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Lot 598
Various art related books, to include The National and Tate Galleries by R.N.D. Wilson, Modern Still Life Painting in Oils, The Illustrators, Oil Paintings, The Technique of Portrait Painting, How to Draw Horses, The London Sketch Club, The Technique of Oil Painting, Drawing in Pen and Pencil, etc. (1 shelf)
Lot 434
AN EVERILL & SONS PRINCESS ROYAL PATTERN TEA SET AND MATCHING SMALL WASH JUG AND BOWL, miniature coffee pot and a twin handled vase and cover, all printed in the same still life of fruits design, tea set comprising six cups, six saucers, seven tea plates, milk, sugar, tea pot and bread and butter plate (quantity) (Condition Report:- Some pieces marked as 'Raymond Everill & Paul Smith'. Nothing to indicate that the set is seconds quality. No sign of chips, cracks, crazing or resoration. Gilding if fairly good. Signs of use, some light scratching in the glaze, pieces feel rough in places, some dirty)
Lot 515
DEREK BROWN (1924-2009), six framed limited edition prints of still life flower studies, signed to lower margin, largest size 25cm X 22cm, together with Scott Brooks prints of flowers, four Peter Bere prints of birds, two other still life flower prints a Albert Aublet print 'On the Shingles', framed, size approximately 44cm X 80cm
Lot 604
PAINTINGS AND PRINTS, ETC, comprising a still life of flowers, unsigned oil on canvas, size approximately 68cm x 49cm, impressionist style castle beside water, unsigned oil on board - unframed, Tornado Squadron print signed by Gulf War POW's John Peters and John Nichol, 632 glider school print, computer sciences, corporation poster, six framed prints of flowers and picture frame
Lot 612
JOHN.F.SIM (BRITISH CONTEMPORARY),a pair of still life studies depicting apples, wine, glasses, foliage and tree branch, signed bottom left, oil on canvas, gilt framed, size approximately 30cm x 60cm, (Condition: paintings in good conditions, small marks to frames) together with Williams Holman Hunt 'Light of the World' framed print (3)
Lot 665
PAINTINGS AND PRINTS, to include six Philip Snow limited edition prints of Saker Falcons and Peregrine Falcons, numbered 1 or 2 of 150, framed, size approximately 18cm x 22cm, Philip Snow workshop proof of Pheasants, four Albert Chevallier Tayler Cricket prints (reproductions), two D R Elliott prints of village buildings, F H Cannell still life of fruit dated 1905, oil on board, together with two amateur portraits of young children
Lot 165
PATRICK CAULFIELD (British 1936–2005) A PRINT, "Pink Jug," 1981-1982, screenprint on paper, signed and numbered 29/80 L/R in pencil. 30" x 23 1/2" Note: Pink Jug was designed by the British artist Patrick Caulfield in London in 1981. As with all of his prints, Caulfield initially composed the work in the form of an acrylic painting. It was printed in 1982 at Kelpra Studio, a fine art print workshop in London, on white, heavy-weight, machine-woven paper using serigraph inks, which may have been oil-based. Colour was applied at a uniform thickness across the composition. It was published within an edition of eighty by Waddington Graphics, London, in 1982, although the edition number of this particular print is not known. The work is float-mounted on museum board using paper hinges and has been framed for display by Tate. The critic Mel Gooding has written that the ‘simple, schematic and direct’ style of Caulfield’s prints from the early 1980s represented a shift from the highly complex compositions in his prints and paintings of the mid-to-late 1970s (such as Still Life Ingredients 1976, Estate of Patrick Caulfield, London; Caulfield and Gooding 1998, p.14). Pink Jug is one of a group of four screenprints made by Caulfield in 1981–2, all of which depict jugs in the same stylized manner From the Tate Collection website Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Light mat stain, tape verso, overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 284
YIGAL OZERI (Israeli/American b. 1958) A PAINTING, "Still Life of a Stove and Canvas," mixed media on canvas, signed L/L. 18 1/2" x 11 1/2" Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: Some mild lifting of overlaid paper at edges, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 413
HOVSEP PUSHMAN (Armenian/American 1877-1966) A PAINTING, "Still Life of Thangka, Figurine, and Vase," oil on wood board, verso an old paper framer label, "Armand Lee & Company, Ltd., Chicago, Illinois." 24 1/2" x 13 3/4" Provenance: By descent; William Hanzel, president of Hanzel Galleries Inc., Chicago, Illinois. Condition: In very good condition, framed very well but heavy, and overall in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 472
DEREK BOSHIER (British b. 1937) A PAINTING, "Still Life, India," 1985, oil on canvas, signed verso. 37" x 60" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama. Estate of David E. Brauer, Houston, Texas. Condition: Generally in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 569
AMERICAN SCHOOL, A PAINTING, "Still Life with Figurine, Purple Cabbage Filled Silver Pitcher, and Vases with Tea Cup," MID 20TH CENTURY, oil on canvas, signed L/L illegibly "N.F. Geruard." 30" x 40" Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 572
PRESCOTT, WILLIAM HICKLING (American 1796-1859), SIXTEEN VOLUMES, 1838-1859, comprising, "HISTORY OF THE REIGN OF FERDINAND AND ISABELLA, THE CATHOLIC," 3 vols, second edition, Boston American Stationers' Co, 1838; "HISTORY OF THE CONQUEST OF MEXICO," 3 vols, New York, Harper and Brothers, 1843; "BIOGRAPHICAL AND CRITICAL MISCELLANIES," 1 vol, New York, Harper and Brothers, 1845; "HISTORY OF THE CONQUEST OF PERU," 2 vols, New York, Harper and Brothers, 1847; "HISTORY OF PHILIP THE SECOND, KING OF SPAIN," 3 vols, Boston, Phillips, Samson and Co, 1855 and 1859; "THE HISTORY OF THE REIGN OF THE EMPEROR CHARLES THE FIFTH," by William Robertson, with "AN ACCOUNT OF THE EMPEROR'S LIFE AFTER HIS ABDICATION," by William H. Prescott, 3 vols, Boston, Phillips, Samson and Co, 1857; "LIFE OF WILLIAM HICKLING PRESCOTT," by George Ticknor, 1 vol, Boston, Ticknor and Fields, 1864; each volume bound by Zaehnsdorf for A.C. McClurc & Co, with handsome gilt-tooled leather uniform spines with Moroccan red and brown labels, gilt-tooled polished leather front/back boards, opening to front/back marbleized paper lining and facing page, gilt edged page top. (16 vols) Condition: Each volume in overall good condition with dry spines, wear along spine and board edges, each lacking the Moroccan brown label and a few with small parts of red label missing, some light gilding wear but still fairly bright, some pages have light surface soiling and foxing but for the most part the pages in these volumes are relatively clean but for yellowing from age. Most pages have not been opened. The exception is vol 1 Conquest of Mexico, loose front piece, pages with frayed dry edges. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 137
British School (early 20th century): a 1920s style portrait of a young woman, watercolour, signed 'Josie Fisher', 30 by 23cm oval, mounted, glazed and framed, broken glass, 54 by 46cm, together with a watercolour still life of flowers, signed 'J.P. Wale', 25 by 16, mounted, glazed and framed, 45.5 by 36cm, and after J. W. Gozzard, a colour reproduction print 'Highland Solitude, 33 by 51cm, mounted, glazed and framed, glass broken, 56 by 73.5cm. (3)
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77111 item(s)/page