DILLMANN, Hilmar (1940 Berlin - 2021 Berlin) PfeifenraucherÖl auf Holz. Signiert. 26 x 23 cm. Gerahmt : 41 x 37 cm. Fein gemalte Interieurszene mit Brotzeit-Stillleben. Vergoldeter Biedermeier-Stuckrahmen. Hilmar Dillmann, Großneffe der Malerin und Graphikerin Eugenie Dillmann (1865 Kiel - 1940 Berlin), Landschafts-, Architektur- und Genremaler, Miniaturmaler und Restaurator * Partnerauktion Bergmann. Provenienz : Nachlass des Künstlers. Aufrufzeit 24. | Feb 2024 | voraussichtlich 13:18 Uhr (CET) DILLMANN, Hilmar (1940 Berlin - 2021 Berlin) Pipe smokerOil on wood. Signed. 26 x 23 cm. Framed : 41 x 37 cm. Finely painted interior scene with a still life with a snack. Gilt Biedermeier stucco frame. Hilmar Dillmann, great-nephew of the painter and graphic artist Eugenie Dillmann (1865 Kiel - 1940 Berlin), landscape, architecture and genre painter, miniature painter and restorer * Partnerauktion Bergmann. Provenance : Estate of the artist. Call time 24 | Feb 2024 | probably 13:18 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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THOST, Rudolf (1886 Zwickau - 1921 Stuttgart) StilllebenÖl/Leinwand. Rechts unten signiert. 45,5 x 34,5 cm. Gerahmt : 58 x 47 cm (Goldstuckrahmen). Weinglas neben glänzendem Porzellan, Krug und Äpfeln. Maler in Stuttgart, studierte an den Akademien Dresden, Karlsruhe bei Keller und Ritter und in Stuttgart bei Haug. Literatur : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:11 Uhr (CET) THOST, Rudolf (1886 Zwickau - 1921 Stuttgart) Still lifeOil/canvas. Signed lower right. 45.5 x 34.5 cm. Framed : 58 x 47 cm (gold stucco frame). Wine glass next to shiny porcelain, jug and apples. Painter in Stuttgart, studied at the Dresden and Karlsruhe academies under Keller and Ritter and in Stuttgart under Haug. Literature : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | probably 20:11 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Monogrammist "H.E.": Stillleben mit englischen Rosen auf MarmorsimsÖl/Leinwand. Rechts unten monogrammiert. 1871. 21,5 x 29 cm. Gerahmt : 28 x 35,5 cm (Berliner Leiste). Die weißen und rosafarbenen Blumen vor dunklem Hintergrund. Altersspuren. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:16 Uhr (CET) Monogrammist "H.E.": Still life with English roses on a marble ledgeOil/canvas. Monogrammed lower right. 1871.21.5 x 29 cm. Framed : 28 x 35.5 cm (Berlin strip). The white and pink flowers against a dark background. Traces of age. Provenance : Collection estate from Hanover. Call time 24 | Feb 2024 | presumably 20:16 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HELMRICH, Walter (1905 Eltville - 1994 Kiedrich) StilllebenÖl/Malkarton. Rechts unten signiert. 49 x 40 cm. Gerahmt : 65 x 56 cm (profilierter Holzrahmen). Viele Wiesenblumen in einer Vase auf einem Tisch mit blauem Tuch. Deutscher Tier- und Landschaftsmaler, tätig in Wiesbaden, später in Kiedrich im Rheingau. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:37 Uhr (CET) HELMRICH, Walter (1905 Eltville - 1994 Kiedrich) Still lifeOil/painting card. Signed lower right. 49 x 40 cm. Framed : 65 x 56 cm (profiled wooden frame). Many meadow flowers in a vase on a table with a blue cloth. German animal and landscape painter, active in Wiesbaden, later in Kiedrich in the Rheingau. Aufrufzeit 24. | Feb 2024 | probably 20:37 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PETERSEN, Victorine Fein gezeichnetes BlumenstilllebenKohlezeichnung. Dänemark. Tuschsignatur. Datiert: 28. August 1835. Blatt: 26 x 22 cm. Gerahmt & hinter Glas : 39 x 35 cm. Sommerblumen in einer Vase. Blatt stark lichtgebräunt und mit kleinen Löchern durch Wurmfraß. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:41 Uhr (CET) PETERSEN, Victorine Fine drawn floral still lifeCharcoal drawing. Denmark. Signature in ink. Dated: August 28, 1835. Sheet: 26 x 22 cm. Framed & behind glass : 39 x 35 cm. Summer flowers in a vase. Sheet heavily light-browned and with small holes due to worm damage. Provenance : Collection estate from Hanover. Aufrufzeit 24. | Feb 2024 | probably 10:41 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BISSI, Sergio Cirno (1902 Carmignano - 1987 Florenz) Florentinischer KarnevalÖl auf Leinwand. Signiert. 50 x 100 cm. Flott gemalte, figurenreiche Szene mit traditionellen Masken des italienischen Karnevals. Auf dem Keilrahmen italienischer Stempel: Rigacci, Florenz. Ohne Rahmen. Bissi, Genre-, Bildnis- und Stilllebenmaler, Schauspieler. Als Maler Autodidakt, 1923 Ausstellungsdebüt in Cattolica * Partnerauktion Bergmann. Literatur : Saur (1995). Aufrufzeit 24. | Feb 2024 | voraussichtlich 15:41 Uhr (CET) BISSI, Sergio Cirno (1902 Carmignano - 1987 Florence) Florentine CarnivalOil on canvas. Signed. 50 x 100 cm. Briskly painted, figurative scene with traditional masks from the Italian carnival. Italian stamp on the stretcher: Rigacci, Florence. Without frame. Bissi, genre, portrait and still life painter, actor. Self-taught painter, 1923 exhibition debut in Cattolica * Partner auction Bergmann. Literature : Saur (1995). Aufrufzeit 24. | Feb 2024 | probably 15:41 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
REIMER, Tom (1906 - 1975) Stillleben mit Äpfeln und BuchÖl/Leinwand. Rechts oben signiert, verso bezeichnet. 1945. 57 x 64,5 cm. Gerahmt : 66 x 73 cm (weißer Rahmen). Zwei restaurierte Stellen mit Hinterklebungen. Aufrufzeit 24. | Feb 2024 | voraussichtlich 21:02 Uhr (CET) REIMER, Tom (1906 - 1975) Still life with apples and bookOil/canvas. Signed upper right, inscribed verso. 1945.57 x 64.5 cm. Framed : 66 x 73 cm (white frame). Two restored areas with adhesive backing. Call time 24 | Feb 2024 | presumably 21:02 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
StilllebenmalerÖl/Malkarton. Unsigniert. Um 1910/20. 67 x 60 cm. Gerahmt : 80 x 75 cm. Großer Blumenstrauß mit roten und gelben Blüten vor hellblauem Hintergrund. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:45 Uhr (CET) Still life painterOil/painting card. Unsigned. Circa 1910/20. 67 x 60 cm. Framed : 80 x 75 cm. Large bouquet of flowers with red and yellow blossoms against a light blue background. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:45 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PETERS, Anna? Stillleben mit PfingstrosenÖl/Leinwand. Rechts unten nachträglich monogrammiert. 53 x 45 cm. Gerahmt : 68 x 59 cm (Goldstuckrahmen). Großer Strauß mit rosafarbenen Blüten vor neutralem Hintergrund. Farbabsplitterungen. Wenn Anna Peters, dann: Malerin in Stuttgart (1843 Mannheim - 1926 Sonnenberg), Schülerin ihres Vaters Pieter Francis Peters. Literatur : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:24 Uhr (CET) PETERS, Anna? Still life with peoniesOil/canvas. Monogrammed retrospectively lower right. 53 x 45 cm. Framed : 68 x 59 cm (gold stucco frame). Large bouquet with pink flowers against a neutral background. Color chips. If Anna Peters, then: painter in Stuttgart (1843 Mannheim - 1926 Sonnenberg), pupil of her father Pieter Francis Peters. Literature : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | probably 20:24 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BLANKE, Wilhelm (1873 Unruhstadt - 1936 Schwiebus) StilllebenÖl/Leinwand. Unsigniert, verso Leinwandreste mit Signatur. 48 x 61 cm. Gerahmt : 62 x 75 cm (Stuckrahmen). Äpfel auf einem Silberteller neben Keramikkrug und Porzellandose. Leichte Altersspuren. Deutscher Maler und Lithograf des Impressionismus, Schüler seines älteren Bruders, später Autodidakt. Literatur : Vollmer. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:10 Uhr (CET) BLANKE, Wilhelm (1873 Unruhstadt - 1936 Schwiebus) Still lifeOil/canvas. Unsigned, remains of canvas with signature on verso. 48 x 61 cm. Framed : 62 x 75 cm (stucco frame). Apples on a silver plate next to a ceramic jug and porcelain box. Slight traces of age. German Impressionist painter and lithographer, pupil of his older brother, later self-taught. Literature : Vollmer. Aufrufzeit 24. | Feb 2024 | probably 20:10 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BlumenstilllebenÖl/Eisenblech. Unsigniert. Mitte 19. Jh. 18 x 25,5 cm. Gerahmt : 22 x 30 cm (Goldleiste). Rosen und Enzian in der Art der Jensen-Schule vor dunklem Hintergrund. Altersspuren. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:16 Uhr (CET) Flower still lifeOil/iron plate. Unsigned. Mid 19th century18 x 25.5 cm. Framed : 22 x 30 cm (gold border). Roses and gentian in the style of the Jensen School against a dark background. Ageing. Provenance : Collection estate from Hanover. Aufrufzeit 24. | Feb 2024 | probably 20:16 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MÜLLER, B. Stillleben mit weißen RosenÖl/Leinwand/Holz. Rechts unten signiert. 1. H. 20. Jh. Ovaler Bildausschnitt 35 x 40 cm. Gerahmt : 50 x 55 cm (Goldstuckrahmen). Die Blumen in einer kleinen Vase im hellen Licht. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:40 Uhr (CET) MÜLLER, B. Still life with white rosesOil/canvas/wood. Signed lower right. 1st half 20th century Oval image 35 x 40 cm. Framed : 50 x 55 cm (gold stucco frame). The flowers in a small vase in bright light. Provenance : Collection estate from Hanover. Call time 24 | Feb 2024 | probably 20:40 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
SCHMID-FICHTELBERG, Josef Anton (1877 München - 1964) "An der Laber bei Rottenburg a.d.L."Öl/Hartfaser. Rechts unten signiert, verso bezeichnet/betitelt. 45 x 60 cm. Gerahmt : 51 x 65 cm (Goldleistenrahmen). Sommerlandschaft mit Bachlauf zwischen grünen Wiesen nahe einer Ortschaft. Deutscher Landschafts-, Bildnis- und Stilllebenmaler, Autodidakt, Mitglied im Reichsverband bildender Künstler Deutschlands, beschickte ab 1910 die Ausstellungen der Münchner Sezession im Münchner Glaspalast, 1937-43 die Große Deutsche Kunstausstellung im Haus der deutschen Kunst München, Mitglied und ab 1931 Jurymitglied der Luitpold-Gruppe, Mitglied im Münchner Künstlerverband, tätig in München. Literatur : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | voraussichtlich 16:54 Uhr (CET) SCHMID-FICHTELBERG, Josef Anton (1877 Munich - 1964) "An der Laber bei Rottenburg a.d.L."Oil/hard fiber. Signed lower right, inscribed/titled verso. 45 x 60 cm. Framed : 51 x 65 cm (gold strip frame). Summer landscape with stream between green meadows near a village. German landscape, portrait and still life painter, self-taught, member of the Reichsverband bildender Künstler Deutschlands, participated in the exhibitions of the Munich Secession in the Munich Glaspalast from 1910, the Great German Art Exhibition in the House of German Art in Munich from 1937-43, member and from 1931 jury member of the Luitpold Group, member of the Munich Artists' Association, active in Munich. Literature : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | probably 16:54 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GREF, Franz Heinrich (1872 - 1957) StilllebenÖl/Leinwand. Rechts unten signiert, verso bezeichnet. 1935. 55 x 50 cm. Gerahmt : 65 x 60 cm. Asiatische Vase neben Korb und einem Blumenstrauß auf einem Tisch. Farbabsplitterung. Maler und Grafiker, studierte in München, Karlsruhe und Stuttgart. Literatur : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:37 Uhr (CET) GREF, Franz Heinrich (1872 - 1957) Still lifeOil/canvas. Signed lower right, inscribed verso. 1935. 55 x 50 cm. Framed : 65 x 60 cm. Asian vase next to a basket and a bouquet of flowers on a table. Paint chipping. Painter and graphic artist, studied in Munich, Karlsruhe and Stuttgart. Literature : Thieme/Becker. Aufrufzeit 24. | Feb 2024 | probably 20:37 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
RAU, G.A.H BlumenstilllebenÖl/Malkarton. Rechts oben signiert, verso Winterbild des Künstlers. 21. VI. (19)47. 49,5 x 50 cm. Gerahmt : 56,5 x 56,5 cm. Schöner Blumenstrauß mit üppigen Blüten in blauer Vase. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:42 Uhr (CET) RAU, G.A.H Flower still lifeOil/painting card. Signed upper right, verso winter painting by the artist. 21. VI. (19)47.49.5 x 50 cm. Framed : 56.5 x 56.5 cm. Beautiful bouquet with lush flowers in a blue vase. Call time 24 | Feb 2024 | presumably 20:42 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kleines BlumenstilllebenÖl/Holz. Unsigniert. Ende 19. Jh. 11,5 x 16 cm. Gerahmt : 16,2 x 20,5 cm (Goldleiste). Veilchen und Anemonen auf waldigem Grund in der Art der Jensen-Schule. Altersspuren. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:18 Uhr (CET) Small floral still lifeOil/wood. Unsigned. Late 19th century 11.5 x 16 cm. Framed : 16.2 x 20.5 cm (gold molding). Violets and anemones on a wooded background in the style of the Jensen school. Ageing. Provenance : Collection estate from Hanover. Aufrufzeit 24. | Feb 2024 | probably 20:18 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
SCHMIDT, T. Kleines RosenstilllebenÖl/Holz. Rechts unten signiert. 1849. 14,2 x 19,3 cm. Gerahmt : 16,2 x 21,4 cm (Goldleiste). Rosenzweig mit drei sich öffnenden Blüten vor dunklem Hintergrund. Wenn Gustav Ernst Theodor Schmidt, dann: Maler und Kustos der Königlichen Gemäldegalerie (1828 Dresden - 1904 ebd.), studierte an der Akademie Dresden. Literatur : Thieme/Becker. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:15 Uhr (CET) SCHMIDT, T. Small rose still lifeOil/wood. Signed lower right. 1849. 14.2 x 19.3 cm. Framed : 16.2 x 21.4 cm (gold border). Branch of roses with three opening blossoms against a dark background. If Gustav Ernst Theodor Schmidt, then: painter and curator of the Royal Picture Gallery (1828 Dresden - 1904 ibid.), studied at the Dresden Academy. Literature : Thieme/Becker. Provenance : Collection bequest from Hanover. Aufrufzeit 24. | Feb 2024 | probably 20:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Undeutlich signiert: Stillleben mit Äpfeln, Krug und TasseÖl/Leinwand. Rechts unten undeutlich signiert. Anfang 20. Jh. 40 x 50 cm. Gerahmt : 48 x 58,5 cm (Goldrahmen). Äpfel neben Flasche und weißer Porzellantasse. Minimale Altersspuren. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:09 Uhr (CET) Distinctly signed: Still life with apples, jug and cupOil/canvas. Indistinctly signed lower right. Early 20th century40 x 50 cm. Framed : 48 x 58.5 cm (gold frame). Apples next to bottle and white porcelain cup. Minimal traces of age. Provenance : Collection estate from Hanover. Call time 24 | Feb 2024 | presumably 20:09 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Stillleben mit BlumenstraußÖl/Leinwand/Karton. Links unten signiert. 1963. 50 x 60 cm. Gerahmt : 52,5 x 62,5 cm (dunkle Leiste). Großes Blumenbukett in schlanker Vase auf rotem Grund. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:46 Uhr (CET) Still life with bouquet of flowersOil/canvas/cardboard. Signed lower left. 1963. 50 x 60 cm. Framed : 52.5 x 62.5 cm (dark strip). Large bouquet of flowers in a slender vase on a red ground. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:46 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Stillleben mit FrühlingsblumenÖl/Malkarton. Unsigniert. 19. Jh. 20 x 15,5 cm. Gerahmt : 20,5 x 22 cm (Goldleiste). Verschiedene Blumen mit großen Blüten vor neutralem Hintergrund. Ein Riss unten am Rand. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:20 Uhr (CET) Still life with spring flowersOil/painting card. Unsigned. 19th century 20 x 15.5 cm. Framed : 20.5 x 22 cm (gold border). Various flowers with large blossoms against a neutral background. A tear at the bottom edge. Provenance : Collection estate from Hanover. Call time 24 | Feb 2024 | probably 20:20 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MOURIK, Hendrikus Cornelis van (1877 Tiel - 1944 ebd.) Stillleben mit HahnÖl/Leinwand. Rechts unten signiert. 44,5 x 77,5 cm. Gerahmt : 51 x 84 cm (Goldleistenrahmen). Toter weißer Hahn auf dem Boden im hellen Licht. Altersspuren. Niederländischer Maler der Haager Schule, Mitglied der Künstlervereinigungen Sint Lucas und Pictura Velnevis. Literatur : Vollmer. Aufrufzeit 24. | Feb 2024 | voraussichtlich 19:48 Uhr (CET) MOURIK, Hendrikus Cornelis van (1877 Tiel - 1944 ibid.) Still life with cockerelOil/canvas. Signed lower right. 44.5 x 77.5 cm. Framed : 51 x 84 cm (gold strip frame). Dead white cockerel on the ground in the bright light. Age marks. Dutch painter of the Hague School, member of the Sint Lucas and Pictura Velnevis artists' associations. Literature : Vollmer. Aufrufzeit 24. | Feb 2024 | probably 19:48 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Stillleben mit gelben Rosen und FliederÖl/Leinwand. Links unten undeutlich signiert, verso Widmung von 1893. Ende 19. Jh. 40 x 30 cm. Gerahmt : 56 x 46 cm (ajour geschnitzter Goldstuckrahmen). Die Blumen in einer kleinen Vase im hellen Licht. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:44 Uhr (CET) Still life with yellow roses and lilacsOil/canvas. Indistinctly signed lower left, verso dedication dated 1893. Late 19th century 40 x 30 cm. Framed : 56 x 46 cm (ajour carved gilt stucco frame). The flowers in a small vase in bright light. Provenance : Collection estate from Hanover. Call time 24 | Feb 2024 | probably 20:44 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
SCHOUTEN, Henry (1857/64 - 1927) Christliche SzeneÖl/Leinwand. Rechts unten mit Pseudonym "J. Klaus" signiert. Ende 19. Jh. 56 x 70 cm. Gerahmt : 68 x 82 cm. An Christi Geburt erinnernde Szene mit orientalischer Dorfgemeinschaft und Neugeborenem an einem mit Stroh gedeckten Haus mit Feuerstelle. Leinwand doubliert. Belgischer Tier- und Stilllebenmaler. Aufrufzeit 24. | Feb 2024 | voraussichtlich 15:19 Uhr (CET) SCHOUTEN, Henry (1857/64 - 1927) Christian sceneOil/canvas. Signed lower right with pseudonym "J. Klaus". Late 19th century 56 x 70 cm. Framed : 68 x 82 cm. Scene reminiscent of the Nativity with an oriental village community and a newborn child at a thatched house with a fireplace. Doubled canvas. Belgian animal and still life painter. Call time 24 | Feb 2024 | probably 15:19 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GREBESTEIN, Ferdinand Karl (1883 Niederhone - 1974 Eschwege) Stillleben mit BirnenÖl/Malkarton. Rechts unten signiert. 24 x 30,5 cm. Gerahmt : 32 x 38 cm (teils goldener Rahmen). Drei pastos gemalte Birnen im hellen Licht. Minimale Altersspuren. Maler in Dresden, studierte an der Kunstgewerbeschule Kassel. Literatur : Vollmer. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:12 Uhr (CET) GREBESTEIN, Ferdinand Karl (1883 Niederhone - 1974 Eschwege) Still life with pearsOil/painting card. Signed lower right. 24 x 30.5 cm. Framed : 32 x 38 cm (partly gold frame). Three pastose painted pears in bright light. Minimal traces of age. Painter in Dresden, studied at the Kunstgewerbeschule Kassel. Literature : Vollmer. Aufrufzeit 24. | Feb 2024 | probably 20:12 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
SVENSSON, A. Kleines BlumenstückÖl/Leinwand. Rechts unten signiert. Ende 19. Jh. 25,5 x 21,5 cm. Gerahmt : 35 x 31 cm (Goldstuckrahmen). Stillleben mit Maiglöckchen und Veilchen im Korb. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:34 Uhr (CET) SVENSSON, A. Small flower pieceOil/canvas. Signed lower right. Late 19th century 25.5 x 21.5 cm. Framed : 35 x 31 cm (gilt stucco frame). Still life with lily of the valley and violets in a basket. Provenance : Collection estate from Hanover. Aufrufzeit 24. | Feb 2024 | probably 20:34 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
POGEDAIEFF, Georges de (1897 Kursk - 1971 Paris) BlumenstilllebenÖl/Papier. Rechts unten signiert, verso undeutlicher kyrillischer Stempel. 34 x 29 cm. Gerahmt : 41 x 36 cm. Üppiger Blumenstrauß in hellblauer Vase vor gelbem Hintergrund. Leichte Altersspuren. Auch Georgiy Anatolevich Pozhedaev oder Georges Anatolievich Pogedaieff. Aufrufzeit 24. | Feb 2024 | voraussichtlich 12:55 Uhr (CET) POGEDAIEFF, Georges de (1897 Kursk - 1971 Paris) Flower still lifeOil/paper. Signed lower right, indistinct Cyrillic stamp on verso. 34 x 29 cm. Framed : 41 x 36 cm. Lush bouquet of flowers in a light blue vase against a yellow background. Slight traces of age. Also Georgiy Anatolevich Pozhedaev or Georges Anatolievich Pogedaieff. Call time 24 | Feb 2024 | probably 12:55 pm (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Blumenstillleben mit Schmetterling und HummelÖl/Leinwand. Unsigniert. Anfang 20. Jh. 47 x 33 cm. Gerahmt : 60 x 45,5 cm (schwarzer Lackrahmen). Rosafarbene Blüten im hellen Licht auf einem Sims mit den heranfliegenden Insekten. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:45 Uhr (CET) Flower still life with butterfly and bumblebeeOil/canvas. Unsigned. Early 20th century47 x 33 cm. Framed : 60 x 45.5 cm (black lacquer frame). Pink flowers in the bright light on a ledge with the approaching insects. Call time 24 | Feb 2024 | presumably 20:45 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BUSS, Valdis(1924 Balvi/Lettland - 2014) "Stillleben"Öl/Malkarton. Rechts unten signiert, verso bezeichnet/betitelt. (19)89. 50 x 70 cm. Lettischer Maler in Jurmala, studierte an der Akademie Riga. Deportation unter Stalin nach Sibirien. Rehabilitierung, Personalausstellung im Staatlichen Lettischen Kunstmuseum 2003, zahlreiche Ausstellungen in Europa, den USA, Japan und Syrien. Aufrufzeit 24. | Feb 2024 | voraussichtlich 21:00 Uhr (CET) BUSS, Valdis(1924 Balvi/Latvia - 2014) "Still life"Oil/painting card. Signed lower right, inscribed/titled verso. (19)89. 50 x 70 cm. Latvian painter in Jurmala, studied at the Riga Academy. Deported to Siberia under Stalin. Rehabilitated, personal exhibition at the Latvian State Art Museum in 2003, numerous exhibitions in Europe, the USA, Japan and Syria. Call time 24 | Feb 2024 | probably 21:00 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
DÖRRBECKER, Carl (1894 Frankfurt a.M. - 1983 ebd.) Stillleben mit QuittenÖl/Leinwand. Mittig oben signiert. 18,5 x 24 cm. Gerahmt : 27 x 33 cm (teils silberner Rahmen). Die zwei Früchte im hellen Licht. Leichte Altersspuren. Maler in Frankfurt/Main. Literatur : Dressler. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:13 Uhr (CET) DÖRRBECKER, Carl (1894 Frankfurt a.M. - 1983 ibid.) Still life with quincesOil/canvas. Signed top center. 18.5 x 24 cm. Framed : 27 x 33 cm (partly silver frame). The two fruits in the bright light. Slight traces of age. Painter in Frankfurt/Main. Literature : Dressler. Aufrufzeit 24. | Feb 2024 | probably 20:13 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
WÄCHTER, Paula von (1860 Ulm - 1944 Biberach) Stillleben mit HaseÖl/Leinwand. Rechts oben signiert. 1907. 90,5 x 65,5 cm. Der erlegte Hase auf einem Tisch neben einem Teller mit Äpfeln, einer Schüssel mit Gemüse und einer Topfpflanze. Zwei kleine restaurierte Stellen. Paula von Waechter: Deutsche Malerin, studierte in Stuttgart bei Friedrich von Keller sowie an der Académie Julian in Paris, später hospitierte Sie bei Adolf Hölzel. Literatur : Vollmer. Aufrufzeit 24. | Feb 2024 | voraussichtlich 20:07 Uhr (CET) WÄCHTER, Paula von (1860 Ulm - 1944 Biberach) Still life with hareOil/canvas. Signed upper right. 1907. 90.5 x 65.5 cm. The shot hare on a table next to a plate with apples, a bowl with vegetables and a potted plant. Two small restored areas. Paula von Waechter: German painter, studied in Stuttgart under Friedrich von Keller and at the Académie Julian in Paris, later she was a student of Adolf Hölzel. Literature : Vollmer. Aufrufzeit 24. | Feb 2024 | probably 20:07 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Crimean War - Declaration of War. Lieutenant Theophilus Moultrie Kelsall, Royal Navy (1831-1911) Autograph letter, four sides, large post 8vo, Kavarna Bay, April 14th 1854, Good Friday, HMS Trafalgar, to his sister [Ellen].Excerpts include 'On Sunday last we received the official declaration of war and we greeted it with great joy as our patience has been sorely tried by being kept up here as well, as in our case, the ship being kept in commission over her time. Our Admiral manned the rigging of his ship and gave hearty cheers and we as well as the rest to follow motions did the same though not knowing what cause we had to cheer in fact. I was asked by many of our men why we had been cheering and could give no explanation for though my own interests are perhaps favoured by war it still does not appear right to exult in so public a manner on such a calamity. I fancy our cheers must have meant that we were as ready ever to fight when forced to do so, as we have been by Russia. Though at war, we cannot yet realise it as there is no more precaution exercise or else to alter naval life from what I have always seen it. A good deal of this results from the knowledge that our enemy will never come out to attack us and we shall be obliged to act entirely on the offensive. We do not understand why we are now quietly laying here they say that the French have not yet received their official notice of war. It appears strange to stick to such niceties as our own ought to be sufficient for them… They [the Turks] have been forced to retreat and for fear of meeting with any Russian soldiers we are not allowed when on shore to go farther inland than a mile from the beach. Just before we received the official news, the Ad’tly, acting on the telegraphic intelligence sent a steamer to withdraw the French and English consults from Odessa but although she had a flag of truce flying they would not allow her boat to communicate but ordered her back to her ships and on her way back fired shot and shell at her and then at the ships, but did not strike her. Her Captain (Cpt Loring of the ‘Furious’) wished to return the fire but was overruled by his First Lieut’nt who advised him no one understands why to return and report the affair to the Ad’tly. They that moment discovered a Russian corvette … and steered for her but losing sight of her in a squall. When it cleared up she was safely under protection of forts near dangerous shoals. We were all very sorry that the Furious had not the opportunity of first opening the war as we wish the neglected Black Sea Fleet to have that honour but we have great doubts about it for the other fleet have of course had the start of us in the knowledge of our being at war and being commanded by Charles Napier, instead of the cautious Dundas. I fancy they stand perhaps more chance of commencing ….” Provenance:Theophilus Moultrie Kelsall was the son of Napoeolenic War naval veteran, John Theophilus Kelsall. Theophilius' service includes the following:HMS President - 2nd December 1846 - 6th February 1849 (As Naval Cadet and Midshipman)HMS Rattler - 18th February 1849 - 15th April 1851HMS Trafalgar - 9th December 1852 - 14th April 1955 (Mediterranean and Black Sea Fleet, including Crimea Service)HMS Spiteful - 15th May 1855 - 2nd September 1855 (Made Lieutenant in August 1855, Mediterranean)HMS Arachne - 23rd October 1855 - 27th November 1855 (North America and West Indies)HMS Horatio - 10th January 1856 - 12th May 1856 (Sheerness)HMS Cressy - 13th May 1856 - 14th May 1856 (Mediterranean and St. Petersburg)HMS Cumberland - 17th September 1858 - 17th August 1859 (South-Eastern Coast of America)HMS Weser - 18th October 1859 - 26th January 1860 (Mediterranean)HMS Alecto - 27th January 1860 - 25th June 1862 (West Africa)HMS Phoebe - 26th September 1862 - 29th June 1866 (Made Commander 11th April 1866, Mediterranean)Coast Guard Commander - 29th June 1870 - 13th October 1873 (Ramsgate)
FIRST WORLD WAR LETTERS. Woodall (Sir Ambrose Edgar, later Baron Uvedale of North End) (1885-1874). Surgeon, served with the Royal Army Medical Corps in the British Expeditionary Force on the Western Front. Resident Surgeon at Manor House Hospital from 1920-58. A bound volume of around 300 letters covering the period 1st January 1917 - 31st December 1917, with a portrait of Woodall on the front leaf, to 'M, F and J' (Mother, Father and probably his brother, Samuel 'J' Woodall), mostly written in France. With seven further loose portrait photographs of Ambrose, a copy of Samuel James Woodall, 'Manor House Hospital' and photocopied research. The letters begin when Woodall is based at Haig Hutments in Crook, Fleet. His early letters document some elements of disdain his fellow doctors, 'Certainly this war is doing a lot of harm to our profession. It has gone to the heads of the younger men & GPs very badly. About one in twenty is fit for a position of any responsibility. The sooner it is concluded the better. Most of those who have been out to the front seem to regard it as a picnic on the other hand there are always a proportion of decent men - small perhaps but still there.' Other excerpts include: [21st January, No. 2 General Hospital, Quai De Escales, Le Havre] 'Am at present in a hut described as the 2nd Gen. Hospital where I may remain a day or weeks'. This proved to be prophetic, with the next letter dated 24th January stating that he is now at No. 1 General Hospital, Eretrat, waiting for forward orders. From 10th February, he writes from the Cyclist’s Base Depot at Rouen, contending with cancelled orders, sharing a tent with other men and 'a Major from Egypt who snores'. [2nd March] 50th Northumbrian Casualty Clearing Station, Northern France. ‘The principal enemy is boredom’ … ‘we can hear the guns plainly enough in the evening here but we much farther away from the trenches than we were at the 46th CCS. There are 600-700 patients in the hospital, most of whom have come down suffering from scabies treminous’. [9th March] ‘The day before yesterday I went out to see another camp. There had been an air battle over the German lines and an aviator had been killed – an observer – the officer acting as pilot on the same machine had escaped by a miracle. It appears that they were surprised in the air and the plane was riddled with bullets before they were aware of the presence of the enemy. The pilot who escaped was suffering from shock but he had roused himself to attend the funeral of his companion who was also his particular chum’. [15th March] ‘Gordon Watson is surgical consultant for this area… his brother was in the combatant ranks and was badly wounded for 5 days he lay out in no man’s land supporting himself with rations taken from dead me, then he was found and brought to hospital. Gordon Watson had one of his vein’s opened and blood was transferred from him into his brother, but the brother died and Watson is suffering from blood poisoning in the arm. Strange things happen in this war.’ [6TH April] … ‘I went round to the prisoner of war camp also to the aviators camp. The German prisoners looked sleek and well nourished and were far superior in physique to our own wretches of the labor camp as you will understand when I say that they were front line men while our labourers are there because they are unfit for home defence. From there I went to the aviators whom I found very depressed. Several of their number were killed in early this morning and the Captain a man named Smith seemed cut to the quick, they are only boys most of them … he told me that the average length of a man’s life in that camp was just 2 months’. [9th May, 13 Durham Light Infantry, B.E.F, France] ‘The officers at the mess seem sufficiently arguable – they are much addicted to foul language and horseplay among themselves, also of course a lot of alcohol is put down but these things are just the ordinary accomplishments of military life and the chief accomplishment of that perfect gentleman the British Officer’ [13th May] ‘I went to bed early last night and slept till perhaps 2 o’clock when I woke up to find myself in the midst of a ? bombardment, the Boche was raining stuff on our lines under the cover of which he made a raid which was sent off duly. Our casualties kept me bust from about 3 to 7. So far as I could make out they were all from the front trench about a mile from here where there was hand to hand fighting, bombing and machine gun practice’. Edgar Woodall’s obituary, courtesy of the Royal College of Surgeons, reads “Ambrose Edgar Woodall was born in Eccles, Lancashire, on 24 April 1885, the second son of the Reverend Samuel Russell Woodall, a Primitive Methodist minister. He was educated at Manchester Central High School, and having won a science scholarship from Lancashire County Council, he became a student of Manchester University, graduating BSc in 1905 and MB ChB in 1908, winning the Renshaw Exhibition, the Bradley Surgical Prize and the Leech Junior Research Fellowship. He then spent a year as a demonstrator in physiology and a further year as a research fellow, graduating MSc in 1909 and MD in 1911. He held various resident posts at Manchester Royal Infirmary from 1910 to 1913 before enlarging his experience at the London and St Bartholomew's Hospitals. He served in the RAMC from 1915 to 1919 and after obtaining the FRCS in 1916, he went to France and later to Italy before returning to London as resident surgeon to the Manor House Hospital, a post he held from 1920 to 1958. During these years he was medical advisor to the National Union of Railwaymen and other trade unions and an 'expert medical witness'. He was surgical specialist to the Ministry of Pensions from 1921 to 1924. His knighthood, conferred in 1931, was regarded as a reward for his services to Manor House Hospital and the Trades Unions whose hospital it is. As a medical man he established a unique position in socialist circles. George Lansbury, Tom Williams, Ben Tillett and Lord Citrine were among his distinguished patients. He was a member of the Central Medical War Committee during the Second World War and he was made a Baron in 1946. In 1949, at the age of 63, he married Joyce Eleanor, the widow of the Rt Hon H B Lees-Smith, PC, MP. There was no heir. He died on 2 February 1974, aged 88 years.”
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