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J. M. WHITE (EARLY 20TH CENTURY) - A still life with fruit and a tazza on a table top, oil on canvas, signed and dated 1909, framed, 30cm x 50cm, frame size 49cm x 71cm, also three other oils and a chromolithograph after Clarkson Stanfield. (5)

GYULA BOROS (HUNGARIAN, CONTEMPORARY) - A still life with silver tray, candle, covered goblet and other items on a table top, oil on board, signed, framed, 48cm x 58cm, frame size 64cm x 75cm.

Elizabeth Bridge (1912-1996) still life with flowers. Oil on canvas. Signed and dated 1951. Image size 24 x 18.5cm. Frame size 37 x 31cm.

§ Lionel Ellis.(1903-1988), Still Life of Flowers. Oil on board, unsigned. 61 x 51cm. Lionel Ellis ARCA (1903-1988) was an important twentieth-century painter, illustrator, engraver and teacher who specialised in portraits, as well as equestrian and floral subjects. He taught at Wimbledon School of Art between 1937 and 1968 and lived in Headley, Surrey. The pictures offered here were formerly in the collection of his partner, fellow artist Barbara Shaw. His work is held at the V&A Museum, the British Museum and provincial museums.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more informationPROVENANCE from the estate of the artist to the late Barbara Shaw thence to this auction. She was also an artist and the works in this sale are mostly by Lionel Ellis some signed and some not. Where unsigned the auctioneers have attributed them where appropriate but cannot guaranteed those attributions although they believe them to be correct. The proceeds of the sale will go to Ms Shaw's chosen charity

Paul Brown (b. 1967), 'Crofts 1963', still life with port and cheese. Oil on canvas. Signed lower right and dated 1996. Labels verso. Framed. Image size 47 x 39cm.

19th century, Continental School, still-life of flowers, oil on board, 48 x 38cm,

Ernest Hanotiaux (Belgian, 1903-1970). Still life with vase of flowers. Oil on canvas. Signed. Gilt-edged frame. Image size 66.5 x 46.5cm. Frame size 85.5 x 65.5cm.

§ Lionel Ellis.(1903.1988). Still Life of flowers including Bluebells and Hydrangea. Oil on panel, unsigned. 51 x 41cm. Together with another Still Life of Flowers, oil on unstretched canvas. 66 x 49cm. (2) Lionel Ellis ARCA (1903-1988) was an important twentieth-century painter, illustrator, engraver and teacher who specialised in portraits, as well as equestrian and floral subjects. He taught at Wimbledon School of Art between 1937 and 1968 and lived in Headley, Surrey. The pictures offered here were formerly in the collection of his partner, fellow artist Barbara Shaw. His work is held at the V&A Museum, the British Museum and provincial museums.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more informationPROVENANCE from the estate of the artist to the late Barbara Shaw thence to this auction. She was also an artist and the works in this sale are mostly by Lionel Ellis some signed and some not. Where unsigned the auctioneers have attributed them where appropriate but cannot guaranteed those attributions although they believe them to be correct. The proceeds of the sale will go to Ms Shaw's chosen charity

Still life with vase and oranges. Oil on canvas. Signed indistinctly verso (to stretcher). Framed. Image size 34 x 44cm.

Peter Noel Perkins, abstract landscape. Oil on board. Signed lower left. Framed. Image size 33 x 43cm. With still life with sunflowers. Oil on canvas. Image size 51 x 38cm. (2)

Arthur Dudley (aka Giovanni Barbaro, active 1890-1907) Still life of oranges, grapes and a vase; and still life of apples, grapes and a bottle of Chianti, both signed, watercolours, 26cm x 77cm, a pair (2)Condition Report: Foxing to table cloth of picture with wine bottle and scratch to picture surface just above one apple.

L. Martin Still life, flowers in a vase, oil on canvas, signed 120cm x 90cm

Margaret Flockton (Australian 1861-1953). Still Life of Flowers, inscribed verso Warathas and Flannel Flowers. Watercolour. 36 x 42cm. £100-150.Condition Report: Picture is in good condition, with few signs of visible damage.

Paul Brown (b. 1967), 'Chateau Pichon Longeville Comtesse de Lalande,' still life with wine and cheese. Oil on canvas. Signed lower right and dated 1996. Framed. Image size 44 x 54cm.

20thC Continental School. Coastal scene with buildings, oil on canvas, indistinctly signed, 19cm x 24cm, embroidered picture of a terrier, a watercolour of a bridge, signed E Prior, a print after Gary Sargent of a building, a still life with jug and fruit, etc.

Ship on calm waters, oil on canvas indistinctly signed, 39cm x 64cm, and a still life. (2)

Sabrina Garzelli (B.1968), a gilt framed oil on board, still life, signed. H.60 W.70cm

Sabrina Garzelli (B.1968), a gilt framed oil on board, still life, signed. H.47 W.41.5cm

MONET (CLAUDE)Autograph letter signed ('Claude Monet') to 'Cher Ami' [Paul Helleu], in French, asking if he is still in Paris and when he will visit with Madame Helleu and their daughter, going on to say that he is doing nothing very much and has so many worries he dare not begin anything, and ending by saying he is awaiting a word from him, 2 pages, written in purple ink, notepaper with peacock feather watermark, creased at folds, 8vo (208 x 132mm.), Giverny par Vernon, Eure, 9 July [18]93Footnotes:'CHER AMI': Monet writes in bold purple ink to his long-time friend and fellow artist Paul César Helleu from his beloved home, Giverny, which he had purchased just three years before. In the year of our letter, not only did he embark on an ambitious project to landscape the grounds to include the lily ponds that he would so famously depict in later life, Monet also completed his series of paintings of Rouen Cathedral. Helleu's own work would be strongly influenced by his close friendship with Monet, whom he met at the Second Impressionist Exhibition of 1876. At the time this invitation was issued, Helleu was a highly-regarded society portrait painter at home in the elite cultural and literary salons of Paris, counting Marcel Proust and his patron and biographer Robert de Montesquiou amongst his friends.Provenance: Baron Max Fould-Springer (1906-1999); by descent to his nephew the author David Pryce-Jones.For further information on this lot please visit Bonhams.com

John Henry Amshewitz (British, 1882-1942),'Still life with chrysanthemums', oil on canvas, signed lower right, in gilt frame,canvas measures approx. 69 x 51.2cm, overall approx. 84.3 x 66.6cmCondition: The painting is in good condition commensurate with age

A COLLECTION OF ASSORTED PICTURES AND PRINTS TO INCLUDE AN ANTIQUE STILL LIFE OIL ON CANVAS STAMPED E.S.K., WATERCOLOUR, LARGE CANVAS PRINT ETC. (12)

ARTHUR WILSON GAY (1901-1955). Still life study of flowers in a vase, signed lower right, watercolour, framed and glazed, 37 x 46 cm

A PAIR OF GILT FRAMED GLAZED OIL ON BOARD STILL LIFE STUDIES OF CHERRIES AND BERRIES 31 CM BY 23.5 CM

Denby Sweeting (British 1936-2020) Still Life Spring Flowers, oil on panel, artist's studio label verso, measurements 60 x 54 cm, frame 78.5 x 71.5 cmConsigned from the artist's estateCondition report: The painting is an oil on panel, framed without glazing. The panel is in good condition, no evidence for any splits or warping, it is loose fitting in the frame. The frame has solid joints and is in overall good condition with minor general wear and tear. The paint surface appears well preserved and stable, no evidence for deterioration- there is a dark scuff to the top left corner with some minor surface damage. On the verso is a label from the artist's studio.

L Holland (fl 1913). Still life roses, oil on canvas, signed and dated, 53cm x 36cm.

James Bolivar Manson (1879-1945). Still life - Dolls and Staffordshire dog, oil on canvas, signed, 35cm x 55cm.

An early 20thC School, still life with flowers, oil on canvas, 50cm x 27cm, and a further still life of fruit. (2)

English School, 20th Century still life study, oil on canvas, housed in a gilt frame, the oil 44cm x 59cm 

The mounted group of nine miniature dress medals worn by Colour Sergeant D. Cutterham, C.G.C., 1st Battalion, The Rifles, formerly Royal Gloucestershire, Berkshire and Wiltshire Regiment Conspicuous Gallantry Cross, E.II.R.; General Service 1962-2007, 1 clasp, Northern Ireland; N.A.T.O. Medal 1994, 1 clasp, Non-Article 5; Iraq 2003-11, no clasp; Operational Service Medal 2000, for Afghanistan, 1 clasp, Afghanistan; Jubilee 2012; Accumulated Campaign Service Medal 2011, mounted as originally worn, good very fine (9) £300-£400 --- Provenance: Dix Noonan Webb, November 2020 (when sold alongside the recipient’s full-sized awards) C.G.C. London Gazette 23 March 2012: ‘In recognition of gallant and distinguished services in Afghanistan during the period 1st April 2011 to 30th September 2011.’ The original recommendation states: ‘Conspicuous Gallantry Cross in recognition of your singular courage during Operation Herrick 14. When your patrol was ambushed on 24 May 2011 you reacted instinctively and without hesitation to protect the lives of your men. Demonstrating the utmost bravery and a selfless disregard for your own safety, you took the conscious decision to run towards and pick up an accurately thrown grenade that had landed in an irrigation channel where your patrol was manoeuvring. Your cool composure and clarity of thought in throwing the grenade into the next ditch minimised the risks of airborne detonation and prevented serious injury. Your gallant and inspirational leadership made a telling contribution to sustained success throughout a demanding tour, upholding the fine reputation of your Regiment.’ Deacon Cutterham joined ‘the British Army on the 9th January 2000 at the age of 16 – It was my childhood dream to be a soldier and I counted down the days until my 16th birthday when I could finally sign up. My journey began at the Army Foundation College Harrogate (AFC). My intake started with 105 recruits, the course lasted almost a year and was tremendously challenging, both physically and mentally, by the end of the course there were only 23 of us left. Before I started basic-training I remember my father taking me to the train station and saying ‘This will be the hardest but the most fulfilling thing you will ever do’ – he was right! I was the lightest boy on my intake (8 stone) and was incredibly quiet to begin with – probably as I was doing an arduous job that most grown men would struggle with. I knew even back then I had something a little extra than the rest and my instructor would say to me ‘you’re like a little piece of iron’ I took that as a compliment. I went on to complete many overseas exercises, operational tours, arduous courses and compete in multiple sports for the British Army at a National level. The opportunities that the British Army gave me were incredible and have shaped me from a 16-year-old boy into the man I am today in so many positive ways. It has enabled me to live a life of excitement and do things most young boys only dream of.’ (Unpublished account of service provided by vendor refers) Cutterham carried out training at the Infantry Training Centre, Catterick, and was posted to The Royal Gloucester, Berkshire and Wiltshire Light Infantry. In his second year at Battalion he deployed to Northern Ireland on Operation BANNER. Cutterham passed a Non Commissioned Officer cadre in order to become a Lance Corporal in 2004. He then almost immediately completed the Section Commanders Battle Course. On this arduous course he performed so well that he received a recommendation to return as an instructor. Cutterham only remained a Lance Corporal for a year, promoted to Corporal the following year - described as a ‘remarkable feat’ in his Certificate of Service. Cutterham took the Commando Course in 2006: ‘The Commando Course was a childhood dream of mine and a course I’d longed to complete for my own development. My campaign didn’t start well as I broke my lower back on the pre-course training which meant I had to wait for the next course, which was really frustrating! Eventually, I started the course which turned out to be 11 weeks long. It did not disappoint, I really loved it and it was great fun from start to finish. The course didn’t test me much as I was exceptionally fit and already a seasoned section commander. The commando tests were great fun and I excelled at the endurance course breaking the course record. I even called in to see the camp RSM because he couldn’t believe that someone could run it that quick.’ The following year Cutterham deployed with the 1st Battalion, The Rifles to Iraq on Operation TELIC, and then almost immediately to Afghanistan on Operation HERRICK. As a section commander on these two operational tours he was at the very front edge of the action, leading a section of around 8 men into combat. During deployment, Cutterham was selected to take the Platoon Sergeants Battle Course (PSBC): ‘This course was a defining moment in my life, I felt like I had something to prove and I wanted to excel. I wanted to transfer to the Engineers as there was some politics in the Rifles. I was then promised that if I went to Iraq they would push my transfer through quicker, sadly that didn’t happen and I was on Herrick 9. Two tours back-to-back! During Herrick 9 I was offered the Platoon Sergeants Battle Course (PSBC) to entice me to stay in the Rifles. I cancelled my transfer and prepared for PSBC best I could whilst on tour. Upon returning from Herrick 9 and having some much-needed rest I went on the PSBC pre course. This is a two-week long course aimed at preparing soldiers for the PSBC. I was extremely happy to find out that I was the top candidate on the pre-course. I was determined to excel, I won everything and for 8 weeks and I made sure I was top, I went the extra mile and never faltered at any task given. I was resistant to the elements, to hunger and to the tiredness that fell due to the arduous nature of the course. At the end of the course we were all in the presentation room/cinema and they started to give out the awards, I’d finished 2nd overall and awarded a distinction. I was the first soldier ever from 1 Rifles to be awarded a distinction on PSBC. At that time, it was one of the proudest moments of my life. I returned into camp and the RSM stood me up in front of the CPLs Mess and promoted me on the spot!’ Herrick 14 - CGC Cutterham returned for his second tour of Afghanistan in 2011, and he provides the following account of the actions behind the award of his Conspicuous Gallantry Cross: ‘I was a multiple commander on active operations in charge of Check Point (CP) Leverette with A-COMPANY 1 Rifles. I was initially a multiple 2nd in command (2ic) but due to the death of one my closest friends and confidants Kevin Fortuna [on 23 May 2011] I was given a battlefield promotion and took over command of the multiple (12 men & women) and the check point. I remember that morning [24 May 2011] with great clarity. I woke up and immediately felt like there was something wrong, the atmosphere was tense. I remember briefing the multiple just before setting out on the days patrol. I told them to be extra alert and vigilant. I didn’t want to unnerve them, but I did turn to my 2ic quietly and say can you feel the tension in the air, he replied to me ‘no mate it’s just another day another dollar’. I’ve always had a great sixth sense and I’ve always acted on it – I think this is the reason I’m still alive. We set off on patrol and strangely there weren’t many people ar...

Oil on board still life with fruits, English School framed 64 x 53cm

A pair of oil on board still life pictures of flowers in gilt frames 47 x 37 cm

TWO DECORATIVE CIRCULAR GILT FRAMED PICTURES OF STILL LIFE FLOWERS SIGNED JANSEN

PETER STANAWAY (born 1943); acrylic on canvas, abstract still life, signed lower left , 29 x 21cm, framed. (D)Additional InformationImage is good, frame with minor wear, scuffs and knocks.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

GEOFFREY KEY (born 1941); mixed media, still life with jugs, signed and dated 17-09-90 lower left, 33 x 48cm, with label bearing GK 441490 label verso. (D)Additional InformationImage is good, frame with minor chips, scuffs and knocks.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

BARBARA WOOD; four limited edition prints, figure study and still life of vases on a windowsill, each from a limited edition of 950 and signed in pencil, largest 89 x 63cm, framed and glazed (4).Additional InformationSome foxing to the prints at the bottom, some fading, general wear to the frames.

JAMES LAWRENCE ISHERWOOD (1917-1989); oil on board, stylised floral still life study, signed lower left, 27.7 x 40.6cm, framed. (D)Additional InformationSome surface dirt, some small flecks and losses, further general wear.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

GEOFFREY KEY (born 1941); oil on canvas, 'Still Life with Eggs II', signed and dated '00 lower left, inscribed and with GK 8300 number to the reverse, 29.5 x 39cm, framed. (D)Additional InformationThe canvas is good with strong colours, the frame with minor knocks.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

ANDRAS GOMBAR (Hungarian, born 1946); oil on panel, still life of a copper pan, glass bottle, jug and other items on a shelf, signed lower right, 29 x 39cm, framed. (D)Additional InformationImage perhaps with a light covering of dust and dirt, the fabric part of the frame with some foxing, couple of slight scuffs to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Fifteen loose oil paintings, comprising eight featuring water fowl, the largest signed Patrick, 52 x 62cm, three featuring traditional ships with two signed C. Alexis, three mountain lake landscapes all signed Lockwood, and a still life featuring violin and books signed William Bieby (possibly), also textured print depicting a lady kneeling before a cross.Additional InformationAll loose, some misshapen, dust, dirt, etc.

EDWARD NOOTT RBSA (born 1965); oil on canvas, still life depicting garden scene, signed lower right, 62 x 62cm, framed. (D)Additional InformationThe canvas is good with strong colours, scuffs, marks and scratches to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

THERESE MCALLISTER (Irish, born 1951); oil on canvas on board, 'Still Life Basket and Zucca', signed, inscribed on the Bruton St. Gallery of London label verso, 59 x 71cm, framed. (D)Additional InformationA bit of light surface detritus, but overall OK.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

PAUL KARSLAKE (British, born 1958); oil on canvas, still life of a vase of flowers, tulips and eggs on a windowsill with sunset beyond, emblematic of the female form, signed lower left, 75 x 59.5cm, framed. (D)Additional InformationCanvas is generally clean and bright, some scuffs to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

VARGAS; oil on canvas, still life of fruit in a bowl, signed lower right, 39.5 x 49.5cm, framed, also a still life oil on board, signed Guterman, depicting roses in a vase, 49.5 x 39cm (2).Additional InformationBoth generally clean and bright, perhaps a few slight marks to the frames here and there.

JAN WENCZKA; oil on canvas, two Pierrots, signed lower left , 86 x 50cm, framed, also an oil on canvas, still life, indistinctly signed lower right, 34 x 25cm, framed (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

EDWARD NOOTT RBSA (born 1965); oil on canvas, still life study, a dining room table set with a vase of flowers and two glasses, signed lower left , 63 x 75cm, framed. (D)Additional InformationImage is good, frame with minor wear, scuffs and knocks.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

E BRADLEY; a set of three watercolours, still life studies of flowers, each signed, 51 x 66cm, framed and glazed. (D)Additional InformationSlight rippling to the paper, a few scuffs to the frame, otherwise basically OK.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

UNATTRIBUTED; oil on canvas depicting a farm hand, 52 x 38cm, a watercolour indistinctly signed, still life floral scenes, unframed, a presentation certificate presented to Jefferey Wilkinson and a print on canvas depicting a girl, 58 x 44cm (4).

SHADI MAHSA (Iranian) “Floral still life”, acrylic on canvas, signed lower right, inscribed lower right “Shadi Mahsa 2019”, 51 cm x 41 cm, size including frame approx 53 cm x 43 cm

British School, PDJ, a pair of still life studies, signed and dated 1910 and 1912, oils on canvas. 30 x 48cm approx. Pierced gilded frames. (2)(B.P. 21% + VAT) Rather grubby, some shrinkage in places.

A.E Higgins, still life study of flowers, signed and dated 1910, oils on canvas, 61 x 41cm approx.(B.P. 21% + VAT)

Collection of Chinese paintings on rice or pith paper to include; a small study of figures at work and four larger still life studies of flowers, various. Still life studies: 27 x 20cm approx. Framed. (B.P. 21% + VAT) All are stained and not in good condition.

A DIAMOND BROOCH, BY RAYMOND TEMPLIER, CIRCA 1958Composed of a stylised flowerhead, the polished gold petals with ropetwist detailing throughout, centring brilliant and single-cut diamond pistils to further similarly-cut diamond accents, mounted in 18K gold, diamonds approximately 2.50cts cts, maker's mark 'PRT' for Paul & Raymond Templier, French assay marks, length 5.8cmThe Parisian jewellery Raymond Templier (1891-1968) was one of a small group of innovative Art Deco designers known as ‘bijoutiers-artistes’. These were innovative, radical, artist jewellers in contrast to the ‘bijoutiers-joaillers’ in France in the first quarter of the 20th century, the latter of whom encompassed the more moderate and well established and famous jewellery houses. Templier came from a traditional jewellery family and grew up around the family business which his grandfather Charles had founded in 1849. However, after he joined the Templier firm in 1919, Raymond was determined to redefine Maison Templier in order to produce more innovative and for its time, radical designs. Bijoutiers-artistes such as Templier produced work in a minimal, geometric style that looked towards contemporary artistic movemts such as Cubism and were inspired by the imagery of industrial production and the machine age. Similarly, Art Deco’s love of geometric form which had initially flourished in the worlds of architectural design and the visual arts throughout the 1920s and 30s, similarly became absorbed into jewellery design and influenced the work of Templier. The geometric motifs of Templier’s jewellery thus reflect the dynamism of modern urban culture and the mechanised world, earning him the reputation of ‘architect of the jewel’.In 1929, Templier helped found the French Union of Modern Artists, a collective that also included Charlotte Perriand, Robert Mallet-Stevens, Eileen Grey and Sonia Delaunay. The aim of this association was to promote and uphold modern art, which Templier believed had to originate from contemporary life. He and his fellow jewellers produced monumental pieces including imposing bangles, sculptural rings and large pendants. He became one of the leading proponents in France of the Art Moderne movement and created some of the most iconic pieces of the period such as the diadem and earrings worn by the actress Brigitte Helm in the 1928 film L’Argent.Templier officially took over his father’s business in 1935, allowing him free reign on the business he had long strived to establish as a house which championed Modern and Art Deco design. Following the Second World War, Templier continued to make pieces, including the lot in this sale from the 1960s. In his later years, Templier made a return to the somewhat more traditional approach of his ancestors. Although he continued to be inspired by the Art Deco period of the 1920s and 30s, his later work transitioned from pieces that were almost entirely free of decorative ornamentation, to creations which of the more classical style, albeit still celebrating the Modernist style. As such, Templier exhibited his skill at acclimatising to his environment and catering for a new generation of clientele in the 1960s. The post-war period witnessed a shortage in platinum, so jewellers such as Templier made a return to gold. Although his style remained largely abstract in jewellery terms, Templier’s designs of this era are less figurative and were inspired by smoother lines drawn from nature. Today, Raymond Templier’s jewellery forms part of some of the world’s most famous museums including the V&A in London, The Met and the Musee des Arts Decoratifs in Paris. Raymond died in 1968 and is remembered for both his pioneering of the Modernist jewellery as well as his unique skill of combining in his later pieces a sense of traditionalism alongside a subtle twist of Art Deco.Condition Report: Eagle's head for French 18K gold located on pin and reverse of broochMaker's mark located on the reverse at about 6 o'clockPin on the reverse is a little stiffNormal signs of wear, overall in good conditionTotal gross weight approx.: 25.54g

LARGE STILL LIFE BY LORRAINE KIDD (PEARS AND APPLES)

J* Molnarj (Hungarian 20th Century)Still life on a table,signed,oil on canvas 48 x 58cms, in swept gilt frame.

Brian Davies (1942-2004)"Still life of Black Grapes, Almonds, Pear and Wine Glass" and "Still Life of Black Grapes, Wine Glass, Hazelnuts and a Peach"signed, entitled verso,oil on canvas, each 19 x 24cms, framed.

Brian Davies (1942-2004)Still life with pewter jug, glass goblet, bread and prawns, signed,oil on canvas, 30 x 24cms, framed.

A watercolour - still life of fruit and other pictures and prints

MID 20TH CENTURY OIL ON CANVAS STILL LIFE indistinctively signed

Approx 30 Music-related books about various different artists and genres. Artists include Iggy & The Stooges, Lou Reed, Patti Smith, The Corrs etc. Titles include PUNK., Rock Life, De Rock 'N' Roll Jungle, Andy Warhol: Retrospektive, Nico: The End, 33 Still Lives, WERK etc.

Assorted vinyl LP's including Wishbone Ash 'Just Testing', Bob Marley 'Exodus', Simon and Garfunkel 'Bridge over Troubled Water' and 'The Graduate', Paul Simon 'Self Titled' and 'Still Crazy after all these years', Sade, Stevie Wonder 'Songs in the Key of Life' (2), 'Innervision', 'Fulfillingness', 'Talking Book' (2), The Stax/Volt Revue Volumes I and 2 and others (1 box)