signed and dated '54, 51cm x 41cm

Lot 1162

*Glyn Morgan (1926 - 2015), oil on canvas - still life of gourds and carrots, 51cm x 76cm

Lot 1357

Valentine Dobrée (1894 - 1974), mixed media collage - still life, in glazed frame, 60cm x 75cm.Illustrated: Valentine Dobrée 1894 - 1974, The University Gallery Leeds 2000 Exhibition Catalogue, page 33

Lot 1107

*Glyn Morgan (1926 - 2015), oil on canvas - still life of apples (after Cezanne), 50cm x 60cm, framed

Lot 1204

*Glyn Morgan (1926 - 2015), oil on canvas - still life of apples, 46cm x 62cm, together with two early oil on canvas portraits, all unframed

Lot 1358

Valentine Dobrée (1894 - 1974), oil on board - still life, in glazed frame, 55cm x 70cm

Lot 291

Continental School, Still life of flowers in a bowl, oil on relined canvas (reduced in size and with substantial over-painting), 51cm x 103cm.

Lot 297

Nesta Warren, still life vase of flowers, oil on canvas, signed, 59cm x 49cm.

Lot 93

A Tramp Art Picture Frame Containing Still Life Print, 35cm High

Lot 82

Two Gilt Framed Modern Oils, Still Life Flowers

Lot 1186

Margaret Traherne (1919-2006)oil on canvas,Table top still life with a dish of spratssigned and dated '90215.5 x 27.5in.

Lot 459

A*** M*** WALKER (20TH CENTURY), STILL LIFE OF FLOWERS IN A VASE, signed lower left, watercolour, framed, 35cm by 31cm; together with C*** RICHARDSON, NEAR WHITBY, signed and titled lower right, watercolour, framed, 17cm by 35.5cm. (2)

Lot 155

Mary Fedden, a limited edition print depicting a still life of fruit, signed in pencil lower left and numbered 286/500

Lot 271

20th Century Continental School, a still life study of flowers, oil on canvas. H.80cm W.64cm

Lot 422

Johannes Baptist Nicolaas Van Gent (1891-1974), a still life study, oil on canvas, signed lower right.

Lot 340

20th Century Continental School, a still life study of fruit, oil on canvas. H.132cm W.97cm

Lot 212

An Egyptian painting on papyrus; together with three gilt framed prints after the old masters; and a still life print

Lot 263

An oil on board still life study of flowers

Lot 297

A 19th Century watercolour still life study of fruit, monogrammed and dated 1881

Lot 351

A large early oil on canvas J H Baines still life

Lot 319

A selection of paintings in various mediums including oils on boards watercolour portrait still life landscape by Barbara Sexton etc

Lot 203

Mc Callum Pam-'Still Life'-Water colour signed & Mounted

Lot 323

Francis E. Jamieson (1895-1950)oil on canvasUnusual still life of roses in a vasesigned40 x 61cm, unframed

Lot 293

* JEFF NOLAN,STILL LIFE WITH GUITARS AND FRUITpastel on paper, signed108cm x 75cmMounted, framed and under glass

Lot 31

* NICHOLA MARTIN,STILL LIFE WITH A CANDLE IIcharcoal on paper, signed and dated '0938cm x 38cmFramed and under glass

Lot 268

* HAZEL NAGL RSW, STILL LIFE WITH TABLE AND PLANTSmixed media57cm x 73cmMounted, framed and under glass.Note: Although unsigned, this painting has been authenticated by the artist in response to our recent request..

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