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Lot 2338

GORDON G HENDERSON, STILL LIFE WITH FREEZIAS oil on canvas board, signed 23cm x 22.5cm framed and under glass

Lot 2362

* JOHN BYRNE RSA, STILL LIFE WITH PALETTE watercolour and black ink on paper, signed 16.5cm x 14cm Mounted, framed and under glass Label verso: Duncan Miller Contemporary Arts, London

Lot 2467

* MAUREEN CROSBIE, STILL LIFE mixed media, signed and inscribed in pencil 33cm x 48cm Note: This work was a an Armour Prizewinner (1983), and purchased by the artist (Mary Armour) at the Glasgow School of Art Diploma Show.

Lot 300

Contemporary Still Life, large limited edition colour print signed and numbered 135/375 in pencil 76cm x 81cm

Lot 151

Italian School Still Life with Peaches, Oil-on-Canvas, Signed indistinctly, framed, 60cm x 50cm

Lot 160

Italian School Still Life of Oranges Oil-on-canvas, signed indistinctly, in a circular gilt wood frame 55cm x 62cm

Lot 186

John Herron Still life of Flowers in a Glass Vase oil-on-board, signed bottom right, in a gilt wood frame 67cm x 92cm

Lot 192

O. Lima Still Life of Oranges and Cherries oil-on-board, signed in a gilt wood frame 22cm x 16cm

Lot 193

O. Lima Still Life of Lemons and Cherries signed bottom right, in a gilt wood frame 20cm x 16cm

Lot 414

CHRISTOPHER HUGHES Still-life, fruit, watercolour, signed in stained wood glazed frame, 13cm x 18cm

Lot 439

OLIVER CLARE A typical still life study of eggs in a basket, surrounded by floral sprays, Oil on canvas, 15cm x 22cm in plain gilt filet in fancy period glazed frame, together with COMPANION, a still life study of fruit, both signed

Lot 443

20TH CENTURY BRITISH SCHOOL (possibly by S.D. Basley) A still life study of fruit and flowers, an Oil on board, 17cm x 18cm in gilt frame

Lot 448

ALBERT WILLIAMS Two 20th century floral still life studies, Oils on board, each signed, 49cm x 39cm largest in fancy moulded part gilt frames

Lot 387

A still life oil plus other pictures and prints

Lot 43

Oil on panel of a floral still life, 9" x 7"

Lot 1239

A 1920s oak mantel clock, 40.5cm wide; together with another Edwardian mahogany mantel timepiece; a Victorian ebony and brass book slide; and a still life of roses by C Shaw.

Lot 1394

E A Brew, still life of irises, signed, oil on board, 67 x 54cm; together with another portrait by Eilish Robey, (latter unframed).

Lot 1431

Albert Williams, still life of roses, signed, oil on board, 29 x 44cm.

Lot 1882

*Shied, still life of flowers in a case, signed and dated 10.62, oil on canvas, 75 x 59.5cm.

Lot 637

SUSAN THOMPSON oil on canvas still life view of a gardner's windowsill and sink, signed below and set into a stained wooden frame

Lot 345

A superb gilt framed 19th century still life watercolour featuring Chinese porcelain, oriental fabrics and a canal scene through the window, 78 x 56cm framed.

Lot 375

Guy Stocker - a still life, flowers in a bowl acrylic on board bears a signature, inscribed & dated '88 verso 5.5'' x 4'' in a painted green frame; and HC Ahier - 'The God of the Happy Voyage' watercolour highlighted in gilt bears a signature & dated 1931 9'' x 5.25'' in a gilt frame HSR

Lot 308

Two Lacquer Work Tea Caddies With Painted Still Life Decoration

Lot 350

19th Century School, Oil On Canvas Still Life Study Of Flowers And Fruit

Lot 184

W A Chase, still life of flowers in a jug, signed lower right, oil on canvas, signed 60cm by 50cm

Lot 140

18th century oil on canvas, still life flower study, unsigned, 30" x 24.5", unframed.

Lot 151

Vanderman, pair of 20th century oils on board, Dutch style still life flower studies, signed, 24" x 18", framed.

Lot 152

James Paterson (Scottish 1854-1932), watercolour, still life flowers in a glass vase by a mirror, signed, 17.5" x 12.5", framed.

Lot 177

S Mustafa, oil on canvas, "Old Boathouse, Cyprus," signed, 24" x 32", and a continental oil on canvas, still life vase of flowers, by a different hand, framed, (2).

Lot 194

Edward Wesson (1910-1983), oil on board, still life roses, signed, 19.5" x 24", framed.

Lot 199

Jacquin, 5 late 20th century oils on canvas, an abstract farm landscape, 21" x 25.5", and smaller still life studies, all signed, (5).

Lot 225

Will Longstaff (1879-1953), oil on canvas, still life bowl of roses, signed, 25" x 30", framed.

Lot 248

Goudie, oil on canvas, still life bottles and glasses on a table, signed, 18" x 24", framed.

Lot 27

Mary Remington (born 1910), oil on board, still life- roses in a copper jug, signed with artist label and inscription verso 1975, 14" x 9.5", framed.

Lot 30

Luther Roberts, oil on canvas, still life, flowers in a vase, signed, 29.5" x 24", framed.

Lot 31

Luther Roberts, oil on canvas, still life, flowers in a jug, signed with initials, 30" x 24", framed.

Lot 354

Marc Chagall, 2 lithographs, book cover issued 1957, 9" x 16.5", and abstract composition, brown still life, 9" x 7", framed, (2).

Lot 40

Ken Symonds, coloured pastels, still life with lilies, signed, 18.5" x 22.5", framed.

Lot 48

Bryan Ingham (1936-1997), coloured etching, abstract still life, signed and inscribed in pencil, no. 11/12, p 6" x 4", framed.

Lot 77

19th century oil on board, still life flowers in a basket, unsigned, 9" x 12", framed.

Lot 88

S A Herrick, oil on canvas, still life roses 1888, signed, 18" x 14", framed.

Lot 99

Early 20th century oil on canvas, still life study roses in a vase, signed with indistinct initials, 24" x 16", framed.

Lot 404

Marcel Kenes (Belgian, 1898-1960), Still life of poppies in a vase, signed, oil on canvas, 59 x 49cm.; 23.25 x 19.25in. Artists' Resale Right ("droit de suite") may apply to this lot.

Lot 1365

Pictures - A. Simes Arbroath Abbey, a pair, etchings framed signed in pencil; another, English School fruit and flowers still life oil on board.

Lot 110

G. A. Pumfrey, Still life, A late Summer Bouquet, signed, Oil on canvas, 49cm x 61cm.

Lot 117

A. Fryer, (early 20th century), still life study, Late Summer Harvest, signed, Oil on Canvas, 41cm x 50cm.

Lot 351

Piere Joseph Redouté (1759-1840) a pair, still life fruit prints, framed (2)

Lot 455

J. Habbady (20th century) Still life, Violin, Books, Music Scores, Ink Well and Quill signed, oil on board, 41cm x 51cm & C. Carrol (20th century) Still life, Country Flowers in a Vase signed, oil on board, 61cm x 90cm; others (7)

Lot 545

A portfolio of watercolours, still life and other, some signed Renee M, some dated; others; pencil sketches.

Lot 490

2 watercolours and a pen & ink. 1) Country cottage watercolour signed E. Hollis 17 x 25cm. 2) Circular still life watercolour signed Fedora Dadon 27cm diameter. 3) Pen & Ink Turkey signed Georgie Barker, 10 x 10cm.

Lot 491

Oil on board still life of fruit. Unsigned. 25 x 37cm. In gilt frame, frame size 36 x 48cm.

Lot 494

A watercolour still life of cyclamen plants by Jean Henninton. 53 x 37cm.

Lot 718

H Berton - Still life of lilac flowers in an ornate jug, oil on canvas, signed indistinctly, 71.5 x 51cm

Lot 730

George Crisp (act. 1870-1911) - still life of fruit, pineapple with grapes, plums and a peach, oil on canvas, signed G. Crisp B.A. and dated 1874 lower right, 42 x 32cm approx.

Lot 830

A mid 20th century Hessian framed Italian oil on canvas: Venetian Canal together with a mid 20th century Hessian framed oil on canvas: Still Life, signed Sziklay.

Lot 270

Van Houten (20th century Dutch) Still life study of lilies in glass vase oil on canvas, signed and dated 1952 64 x 53 cm, together with another canvas by the same hand

Lot 273

Enid Wild, still life study of spring and summer flowers, impasto oil on canvas, indistinctly signed

Lot 274

A Stones, still life study of roses in a vase, oil on board, signed

Lot 275

Jesus Simon Pizarro (Spanish, b.1958) A still life study of pomegranates and leaves oil on canvas, signed lower right, dated and titled verso 26 x 45 cm

Lot 407

WILLIAM III SILVER TANKARD maker's mark of crowned initials 'I.H', London 1695, of plain form with reeded borders, volute thumb piece on a double-doomed hinged lid, scroll handle with ivory insulators, handle piece stamped with the maker's mark, the body engraved with heraldic crest, approximately 658g, 16cm high Note: This piece has been altered at a later date. The top rim of the body has been modified to form a lip and the lid has been altered to extern the corresponding rim to cover it. There are no hallmarks present on the lid, which are usually present on tankard of this period. These may have been hammered off in the process of altering the lid. Many tankards of this period feature a single-domed lid with a flat top but double-domed lids are recorded so the shape of this lid is likely original. The handle has likely been cut cleanly in two places and the ivory insulators added at the same time as the alterations were made to the lid and top rim. This is likely to convert it for a new use later in its life, which has been recorded in other examples of this period. It is McTear's view that although alterations have been made to this piece it retains many of its original features and no attempts have been made to strike it with other hallmarks other than the set it originally recieved when it was first made. During the end of the seventeenth century and the beginning for the eighteenth century a silver tankard such as this would have been passed around guests or higher members of the household to drink from, or only for the singular use of the head of the household. Alongside large dishes and candlesticks it would have been one of the main displays of silverware of the wealthy classes during this period. With the rise of the Industrial Revolution and the vast wealth it created among many aristocratic families it changing dining habits, the way wealth was displayed to guests and the quality of new holloware that could be purchased. As the seventeenth century progressed the use of a single silver tankard became obsolete. Still prized as precious pieces of family silver both in terms of physical value, age and ancestral narrative many tankards were converted to be more ergonomically used during this period. This mainly included adding lips (such as on this example) or spouts and also changes to the covers to accommodate the new design. They were then usually used as hot water or sauce jugs to be used alongside the large selection of newly designed holloware of eighteen and nineteenth centuries dining tables, as their shape most closely mirrored these jugs.

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