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Lot 1
David Hockney Figure with still life, from The Blue Guitar (S.A.C. 208) etching and drypoint in colours, 1976-77, on wove paper, signed in pencil, numbered 10/200 (there were also 37 artist's proofs), published by Petersburg Press, New York and London, with full margins, in very good condition P. 425 x 345mm., S. 530 x 460mm.
Lot 1
William Scott Still Life with pot and bowl screenprint in colours, 1970, on wove paper, signed and dated in pencil, numbered 9/100, with margins, two pieces of mounting tape at the upper sheet edge on the reverse, a very soft crease in the lower margin extending into the image, a small pale stain at the lower sheet edge, occasional soft creasing in the margins, an ink stain on the reverse, otherwise in good condition L., 592 x 775mm., S. 705 x 1005mm
Lot 1
William Scott Still Life lithograph in colours, 1973, on wove paper, signed and dated in pencil, inscribed a.p., an artist's proof aside fro the edition of 250, with full margins to the top, left and right and printed to the edge of the sheet at the bottom, scattered foxing in the margins at the sheet edges and on the reverse, a few small stains in the right margin, a crease at the extreme right sheet corner, otherwise generally in good condition L., S. 673 x 885mm.
Lot 1
Georg Muche, 1895-1987 composition oil on canvas 51 by 70.4cm.; 20 by 27Nin. Painted circa 1914-17. There is a Still Life on a Table painted on the verso. From 1913-14, Georg Muche studied at the private academy in Munich run by Anton Azbe where Kandinsky had also studied. In 1915, Muche came into contact with the Sturm Gallery in Berlin, renowned for its commitment to promoting Avant-Garde art in Germany. The gallery was associated with the Blaue Reiter group who formed by Kandinsky, Franz Marc and Gabriele MŸnter in opposition to what it saw as increasing conservatism of the Neue KŸnstlervereinigung. In 1917, Muche's first exhibition was at the Sturm Gallery alongside Max Ernst and Paul Klee. Provenance Private Collection, UK (for 30-40 years)
Lot 1
FELIX S BERNASCONI, ARCA, SIGNED WATERCOLOUR AND GOUACHE, vignettes of footballers of the 1950s with goal net background, 18" x 23" #350-400 NOTE: POSSIBLY PAINTED FOR THE FOOTBALL AND THE FINE ARTS COMPETITION FOR PAINTERS SCULPTORS AND OTHER ARTISTS SPONSORED BY THE FOOTBALL ASSOCIATION AS PART OF ITS 90TH ANNIVERSARY CELEBRATIONS IN 1953 (see further attached details)226. FELIX S BERNASCONI, ARCA, WATERCOLOUR AND GOUACHE, a footballer (probably Stanley Matthews) leading out his team with crowd in background, 21" x 14" #350-400NOTE: POSSIBLY PAINTED FOR THE FOOTBALL AND THE FINE ARTS COMPETITION FOR PAINTERS SCULPTORS AND OTHER ARTISTS SPONSORED BY THE FOOTBALL ASSOCIATION AS PART OF ITS 90TH ANNIVERSARY CELEBRATIONS IN 1953 (see further attached details)229. L H, INITIALLED, EARLY 20TH CENTURY ENGLISH SCHOOL OIL, still life study of flowers in a jug on a table, (see original artist's label verso), 24" x 17"
Lot 1
A Crown Derby ovoid-shaped two-handled vase and cover circa 1882 by James Rouse Senior, signed, painted with an oval panel of a still life of flowers on a ledge to one side and fruit to the other, each within a gilt sunburst reserve against a ground of vertical gilt stripes, between moulded blue acanthus leaves, loop handles, domed cover and square base gilt painted and red script factory marks 24cm., 9Iin. high minor wear to gilding, faint hairline to cover (2) A similar pair of vases are illustrated by J.Twitchett and B.Bailey, Royal Crown Derby, p.49.
Lot 1
Edward Maxwell Fry, R.A., A.R.I.B.A.- 'Still Life I'; oil on canvas, signed and dated '73, 35.7x45.3cm: together with one other still life study in oils on canvas, and three landscape studies in pencil and black chalk, all by the same hand, all signed and dated: together with a coastal scene in oil on board by Gerald John Sutton, (6)
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77111 item(s)/page