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Click here to subscribeAttributed to: Henri Epstein, Polish (1891 - 1944) Oil on Canvas, Still Life Flower Bouquet on Table Top, Signed and Dated 1910 Lower Right. Measures 24" H x 20-1/8" W, frame measures 31" H x 27-1/4" W. Condition: Craquelure, good conserved condition Estimate: $1000.00 - $2000.00 Domestic Shipping: Third party
Attributed to: Earl Horter, American (1881 - 1940) Oil on Canvas, Cubist Still Life on Table Top, Signed "E.H." Lower Right. A Heydenryk frame label attached en verso. Measures 23" H x 38-3/4" W, frame measures 31-1/2" H x 47" W. Condition: Good conserved condition Estimate: $1500.00 - $2000.00 Domestic Shipping: Third party
* [Lord Napier of Magdala]. An Abyssinian Shield, circa 1868, circular domed shield made from hide and decorated in blind, with white metal strapwork and floral appliqué, two strips lifting, one metal strip and several floral mounts now missing, the reverse with carrying handle, leather to the reverse torn and frayed, RUSI (Royal United Service Museum) collection tags tied on, 55 cm diameter (Qty: 1)The RUSI entry reads: '1789. Leather Shield from Abyssinia, with silver plates for decoration. Given by Lord Napier of Magdala.' The RUSI Museum was dispersed in 1962, when the shield probably went to the Glenbow Museum in Calgary, Canada, from where it was deaccessioned in recent years. Lord Napier of Magdala (1810-1890) achieved his greatest fame as an army officer when he led the expedition of 1868 against Emperor Tewodros II of Abyssinia (modern day Ethiopia). The Abyssinian ruler was holding a number of Protestant missionaries hostage, in his mountain capital of Magdala, as well as two British diplomats who had attempted to negotiate their freedom. After months of planning, the advance guard of engineers landed at Zula on the Red Sea to construct a port on 30 October 1867; Napier himself arrived in Zula on 2 January 1868, and on 25 January 1868 led his troops south into the Ethiopian Highlands. After traversing 400 miles of mountainous terrain in inhospitable weather, Napier's troops reached the foot of Magdala on 9 April 1868 and, the next day, defeated the 9,000 troops still loyal to Tewodros at the Battle of Magdala for the loss of only two British lives. Although Emperor Tewodros surrendered his hostages and made repeated efforts for a negotiated surrender, the distrustful Napier pressed on and ordered an assault on the mountain redoubt on 13 April 1868. The British captured Magdala, and Emperor Tewodros killed himself. Napier then ordered the destruction of Tewodros' artillery and the burning of Magdala as retribution. This included the expedition and its troops looting many local artifacts, which they took back to Britain. Napier was elevated to the peerage as Baron Napier of Magdala on 11 July 1868 and granted an annuity for life.
A FINE 'FORCE 10' DIAMOND NECKLACE, BY FRED, 2014Composed of two articulated lines of round brilliant-cut diamonds crossing over at the centre, one line embellished with a 'force 10 link' set with a pear and brilliant-cut diamond within a frame of similarly-cut diamonds, mounted in 18K gold, diamonds 18.22cts total, signed Fred, numbered, maker's mark, French assay mark, with maker's case and box, inner diameter approximately 13.00cmAccompanied by a copy of invoice dated November 18th 2014 stating: 319 round brilliant-cut diamonds: G-VS - 17.56cts total, 1 brilliant-cut diamond 0.27ct G/VS2, one pear-shaped diamond 0.39ct G/VS2Fred Samuel (1908-2006) established his jewellery brand in 1936 in Paris, where he spent much of his professional life. Originally from Buenos Aires, born into a family that dealt in precious stones, it was no surprise he conceived a passion for cultured pearls and won recognition as a leading expert in the field. Fred imbued his designs with the energy of South America, saying my creations are inspired by the life, the light, the movement, the energy. His passion for life and light is expressed in his jewellery through the use of coloured gemstones and playful motifs. During World War II, Fred Samuel fled Paris and became an interpreter for the Allies. The name Fred was adopted by the brand post war, after it was imposed by German occupiers instead of 'Fred Samuel' because of the Jewish origins of its founder.Describing himself in 1936 as a ‘Contemporary Creative Jeweller’, he staked a claim for modernity based on striking jewellery, pieces with rounded, curvaceous lines. Fred became famous for jewels designed by Jean Cocteau and for its famous clients, such as Marlène Dietrich and the royal family of Monaco, including princess Grace. In 1966 Fred Paris was the inventor of cable jewellery 'Force 10' (made of stainless steel) and this feature is still very prominent today in ring, bracelet, pendant and necklace designs.As the brand grew new stores were opened across the world; 1976 Monte Carlo, 1981 Cannes, 2001 Tokyo and 2007 Beijing, Dubai and Bogotá. The company became the property of LVMH in 1996 and Fred collaborated with Kate Moss for the design of an exclusive collection in 2012.Fred Paris designed the iconic 23 heart-cut ruby necklace interlaced with diamonds, which was gifted to Julia Roberts by Richard Gere in the film Pretty Woman. The last major film for which Fred Paris provided jewellery was Casino Royale starring Daniel Craig, featuring the star collection pendant and earrings.The two beautiful diamond set pieces are perfect examples showcasing the Force 10 feature. The double strand cross over diamond collar, with the Force 10 link off set from the centre is a very glamorous and modern piece, that could be worn both day or night, accompanied by the spectacular pave-set diamond ring. Both pieces have a pear and round brilliant diamond set in the centre of the Force 10 link, adding extra sparkle and artistry to the pieces.
A FINE DIAMOND BROOCH, BY CHAUMET, CIRCA 1955Of stylised openwork design, the principal round brilliant-cut diamond weighing approximately 1.40cts within a cluster of marquise-shaped diamonds, to a triple spray of brilliant and tapered baguette-cut diamonds, mounted in platinum, remaining diamonds approximately 8.00cts, signed Chaumet, within Chaumet fitted case, length 3.8cmChaumet was founded in 1780 by Marie-Etienne Nitot, with an establishment at the heart of place Vendôme. His creativity and quality of workmanship, led him to become one of the most sought-after jewellers in Europe and thus establish a loyal and prestigious clientele. Since its inception Chaumet has preserved and continued the Parisian tradition of expertly crafted fine jewellery.The history of Chaumet has been entwined with the History of France, with Nitot and his son, Francois Regnault Nitot becoming the official jeweller to Napoleon during the Consulate and the Empire, creating tiaras, official court jewels and fashion accessories. Napoleon’s marriage to Joséphine, then to Marie-Louise of Habsburg-Lorraine, Queen Marie-Antoinette’s great-niece, resulted in some impressive commissions for Chaumet. Following the fall of the Empire, Nitot’s successors Jean-Baptiste Fossin and his son, Jules, dedicated themselves to romantic jewellery inspired by the decorative arts of the Italian Renaissance and of the French 17th-century.In 1848, Jules Fossin set up a London branch in partnership with J.V., Morel, assisted by his son Prosper. On his return to Paris in 1954, Prosper Morel joined Jules Fossin whom he succeeded in 1868. Prosper Morel’s daughter married Joseph Chaumet in 1875. With exceptional creativity and inspired by the re-enchantment of nature, Joseph Chaumet came to be recognised as an undisputed master of the Belle Époque. In 1889, Chaumet took over the company and gave his name to the house.In 2001, the LVMH Group acquired the house and entrusted the reigns to Thierry Fritsch, an art lover who revived the business, all while preserving its original spirit. Pascal Bourdariat was made the 12th head of the workshop, and as tradition dictates, a special ceremony was held for the handover to initiate the new bearer of the tradition. The house’s skill is traditionally passed down from one head of the workshop to another, without interruption, reflecting the creativity and excellence of each era.In the 1920s Chaumet’s jewellery styles became more geometric in line, following art deco style, characterised by strong contrasts in colours and materials, the use of semi-precious stones, black and white, as well as exotic inspirations. The 1930s saw Chaumet becoming more feminine, continuing its style while exploring a certain modernity that echoed fine Parisian taste, ever in search of novelty and the avant-garde. In 1970, gold jewellery, sometimes set with hardstone, bronze or mother-of-pearl, was on offer in a new boutique concept.Chaumet’s legacy of bucolic beauty is a deep well of inspiration that bridges past and present designs. Today, the bees share Chaumet’s garden-inspired Jardin’s Collection with the spider, weaving its perilous web, playing their game of amorous hide-and-seek. The ‘Hortensia’ collections invite us into a delicate garden filled with vibrant colour, the ‘Bee my love’ collection, including the diamond bee and the honeycomb motif, celebrate an imperial pledge of love and the ‘Attrape Moi’ collection once again highlights the bee. The house’s international development continues with a network of stores across Europe, the Middle East, Japan and Asia. Chaumet’s headquarters at 12 Place Vendome still house the studio, workshop and boutique - including a “Tiara Hall” and a large 18th century lounge that has been classified as a national monument.For more than 230 years Chaumet’s excellence in high Jewellery has been passed down through generations of jewellers. Diamonds and precious stones, carefully selected for their exceptional clarity and brilliance, are sculpted into round, cushion, oval, emerald or the house’s signature pear-shaped cut, and then the jewellers, stone setters, polishers and engravers give life to the jewels, exhibited in magnificent pieces of jewellery. With inspiration drawn from Art Nouveau, nature and travels, Chaumet ceaselessly reinvents its aesthetic codes and creates jewels that are truly remarkable. The elegant diamond brooch embodies a naturalistic theme, with the large round brilliant diamond surrounded by smaller brilliant marquise shaped diamonds depicting a flower, all set to the side of an artistic design. This is a truly magnificent piece to be cherished, increasing the glamour stakes of any outfit.
PICTURES AND PRINTS ETC, to include Bernard - continental oil on canvas, approximate framed size 39cm x 50cm, still life flowers in a vase by J.Cooper, oil on board landscape by J.Roberts, prints by Gerald Coulson, Robert Wade and others, oils by a variety of artists, mostly landscapes (approx forty in total, one box and loose)
PICTURES AND PRINTS, etc, to include lithographs by French artists Urbain Huchet 'Low Tide', Jean Pierre Laurant 'Port Breton' etching by Ann Tuttle, 'Autumn Whispers', together with collage and mixed media works by Anita Bell, four still life studies by Keith Edwards, oil on canvas and board, Jeremy Sancha Lino cut, signed and dated 76 and a photographic print of a Carlos Sancha painting, signed to the mount (box and loose)
FRANS SNYDERS (1579 - 1657) oil on wood panel still life 'Dead Game, Basket of Fruit & Carnation in Delft Bowl' signed lower left, Leonard Koetser label verso autumn exhibition 1964 60 x 85 cm. PROVENANCE IS AVAILABLE - WITH AUCTIONEER:HISTORICAL PAPERWORK, ORIGINAL CATALOGUES, HISTORICAL RECEIPTS ETC. This is a genuine executors sale & therefore for the purposes of clarity our catalogue description for lot 32 and lot 33 is based solely on the family provenance, and the supporting documentation from 1964. These paintings have not been officially authenticated. Bidders must bid on this basis.
CORNELIS JANSZ DE HEEM (1631-1695) still life oil on wood panel ' Fruit & Nuts on a Table' signed upper right 28 x 35 cm in gilt frame.PROVENANCE IS AVAILABLE - WITH AUCTIONEER:HISTORICAL PAPERWORK, HISTORICAL RECEIPTS, LETTERS. This is a genuine executors sale & therefore for the purposes of clarity our catalogue description for lot 32 and lot 33 is based solely on the family provenance, and the supporting documentation from 1964. These paintings have not been officially authenticated. Bidders must bid on this basis.
John Piper (1903-1992) Still life with Gargoyle, pen, ink and watercolour, signed (upside down), 56cm x 78cm. DDS Provenance; property from the late Sir David Tang This lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 20% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.
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![* [Lord Napier of Magdala]. An Abyssinian Shield, circa 1868, circular domed shield made from hide and decorated in blind, wi](https://cdn.globalauctionplatform.com/26655152-a6d8-43ec-bafb-aa41011fa6e3/779424eb-c5ad-46fc-b324-aa42011be5e3/468x382.jpg)
