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Lot 73
*JAMES ORR (SCOTTISH 1931 - 2019), STILL LIFE WITH A BOAT oil on board, signed, further signed and titled label verso 30cm x 35cm Framed Note: James Orr was a regular and successful contributor to The Scottish Contemporary Art Auctions. A modest man when it came to his own achievements, his work is held in the collection of HRH Duke of Edinburgh and in many private collections across the world. He won several awards for his work, including the RGI’s Royal College of Physicians & Surgeons of Glasgow Award. His paintings have given and continue to give great pleasure to many people. Renowned for his kindness and generosity, he also nurtured many budding artists and gave his time generously through artist demonstrations for many art clubs across Scotland. James is much missed by all at McTear's.
Lot 19
Mark VUKOVIC (1892 - 1973). Stillleben. Tee Set, Wasserglas, Blumen. 12 cm x 14 cm. Gemälde. Öl auf Holz. Links unten signiert. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Mark VUKOVIC (1892-1973). Still life. Tea set, water glass, flowers. 12 cm x 14 cm. Painting. Oil on wood. Signed lower left. Shipping of this object by a third party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Lot 68
Thomas HEESAKKERS (1946). Blumenstillleben. 80 cm x 70 cm. Gemälde. Öl auf Leinwand. Rechts unten signiert. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Thomas HEESAKKERS (1946). Still life with flowers. 80 cm x 70 cm. Painting. Oil on canvas. Signed lower right. Shipping of this object by third party possible. A list of selected trustworthy shipping partners is included with every invoice. The auction house does not ship.
Lot 69
Thomas HEESAKKERS (1946). Musikalisches Stillleben. 60 cm x 70 cm. Gemälde. Öl auf Leinwand. Rechts unten signiert. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Thomas HEESAKKERS (1946). Musical still life. 60 cm x 70 cm. Painting. Oil on canvas. Signed lower right. Shipping of this object by third party possible. A list of selected trustworthy shipping partners is included with every invoice. The auction house does not ship.
Lot 71
Hartger VAN BRAKEL (XX). 3 Gemälde. Sommer- und Winter Landschaft und Blumenstillleben. Bis 30 cm x 30 cm. Gemälde. Öl auf Holzplatte. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Hartger VAN BRAKEL (XX). 3 paintings. Summer and winter landscape and still life with flowers.Up to 30 cm x 30 cm. Paintings. Oil on wood panel. Shipping of this object by a third party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Lot 1332
THIRTY-FIVE EGYPTIAN FAIENCE AND STONE MINIATURE SEALS AND BEADS Egypt, 18th cent BC and later. This lot comprises of thirty-five miniature scarab seals made from steatite, stone and faience as well as miniature stone and steatite beads. One of them glazed in a beautiful malachite colour. Engraved impressions of hieroglyphs and auspicious symbols are still very crisp. All pieces with a hole to suspend them on a necklace or hang them around the wrist so that they were always available when needed. The scarab was one of the most popular talismans in ancient Egypt, the insect itself was a symbol of the sun God Re. Ankh and djed symbols (representing eternal life and stability, respectively) are often engraved on Egyptian scarab seals. Provenance: Estate of Dr. Ernst Eichler (1932-2018), Vienna, Austria. Condition: Good condition commensurate with age. Dimensions: Length 1 - 2.5 cm
Lot 974
WATERCOLOR WITH FLOWER STILL LIFE – ATTRIBUTED TO LE PHO (1907-2001) Vietnam, 1907-2001. Watercolor on paper, framed. Bright still life painting showing a vase with flowers, artist signature to the lower left. Condition: Good condition, the frame scratched and with losses. Provenance: Austrian private collection. Dimensions: Total size 73 x 60, image size 49 x 38 cm
Lot 454
MARY CLARKE; watercolour, ‘Down the Astro Paths Hadderleck’, signed lower right, 29 x 39cm, framed and glazed, together with a mixed media depicting the interior of a church, 28.5 x 22.5cm, and a further watercolour, still life by A H Hopkins, signed lower right, 32 x 34cm, inset within ornate gilt frame.Additional InformationGeneral wear throughout, a couple of the frames with numerous knocks, excluding the ornate gilt example. Foxing is evident on a couple of the examples.
Lot 522
CATHERINE WARBURTON; watercolour, still life, signed lower right, 57 x 62cm, together with a further watercolour by Gillian French, Victorian still life, 19 x 24cm, each framed and glazed. (D)Additional InformationMain images are fine with minimal wear to the frames.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 535
BRUNO GUAITAMACCHI (1931-2005); oil on canvas, still life, signed lower right, 40 x 29.5cm, also a smaller oil on board by the same artist, still life, 49 x 19cm, and an oil on board 'Broken Water', indistinctly signed, possibly Maria, each framed (3). (D)Additional InformationMinimal wear, light scuffs and scratches to frames.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 543
C HILL (20th century); oil on canvas, still life, signed lower left, 24.5 x 29cm, framed, also a further oil on canvas depicting figures in a Continental street scene, indistinctly signed, possibly Deak, 50 x 60cm, framed, each bears Unicorn Gallery label verso (2).Additional InformationLarger canvas with creases to the canvas and areas of loss, minor knocks to the frame on each.
Lot 545
CATHERINE GUERIN; a pair of oils on board, still life studies of flowers, both signed, 23 x 17cm, framed. (D)Additional InformationVery slight flaking to the surface. Frames have some losses to gilt decoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 416
TWO STILL LIFE NETSUKE Unsigned Japan, 19th century The first depicting a lotus pod with movable inlaid seeds and a lotus leaf wrapped around a fish. The second depicting a large chestnut with a smaller one carved on top. LENGTH 4.8 - 5 cm Condition: Each in good condition with associated wear. Provenance: German private collection, acquired in Japan in the 1980s/90s.
Lot 498
HOKKEI: A SURIMUNO OF AUBERGINES IN A BASKET By Totoya Hokkei (1780-1850) Japan, Meiji period (1868-1912) A still-life color surimono depicting three eggplants, two of them in an openwork basket colored with metallic pigment. A verse in calligraphy is written above. From the set of Three Lucky Dreams originally published in late 1820s. Framed. SIZE 22 x 18 CM Condition: Very good condition, color and impression, with minor browning and wear. Provenance: From the collection of Ernst Michel (d.1949), an architect working in Germany in the first half of the 20th c. and involved with Walter Gropius and the Bauhaus Movement.
Lot 26
◆ GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) A STILL-LIFE OF FRUIT AND GREEN JUG Oil on panel(46cm x 37.5cm (18.1in x 14.8in))Note: This charming still-life has an important provenance, having come from La Colombe d’Or. It is now a top-quality hotel and restaurant destination in Provence, where guests and visitors can enjoy its significant collection of twentieth-century art as they dine and relax. Yet in the late 1920s when Hunter frequented it, La Colombe d’Or was a humble inn, where an artist could rent a room and studio with board, for a reasonable price and including the relative luxury of regular hot water. These pleasant surroundings, home comforts and regular meals were exactly what the notoriously erratic Hunter needed to feel steady and allow himself to focus on the great inspiration he was finding in the South of France, a place of glorious vistas and sun-soaked days.The proprietor of this institution was Paul Roux and with a particular interest in art and as an amateur painter himself, he often accepted paintings in lieu of payment from his artistic guests and residents. Many of these then struggling artists went on to be significant players in the story of twentieth century art – Picasso, Braque, Miro, Matisse and Alexander Calder, creating the basis of the art collection as it remains now. We can only imagine that Hunter handed this painting over on a similar basis, as we know the management of money was not his strong suit when faced with great artistic inspiration.Hunter returned to still-life compositions throughout his career, often re-using objects in different iterations to generate the effect he was looking for. Here, the simple outline and two-tone colour of the jug fill the composition but this simplicity is enlivened with Hunter’s expressive brushwork both in and around the object while the composition is brightened with the inclusion of various colour-rich fruit in the foreground. Hunter achieves a sense of balance across the composition as the vertical lines of the table edge and the white canvas in the background intersect behind the jug, drawing our attention inwards. As we might expect from a Scottish Colourist, Hunter plays with colour here, juxtaposing the deep green jug with the zingy orange fruit and incorporating dashes of purple, yellow and blue-grey into the backing wall, and to gently suggest the patterned tablecloth. Hunter is at his most subtle here and with this sophistication, the more you look the more there is to see.
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77111 item(s)/page