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Click here to subscribeA Royal Worcester pear shaped bottle vase by Thomas Lockyer. With gilt ground neck and foot framing a central composition of still life fruit. Signed, printed puce mark, shape number 307, date code for 1935, 20.5cm. Condition Report. To be used as a guide only. Very good condition. No damage or repair.
John Ridgewell (1937-2004) Still life with wild flowers on a ledge before a surreal background Signed, oil on board, together with a study of snowdrops in a blue and white jug on a ledge by the same artist, 65cm by 60cm and 29.5cm by 24.5cm respectively (2) Provenance: From the Artist's Estate See Illustration Born in Essex in 1937, John Ridgewell studied at Colchester School of Art between 1954-8 where he was taught the skill of wood engraving by John O'Conner, who was related to the surrealist painter Paul Nash. In 1958 John entered the Royal College of Art aged just 21, he was a student at the same time as David Hockney and R B Kitaj. On graduation he accepted a position to teach at Scarborough School of Art from 1961-6, leaving to focus solely on painting. His artistic style was strongly influenced by the work of Georges Braque in 1956, who John admired throughout his life. John's distinctive artistic style developed during his time in Scarborough where he was inspired by the dramatic landscape around him. It was during his time in Yorkshire that John began to represent and interpret landscape in the surrealist style, which became characteristic of his work. Throughout his life he exhibited in mixed shows at the New Art Centre, Piccadilly Art Gallery and Royal Academy Summer Exhibition. He had a loyal connection with the Austen Hayes Gallery, York. Austen Hayes believed in John's work and held a number of one man exhibitions in the gallery in the 1960's. He also exhibited at the Grape Lane Gallery and Minstral Galleries.
Roger Silvester (1939-2016) ''Medway Industrial'' Signed in pencil, inscribed and dated (19)61, lithograph, together with a coloured lithograph entitled ''Brick Kiln'', a drawing of a still life with pigeon and a further lithograph of an industrial scene by the same artist 40cm by 55cm, 42cm by 54cm, 36cm by 49cm and 54cm by 76cm respectively (4) Exhibited: Pigeon II and Brick Kilns exhibited with Zillah Bell Gallery, Thirsk
C C F W still life "Apples on the ground", watercolour, initialled lower right "CCFW" together with a brass table lamp in the Italian Rococo taste, a peach ground glass table lamp with dimpled decoration, a 19th Century brown glass flagon with 'Whisky' stopper and a carved boxwood butter mould with scrolling foliate decoration
Frances Hodgkins (1869-1947) Still Life No. 3 signed in pencil (lower right), titled (to reverse) watercolour 45.5cm x 43cm. Provenance: Alix Strachey (née Sargant-Florence) and James Strachey (the brother of Lytton Strachey); Collection of Simonette Strachey, where bequeathed to the current owner.
Philip John Rundall (British, b. 1947)Fruit in basket with pink curtain, 1994, titled verso, 55 x 66 (21.6 x 26in); Still life with dagger, dated 1997, 45 x 48 cm (17.7 x 18.9in), signed lower right "Philip Rundall" and dated '94 and 1997, oil on board (2) Both framed. Condition appears fine. Fruit in basket inscribed with an old exhibition number 17. In a painted turquoise frame.
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