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Lot 1

G** J** B** (19th century), Still life of apples, grapes and greengage; Still life of Apple, plum, grapes and redcurrants, A pair, oil on board, Both indistinctly initialed, Each 16cm x 25cm. (2) Best Bid

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A group of four 20th century floral still life subjects, All oils, One initialed O.L.W., another signed H. Thornton Lofhouse. (4) Best Bid

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John Hastings (The Earl of Huntingdon, 20th century), Still life of cyclamen, Oil on canvas, Signed, 34cm x 26.5cm.

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Adrian Hoffman (20th Century), Still life of flowers in a vase, Oil on board, Signed, 69cm x 49cm, Together with on oil study of a girl by Delpierre (2). Best Bid

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After William Hunt, Still life of a birds nest on a mossy bank, Print heightened with watercolour, 28cm x 43cm., Together with two hand coloured engravings of Italian peasants. (3)

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After Pablo Picasso, Portrait; Still life, Two colour prints, editions 1946 Paris copyright, BK03, BK 04, Bear signatures, unframed, One 25cm x 20.5cm; the other 20.5cm x 25cm. (2) With certificate of authentication by David Smith. Best Bid

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English School, 19th century Still Life studies of Fruit a pair, oil on board, oval each 41 x 36cm

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A group of three, including an unframed oil on canvas of Still Life of Chrysanthemums, an oil River scene and a coloured print of Sunderland Bridge (3)

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LATE 19TH CENTURY BRITISH SCHOOL. Watercolour, still life with apples and leaves on a woven straw ground, unsigned, 8.25” x 11.5”, framed.

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STUART SOMERVILLE. Oil on board, still life study, glass vase with summer flowers resting on a table, signed, 23” x 19”, framed.

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ESTHER WILLOUGHBY. Oil on board, “Armorini”, still life statue of two armorini and a draped curtain, signed, 21.5” x 18.5”, framed.

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A quantity of first quarter 20th Century postcards of various subjects, to include actors and actresses, still life scenes, and greetings cards of Christmas, Easter and birthday varieties, all within a modern floral album.

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10" X 17?" OIL ON CANVAS "STILL LIFE" INITIALLED R.R.L. 1910

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CONTINENTAL SCHOOL. A Still Life of Mixed Flowers in a Basket on a Ledge, oil on canvas, oval, 27 x 20 1/2 in

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MAX REEKIE A Still Life of Roses in a Vase, signed, oil on canvas, 16 x 20 in

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K. Young. Still Life flowers in a vase oil on canvas 48 x 36in (122 x 91.5cm).

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Oil on board, still life with fruit, indistinctly signed

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Oil on panel, still life of fruit in the classical style, gilt frame

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Still life, study of flowers in an earthenware vase, ornate gilt frame

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European school 20th century- 'Fisherman', reproduction print, signed and numbered in pencil, 6/30, 78x85cm: Chinese school 20th century- Still-life of flowers, black ink. (2)

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European school 19th century- Still-life of fruit; oil on canvas, signed with initials AK and dated 1901, 31x48cm. unframed.

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A Berrue- Still-life of fruit; oil on canvas, signed and dated 1906,( A pair) 37x49 (2)

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British Provincial school 19th century- Castle Ruins; oil on canvas, 60x96cm: European school 19th century- View in France, oil on canvas: British school 20th century, Still-life of flowers, oil on board, signed with initials SM (3)

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British school 19/20th century- Still-life of flowers; oil on canvas, a pair, 61x31cm., (2)

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Agnes Ottewill 19th century- Still-life composition of a vase and straight line and curved forms; black crayon, signed and dated 1894 43x63cm; together with a similar still-life of hanging fruit, signed and dated 1894. (2)

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European school 19th century- Landscape with figures; watercolour pen and ink, 13x20cm; European School 19th century, Street scene with figures, watercolour,: Agnes Strickland 20th century, Still-life of flowers, watercolour, signed; together with four further 19/20th century watercolour and aquatint studies by various hands.

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European school 19/20th century- Still-life of fruit on a table; oil on tin panel, signed indistinctly Rouges (sic) 24x38cm, together with a similar Still-life study in oil by the same hand, (a pair) (2)

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Penelope Wilton- 'Radishes', oil on canvas, monogrammed and dated 1981, 38x51cm: British school early 20th century- Still-life of Strawberry's; oil on canvas. (2)

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Attributed to Allesandro Giampietro, early 20th century- Portrait of a young girl, head and shoulders in a white gown and blue necklace; pastel, oval, signed, 54x41cm: E Chester 19/20th century- Still life of fruit and flowers; oil on board, a pair, both signed: together with a watercolour of a highland loch by T Wilson and a reproduction print after Moreland, oval, verre eglomise, (5)

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Eastern European School mid 20th century- Floral still life; oil on canvas board, signed and dated 1949, 48.5x59.2cm: Scandinavian School 20th century- Winter river landscape; oil on canvas board, signed with initials 'PN' and dated '39, 42.5x59.5cm: European School circa 1900- Portrait of a lady half-length turned to the right; oil on canvas, 69x56cm., (3)

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Hoffman, 19/20th century- Floral still life; oil on canvas, signed, 48x40cm

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H Walter Robinson, 19/20th century- Highland cattle watering; watercolour, signed, 24x33cm: I A Hamilton- 'Derbyshire Landscape'; watercolour, signed: together with six other watercolours and pastel studies of landscape and still life subjects by different hands, 19th and 20th century, (8)

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Leon Franceso Morrocco, b.1942- Still life of flowers on a chair; black and coloured chalk, signed and dated 83, 103x75cm

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Henry Arthur Richard Bird ARCA, 1909-2000- Still life of Roses, oil on board, 31x40cm: together with four various studies by different hands. (5)

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Arnold Schalin, 20th century- Winter woodland scene; oil on board, signed, 50x38.5cm: J Kadlic, 20th century- River landscape with cottages; oil on board, signed: E J Sumner, 20th century- Floral still life; oil on canvas, signed:J C Ecles 20th century- Courtyard; watercolour, signed: (4)

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*After Dunoyer de Segonzac- Floral still life; over-painted reproduction print, signed within the plate, 49x65.5cm

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Modern British School- Portrait of a woman head and shoulders turned to the left in a green scarf; oil on canvas, 50.7x41cm: French School late 20th century- 'Rue des Solitaires'; watercolour, inscribed: Luba Burko- Abstract study; watercolour, signed: Edwina Sandys- Circus; lithograph printed in colours, signed and numbered 3/75 in pencil: 20th Century School- Still life; oil on canvas: British School 19th century- Landscape; watercolour, (6), (part unframed)

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Fine Quality Painted Waste Paper Basket with still life of fruit, grapes, pears etc.

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An oil on canvas of still life, picturing books, roses and brass candlestick, 20in x 15in approx. (unframed)

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Ellen Soar: two botanical oil on canvas paintings, one entitled Orchids on label verso, 53 x 63cm; the other a still life of roses, 48.5 x 58.5cm (two)

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DUTCH SCHOOL (19TH CENTURY). STILL LIFE OF FLOWERS WITH PEACHES AND GRAPES. Oil on panel 35cm x 28cm.

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FLORENCE JAMIESON (1925-1971). STILL LIFE. Signed gouache 38cm x 75cm.

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MARYSIA DONALDSON (FL1961-1989). STILL LIFE WITH PEARS. Signed oil on canvas 71cm x 70cm.

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GERALD VIVIAN DAVIS (American 1899-1987)Still Life with Blue VaseOil on canvas10.75in. x 9.75in.Signed lower right

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JACOB van HUYSUM (Dutch 1686-1740)Still Life with FruitOil on canvas35.75in. x 28in.Signed lower leftA very old hand-written label on the stretcher records the provenance of the workProvenance: Sale Paris "The Herberous Sale" April 1823 no. 41The Wright of Edinburgh Sale The Glencourse Collection of the St. Clairs of Rosslyn April 1832 no. 52The Grosvenor House Sale The Earl of Stafford's Sale 1845Major C.E. ScottSold Christie's May 1946 no. 5The painting is also accompanied by a letter of attribution from Dr. Sam Segal and a copy of a pigment analysis and ee-radiograph study of the work

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BIRGER SANDZEN (American 1871-1954)Still Life with Melons 1900Oil on canvas30in. x 24in.Signed upper rightProvenance: Acquired directly from the artist Lindborg KS

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BERT GEER PHILLIPS (American 1868-1956)Still Life with OnionsOil on board12in. x 16in.Inscribed lower right: To Willy Bert Geer Phillips

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JOHN STEUART CURRY (American 1897 - 1946)Still Life with Roses Tulips and Mimosa 1935Oil on canvas30in. x 25.5in.Signed lower rightInscribed: To James and Katrene Connelly Dec. 25 1935An American painter and illustrator John Curry is closely associated with fellow Regionalist artists Thomas Hart Benton and Grant Wood. He is known for his paintings of rural life in the Midwest which are often characterized as chronicles of American life in the country. Curry studied at the Art Institute of Chicago traveled to Paris in the 1920s and worked as an illustrator in New York before establishing a studio in the Art Colony at Westport Connecticut.Provenance: Kennedy Galleries New YorkExhibited: Butler Institute Youngstown OH 1991

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Constable Coloured print 'The Cornfield', in mahogany frame; an oil painting still life; and five other prints, various

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A late nineteenth century Swiss enamel brooch, circa 1890, the polychrome enamel plaque depicting a still life of roses, fuschias and morning glory against an Alpine back drop, to a gold mount with bows at the cardinal points

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F. de Meyer Still Life oil on canvas signed 45 x 55 cm (17 3/4 x 21 3/4 in.)

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Franz Xavier Pieler (Austrian 1879-1952) Still Life of Flowers in a Vase one signed lower right with initials FP oil on panel 58 x 46cm a pair (2) Provenance: Frost and Reed St Jamess London SW1 whence acquired by the family in September 1928

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Attributed to Victoria Fantin Latour (French 19th Century) Still Life of Roses in a Bowl inscribed on the reverse Victoria Fantin Latour and inscribed on the stretcher V Dubourg. oil on canvas 24 x 34cm

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B Fox (English 19th Century) Still Life of Peaches and Grapes by a Blue and White Chinese Bowl on a Ledge signed lower right B Fox 1876. oil on canvas 29 x 34cm

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Sir Cecil Beaton (1904-1980) Still Life of Classical Sculpture signed upper right Beaton oil on canvas 74 x 48cm

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G. Fascinotte; Anenomies, still life, oil on canvas.

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Continental School, Still life of flowers in a vase, oil on canvas, 44.5 x 34cm.

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A Royal Worcester trinket dish decorated with still life fruit and signed E. Townsend.

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A Royal Worcester trinket dish of circular form with shaped and gilded border surrounding a hand painted still life fruit scene, raised on a pedestal foot, signed Freeman.

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A. Berty - Still Life Study of Lilac in a Pottery Vase on a Table, mid-20th Century oil on canvas, signed, approx 63cm x 79cm.

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