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Lot 476
William Clegg, British, early-mid 20th century "On the Devon Moors"; watercolour, signed and dated 1926, bears label for Neil Morgan, Merseyside, attached to the reverse of the frame, 32x50cm: John Marshall Jowett, British act 1900-1924- A rocky shore; watercolour, signed, 27x39cm: Henry J Recknell, British, late 19th/early 20th century- Storm along a shore; watercolour and gouache, signed, 25x46cm: Late 20th/early 21st century- Still life with a pewter flagon and oysters; oil on canvas, 40x30cm., (4) (may be subject to Droit de Suite)
Lot 482
S Fitoussi, French, mid-late 20th century- Architectural study; oil on canvas, signed, 65x54cm: J Myerson, British, mid 20th century- Formalist cityscape; oil on canvas, signed, 51x60.5cm: 20th Century- Roses in a vase; oil on panel, 45.5x30.5cm: British School, mid 20th century- "Last Year in Blackpool- Us"; oil on canvas board, 68x22cm: Mid 20th Century- Interior scene with chairs and a table; oil on board, bears inscription on the reverse, 61x42cm: J Myerson, British, mid 20th century- The Survivors"; oil on canvas board, signed and titled on the reverse, 50x60cm: Robert A Farquhar, British, mid 20th century- "Still Works, Night"; oil on board, signed, titled and dated May 1962 on the reverse, 53.5x68.5cm: D J Avery, Zimbabwean, mid-late 20th century- "Aloes on the Wall, Zimbabwe"; watercolour, signed and dated 59, bears label attached to the reverse of the frame, 41x41cm: Stanley Johnson, mid-late 20th century- Untitled abstract composition; gouache, signed and dated 1959, 43x63cm: Late 20th Century- Figures on a beach with seagulls; watercolour and mixed technique, 40.5x57cm: together with three other works in oil, mixed media and watercolour by different hands, to include a life study, a portrait and an abstract, various sizes, (13) (part unframed) (may be subject to Droit de Suite)
Lot 523
Ursula Vivian McCannell ARCA WICA, British b.1923- "Flowers in a vase", c.1945-50; oil on board, signed, 76x61cm. Provenance: with Peter Dryden, Bath, according to label attached to the reverse: E Couver, European School, mid 20th century- Floral still life; oil on canvas, 50x70cm: L Marchetti, Italian, mid-late 20th century- A country lane in winter; oil on board, signed, 48.5x33.5cm: A Parrazzi, mid-late 20th century- Chickens in a farmyard; oil on canvas, signed, 50x70cm: Lino Laguel, mid-late 20th century- An old mill; oil on canvas, signed, 70x50cm: together with two oval gilt framed and glazed chromolithographs, 26x21cm., ea., (7) (may be subject to Droit de Suite)
Lot 536
British School, mid 20th century- Still life of poppies; oil on canvas, signed indistinctly `Caroline O`***`, 39x52cm: Delia Marr, British late 20th/early 21st century- Still life of flowers; watercolours, a pair, signed and dated 1987, in shaped mounts and matching glazed frames, ea. 51.5x37.5cm: together with two further watercolours by the same artist depicting a still life of flowers in blue and white vases and a portrait of a lady with a pearl necklace and earrings, both signed with initials and dated `88 and `94 respectively, 52x64.5cm and 62.5x52.5cm: together with five reproduction prints depicting Chinese sporting scenes, a Jax cartoon and a landscape scene, (10), (may be subject to Droit de Suite)
Lot 585
Bellini, Italian, mid-late 20th century- Two figures with bandaged heads and a bird; pen and black ink on buff paper, signed and dated 70, 48x69cm: together with three other pen and ink drawings by the same hand, one of a surrealist still life and two portrait subjects, each signed and dated 70, 48x69cm and 69x48cm., (4) (may be subject to Droit de Suite)
Lot 612
Martin Ware, British 1946- "Still Life With Two Birds"; etching with aquatint printed in colours, signed, titled and numbered 14/150 in pencil, 36.5x44cm: together with fourteen further etchings with aquatints printed in colours by the same hand, each signed, titled and numbered, some dated, various sizes, (15), (unframed), (may be subject to Droit de Suite)
Lot 617
Jenny Devereux, British b.1945- "Vase of Pansies"; watercolour, signed on recto and titled on verso in pencil, 8x3cm: together with thirteen further watercolours by the same hand and one reproduction print depicting flowers and still life subjects, some signed, some titled, various sizes, (15), (may be subject to Droit de Suite), (unframed)
Lot 620
Xavier Degans, French b.1949- Vase of lilies; mezzotint printed in colours, signed, titled, numbered 166/175 and dedicated in pencil, 63x47cm: Sarah Dunton, British b.1952- "The Dove"; etching with aquatint printed in colours, signed, titled and numbered 7/40, 14x12cm: together with a further etching printed in colours by the same hand entitled "Neoclassical Spring": Christopher Penny, British b.1947- "Ruined Croft"; etching with aquatint printed in colours, signed, titled, numbered 34/200,40x30cm: Arthur Byrne, British b.1947- "Garden 4", lithograph printed in colours, signed, titled and numbered 55/200, 29x21.5cm: together with seven further contemporary prints and watercolours depicting various scenes by different artists including examples by Annie West and C Penny and two mezzotints printed in colours depicting still life subjects with apples, various sizes, (17) (may be subject to Droit de Suite), (unframed)
Lot 147
* Italian School. A classical marble bust of a female on a plinth, flanked by two putti surrounded by flowers, 18th century oil on wood panel, surface poorly cleaned and abraded, indistinct early painted inscription to verso, 29 x 33.5cm (11.5 x 13.25ins), gilt moulded frame, together with a 20th century oil still life of flowers, in the antique manner, signed E. Lacroix lower right, 61 x 51cm (24 x 20ins), framed (2)
Lot 190
* Attributed to Margaret Holmes (1868-1961). Still life of apples, fine academic tonal pencil study on thick wove of an apple tree branch with two apples, with blindstamp E.S.K. at foot of image, sheet size 45 x 33cm (17.75 x 13ins). Margaret Holmes was one of the most successful pupils of the South Kensington Art School at the end of the 19th century, and won a Silver Medal and various other prizes and certificates. A similar group of her drawings were sold at Bonhams Knightsbridge on 21st June 2011 (lot 286). She taught art at Norwich Art School whose collections include a still life of geometric forms by this artist. (1)
Lot 439
* Henderson (Keith, 1883-1982). Sagittarius near Lake Naiyasha, c. 1970s, oil on board, signed, 48 x 59cm, together with Two Coppers on the Table, 1976, oil on board, still life with two butterflies, signed, 27 x 49cm, plus two others by Henderson, Warthog, and Bisa Oryx, both c. 1970s, both oil on board, one signed, all framed with gallery label verso (4)
![* Carline (Richard C., 1896-1980). Family group seated in the kitchen at number 47 [Downshire Hill, Hampstead, NW3], c. 1923-](http://lot-images.atgmedia.com/SR/10729/2868860/472-201312610239_468x382.jpg)
Lot 472
* Carline (Richard C., 1896-1980). Family group seated in the kitchen at number 47 [Downshire Hill, Hampstead, NW3], c. 1923-4, oil on canvas, unsigned, handwritten label verso identifies the figures at ‘George Junior, Hilda, Stanley Spencer, Mrs Carline (Anne) & Sydney’, 15 x 19 in (38 x 48cm), together with River Camp, oil on canvas, signed, depicting a canvas-covered river boat with figure seated on the bank, old handwritten label verso, 18 x 21 in (46 x 53cm), plus Still life with marble portrait bust, oil on canvas, signed verso, 18 x 15 in (46 x 38cm), matching modern wood and gilt frames. Painter, writer and administrator, Carline was born in Oxford. His father, George Carline, his mother, Anne, and brother Sydney, his sister Hilda (Mrs Stanley Spencer) and his wife, Nancy, were all painters. Carline served in World War I and was appointed an Official War Artist. With his brother he became noted for war pictures from the air. In the 1920s the Carlines’ Hampstead home became a centre for artists such as Henry Lamb, John Nash and Mark Gertler. During this period Carline was clearly influenced by Stanley Spencer, transforming everyday scenes into something monumental. The Imperial War Museum holds his work, including the outstanding and pioneering series of paintings, from World War I, based on observations made from aeroplanes. (3)
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77111 item(s)/page