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Lot 149
Oliver Clare (c.1853-1927), Still life with plums, strawberries and raspberries, signed and dated 92, oil on board, 13 x 21cm. 5 x 8.25in. * Exhibited one work at the Royal Academy and two at the Royal Society of British Artists-Suffolk Street between 1873-83. At the Royal Birmingham Society of Artists he exhibited 39 works between 1874-98.
Lot 1133
Georges Lefeuvre, French b.1932- Flowers in a vase by a table by a window over looking a garden; oil on board, signed, 62.7x47.5cm: together with one other similar floral still life composition and a landscape study in oils on board by the same hand, both signed, 63x46 and 46x55cm., respectively, (3) (may be subject to Droit de Suite)
Lot 1283
Jacques Blanchard, French 1912-1992- Still life of apples a bowl and a jug, still life of two eggs, cup and saucer and a glass mug; oils on board, a pair, both signed, in matching gilt composition frames, 20.5x26cm., ea., (2). Provenance: with Frost & Reed, according to labels attached to the reverse of each
Lot 1331
The Following lots are from the studio Gerald Judah Ososki, Russian/British 1903-1981 Gerald Judah Ososki was born in London of Russian parentage, studied at the St. Martins School of Art from 1917-1922, then at the Royal College of Art from 1922-1926 on the recommendation of his tutor Professor William Rothenstein 1872-1945 Gerald Ososki exhibited regularly at the Royal Academy from 1951-1973 He was a member of the Royal society of British Artists and was part of the Tate Gallery's "Seventeen Collectors Exhibition" , he was exhibited at the Leicester Gallery, The Mall Galleries, New English Art Club, Goupil Gallery and the Redfern Gallery Exhibited widely in the U.S.A, Canada and Australia. He was awarded the De Laszlo medal by the Royal Society of British Artists in 1972 Ososki's work is represented in several private collections including those of Lord Metheun RA, the late Duke Of Wellington and Sir Alexander Downer KBE During his lifetime the works ranged from watercolour studies in the grand tradition of the old masters, to bold compositions of a textural quality. In the final years his landscapes were inspired by a feeling of contrasting moods and the use of dramatic light and shade Gerald Judah Ososki 1903-1981- "Mediterranean Coastal Town"; red ink, signed and dated 61, bears Gerald Ososki 1903-1981 Atelier, Hampstead London, studio stamp verso 29x44cm: together with a quantity of crayon, ink and watercolour studies depicting landscape, still life and nude studies, each bearing his studio stamp, (part unframed) (a lot)
Lot 227
A Small Coloured Print still life of flowers, set to the oval, in gilt frame, 2 other prints depicting flowers, a pair of coloured prints depicting figures on sea shore and boats in rough seas, both in white frames, and an oak square photograph frame having raised shell and scroll decoration (6)
Lot 569
Scottish School (20th century) Architectural drawing for a Scottish War Memorial & Museum, Pencil & watercolour, 57x45cm Robert McAllister Walker (1875-?) Five landscapes, watercolour, 25x34cm and 40x58cm, Still life pastel and a portfolio of work by Ross Walker Bogs fishing before a mill, Signed watercolour, 29.5x46cm , Railway yard and city gate, Signed watercolour, 37x27cm Village scene, Signed watercolour, 23x31cm
Lot 143
UNSIGNED, PENCIL AND WATERCOLOUR, Still Life Study of Grapes and Oranges on a ledge, 12" x 21"; and INDISTINCTLY SIGNED, MIXED MEDIA, Flower Study, 14" x 21"; and WAKEFIELD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED LITHOGRAPH (48/80), "Southampton University", 17" x 13" plus two unframed OILS (5)
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