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Lot 1106
Johann Nepomuk Mayrhofer (1764-1832) AustrianA still life of variegated Tulips, Narcissus, Roses and Convolvulus arranged in a wicker basket on a stone ledge with butterflies feeding and in the surroundingInitialled, oil on canvas, 44cm by 36.5cmFootnote: Mayrhofer, whose work often reveals the influence of early Dutch masters such as Ambrosius Bosschaert, was highly regarded in his time for fruit and flower pieces which, according to The Dictionary of 19th Century Austrian Painters, ‘he managed to render with great realism and an extraordinary freshness in the colours thanks to his great technical skills’.Condition report: In fully restored condition, relined, cleaned and revarnished. The brown to rust coloured butterfly at the top of the arrangement is likely strengthened throughout. The dark green and shadowy leaves approx. 1/3 down of the arragnement on the left hand side have likely been strengthened as have some of the corresponding dark green silohuettes of foliage between Delphiniums and the prominent Tulip forming the finial of the display. The upper right hand side of the monogram on the horizonal has been delicately retouched. There are approx. 3 tiny retouches within the outer petals of the prominent central pink Rose laid on the stone top and within the leaf right and below of this. There is little further to discern under a UV light but it does not exclude the possiblity of further considered intervention - for example there is a subtle but slightly incongrous looking essentialy rectangular patch of darker paint at the tip of the delicate sprig on the right hand side of the decoration and detailing to denote the dark purple Tulip on the right hand side which could have also recvied a degree of restoration. A band of medium sized craquelure to centre of stone ledge which is beginning to show signs of lifting. Light surface dirt and discoloured varnish.
Lot 30
{} A Royal Worcester Porcelain Cream Jug, 1924, painted with a still life of fruit on a mossy ground within gilt borders, indistinctly signed, printed mark in puce, 10.5cm high; A Similar Pedestal Bowl, 1925, painted by Harry Ayrton, signed, printed mark in puce, 10cm diameter; and A Square Dish, 1933, by Edward Townsend, signed, printed mark in blue, 12cm wide (3)Condition report: The Jug with numerous wear patches of gilding on the top rim, some minimal scratching to the enamel, the other two pieces with very light gilt wear and very light enamel scratches, no crazing, no restoration
Lot 33
{} A Royal Worcester Porcelain Oval Dish, painted by Thomas Lockyer, 1931, painted with a still life of fruit on a mossy bank within a shaped gilt gadrooned border and shell handles, on a circular pedestal foot, signed, printed mark in puce, 32cm wideCondition report: Typical minimal surface wear, no crazing or restoration
Lot 34
{} A Royal Worcester Porcelain Oval Dish, by Thomas Lockyer, 1932, painted with a still life of fruit on a mossy bank within a moulded and gilt gadroon border and shell handles, signed, printed mark in puce, 32cm diameterCondition report: Tight hairline crack to the rim, some minor crazing, small crack to the apple on the right hand side, no restoration
Lot 133
James Noble (British, 1919-1989: roses in a glass vase, still life, signed lower left, further signed, inscribed and dated 1979 on the reverse, oil on panel, 24 by 19cm, framed, 36 by 31cm, together with a group of related ephemera including two exhibition booklets dated 1980 and 1985 at E. Stacy-Marks Limited, various Christmas cards from James and Wendy Noble, photographs of some of his paintings, some signed, a 1990 calendar and two letters.
Lot 82
A pair of still life paintings of fruit, comprising a painting of peaches and grapes, oil on canvas, signed 'A. J. Moisen' to the lower right corner, a/f, 21.5 by 26.5cm, framed, 40.2 by 45.5cm, together with a still life of apples and grapes, oil on canvas, signed 'Isabel Moisen' to lower right corner, 21.5 by 26.5cm, framed 40.2 by 45.5cm. (2)
Lot 1212
A Collection of Books by or About the Powys Family, to include Lyttleton C. Powys 'Still the Joy of It', Malcolm Elwyn 'The Life of Llewelyn Powys', Elizabeth Myers 'The Basilisk of St James's', G. Wilson Knight 'The Saturnian Quest', 'Dogs' Eggs - Part 1' (Count Potocki of Montalk)(pirated first edition by The Shack Press, No 21 of 150 copies, 'The Cry of a Gull' (Alyse Gregory), linocuts by Alan Richards, pub 1973 The Ark Press and 'Wheels on Gravel; by the same author, 1938 first edition, etc. (Two Boxes)
Lot 371
Patrick Procktor (1936-2003) - Still life flowers in a vase, lithograph printed in colours, signed and numbered 14/150 in pencil to the lower margin, the full sheet 77.5 x 57cmCondition report: Unframed.Colours good, strong and original.No foxing.Paper good and flat.Over in very good and original condition.
Lot 327
Oil on paper painting of a still life of a house interior depicting a window, a radiator, and several paintings hanging on the wall. Illegibly signed along the lower right corner. With a stamp along the verso.Unmatted; Height: 5 3/4 in x width: 12 3/4 in. Matted; Height: 11 in x width: 18 in.
Lot 334
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Bamboo Still Life," depicting a vase of bamboo shoots. Silver gelatin print. Signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 18 3/8 in x width: 13 3/4 in. Matted; height: 23 1/2 in x width: 18 3/4 in.
Lot 406
Stuart Carson Edie (American, 1908-1974). Oil on canvas titled "Small Still Life," depicting an abstracted still life on a green and ocher background. Initialed along the lower right.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 24 1/2 in x width: 26 in. Framed; height: 25 1/4 in x width: 27 1/4 in.
Lot 476
Royal Worcester Hand Painted Cabinet Plate Made For Davis Collamore & Co, New York. Date Mark for 1883. Diameter 9.25 Inches - 23.10 cms + A Further Royal Worcester Hand Painted Cabinet Plate ' Rose ' Still Life. Signed E. Phillips, Date 1915. Diameter 8.5/8 Inches - 21.30 cms. Both Cabinet Plates In Excellent Condition.
Lot 6426
RODNEY JOSPEH BURN RA (1899-1984) Still Life with classical head. Signed and dated 'Burn' 40. Watercolour pen and ink. Burn studied at the Slade school under Henry Tonks, Walter Russell and Philip Wilson Steer and held teaching posts at the Royal College or Art before after World War II and at Camberwell School of Art. His work is in the Government Art collection, the Tate, the Manchester Art Gallery and The Courtauld 35cm x 25cm
Lot 6427
RODNEY JOSEPH BURN RA (1899-1984) Still Life with fruit and plate. Signed and dated 'Burn' 40. Watercolour pen and ink. Burn studied at the Slade school under Henry Tonks, Walter Russell and Philip Wilson Steer and held teaching posts at the Royal College or Art before after World War II and at Camberwell School of Art. His work is in the Government Art collection, the Tate, the Manchester Art Gallery and The Courtauld. 34.5cm x 24cm
Lot 6430
TIMOTHY FRANCIS GIBBS (1923-2012) 'Abstract Still Life', watercolour signed and dated '90, in glazed gilt frame, 53cm X 35.5cm. A graduate of Ruskin College, Oxford he exhibited regularly at the Leicester Galleries. He lived near Great Bardfield and his work is in the Fry Gallery, the National Museum of Wales and the Government Art Collection. 53cm X 35.5cm
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77111 item(s)/page