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Lot 779

A framed and glazed watercolour Still Life of Flowers - signature indistinct and a framed and glazed watercolour, River scene, buildings to far bank E Stephenson dated 06

Lot 784

Joan Thewsey - Still Life yellow roses and mimosa - 78cm x 61cm

Lot 785

Still Life of Fruit - oil on canvas - 128cm x 101cm

Lot 786

A 20th century oil on canvas still life in a gilt frame - frame size 85cm x 114cm

Lot 736

Two still life oil paintings and one other signed Ken, Oriental

Lot 768

Three framed oil paintings still life, horse race and ballet dancer

Lot 93

A studio framed oil painting still life of fruit and ceramic ware

Lot 1

K. NITSCHKE, OIL ON BOARD, H 19", W 26", FLORAL STILL LIFEOil on board of a floral still life. Gilt wood frame. Signature lower right (possibly Hungarian).good condition, GA.- For High Resolution Photos visit Dumouchelles website.

Lot 629

Three still life lacquer paintings on wood, black cinnabar red and gold colours depicting potted plants, ceramics, furniture and diapers, Zing Dynasty Guangxu

Lot 47

Two 19th Century still life paintings of flowers, deterioration present, framed and glazed, 52cm x 37cm

Lot 1029

20TH CENTURY FRENCH SCHOOL,STILL LIFE OF FLOWERS WITH COPPER TEAPOToil on canvas50cm x 61.5cm Framed and under glassNote: The frame bearing a label for Lefebvre-Foinet of Paris.

Lot 1259

BRITISH SCHOOL, STILL LIFE WITH FLOWERSpastel on paper 93cm x 73cm Mounted, framed and under glass

Lot 769

George Collie, a still life of flowers, oil on canvas, signed, 50 x 39 cm, another still life, assorted Beecham's Pills advertising pictures, and other items (qty)Please note there is no sampler in this lot. Condition report Report by GHThe sampler was withdrawn from this lot.

Lot 798

Constance Fountaine (Society of Women Artists), a still life with oranges, a coconut and a lidded tankard on a ledge, watercolour, signed and dated 1889, 33 x 53 cm, and another by the same, 53 x 35.5 cm, both with ESK (Exhibited South Kensington) blind stamps (2)

Lot 395

NANCY LEE acrylic on canvas still life floral view, signed to lower right and framed

Lot 384

A 21stC oil on canvas floral still life, signed indistinctly to lower right and framed

Lot 389

A quantity of pictures and prints to include oil still life, watercolour, antique photograph, framed postcards etc

Lot 369

A. VAN DORP Still life of fruit and a pitcher. Signed. Oil on canvas. 16'' x 20''

Lot 345

GIANELLI Still life. Signed. Oil on board. 7'' x 5''

Lot 368

CONTINENTAL SCHOOL Still life of flowers in a vase. Indistinctly signed. Oil on canvas. 24'' x 20''

Lot 59

A set of four still life framed prints and an oleograph of a young girl after Rubens

Lot 78

Maggi oil on canvas still life of flowers, signed bottom right, 39 x 49cm

Lot 642

Smitts Kineette? - macaw and still life of flowers, oil on canvas, 48cm x 59cm, framed

Lot 534

Tom Campbell - still life of roses in a brown glass vase, watercolour heightened with bodycolour, signed lower right, 18cm x 25.5cm, framed

Lot 303

A fine pair of Coalport still life painted shaped circular cabinet plates, the centres painted with apples and plums and plums and blackberries on a mossy ground, each signed F Howard within gilt tooled rims, the broad blue borders with gilt foliate panels beneath further tooled borders and dentil outer rims, 23cm diameter, printed marks in green, numbered 5351/R in gilt

Lot 628

Walter Taylor - still life of peonies in a vase, oil on board, signed lower left, 22cm x 28cm, framed

Lot 278

A Coalport shaped circular cabinet plate finely painted to the centre with a still life of flowers by Stephen Laurence, buff coloured border with moulded gilt leaf and cross rim, 22cm diameter, painted mark 4/251, Circa 1840 (faults)

Lot 306

John Hall (British, 1921-2006) - Still life of onions and jugs, oil on board, 44 x 59 cm; and A Still life of a copper pan, cauliflower, onions, carrots and a terracotta jug, oil on board. 49 x 59cm. John Hall lived and worked in Linton, Cambridgeshire (2)

Lot 305

John Hall (British, 1921-2006) - Still life of delphiniums, oil on canvas laid to board, 75 x 54 cm; and Still life of dahlias, oil on board, 60 x 49 cm. John Hall lived and worked in Linton, Cambridgeshire (2)

Lot 248

Arthur Henry Knighton Hammond (British, 1875-1970) Still life floral study with gladiolus, oil on panel, signed lower right, framed, 50 x 60cm

Lot 145

British School, 20th century, Still life of roses and a stoneware flagon on a table, oil on canvas, 33 x 63cm together with two other botanical still lives

Lot 196

Vanessa Bell (British, 1879-1961) Still life with oranges, oil on canvas, signed with initials 'VB' lower right, framed, 50 x 40cmProvenance: The Estate of Peter Waugh and thence by descent through the family.

Lot 172

Margaret Munro Bogaardt, Still Life Study with Flowers and city rooftops in the background, oil on canvas, framed, 64 x 54cm

Lot 286

English School, 19th century, Immigrants below deck, oil on canvas, framed, framed, 41 x 61cmAccording to Pieter Van der Merwe and Amy Miller from the Royal Maritime Museum in Greenwich London, they have dated the painting to be circa 1860. The overhead clearance seems rather high and its clear that the space in the hold in which accomodation levels have been built, which we know is what happened on ships running to the NE American seaboard including Canada: they were really in the timber (pine) importing trade and emigrants so accomodated made a profitable outward cargo. The move towards large-scale scientific farming greatly increased output but made many agricultural workers redundant. Some moved to the fast-growing industrial areas in search of work, whereas others decided to emigrate to Australia, New Zealand, Canada, South Africa and the United States. After 1830 the numbers of people leaving Britain increased dramatically. This was particularly true of those farmers and labourers who had lived in counties that had been hardest hit by the agricultural depression such as Kent, Sussex, Hampshire, Dorset, Cornwall, Yorkshire, Derbyshire, Cheshire and Cumberland.Liverpool now became the most popular emigrant port in Europe. In 1830 around 15,000 people sailed from this port to North America. By 1842 this had reached 200,000, which accounted for more than a half of all emigrants leaving from Europe.Unlike other groups of emigrants such as the Irish and Italians, a large number of the English people who went to America stayed in agriculture.The United States also attracted people from England with technological skills. Samuel Slater, who had learnt his trade under Jerediah Strutt and Richard Arkwright, pioneers of the revolution in textile machinery, arrived in the United States in 1789. Four years later Slater established America's first cotton factory at Pawtucket, Rhode Island. Immigrants with the skills developed in the English textile industry tended to settle in mill towns in Massachusetts such as Fall River, New Bedford and Lawrence. Established by a group of capitalists in Boston in 1845, Lawrence was especially popular with the English. One visitor noted that so many of the manager, loom-fixers, wool-sorters, shopkeepers and saloon owners spoke with a Yorkshire accent that he felt he was still in England. By 1860 one-third of Lawrence's 18,000 inhabitants were employed in the textile industry and the town had become known as the "Bradford of America". In October 1845 a serious blight began among the Irish potatoes, ruining about three-quarters of the country's crop. This was a disaster as over four million people in Ireland depended on the potato as their chief food. The blight returned in 1846 and over the next year an estimated 350,000 people died of starvation and an outbreak of typhus that ravaged a weaken population. Despite good potato crops over the next four years, people continued to die and in 1851 the Census Commissioners estimated that nearly a million people had died during the Irish Famine. The British administration and absentee landlords were blamed for this catastrophe by the Irish people. The Irish Famine stimulated a desire to emigrate. The figures for this period show a dramatic increase in Irish people arriving in the United States: 92,484 in 1846, 196,224 in 1847, 173,744 in 1848, 204,771 in 1849, and 206,041 in 1850. By the end of 1854 nearly two million people - about a quarter of the population - had emigrated to the United States in ten years. A census carried out in 1850 revealed that there were 961,719 people in the United States that had been born in Ireland. At this time they mainly lived in New York, Pennsylvania, Massachusetts, Illinois, Ohio and New Jersey. The Irish Emigrant Society tried to persuade immigrants to move to the interior but the vast majority were poverty-stricken and had no money for transport or to buy land. They therefore tended to settle close to the port where they disembarked. The failed German revolution in 1848 stimulated emigration to America. Over the next ten years over a million people left Germany and settled in the United States. Some were the intellectual leaders of this rebellion, but most were impoverished Germans who had lost confidence in its government's ability to solve the country's economic problems. Others left because they feared constant political turmoil in Germany. One prosperous innkeeper wrote after arriving in Wisconsin: "I would prefer the civilized, cultured, Germany to America if it were still in its former orderly condition, but as it has turned out recently, and with the threatening prospect for the future of religion and politics, I prefer America. Here I can live a more quiet, and undisturbed life." New York City was popular with German immigrants. By 1860 over 100,000 Germans lived in the city and owned 20 churches, 50 schools, 10 bookstores and two German language daily newspapers. There was also an estimated 130,000 German-born immigrants in Chicago. The city became a centre of German culture with bands, orchestras and a theatre. Milwaukee, known as the German Athens, and Cincinnati, also had large numbers of Germans. One journalist wrote in the Houston Post, commented that "Germany seems to have lost all of her foreign possessions with the exception of Milwaukee, St. Louis and Cincinnati."

Lot 199

Pandora Roche, Still life with a loaf of bread and a red apple, oil on canvas, attribution inscribed en verso by vendor who was a friend of the artist, acquired October 1982, 36 x 26cmProvenance: The Estate of Peter Waugh and thence by descent through the family.

Lot 160

Brian Davies, Still Life with Haut Lafite bottle of wine and fruit, signed lower right, oil on canvas, framed, 46 x 55cm

Lot 913

Phyllis Hibbert 1903 - 1971 Still life - Study, Mixed Flowers In a Glass Vase, Signed Watercolour. Mounted and Framed Behind Glass. 20.5 x 28 Inches.

Lot 950

Thomas Hampson Jones (1846-1916) Pair of Framed Watercolours both signed bottom right. Titled Autumn Sunlight, Croxteth and Sunset over Rhoscolyn, Anglesey'. Both mounted and behind glass. Actual picture 9.5 by 7 inches. Together with floral still life.

Lot 1264

An 18th Century Delft plate, decorated with floral still life

Lot 1585

A pair of hand painted plaques by the Royal Crown Derby artist W. Rayworth on opaline glass, 19th Century still life fruit

Lot 2077

An Edwardian satinwood ladies two-tier occasional table, of rectangular form, each tier hand painted with a still life of flowers, standing on slender cabriole legs

Lot 2506

Wale, John Porter (1860-1920), still life study of flowers in a vase, watercolour, signed, framed, 24cm x 19cm.

Lot 2552A

A Solar (Spanish) (XX), still life study of a jug, a vase and a bowl of apples, oils on canvas, signed, dated 1989 verso, Gainsborough Gallery label verso, framed, 65cm x 80cm

Lot 2560

Le Sueur, J., still life of flowers, oil on canvas, gilt frame, 60cm x 74cm.

Lot 2583

Victorian still life with a basket of fruit, oil on canvas, gilt frame, unsigned, 50cm x 67cm.

Lot 109

Constantin Alexeevich Kerovin, Russian oil on Canvas, Still Life with Flowers. Signed lower right. Craquelure and flaking otherwise good condition. Measures 29 inches tall and 24 inches wide. Shipping $165.00 (estimate $1000-$2000)

Lot 50

Oldrich Zezula, Czechoslovakian Oil on Canvas "Still Life" Signed Oldrich Zezula lower left. Good condition. Measures 20" x 14-1/2", frame measures 26" x 21". Shipping $125.00 (estimate $150-$250)

Lot 219

attributed to: Emiliano di Cavalcanti, Brazilian (1897-1976) Ink on Paper, Still Life. Signed lower right. Minor creasing, foxing, tear and paper loss. Measures 14-7/8" H, 12" W (sight); frame measures 22" H, 18" W. Shipping $135.00 (estimate $1000-$2000)

Lot 167

Tim Kinnear,oil on board, still life fruit on a table, signed and dated '90, 15.5" x 11.5", framed.

Lot 184

Oil on board, still life apples and vase, indistinctly signed, 24" x 20", framed.

Lot 251

Mid 20th century British School,gouache/oil on board, abstract still life, unsigned, titled verso, 16" x 20", framed.

Lot 254

Early 20th century Scottish School,oil on board, still life apples and book, unsigned with Glasgow label verso, 7.5" x 9.5", framed.

Lot 262

Modern oil on canvas laid on board, still life, 24" x 36", framed.

Lot 308

M Wuytiers,watercolour, still life flowers, signed, 18" x 14", framed.

Lot 325

A modern oil on canvas, still life flower study, 24" x 30", framed.

Lot 93

Gilbert Deacon,oil on board, interior still life, signed and dated 1977, 24" x 18", framed.

Lot 156

OLIVER CLARE (1853 - 1927) Still life, two bunches of grapes, a peach, strawberry, raspberries and gooseberries, signed and dated '01, oils on canvas, 21 x 28.5cm; and companion, a pair (2)

Lot 158

CORDELIA HARDING Still life, primroses issuing from a Chinese tea pot with fan behind, signed, watercolour, 28 x 38cm

Lot 181

WALDER WUNNENBERG (1818 - c.1900) Still life, a wine goblet, fruit, leafy branch and hazelnuts upon a red table covering, oils on panel, 18 x 22cm Artist's label attached verso, inscribed 'Walder Wunnenberg, Dusseldorf, 21 Feldstrasse, 1880'

Lot 185

WILLIAM E GLADSTONE-SOLOMON (1880 - 1965) Still life, an earthenware vase of mixed roses, signed, oils on canvas board, 33 x 48cm

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