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Click here to subscribeDUNCAN GRANT (1885 - 1978) Framed, signed and dated 1934, oil on canvas, still life study of chrysanthemums in a jug, titled 'Chrysanthemums' on Redfern Gallery label verso, 49.5cm x 34.2cm. Provenance: The Redfern Gallery, London, see label verso; Tadema Gallery, London, see label verso; private collection, London. (ARR).
Kate Wylie (Scottish, 1877-1941) Still life of Anemones signed lower right "Kate Wylie" oil on canvas 44 x 34cm (17 x 13in) Kate Wylie was a flower painter and her work is in the Glasgow Museums. Born in Skelmorlie, Ayrshire, she painted in oil and watercolour portraits, flower studies and landscapes, and is now best known for her flowers. Kate Wylie trained at Glasgow School of Art and often painted on the Isle of Arran where she had a cottage at Blackwater Foot. In 1942 a memorial exhibition of her work, and that of Janet Aitken and Elma Story, was held at Glasgow Society of Lady Artists. A little dirty - modern frame needs replacing.
Chatin Sarachi (Albanian, 1899-1974) Still life of a bowl of fruit signed and inscribed lower left "To Walter and Diana from Chatin" and signed "Sarachi" and with "CS" stamp watercolour, in a blue painted frame 27 x 37cm (11 x 14in) A little discolouration and crinkling of paper under the glass.
Chatin Sarachi (Albanian, 1899-1974) Still life of lemons and apples in a terracotta bowl signed lower right and inscribed "To John from Chatin" watercolour 25 x 40cm (10 x 16in) Chatin Sarachi (in Albanian Paskal "Çatin" Saraçi) was an Albanian painter and politician In 1939 Sarachi met the great expressionist artist Oskar Kokoschka. Kokoschka became a close friend and admirer of Sarachi as well as a constant influence on his work. They shared a Kensington studio in Stratford Road, not far from the Pride Gallery, and worked together, creating many drawings and paintings of each other. The last exhibition of his work was held at the Pride Gallery in London in 1988. Today, the work of Chatin is considered to be closely connected to Expressionism although his knowledge and appreciation included influences of Japanese and Chinese painters. Under glass and paper is quite crinkled.
§ Mary Fedden (British, 1915-2012) Still life of lilies, peonies, foxgloves and daisies in a vase signed lower left "Mary Fedden 1949" oil on canvas 75 x 50cm (29 x 20in) Provenance: Purchased directly from Mary Fedden and hung in the Drawing Room of a Wiltshire country house; From there by descent to the vendor who lives in Somerset Perhaps a little dirty.
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