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Lot 114
After C. Henderson, ‘Going to the Moors’, a fine Victorian coloured lithograph, inscribed ‘Fores’s Sporting Traps, published 1847, 650cm x 80cm; also ‘Love in the Mist, after George Holliday, limited edition print; and a Still Life of Jars and Oranges, watercolour, initialed WE, 1932 (3)
Lot 324
Frank Griffith (1889�1979) Oil, Framed. "Farm Yard". Measures 68cm by 53cm. Highly individual painter and draughtsman of portraits, landscapes and still life, born in north Wales, who initially trained with W Beach in Folkestone. A friend of his parents, the painter Th�o van Rysselberghe, suggested that Frank should study in Paris at La Palette and with the important theorist and member of the Nabis, Maurice Denis, at L�Acad�mie Ranson. The rather diffident Griffith�s friendships with Andr� Dunoyer de Segonzac, Roger de la Fresnaye and Paul Signac in Paris and in England with the Camden Town Group painters Charles Ginner and Walter Sickert, with whom he studied, helped him develop as an artist. Griffith travelled extensively in England and on the continent. Exhibitions included Baillie Gallery, London Salon, RP and RBA.
Lot 509
1954 BSA GOLDEN FLASH PLUNGER 650cc Registration No - SHU 667Engine No - BA10 9259 Frame No - BA7.S.12122The BSA Golden Flash was the first model in the BSA A10 series and part of its design brief was it should be able to achieve 100 mph plus enabling it to compete with the Triumph range. The A10 series in various guises ran until 1963 when it was superseded by the unit construction A65. First registered in Bristol on the 26th March 1954, this Golden Flash has spent the whole of its life in Bristol and the surrounding area. It was restored 12 years ago over a five year period to concours condition by an ex Rolls Royce aircraft engineer who worked for BAC Bristol. As testament to a true craftsman, this bike still looks good finished in the black 1954 home market colour option for those riders who felt the Gold option was a bit too bright for them. This lovely bike has completed very few miles since and has recently formed part of a large collection of classic vehicles. Prior to going back on the road, it may require some recommissioning and the usual safety checks due to lack of recent use.Comes with - V5C and an extensive history file containing: original buff logbook, photocopy of its original registration from the Bristol Records office, old Tax discs and MOTs, restoration receipts, BSA Owners Club authentication letters for the DVLAEstimate: £4,000 - £5,000
Lot 1653
BEREUTER, JOACHIM (1946), "Stillleben mit Kupferpfanne, Zwiebeln und Knoblauch", unten rechts signiert: "Joachim BEREUTER", Öl auf Leinwand, HxB: ca. 24,5 x 30,5 cm (HxB Rahmen: ca. 38,5 x 44,5 cm). Alters- und Beriebspuren. Mit Rahmen.| BEREUTER, JOACHIM (1946), "Still life with copper pan, onions and garlic", signed lower right: "Joachim BEREUTER", oil on canvas, HxW: approx. 24.5 x 30.5 cm (HxW frame: approx. 38.5 x 44.5 cm). Signs of age and rubbing. With frame.
Lot 748
Extensively modified all-steel Mexico powered by a 2-litre Vauxhall 'red top' engine. Previously MSA-papered and from long term ownership. The Ford Escort Mexico was introduced in November 1970 and was so named because of Ford Motor Company's victory in the World Cup Rally which started in London on 19th April 1970 and finished some 16,000 miles later in Mexico. Originally, Ford intended to use Escorts with the Twin Cam or BDA engine, but after some local reconnaissance, it was decided that high speeds and large power outputs were less important than reliability and ease of servicing, and therefore the Kent pushrod engine was used in the Escort shell. It seems likely that Ford already had plans to produce a high-performance Escort to fit in the range between the 1300GT and the Twin Cam/RS1600, but their victory in Mexico provided an ideal platform to launch such a model. The engineers at the newly formed AVO (Advanced Vehicles Operations) quickly developed the Mexico, marrying the Type 49 bodyshell, as used in the Twin Cam and RS1600 with the 1,600cc Kent crossflow engine and 2000E gearbox. So, effectively, the Mexico was basically a re-engined Twin Cam/RS1600. The Mexico became AVO's most successful and numerous of the 'Rally Sport Escorts,' and had a number of advantages on the road in that it had excellent performance, was easy to maintain, relatively easy to insure, and above all, it was great to drive, something which is still true today.ODJ 888L is a UK-supplied Escort Mexico and was first registered on 1st September 1972, originally finished in Sunset Red with the signature white stripe. It passed through the hands of a few different custodians before it was purchased by our vendor around 25 years ago.He was keen to take up rallying and decided to rebuild the car and hopefully be competitive on the club rallying scene, so the shell was fully rebuilt with steel bubble arches and refinished in Ford Motorsport White. The decision was taken to fit a Vauxhall 'red top' 2-litre engine which offered 150bhp in standard tune, a lot more power than the Ford 1600 'crossflow' and was permitted in the rally regulations at the time. This was coupled to a Quaife Professional 5-speed gearbox and through a bespoke propshaft to an English LSD back axle. Other modifications and upgrades included an aluminium radiator with built-in fan, a two and a quarter turn 'quick-rack', a biased pedal box, adjustable Bilstein suspension, an aluminium fuel-cell with twin Facet fuel pumps and the car now sits on a set of wide gold Minilite replica alloys which certainly fill the arches.The little Mexico ran well for our amateur rallying racing custodian who enjoyed many seasons with it, but it has not seen a competitive life for a few years. Clearly its MSA papers have expired but we believe it would not take much to get this cracking entry-level package back on track and what lot of fun for a very sensible outlay.Specification Make: FORD Model: ESCORT MK1 MEXICO Year: 1972 Chassis Number: BFATME00497 Registration Number: ODJ 888L Transmission: Manual Drive Side: Right-hand Drive Make: RHDClick here for more details and images
Lot 460
Noel Henry Leaver ARCA (British, 1889-1951)- North African Street Scene - An early 20th century watercolour on paper. Signed lower right. Framed in gilt frame. Notation to verso. Measures approx. 30cm x 50cm. Noel Leaver - Noel Henry Leaver (1889 - 1951). Born in Austwick, Yorkshire in 1889 but is better known as a Burnley artist. He started his training as an architect and became one of the youngest ever pupils of the Royal College of Art when he started his studies at 16. His earlier paintings are softer and looser than his later more accomplished works, but still show his fine understanding of detail and construction. Particularly known for his treatment of skies. Leaver won numerous scholarships and travel bursaries and used them to travel to visit Europe and Northern Africa. His earlier works in which he is still developing his style are usually signed in mixed lower & upper case Noel H LEAVER ARCA. In later life he usually signed in capitals NOEL H LEAVER, dropping the ARCA. Leaver is probably most famous for his Middle Eastern views. These are his North African based works with their distinctive vivid blue skies, arches and mosques. He is known to have widely exhibited throughout the North East, North West and Yorkshire. Cyril Hardy is believed to be a pseudonym for Noel Harry Leaver and there is much discussion as to identity of the artist Cyril Hardy however, it is well known that an artist who was contracted to paint for a certain gallery would produce work in another name to sell privately.
Lot 389
An early 20th century continental oil on board still life of flowers painting in gilt frame inspired by the Italian Masters. The painting depicting a highly detailed bouquet of flowers in vase with nest of quail eggs to side. Unsigned. Framed in cassetta frame. Painting measures approx. 90cm x 60cm, 113cm x 81cm to include frame.
Lot 518
Noel Henry Leaver (British, 1889-1951) - A Scene of a citygate - a watercolour on paper painting. Signed lower left. Framed. Measures approx. 36cm x 52cm. Noel Leaver - Noel Henry Leaver (1889 - 1951). Born in Austwick, Yorkshire in 1889 but is better known as a Burnley artist. He started his training as an architect and became one of the youngest ever pupils of the Royal College of Art when he started his studies at 16. His earlier paintings are softer and looser than his later more accomplished works, but still show his fine understanding of detail and construction. Particularly known for his treatment of skies. Leaver won numerous scholarships and travel bursaries and used them to travel to visit Europe and Northern Africa. His earlier works in which he is still developing his style are usually signed in mixed lower & upper case Noel H LEAVER ARCA. In later life he usually signed in capitals NOEL H LEAVER, dropping the ARCA. Leaver is probably most famous for his Middle Eastern views. These are his North African based works with their distinctive vivid blue skies, arches and mosques. He is known to have widely exhibited throughout the North East, North West and Yorkshire.
Lot 351
Alberto Morrocco R.S.A., R.S.W. (Scottish, 1917-1998) Still life with Striped Cloth Signed and dated 'Morrocco - 84/86' (bottom right) Framed & glazed 72cm x 120cm (28.5" x 47") A late 20th century 1984-86 oil on board still life painting by Scottish artist Alberto Morrocco. The painting depicting a still life with table, flower vase & striped cloth. Framed & glazed with label to verso for British Art Galleries, Royal Academy of Arts. 'I became much more conscious of the formal values that a still-life can actually give freedom for - so that I began to look at still-life from this point of view, not simply depicting a few apples or oranges or a couple of jugs and so forth, as a kind of theme - but simply the relationship of the shape of a jug to the shape of a compote or the shape of a pear or the colour of a few objects on a white table-cloth against something in the background. You can actually use the shapes within a still-life just as you would in an abstract because they don't necessarily have to tell any story - apart from their own existence' (C.Young and V. Keller, Alberto Morrocco 1917-1998, Edinburgh, 2008, p. 92). This lot is subject to Artist's Resale Right.
Lot 1350
After Vladimir Tretchikoff (Russian, 1913-2006) "The Chinese Girl", a vibrant portrait of a woman with red lipstick constrated against her blue tinted skin, print, in moulded frame, 56 cm x 66 cm overall[Tretchikoff was a self-taught artist who painted realistic figures, portraits, still life and animals, with subjects often inspired by his life in China, Singapore, Indonesia and South Africa. This print in particular was one of the best selling art prints of the twentieth century.]
Lot 1064
Continental School (20th Century)Still life of peonies and other summer flowers in a vaseIndistinctly signed, oil on canvas, 70cm by 80cmLight surface dirt. Some areas of thin paint across canvas, some by design, some possible rubbing (particularly evident in lower right hand corner) and elsewhere. Small sporadic patches of craquelure, mainly contained to the pale brown pigments. Plack paint? splatter marks in the lower left hand portion of the picture. See images. In an overall good state of preservation. Not examined under UV light.
Lot 1090
A Quantity of Decorative Prints and Pictures, to include an oil painting of a Parisian cafe scene, watercolours depicting a moored boat, a still life of roses in a vase, and a rural winter landscape respectively, and various colour reproductions of landscapes and ornithological subjects, etc...(qty)
Lot 162
Coalport - A 19th century hand painted fine bone china porcelain lidded vase. The vase of squatted baluster shape with circular lid. Pale mint green ground with front gilt framed vignette depicting an intricate game birds still life. At the back a woven basket with ribbon & hat framed by swags of roses & floral garlands. Makers marke to base. Measures approx. 11cm tall, 11cm in diameter.
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