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Click here to subscribeDutch School (18th century) Still life of a basket of carrots, celery, onions and scallions in a landscape Oil on canvas, 51cm by 68.5cm Paint loss. Old discoloured restoration and some overcleaning. Adhesive tape used to attach canvas to the stretcher. Dirt and discoloured varnish. In a 19th century gilt plaster and wooden frame, plaster missing. 240513
Attributed to Annie Feray Mutrie (1826-1893) Still life of flowers in a clay pot on a window ledge, other flowers in the foreground Oil on panel, arched top corners, 44cm by 33.5cm In good original untouched condition. Dirt and discoloured varnish. Reasonably thick impasto and delicately applied brushwork. In an Art Deco style gilt plaster and wooden frame with inner gilt slip, gilding distressed and rubbed, dirt to slip and frame. 170513
Jan Bogaerts (1878-1962) Dutch Still life of fruit beside a fan and tea caddy Signed and dated 1911, inscribed verso, oil on canvas, 41cm by 61.5cm, Provenance: G. M. Lotinga Ltd, New Bond Street, London Fully restored, relined, cleaned, restored and varnished and framed in a good quality London made moulding by Lotinga of New Bond Street. Reasonably thick impasto in places and very delicately applied brushwork in other areas. Great deal of surface dirt and discoloured varnish (280113)
Charles Spencelayh HRBSA, RMS, VPBWS (1865-1958) Still life of a pink rose in a rustic tin can upon a blue velvet curtain Signed and dated 1945, oil on board, 38cm by 30cm In good original, untouched and undamaged condition with fine brushwork. In a good quality elaborately gilt plaster and wooden frame with inner gilt slip, under glass with some dirt. Gilding on outer frame rubbed. 230513
J WOOLLEN "River landscape", oil on canvas, signed bottom left, another by the same hand "Logging cart", a winter landscape, oil on canvas, signed bottom left, another "Still life study of fruit in a bowl", oil on canvas, signed bottom right and another "River landscape", oil on canvas, signed bottom left (4)
Primrose Harley (1908-1978) Still life of a decanter, glasses and a bowl of fruit oil on canvas, signed with initials lower right, inscribed verso in chalk ‘RA 29-4-69’ unframed, 51 x 61cm (20 x 24in) together with three other still lives, two on canvas (one unstretched), one on board (4)
A quantity of 19th century and early 20th century pictures and prints including oil painting on canvas of a still life with flower vase, basket, etc with ESK stamp verso, 30 x 40cm in gilt frame with gilt slip, a large needlework picture of a mountainous lake view with cottage and trees, 50 x 87cm in textured gilt frame, a set of three 19th century coaching coloured engravings, a pair of portrait photographs in carved Oxford type oak frames and a pair of coloured prints of country landscapes with figures, horses, etc, in oak frames with copper decorations to the corners
A watercolour of a still life with jug of spring flowers including harebells, scabious, clover, etc, 36 x 26cm in simple frame together with a pair of sepia early 20th century photographs of scenes probably at Malmesbury with horse and cart, ruined abbey, etc, in birds eye maple frames with gilt slips, 42 x 47cm overall, a signed limited edition coloured print after Robin Reckitt showing an evening flight at the Wild Fowl Trust, Slimbridge, signed in pencil bottom right, edition 56/300, 29 x 39cm in wooden and gilt frame and also together with a further coloured print of a landscape after Savage
A collection of pictures and prints including a 19th century watercolour still life with basket of flowers, small oval gilt mirror, flower fairies subjects, engravings of agricultural scenes including ploughing, hay making, etc together with a black and white etching of a landscape with windmill by F J H Mason RBA, signed in pencil bottom left and with label verso "Vista of Mills"
An early 20th century coloured print in the manner of Aubrey Beardsley showing Isolde, 19 x 12cm in simple black frame, a gouache study, still life with fruit and vegetables, carafe, etc, 35 x 50cm an oil painting on board of a sailing ship with label verso "The Golden Hind by Hector A Mace" with St Ives address label, 40 x 50, both in simple wooden frames, also together with a bevelled glass mirror with gilded frame with high relief carved fruit and floral decoration
A collection of five Victorian and Edwardian portraits and other miniatures comprising Norman Prescott Davies,1880-1893, oval portrait of a girl entitled 'A Canadian', signed and with address label verso, in gilt frame, 5 x 4 cm, Mrs Vera Haslam exhibited 1936-1939, ARMS, RA , RMS depicting a still life flowers, signed with monogram and labelled verso in gilt rectangular frame, 9.5 x 7.5 cm, Doris E A Leleux portrait miniature on ivory depicting still life flowers, labelled verso, 9.4 x 7.5 cm, 1930's portrait miniature of a girl and dog signed LINS and dated 1930, 7.5 x 6cm and J Milner portrait miniature of a girl, signed and entitled 'Julia's Window' and with original dress label verso, 7.2 x 5.9cm, framed (5)
*A collection of twelve 19th century Masons Ironstone jugs, various designs to include Imari palate, willow pattern type scene, example decorated with gilt scrolls surrounding still life etc, each with printed factory mark to base, height of largest jug 21cm, height of smallest 9cm (part af)
William Auerbach-Levy (American, 1889-1964) William Auerbach-Levy (American, 1889-1964), "Still Life with Wine and Tomatoes" and "Greenwich Village View", double sided oil on masonite, signed upper right, 18 in. x 24 in., framed. Provenance: Descended in the Pollatsek/Reynolds Family, New Orleans
William Auerbach-Levy (American, 1889-1964) William Auerbach-Levy (American, 1889-1964), "Still Life on Cherry Table", 1921, oil on board, signed and dated upper left, signed, titled and preparatory sketch of a landscape en verso, 11 3/4 in. x 15 3/4 in., labeled Newcomb Macklin frame. Provenance: Descended in the Pollatsek/Reynolds Family, New Orleans
American School, early 20th c. American School, early 20th c., possibly William Auerbach-Levy (American, 1889-1964), "Still Life with Yellow Flowers", oil on canvas, illegibly signed lower left, 30 1/4 in. x 21 in., M. Grieve & Co. frame., Note: Condition. Provenance: Descended in the Pollatsek/Reynolds Family, New Orleans
John Burman (British, known active 1886-1899) John Burman (British, known active 1886-1899), "Still Life with Oranges, Books, Wine-Jug and Glass, and an Oyster-Shell Ashtray", 1888, oil on canvas, signed and dated lower left, 13 1/4 in. x 11 in., period carved giltwood frame Note: This gem-like composition`s handsome Aesthetic-Movement claret jug (somewhat in the style of the great William Burges, 1827-1881, a preeminent craftsman of such extravagant decorative arts of the later Victorian period), confirms the inscribed date in the 1880s. This handsome work gains considerable coloristic interest by the artist`s inclusion of the tall plant, standing beside the table to the right.
Bernard Green, British 1931-1998- Still life of bottle and fishes; oil on canvas board, 50.5x40.5cm: together with a pencil study of a female nude, a screenprint titled `Peel`, signed, titled, dated `76 and numbered 8/20 in pencil and a reproduction print by and after the same artist, (4), (may be subject to Droit de Suite) Notes: Born in 1931, Bernard Green studied at Birmingham College of Art & Design. He was a painter, print maker and sculptor. His early paintings explored the use of line and colour, creating illusions of space using colour on flat surfaces. In 1977 he moved to Pembrokeshire in Wales where the landscape became a source of inspiration and where he started to explore themes based on his dream sequences, religion and the human condition. His work was exhibited at The Royal Cambrian Academy, The Royal Birmingham Society, Royal West of England Academy, the Royal Society of Painters Etchers & Engravers and at various gallery exhibitions in England and Wales. His prints were pressed on his large Columbian proofing press (circa 1853) which following his death in 1998 went on display at the Swansea Print Workshop. He became well known in Wales. He produced a series of embossed linocuts featuring views of Pembrokeshire and in the 1980s was commissioned by HM the Queen to produce a view of Caernarfon Castle as the subject for the Royal Telemessage. In 1986 he was artist in residence at the Graham Sutherland Gallery in Picton. His work is in various collections including HM the Queen, British Telecom, Lloyds Bank, Gulf Bank, Kuwait, National Library of Wales, Derby Museum, Haverfordwest Museum & Gallery, Scolton Manor Museum.
Bernard Green, British 1931-1998- "Still life"; screenprint in colours, signed, titled, inscribed Artists Proof and dated 1966 to the mount, 40.5x31cm: together with fifteen other screenprints in colours by the same artist of various subjects including nudes, cathedral, seahorses, (16), (unframed) (may be subject to Droit de Suite) Notes: Born in 1931, Bernard Green studied at Birmingham College of Art & Design. He was a painter, print maker and sculptor. His early paintings explored the use of line and colour, creating illusions of space using colour on flat surfaces. In 1977 he moved to Pembrokeshire in Wales where the landscape became a source of inspiration and where he started to explore themes based on his dream sequences, religion and the human condition. His work was exhibited at The Royal Cambrian Academy, The Royal Birmingham Society, Royal West of England Academy, the Royal Society of Painters Etchers & Engravers and at various gallery exhibitions in England and Wales. His prints were pressed on his large Columbian proofing press (circa 1853), which following his death in 1998, went on display at the Swansea Print Workshop. He became well known in Wales. He produced a series of embossed linocuts featuring views of Pembrokeshire and in the 1980s was commissioned by HM the Queen to produce a view of Caernarfon Castle as the subject for the Royal Telemessage. In 1986 he was artist in residence at the Graham Sutherland Gallery in Picton. His work is in various collections including HM the Queen, British Telecom, Lloyds Bank, Gulf Bank, Kuwait, National Library of Wales, Derby Museum, Haverfordwest Museum & Gallery, Scolton Manor Museum.
Vladimir Kozhevnikov, Russian b.1950- Portrait ; oil on canvas, signed and dated 02, bears inscription on the reverse, 90x59.5cm: Elena Iosifovna Gurvich, Russian b.1948- Still life; oil on canvas, signed with monogram and dated 94, bears inscription on the reverse, 54.5x59.5cm: H Weitzner, mid-late 20th century- "Andriyivsky Uzviz"; oil on panel, signed, 81x60cm: Tsukanau Sergei Maksimovich, Russian b.1936- Still life; oil on canvas, signed and dated 2004, bears inscription on the reverse, 60x80cm: Faizrakhman Aminov, Russian 1908-1984- Portrait of a noblewoman seated three-quarter-length turned to the right; oil on canvas, signed, 53.5x41cm: Valentina Sventakhouskaya, Russian, late 20th/early 21st century- Seated female nude; oil on canvas, bears inscription on the reverse, 108.5x69cm., (part unframed) (6) (may be subject to Droit de Suite)
A R Stradling, British, early-mid 20th century- "Mt Kenya from Nairobi River"; oil on canvas, signed and dated 1927, in a glazed gilt oak reeded moulding frame, 54x72.5cm: A Dürler, mid 20th century- Floral still life; oil on panel, signed and dated 47, 57x50cm: H Vekaart, mid 20th century- Still life with an African mask; oil on canvas, signed, 56x46cm: British School, early-mid 20th century- Self portrait of the artist, (recto), Village landscape, (recto); oil on canvas, 46x36cm: Muriel Copnall, British, early 20th century- Floral still life; oil on canvas, signed, 46x36cm., (5) (may be subject to Droit de Suite)
M Moretti, Italian, mid-late 20th century- Tranquil Mediterranean fishing harbour; oil on canvas, signed, 50.5x71cm: Northern European School, mid-late 20th century- Figures on a quayside with moored fishing vessels; oil on canvas, signed, 61.5x76.5cm: June R Bartlett, British, mid-late 20th century- "Finca Concas, Puigpunyent, Mallorca"; oil on canvas, signed and dated 79, 63x76cm: 20th Century- Steps to a garden, (recto), Street scene, (verso); oil on canvas, 62.2x51cm: Migliaccio, Italian, mid-late 20th century- "Costa Amalfitana"; oil on canvas, signed, 50x60cm: W A Winder, British, mid-late 20th century- Coastal landscape; oil on board, signed and dated 1958, 56x83cm: A Zwanenberg, mid-late 20th century- Floral still life with a jug; oil on canvas, signed, 50.5x60.5cm., (7) (part unframed) (may be subject to Droit de Suite)
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![EVA HOLUSA MAKK [1933-], OIL ON CANVAS, 24" X 36", STILL LIFE: Signed lower left, framed.](http://lot-images.atgmedia.com/SR/33875/2886779/1141-2013617121737_468x382.jpg)