Martin Davis Flying The Flag, 2022 Acrylic and Gesso on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Martin Davis is an ex-firefighter turned artist. After university he spent more than 30 years in the fire & rescue service, during which time he found painting was a perfect antidote to the operational stresses of his working life. He committed himself fully to his art in 2008 after retirement and has spent the last 14 years finding his distinctive artistic voice. Martin is by admission an instinctive artist. Education He graduated from the University of Birmingham in 1976 (2.1 Economics) but in terms of art he is almost wholly self-trained, his only formal qualification being an Art GCE "O" level from his schooldays. Even so his artwork is bought by private collectors around the world and he has secured gallery space throughout the UK as well as in his native Derbyshire where he works from his home studio in Swanwick. Select Exhibitions/Awards Notable events: "Looking to the stars" Group Exhibition, Hornshaw Gallery, Brick Lane Gallery Annexe, Sclater Street, London 2016 Midlands Open Art Exhibition 2016, Tarpey Gallery, Castle Donington, Derbys Pentrich Revolution Bicentenary Group Exhibition 2017, various locations throughout the year Derbyshire/Nottinghamshire Great Sheffield Art Show 2017 & 2019, Open exhibition, Millennium Gallery, Sheffield. Summer/Autumn & Winter Exhibitions, D31 Art Gallery, Doncaster, 2021 Contemporary Portraits, Fronteer Gallery, Sheffield, 2021 Royal Cambrian Academy of Art Open Exhibition, Conwy, 2022 Salon Contemporary Arts 2022, Museum of Making, Derby 2022 Royal Academy Summer Exhibition 2022, London, Flux virtual Summer Exhibition 2022, Gallery Representation Salon Contemporary Arts, Derby Leabrooks Arts Complex, Leabrooks, Derbys Courtney Gallery, Ashbourne Derbys Hornshaw Gallery, London Statement about AOAP Submitted Artwork "Flying the Flag" is a good example of my figurative art as it is inspired by light, colour and a certain feeling in the composition which is almost wistful and surreal. My compositions are often associated with distant memories from childhood, here of hazy summers and the play of light and shadows. "Work-life balance dice" I guess is a still life, but a rapidly executed one. Much of my inspiration comes from words and phrases and modern concepts. I love to use the play of words against an image when on suggests the other, even out of it's usual context. Language and visual art are natural bedfellows. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Liz Marr Delphinus, 2022 Graphite and Oil Colour Pencils on Arches Signed verso 15 x 10cm (5¾ x 3¾ in.) About Liz Marr was born in the former USSR and immigrated to Israel as part of the infamous Russian Immigration Wave of the 90s. What she knew as life in the Soviet Union was actually a life of frequent traveling between Moscow and Samarkand. All that until the Soviet Union fell apart, Uzbekistan got its independence and she found herself in the periphery of Israel. Despite having drawn her entire childhood, her interest in mathematics and being an autodidact programmer led her to the beginning of a career in the Israeli startup scene. A career which she gladly left for studying arts after a few years. Still, her analytical background is an inherent part of her artistic process. Education BFA - Multidisciplinary arts. Shenkar Multidisciplinary Art School 2017-2021 MA - Philosophy. Tel Aviv University 2021 (ongoing) Select Exhibitions/Awards 2022 - Margaret and Sylvan Adams Prize for Emerging Artists 2021 - America-Israel Cultural Foundation Award for Outstanding Graduates 2021 - Salon - Braverman Gallery, Tel Aviv; Curator: Adi Gura 2021 - BFA exhibition, Shenkar Multidisciplinary Art School; Curators: Hannah Freund-Chertok, Gilad Efrat, Uriel Meron Statement about AOAP Submitted Artwork Études for larger oil paintings - an experiment implementing the grisaille glazing technique with graphite and oil color pencils. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Liz Marr Everything is Fine!, 2022 Graphite and Oil Colour Pencils on Arches Signed verso 10 x 15cm (3¾ x 5¾ in.) About Liz Marr was born in the former USSR and immigrated to Israel as part of the infamous Russian Immigration Wave of the 90s. What she knew as life in the Soviet Union was actually a life of frequent traveling between Moscow and Samarkand. All that until the Soviet Union fell apart, Uzbekistan got its independence and she found herself in the periphery of Israel. Despite having drawn her entire childhood, her interest in mathematics and being an autodidact programmer led her to the beginning of a career in the Israeli startup scene. A career which she gladly left for studying arts after a few years. Still, her analytical background is an inherent part of her artistic process. Education BFA - Multidisciplinary arts. Shenkar Multidisciplinary Art School 2017-2021 MA - Philosophy. Tel Aviv University 2021 (ongoing) Select Exhibitions/Awards 2022 - Margaret and Sylvan Adams Prize for Emerging Artists 2021 - America-Israel Cultural Foundation Award for Outstanding Graduates 2021 - Salon - Braverman Gallery, Tel Aviv; Curator: Adi Gura 2021 - BFA exhibition, Shenkar Multidisciplinary Art School; Curators: Hannah Freund-Chertok, Gilad Efrat, Uriel Meron Statement about AOAP Submitted Artwork Études for larger oil paintings - an experiment implementing the grisaille glazing technique with graphite and oil color pencils. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Bess Harding Not The First, 2022 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Bess Harding is an artist and illustrator, based in Worthing, West Sussex. Always creative, it took a few years of experimenting with different media to find her niche. She has been painting with oils since 2016, and is most interested in still life, with the odd seascape and landscape, and a more recent foray into semi-abstract work. She seeks to capture a feeling of calm grace and quiet composure no matter what the subject. Education Self-taught Select Exhibitions/Awards Columbia Threadneedle Art Prize (2018) Society of Women Artists annual exhibition (2019) Royal Society of British Artists annual exhibition (2020) - Dry Red Press Award ING Discerning Eye annual exhibition (2021) Royal Academy Summer Exhibition (2022) Gallery Representation Carina Haslam Art, Buckinghamshire The Mulberry Tree Gallery, Dorset Nadia Waterfield Fine Art, Hampshire The Art Buyer, Surrey Statement about AOAP Submitted Artwork Part of an ongoing series of 'Stolen Stems', flowers pilfered from gardens & hedgerows, and taped to a wall to sit for a portrait. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Peter Jones Duckling, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Peter Jones (born 1968, Birmingham, UK) studied fine art at Reading University (1988-1992) and now lives and works in Hackney Wick, London. In 1996 Peter was selected for the Whitechapel Open which marked the beginning of regular exhibitions at galleries in London and outside the UK. Peter held his first solo shows at FRED in London and concurrently at the sister gallery in Leipzig in 2006. The Monkey Paintings series first shown at these two exhibitions confirmed Peter's reputation as an artist and earned him an enthusiastic following. Almost all of the vintage toy subjects of these still-life paintings are collected by the artist for this purpose. Traditionally the monkey in art symbolised the primitive beast within us, and although the paintings by Peter Jones don't deny this inherent quality, they are by turns capricious, playful and vulnerable. The monkey paintings were followed by a group of lamb paintings, dog paintings and an ongoing series of various animal portraits including bunnies and birds. These particular subjects acknowledge and communicate the traditional art historical symbolism of innocence, faithfulness and love. After a hiatus of several years, the monkey series was renewed in 2016, and continues to be the artist's signature subject. Education University of Reading 1988-92 Select Exhibitions/Awards 2022, Call Me A Horse, Bark Gallery, Berlin 2021, A Generous Space, Hastings Contemporary 2021, Drawing Biennial, The Drawing Room, London 2020, Hastings Open, Hastings Museum and Art Gallery 2019, ING Discerning Eye, London 2019, Still-Here, Newington Gallery, London 2019, Summer Exhibition, Royal Academy, London 2019, Darlings of the Underground, Subsidiary Projects, London 2019 Drawing Biennial, The Drawing Room, London 2018 Summer Exhibition, Royal Academy, London 2017 Make_Shift, Collyer Bristow Gallery, London 2017 Nature Morte, Guildhall Art Gallery, London (Previously at Four Domes Pavillion, Wroclaw, Poland; Konsthallen-Bohuslans Museum, Sweden; Ha Gamle, Prestegard, Norway.) 2017 Drawing Biennial, The Drawing Room, London 2016 Models and Materialities, Bay Arts, Cardiff 2016 The Small Things Matter, solo show, Clifford Chance Pride Exhibition, London 2015 Drawing Biennial, The Drawing Room, London 2014 Picaresque, Ha Gamle Prestegard, Norway Gallery Representation Alveston Fine Arts, Oxmarket Contemporary Statement about AOAP Submitted Artwork The Winter Auction Duckling is modelled on a very small soft toy which I found in St Leonards-on-Sea on Tuesday 19th July, the day when summer temperature records were smashed across the UK. A few days later when I was back in the sweltering hot studio, I decided that this new addition to my collection of lost and orphaned toys would be the subject for my postcard contribution for this year's Winter Auction. Looking ahead to when the auction would be held, I imagined the Duckling in a cool wintery setting and posed him like a Snowman, as sweat dripped off me as I struggled to finish the tiny painting in the stifling heat of my small studio in Hackney Wick. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Kerry Louise Bennett Three Lemons, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes brightly coloured works loaded with texture and pattern. Her previous lives working in set design, upholstery, photography and as a writer, all feed into the semi-abstract interior and still life compositions she paints. Although she is largely a process led artist, an element of storytelling always emerges in her characterful paintings. Kerry's work is held in private collections in the UK, USA & Europe. Education University of Liverpool - Communications Studies (BA) Hallam University - Photography (CertEd) Shadwell College - Art Foundation Select Exhibitions/Awards New Platform Art professional development cohort 2022 Janet Rady Fine Art - Canivals of Clouds (Group show) March 2022 Hightgate Contemporary Art - Winter - Spring (Group show) Feb 2022 Cupola Contemporary Art - Scion (Group show) Jan 2022 Spring Cheltenham - Small Works (Group show) Dec 2021 The Dovecot Gallery - Portrayal (group show) Sept 2021 Gallery Representation Wychwood Art Statement about AOAP Submitted Artwork I was thrilled to be invited to contribute to this worthy cause and decided to showcase the colour pink in all my pieces - for me it is the most uplifting and impactful colour and even at this scale makes a lively statement. I chose to create two simplified tablescapes, one of my favourite compositional themes, and a pair of cups - one for tea, one for coffee - to indulge my love of pattern. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Kerry Louise Bennett Teacups, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes brightly coloured works loaded with texture and pattern. Her previous lives working in set design, upholstery, photography and as a writer, all feed into the semi-abstract interior and still life compositions she paints. Although she is largely a process led artist, an element of storytelling always emerges in her characterful paintings. Kerry's work is held in private collections in the UK, USA & Europe. Education University of Liverpool - Communications Studies (BA) Hallam University - Photography (CertEd) Shadwell College - Art Foundation Select Exhibitions/Awards New Platform Art professional development cohort 2022 Janet Rady Fine Art - Canivals of Clouds (Group show) March 2022 Hightgate Contemporary Art - Winter - Spring (Group show) Feb 2022 Cupola Contemporary Art - Scion (Group show) Jan 2022 Spring Cheltenham - Small Works (Group show) Dec 2021 The Dovecot Gallery - Portrayal (group show) Sept 2021 Gallery Representation Wychwood Art Statement about AOAP Submitted Artwork I was thrilled to be invited to contribute to this worthy cause and decided to showcase the colour pink in all my pieces - for me it is the most uplifting and impactful colour and even at this scale makes a lively statement. I chose to create two simplified tablescapes, one of my favourite compositional themes, and a pair of cups - one for tea, one for coffee - to indulge my love of pattern. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Kerry Louise Bennett Espresso Can, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes brightly coloured works loaded with texture and pattern. Her previous lives working in set design, upholstery, photography and as a writer, all feed into the semi-abstract interior and still life compositions she paints. Although she is largely a process led artist, an element of storytelling always emerges in her characterful paintings. Kerry's work is held in private collections in the UK, USA & Europe. Education University of Liverpool - Communications Studies (BA) Hallam University - Photography (CertEd) Shadwell College - Art Foundation Select Exhibitions/Awards New Platform Art professional development cohort 2022 Janet Rady Fine Art - Canivals of Clouds (Group show) March 2022 Hightgate Contemporary Art - Winter - Spring (Group show) Feb 2022 Cupola Contemporary Art - Scion (Group show) Jan 2022 Spring Cheltenham - Small Works (Group show) Dec 2021 The Dovecot Gallery - Portrayal (group show) Sept 2021 Gallery Representation Wychwood Art Statement about AOAP Submitted Artwork I was thrilled to be invited to contribute to this worthy cause and decided to showcase the colour pink in all my pieces - for me it is the most uplifting and impactful colour and even at this scale makes a lively statement. I chose to create two simplified tablescapes, one of my favourite compositional themes, and a pair of cups - one for tea, one for coffee - to indulge my love of pattern. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Kerry Louise Bennett Oranges?, 2022 Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Working from her home studio in Sheffield, Kerry Louise Bennett (b.1972) makes brightly coloured works loaded with texture and pattern. Her previous lives working in set design, upholstery, photography and as a writer, all feed into the semi-abstract interior and still life compositions she paints. Although she is largely a process led artist, an element of storytelling always emerges in her characterful paintings. Kerry's work is held in private collections in the UK, USA & Europe. Education University of Liverpool - Communications Studies (BA) Hallam University - Photography (CertEd) Shadwell College - Art Foundation Select Exhibitions/Awards New Platform Art professional development cohort 2022 Janet Rady Fine Art - Canivals of Clouds (Group show) March 2022 Hightgate Contemporary Art - Winter - Spring (Group show) Feb 2022 Cupola Contemporary Art - Scion (Group show) Jan 2022 Spring Cheltenham - Small Works (Group show) Dec 2021 The Dovecot Gallery - Portrayal (group show) Sept 2021 Gallery Representation Wychwood Art Statement about AOAP Submitted Artwork I was thrilled to be invited to contribute to this worthy cause and decided to showcase the colour pink in all my pieces - for me it is the most uplifting and impactful colour and even at this scale makes a lively statement. I chose to create two simplified tablescapes, one of my favourite compositional themes, and a pair of cups - one for tea, one for coffee - to indulge my love of pattern. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
PAINTINGS, PRINTS AND NEEDLEWORK PICTURES, to include D. Deakins study of boats in a harbour, oil on canvas approximate size 54cm x 29cm, M. Bunton river landscape with mountainous background, oil on canvas, approximate size 50cm x 75cm, two floral still life studies signed J. Cooper and E. Green, ten butterflies in a single frame, needlework pictures, Scarface box canvas print, etc
ELEVEN MODERN FRAMED NEEDLEWORK PICTURES ETC, subjects include a coaching scene, a unicorn hunting scene, fox hunting scene, floral still life etc, largest approximate size 38cm x 109cm excluding frame, together with a framed Bartholomew's map of Birmingham, religious print, picture frame and a Sectric & Mains parrot themed wall clock converted to battery, some losses to the parrot
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include mezzotint prints after Francis Wheatley signed by the engraver Edmund Wardle, reproduction print after George Morland 'The Enlopement', print after Thomas Lawrence 'Lady Peel', a print after George Romney indistinctly signed by the engraver, a still life flower study oil on canvas indistinctly signed, oil on board depicting a Collie dog signed G B Jones, watercolour of a family beside a stream initialled W.H.V., together with other assorted prints etc
Roy Lichtenstein (1923 – New York – 1997). „Still Life with Lobster“, aus der Serie „Six Still Lifes“. 1974Lithografie und Serigrafie auf Velin. 82 × 79 cm (98,5 × 95,5 cm) (32 ¼ × 31 ⅛ in. (38 ¾ × 37 ⅝ in.)). Signiert und datiert.Corlett 129.–Einer von 100 nummerierten Abzügen aus einer Gesamtauflage von 110. New York, Multiples, Inc. und Castelli Graphics, 1974 (rückseitig mit dem Copyright-Stempel und dem Stempel des Herausgebers). [3587]Provenienz: Sammlung Kampmann-Ludwig, Berlin (1975 in der Galerie Mikro, Berlin, erworben)Zustandsbericht: Ex. 30/100In gutem Zustand. Die Farben geblichen (insbesondere das Gelb). Die Blattkanten ohne Einrisse oder Fehlstellen. Am unteren linken und rechten Rand jeweils an einer Stelle mit einer leichten bräunlichen Verfärbung. Am unteren rechten Rand zwei hauchfeine Druckfalten (nur im Streiflicht erkennbar). Unter UV-Licht sind keine Restaurierungen erkennbar. Schöner harmonischer Gesamteindruck.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Factory fresh and a Salon Privé Concours winner. Simply incredible.The Triumph TR6C Competition was introduced in 1967 and featured upswept left-hand pipes and slightly higher compressionThe US-market model was known as the "Desert Sled" and was favoured by many celebrity ownersMatching numbers machine imported from the USA in 2007 from a deceased estateRecommissioned and used lightly since. UK-registered on a current V5CMaintained to a very high standard throughout its life. Current mileage 840Incredibly original, even has the original Energy Transfer battery-less ignition system, which has been refurbished and still works fine In 2017, it won the Most Original Post War Classic Machine Cup in the Concours d’Elegance at Salon PrivéIn pristine Mist Green and Alaskan White, the bike is as it left Meriden ‘factory fresh’ in 1967. Simply incredibleSpecificationMake: TRIUMPHModel: TR6C TROPHYYear: 1967Registration Number: ABW 208EEngine Number: TR6C DU58917Click here for more details and images
Original vintage advertising poster Picasso Das graphishce Werk 1904-1967 graphic artwork exhibition at the Kunsthaus Zurich featuring a linocut print Still Life Under the Lamp, depicting a goblet and apples under a hanging lamp in green, yellow, red and black colours. Very good condition, creasing. Country of issue: Germany, designer: Pablo Picasso, size (cm): 70x50, year of printing: 1968.
GEORGE GROSZ (1892 - 1959, Berlin) Still life with Fruits and CucumberÖl auf Leinwand auf Karton. 1936.30,1 x 40 cm.Verso mit Tusche in Schwarz signiert "Grosz", datiert, bezeichnet "October 1936 Douglaston, 202 Shore Road, Lg. Island" und mit Bleistift: "my second art painting, after not having painted in oil since 1929 – (Berlin)", mit dem Stempel "George Grosz Nachlass" und der Nachlassnummer "1-16-4".Provenienz: 1936 Atelier des Künstlers, Douglaston, Long Island (NY), 1959 Nachlass George GroszHaptischer Genuss: Nichts lenkt ab von der Schale fast altmeisterlich gestalteter, farblich perfekt harmonierender Köstlichkeiten. Apfel und Birne leuchten farbverwandt um die Wette, eine Rebe praller Trauben macht sich breit und das Licht schickt ein saftiges Schimmern durch die oberen Früchte – die Stängel aller biegen sich aufmerksamkeitsheischend über den Gefäßrand. Nur die samtig blauen Zwetschgen träumen schwerfällig im Schüsselboden vor sich hin und bieten die Grundlage für den eigentlichen Star des Arrangements: die Gurke. Das klug obenauf platzierte, realverkrustete Gemüse macht eine Berührung durch den neugierigen Betrachter fast unmöglich. Eine Aufforderung. Die Bedeutung, die der Künstler dem Werk beimisst, zeigt sich deutlich an der umseitigen Bezeichnung. Die Liebe zum Stillleben ist tief in der Stolper Kindheit verwurzelt. Grosz beschreibt in seiner Autobiographie, wie der Wunsch Maler zu werden leise aufkeimte, als er auf der heimischen Veranda ein adeliges Fräulein beobachtete, das in herrlich duftenden Ölfarben einige Früchte lebensecht auf die Leinwand pinselte: "Die Illusion, etwas so Natürliches hervorzuzaubern gefiel mir. Und diese Freude an einer Art richtiger, runder Imitation hat mich nie verlassen (…)" (zit. George Grosz, 1974, S. 10).
The Mitsubishi Lancer Evo VIII probably marked the zenith of the Evo cult in the UK and this one registered keeper, low mileage FQ-400 is a superb example.This fabulous Evo VIII (Number 57 of 100) is very impressive and certainly one of the best we have ever seen. It was first registered on 1st March 2005 and sold by SGT Mitsubishi in Taplow to its one owner from new and has always been to the same Mitsubishi garage for servicing and maintenance.Our marque-enthusiast vendor explains that the car has been garaged its whole life, is totally rust free and has never had any welding or repairs underneath and, whilst we can’t confirm that, the little Lancer gleams like a new pin and appears virtually showroom fresh. The car is in fantastic condition throughout, the paintwork all appears original, clean and bright, and the interior is again in superb shape with minimal wear even on the drivers-side bolster.It’s fitted with four matching Dunlop Sport Max tyres, (matching tyres are required on this car due to the four-wheel drive system) and all four alloys are 'as new' and have just benefited from a full refurbishment. The car still has the original bung in the exhaust back box. These were actually removed at the dealership at PDI and thrown away, however, the owner requested for this to be replaced as he preferred the car less noisy.In total there are 20 service stamps at Mitsubishi along with a detailed printout of what was done (printout from 2014 as the computer system was updated at that point). The total cost of servicing at Mitsubishi over the years is in excess of £21,000, the cambelt was last done in July 2022 and the car also had a new clutch and flywheel replaced in 2021. The new clutch was from a later Evo 9 as the original FQ-400 clutch is notoriously hard, snatchy and heavy to use.It has also just had a full check over (August 2022), fluid change, diff oils, AYC System, brake fluid and coolant replacement by a local Mitsubishi Specialist. The Alcon front calipers were fully refurbished with new stainless piston by God Speed Brakes and new Alcon pads were also fitted.Number 57/100 is totally original, standard and unmodified with the only exception being a modern Pioneer DAB/Bluetooth head unit. We understand that everything works as it should and the air conditioning is cold. It's supplied with all the normal manuals etc. and the supporting documentation includes the original Bill of Sale, SVA Certificate, V5C, Certificate of Authenticity, both original keys and two remote fobs.This is a seriously quick motor car generating 405bhp from its 2-litre, turbocharged four-cylinder engine and offering 0-60 in 3.8 seconds and 175mph. It's very seldom that we see a performance car of this nature that has covered just over 55,000 miles yet remains in such pristine condition. Remarkable.SpecificationMake: MITSUBISHIModel: EVOYear: 2005Chassis Number: CT9A0303789Registration Number: AU05 TENTransmission: ManualEngine Number: 4963KK5597 Drive Side: Right-hand DriveOdometer Reading: 55415 MilesMake: RHDInterior Colour: Black AlcantaraClick here for more details and images
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